This book is the first comprehensive directory of the journalism education and training offered in thirty-three European countries. The volume, organized by country, discusses the history of journalism education and includes an analysis of all the current university programs and training provided by private media and professional organizations in each location. In addition, each section includes a thorough examination of the historical, political, economic and social framework of journalism in each country that looks towards the future of journalism education and media in Europe. European Journalism Education will be an asset to scholars of international communication studies and to media policy makers around the world.
The annual Beijing Film Academy Yearbook continues to showcase the best academic debates, discussions, and research published in the prestigious Journal of Beijing Film Academy from the previous year. This volume brings together specially selected articles, covering the most up-to-date topics in Chinese cinema studies appearing for the first time in English, in order to bridge the gap in cross-cultural research in cinema and media studies, as well as to encourage new conversations.
This book is the latest offering in Intellect China Library series, which publishes work by Chinese scholars that have not previously been available to English-language academia. Covering the subjects of film studies, visual arts, performing arts, media, and cultural studies, the series aims to foster intellectual debate and to promote closer cross-cultural intellectual exchanges by introducing important works of Chinese scholarship to readers.
José María Rodríguez Méndez is a noted playwright, an acerbic cultural critic, and a political dissident under Franco. In Performing Spanishness, the first English-language examination of Méndez’s life and work, Michael Thompson sets the playwright’s lifelong struggle against censorship in the context of Spain’s shifting national identity. Méndez’s work presents “Spanishness” not as a static trait, but as an ongoing performance; Performing Spanishness is an indispensable resource to those interested in theater, Spain, and the relationship between art and activism.
Media in Europe Today provides a comprehensive overview of European media in its current state of transformation. Through a focus on specific European media sectors, it assesses the impact of new technologies across industries and addresses a wide range of practices, strategies, and challenges facing European media today. The Euromedia Research Group has more than twenty years of experience in the observation of trends affecting media today, and this book marks the strong continuation of that long tradition.
Set to generate discussions in the field for years to come, The Poetics of Poetry Film is an encyclopedic work on the ever-evolving art of the poetry film. Poetry films are a genre of short film usually involving three main elements: the poem as verbal message, the moving film image and diegetic sounds, and additional non-diegetic sounds or music, which create a soundscape. In this book, Sarah Tremlett examines the formal characteristics of the poetic in poetry film, film poetry, and videopoetry, particularly in relation to lyric voice and time.
Tremlett sets the emergence and history of poetry film in its proper global context, defining and debating terms both philosophically and materially. Showcasing the work of an international array of practitioners, The Poetics of Poetry Film includes interviews, analysis, and a rigorous investigation of the history of the genre, from its origins to the present. This is an industry bible for anyone interested in poetry, digital media, filmmaking, art, and creative writing, as well as poetry filmmakers.
In recent years, celebrities from George Clooney to Bono to Angelina Jolie have attempted to play an increasingly important role in global politics. Celebrity activism is an ever-growing, internationally visible phenomenon—yet the impact of these high-profile humanitarians on public awareness, government support, and mobilization of resources remains under-researched. Bringing together a diverse group of contributors from media studies and public diplomacy, Transnational Celebrity Activism in Global Politics aims to fill that void with a new interdisciplinary framework for the analysis of celebrity activism in international relations.
The Trustus Plays collects three full-length, award-winning performance texts by American playwright Jon Tuttle. Each play was a winner of the national Trustus Playwrights Festival contest and was then produced by the Trustus Theatre in Columbia, South Carolina. The Hammerstone is a comedy about two professors aging gracelessly, Drift is a dark comedy about marriage and divorce, and Holy Ghost is the story of German POWs held in the camps in the American south. Jon Tuttle provides an introduction to the plays, and Trustus founder and artistic director, Jim Thigpen, offers a preface describing Tuttle’s work within the context of the Trustus theatre’s dedication to experimental, edgy social drama.
Covering the silent era to the present, this wide-ranging collection of essays examines Greek cinema as an aesthetic, cultural, and political phenomenon with the potential to appeal to a diverse range of audiences. Using a range of methodological tools, the authors investigate the ever-shifting forms and meanings at work within Greece’s national cinema and locate it within the booming interdisciplinary study of European cinema at large. Designed for undergraduate courses in film studies, this well-researched volume fills a substantial gap in the market for critical works on Greek cinema in English.
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