front cover of Cage of Lit Glass
Cage of Lit Glass
Charles Kell
Autumn House Press, 2021
The debut poetry collection of Charles Kell, Cage of Lit Glass engages themes of death, incarceration, and family through a range of physical, emotional, and philosophical spaces. In startling images of beauty and violence, Kell creates a haunting world that mirrors our individual and cultural fears. Boldly engaging with the absurdity, strain, and horrors of life, Kell’s poems expand upon the lineage of writers such as Kafka, Beckett, and Rimbaud.
 
Cage of Lit Glass follows multiple individuals and points of view, all haunted by various states of unease and struggle that follow them like specters as they navigate their world. Kell’s poems form blurred narratives and playful experiments from our attempts to build lives from despair. A tense and insightful collection, these works will follow the reader long after the book is finished.
 
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front cover of Cage of Lit Glass
Cage of Lit Glass
Charles Kell
Autumn House Press, 2019
The debut poetry collection of Charles Kell, Cage of Lit Glass engages themes of death, incarceration, and family through a range of physical, emotional, and philosophical spaces. In startling images of beauty and violence, Kell creates a haunting world that mirrors our individual and cultural fears. Boldly engaging with the absurdity, strain, and horrors of life, Kell’s poems expand upon the lineage of writers such as Kafka, Beckett, and Rimbaud.
 
Cage of Lit Glass follows multiple individuals and points of view, all haunted by various states of unease and struggle that follow them like specters as they navigate their world. Kell’s poems form blurred narratives and playful experiments from our attempts to build lives from despair. A tense and insightful collection, these works will follow the reader long after the book is finished.
 
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front cover of Carry You
Carry You
Glori Simmons
Autumn House Press, 2018
Glori Simmons’s new book, Carry You, is a timely collection of linked short stories that examines how war shapes and distorts our understanding of family, friends, country, and self. Simmons draws out the humanity of her characters, their flaws and failings, their hopes and desires, and their dreams for the future. These stories show that the human capacity for violence, compassion, and love are not bound by time or place.
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front cover of Circle / Square
Circle / Square
T.J. Mclemore
Autumn House Press, 2020
Throughout Circle / Square, T. J. McLemore renders the language of physics and theoretical science into poetry to illuminate the mysterious ways we experience reality. Exploring the complex and at-times dense world of scientific language, MeLemore spins into verse the kind of material many poets might shy away from. Throughout the chapbook, the poet begins from theoretical physics and other realms of science to continue poetry’s endless search to define, explore, and represent the world truthfully through deep attention to language and form. Neutrinos, string theory, thermodynamics, and quantum entanglement become meditations and tools for self-examination as McLemore finds new ways to revel in and represent physical existence. Drawing from highly technical scientific materials, McLemore has crafted poems that are thoughtful, grounding, and expressively charged, leading readers through divine moments of wonder and contemplation. 
 
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front cover of Come By Here
Come By Here
A Novella and Short Stories
Tom Noyes
Autumn House Press, 2014
His third collection, Noyes writes a novella and stories, focused on how humans interact and destroy the earth.
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front cover of Creep Love
Creep Love
Michael Walsh
Autumn House Press, 2021
Michael Walsh’s poetry collection Creep Love explores a family contending with a complex and ongoing crisis, the aftermath of which creates a shockwave that reverberates through these poems. Stories, half-truths, and lies combine into disturbing fable: A young pregnant woman flees her abusive boyfriend only to discover with terror that he is focused on her younger sister. When her younger sister later gives birth to her abusive ex’s other sons, the unsettling presence of the child’s father becomes unavoidable, and the family soon forces the first son to become a family secret.

We come to find out that the father carries a secret of his own. As tensions rise, attacks within the family escalate and finally culminate in an attempted murder. In Creep Love, Walsh captures the terror of this event, and these poems take us through the surprising outcomes. Near death, rather than floating into light due to hypoxia—a temporary release from the grip of compounding trauma—the speaker sinks into all-encompassing darkness. The anxiety of this moment returns him to his body from the edge of death. These poems give witness to the fallout, demonstrating how love can be charged with something ultimately unknowable.
 
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