Often overlooked by most tourists and locals alike, the Bronx—one of five boroughs that comprise the city of New York—is rich in cultural and historical attractions. From the Bronx Zoo (the largest urban zoo in the United States) to the New York Botanical Garden (one of the most visited botanical gardens in the world), this borough has something for everyone. Visitors can explore historical locations (including where George Washington slept and where Edgar Allan Poe lived and worked), watch a game in one of the most famous baseball stadiums in the United States—Yankee Stadium—and sample delicious Italian food in New York’s real “Little Italy” on Arthur Avenue and New England style seafood at City Island along the edge of Long Island Sound. Author and foremost historian of the Bronx Lloyd Ultan and educator Shelley Olson have teamed up to create a handy guidebook with detailed maps that will provide all the information prospective visitors need for planning their adventures to famous and little-known sites, including the hours, admission fees, and directions to featured attractions.

 

The Bronx—which includes thirty-six color photographs—provides visitors with informative chapters on more than twelve of the borough’s extraordinary destinations as well as self-guided walking tours of some of the most ethnically, architecturally, and historically diverse neighborhoods. History buffs will find beautifully preserved eighteenth- and nineteenth-century homes, the Hall of Fame for Great Americans (which pays homage to many familiar faces in American history), and Woodlawn Cemetery (the final resting place for prominent Americans including Duke Ellington, Joseph Pulitzer, Gloria Vanderbilt Whitney, and Thomas Nast). In addition to the botanical garden, nature lovers can enjoy the beautiful Pelham Bay Park and Van Cortlandt Park. The Bronx also highlights the surprising number of art galleries, museums, and performance venues that visitors are sure to enjoy, further demonstrating the borough’s cultural prominence. .

 

 

For the last three hundred years, and through all its social and economic transformations, The Bronx has been a major literary center that many prominent writers have called home.

Bringing together a variety of past literary figures as well as emerging talents, this comprehensive book captures the Zeitgeist of the neighborhood through the eyes of its writers. Included are selections from the writings of Jack Kerouac, Mark Twain, James Baldwin, James Fenimore Cooper, Tom Wolfe, Herman Wouk, Theodore Dreiser, Washington Irving, Clifford Odets, Cynthia Ozick, Grace Paley, Edgar Allan Poe, Chaim Potok, Kate Simon, Leon Trotsky, and Sholem Aleichem.

Lloyd Ultan and Barbara Unger place the literature of these and other writers in historical context and reproduce one hundred vintage photographs that bring the writings to life. Filtered through the imaginations of authors of different times, ethnic groups, social classes, and literary styles, the borough of The Bronx emerges not only as a shaper of destinies and lives, but as an important literary mecca.

In recent years, community policing has transformed American law enforcement by promising to build trust between citizens and officers. Today, three-quarters of American police departments claim to embrace the strategy. But decades before the phrase was coined, the New York City Housing Authority Police Department (HAPD) had pioneered community-based crime-fighting strategies.

The Last Neighborhood Cops reveals the forgotten history of the residents and cops who forged community policing in the public housing complexes of New York City during the second half of the twentieth century. Through a combination of poignant storytelling and historical analysis, Fritz Umbach draws on buried and confidential police records and voices of retired officers and older residents to help explore the rise and fall of the HAPD's community-based strategy, while questioning its tactical effectiveness. The result is a unique perspective on contemporary debates of community policing and historical developments chronicling the influence of poor and working-class populations on public policy making.

What if Earth had several moons or massive rings like Saturn?  What if the Sun were but one star in a double-star or triple-star system?  What if Earth were the only planet circling the Sun? 

These and other imaginative scenarios are the subject of Arthur Upgren's inventive book Many Skies: Alternative Histories of the Sun, Moon, Planets, and Stars. Although the night sky as we know it seems eternal and inevitable, Upgren reminds us that, just as easily, it could have been very different.

Had the solar sytem happened to be in the midst of a star cluster, we might have many more bright stars in the sky.  Yet had it been located beyond the edge of the Milky Way galaxy, we might have no stars at all.  If Venus or Mars had a moon as large as ours, we would be able to view it easily with the unaided eye.  Given these or other alternative skies, what might Ptolemy or Copernicus have concluded about the center of the solar sytem and the Sun?

This book not only examines the changes in science that these alternative solar, stellar, and galactic arrangements would have brought, it also explores the different theologies, astrologies, and methods of tracking time that would have developed to reflect them. Our perception of our surroundings, the number of gods we worship, the symbols we use in art and literature, even the way we form nations and empires are all closely tied to our particular (and accidental) placement in the universe.

Many Skies, however, is not merely a fanciful play on what might have been.  Upgren also explores the actual ways that human interferences such as light pollution are changing the night sky.  Our atmosphere, he warns, will appear very different if we have belt of debris circling the globe and blotting out the stars, as will happen if advertisers one day pollute space with brilliant satellites displaying their products.

From fanciful to foreboding, the scenarios in Many Skies will both delight and inspire reflection, reminding us that ours is but one of many worldviews based on our experience of a universe that is as much a product of accident as it is of intention.

As ever more women work outside the home, ever more families employ childcare workers. In the absence of government regulations or social models that clearly define the childcare provider’s role, mothers worry about the quality of care their children are getting. By connecting the personal level of mothers’ daily experiences to the larger political, economic, and ideological context of childcare, Lynet Uttal describes and explains how mothers rely on their relationship with the providers to monitor and influence the quality of care their children receive. Whereas other studies have emphasized how mothers undervalue and exploit providers, this book paints a more nuanced picture, arguing that the ties between adults who share in the care of children creates neither heroes nor victims. This ethnography reveals that mothers are often reluctant to discuss their concerns with their childcare providers. Uttal shows how mothers walk a fine line between wanting to believe in the quality of care they have chosen, and the fact that they might have made a mistake. Catalyzed by their worries about the quality of care, mothers develop complex relationships with the women—and most are women—who look after their children.