Language of Tomorrow is a comprehensive guide to the history, evolution, and current forms of pictographic communication, charting its course from ancient Egyptian writing systems to modern-day emojis. The book is a culmination of research combining visual communication, semiotic theory, cultural studies, linguistics, artificial intelligence, and new media.
Haytham Nawar presents a cohesive and comprehensive historical framework—covering pictographic, logographic, and ideographic writing systems and scripts—through which we can discuss the future of communication. In his analysis, he explores the possibility of developing a standardized universal pictographic communication system that fosters mutual understanding and bridges diverse cultures. Weaving practice and theory across disciplines and bringing together language, culture, art, and design, Language of Tomorrow aims to locate the direction for the research and development of a transcultural visual communication system for the posthuman era.
This book is the result of a conference organised by the Contemporary Portuguese Political History Research Centre (CPHRC) and the University of Dundee that took place during September 2000. The purpose of this conference, and the resulting book, was to bring together various experts in the field to analyse and debate the process of Portuguese decolonisation, which was then 25 years old, and the effects of this on the Portuguese themselves. For over one century, the Portuguese state had defined its foreign policy on the basis of its vast empire &endash; this was the root of its 'Atlanticist' vision. The outbreak of war of liberation in its African territories, which were prompted by the new international support for self determination in colonised territories, was a serious threat that undermined the very foundations of the Portuguese state. This book examines the nature of this threat, how the Portuguese state initially attempted to overcome it by force, and how new pressures within Portuguese society were given space to emerge as a consequence of the colonial wars.
This is the first book that takes a multidisciplinary look at both the causes and the consequences of Portuguese decolonisation &endash; and is the only one that places the loss of Portugal's Eastern Empire in the context of the loss of its African Empire. Furthermore, it is the only English language book that relates the process of Portuguese decolonisation with the search for a new Portuguese vision of its place in the world.
This book is intended for anyone who is interested in regime change, decolonisation, political revolutions and the growth and development of the European Union. It will also be useful for those who are interested in contemporary developments in civil society and state ideologies. Given that a large part of the book is dedicated to the process of change in the various countries of the former Portuguese Empire, it will also be of interest to students of Africa. It will be useful to those who study decolonisation processes within the other former European Empires, as it provides comparative detail. The book will be most useful to academic researchers and students of comparative politics and area studies.
A look at the emergence of queer women characters in popular storytelling and the wide-ranging effects of this mainstream representation.
The twenty-first century has seen LGBTQ+ rights emerge at the forefront of public discourse and national politics in ways that would once have been hard to imagine. In Lesbians on Television, Kate McNicholas Smith maps concurrent contemporary shifts in lesbian visibility within popular media, focusing on the small screens of Europe and North America. Central to these shifts has been a re-imagining of queer lives—or a “new queer visibility”—as LGBTQ+ characters have become increasingly visible within popular culture. Kate McNicholas Smith explores this increased visibility through the lens of television, and in doing so, she identifies a “new lesbian normal”—a normalization of lesbian subjects that both helps and hinders those it represents.
Structured around five central case studies of popular British and American television shows featuring lesbian, bisexual, and queer women characters—The L Word, Skins, Glee, Coronation Street, and The Fosters—the book develops a detailed analysis of the shaping of a new “lesbian normal” through representations of LGBTQ+ figures and examines their televisual representation and reception. Presenting critical queer and feminist theory alongside empirical research that includes interviews and multi-platform media analyses, McNicholas Smith works to untangle the social, political, and cultural implications of new visibility in a period of significant social change in the LGBTQ+ experience.
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