Weddings in the United States are often extravagant, highly ritualized, and costly affairs. In this book, Beth Montemurro takes a fresh look at the wedding process, offering a perspective not likely to be found in the many planning books and magazines readily available to the modern bride. Montemurro draws upon years of ethnographic research to explore what prenuptial events mean to women participants and what they tell us about the complexity and ambiguity of gender roles. Through the bachelorette party and the bridal shower, the bride-to-be is initiated into the role of wife by her friends and family, who present elaborate scenarios that demonstrate both what she is sacrificing and what she is gaining.
Montemurro argues that American society at the turn of the twenty-first century is still married to traditional conceptions of masculinity and femininity and that prenuptial rituals contribute to the stabilization of gender inequalitiesRegional Planning for a Sustainable America is the first book to represent the great variety of today’s effective regional planning programs, analyzing dozens of regional initiatives across North America.
The American landscape is being transformed by poorly designed, sprawling development. This sprawl—and its wasteful resource use, traffic, and pollution—does not respect arbitrary political boundaries like city limits and state borders. Yet for most of the nation, the patterns of development and conservation are shaped by fragmented, parochial local governments and property developers focused on short-term economic gain. Regional planning provides a solution, a means to manage human impacts on a large geographic scale that better matches the natural and economic forces at work. By bringing together the expertise of forty-two practitioners and academics, this book provides a practical guide to the key strategies that regional planners are using to achieve truly sustainable growth.
New Jersey is exceptionally rich in ferns, as three centuries of naturalists have recognized. Both amateur and professional botanists will welcome this new, complete, fully illustrated guide to the state's ferns and fern allies (the lycopods and horsetails). After an introduction to fern classification and nomenclature, the history of fern collecting, and the ecology and distribution of ferns within New Jersey, the authors describe eighty-three species, in thirty genera, and thiry-two hybrid forms (more than any other state). They include a fascinating account of the rare curly-grass fern, Schizaea pusilla, "New Jersy's most famous plant."
For each species, the authors provide a detailed drawing and comments on taxonomy, habitat, chromosome counts, habits of growth, and status as endangered species. Distribution maps show not only where plants have been collected, but also the time period for the most recent date of collectionÐÐa convenient way of showing the plant's spread or depletion. Throughout, the book reflects the latest research by fern experts.
An essential field guide and reference for naturalists, botanists, hikers, gardeners, and conservationists in New Jersey and the mid-Atlantic states.
Music and performance provide a unique window into the ways that cultural information is circulated and perceptions are constructed. Because they both require listening, are inherently ephemeral, and most often involve collaboration between disparate groups, they inform cultural perceptions differently from literary or visual art forms, which tend to be more tangible and stable.
In Yellowface, Krystyn R. Moon explores the contributions of writers, performers, producers, and consumers in order to demonstrate how popular music and performance has played an important role in constructing Chinese and Chinese American stereotypes. The book brings to life the rich musical period of the late nineteenth and early twentieth centuries. During this time, Chinese and Chinese American musicians and performers appeared in a variety of venues, including museums, community theaters, and world’s fairs, where they displayed their cultural heritage and contested anti-Chinese attitudes. A smaller number crossed over into vaudeville and performed non-Chinese materials. Moon shows how these performers carefully navigated between racist attitudes and their own artistic desires.
While many scholars have studied both African American music and blackface minstrelsy, little attention has been given to Chinese and Chinese American music. This book provides a rare look at the way that immigrants actively participated in the creation, circulation, and, at times, subversion of Chinese stereotypes through their musical and performance work.
At last, here is a user-friendly guide to gynecologic surgery. The authors' guiding principle is that each woman for whom any kind of surgery is recommended should be well informed about the indications, the risks, and the expected results.
Using anecdotes drawn from a combined fifty years of experience, doctors Moore and de Costa provide clear and accurate information about women's anatomy, physiology, common gynecological ailments, diagnosis, alternative treatments, and, finally, full details about surgery itself. Among the surgeries discussed are removal of the uterus (hysterectomy), removal of the ovaries (oophorectomy), and removal of fibroids. The various ways of performing these procedures are examined, including minimally invasive surgery done through the laparoscope.
The authors also help the patient through the post-operative phase, revealing what to expect, how to make the recovery easier, and how to take care of yourself after the surgery. The result is a book that empowers women as they weigh their options with regard to gynecologic surgery.
Every year, millions of healthy women undergo a variety of screening tests without understanding why or the meaning of the outcome. If you are among those women, overwhelmed by information and baffled by results, this is the book you've been waiting for. In straightforward, personable prose, A Woman's Concise Guide to Common Medical Tests surveys a wide variety of standard tests commonly suggested by doctors.
Using the recommendations of the U.S. Preventative Health Services Task Force as a starting point, physicians Michele C. Moore and Caroline M. de Costa describe and explain screening tests for STDs and other communicable diseases, diabetes, thyroid disease, bone loss, various genetic tests, pregnancy, and cancer (including breast, colon, and skin). A section on common blood tests demystifies the numerical results that can be virtually impossible to interpret for women outside the medical profession. The authors detail what is considered "normal" as well as what's not-to help women make sense of their results.
As practicing physicians, both authors have fielded patients' questions about standard screening tests and understand what women should know but often feel afraid to ask about. For each test, there is an explanation of why it may be ordered, how it is done, what sort of preparation may be involved, and what risks may be incurred.
As the health-care industry continues to evolve, the amount of medical information available to women about their health can be overwhelming and confusing. Without being encyclopedic or intimidating, A Woman's Concise Guide to Common Medical Tests offers all the facts you need about screening tests, all in one place.
Following the 1941 attack on Pearl Harbor and America's declaration of war on Japan, the U.S. War Department allowed up to five hundred second-generation, or "Nisei," Japanese American women to enlist in the Women's Army Corps and, in smaller numbers, in the Army Medical Corps.
Through in-depth interviews with surviving Nisei women who served, Brenda L. Moore provides fascinating firsthand accounts of their experiences. Interested primarily in shedding light on the experiences of Nisei women during the war, the author argues for the relevance of these experiences to larger questions of American race relations and views on gender and their intersections, particularly in the country's highly charged wartime atmosphere. Uncovering a page in American history that has been obscured, Moore adds nuance to our understanding of the situation of Japanese Americans during the war.
"Morgan has written an important and original work that presents a well-substantiated challenge to many recent studies of 'colonial discourse'."--Nancy L. Paxton,
Susan Morgan's study of materials and regions, previously neglected in contemporary postcolonial studies, begins with the transforming premise that "place matters." Concepts derived from writings about one area of the world cannot simply be transposed to another area, in some sort of global theoretical move. Moreover, place in the discourse of Victorian imperialism is a matter of gendered as well as geographic terms. Taking up works by Anna Forbes and Marianne North on the Malay Archipelago, by Margaret Brooke and Harriette McDougall on Sarawak, by Isabella Bird and Emily Innes on British Malaya, by Anna Leonowens on Siam, Morgan also makes extensive use of theorists whose work on imperialism in Southeast Asia is unfamiliar to most American academics.
This vivid examination of a different region and different writings emphasizes that in Victorian literature there was no monolithic imperialist location, authorial or geographic. The very notion of a ‘colony’ or an ‘imperial presence’ in Southeast Asia is problematic. Morgan is concerned with marking the intersections of particular Victorian imperial histories and constructions of subjectivity. She argues that specific places in Southeast Asia have distinctive, and differing, masculine imperial rhetorics. It is within these specific rhetorical contexts that women’s writings, including their moments of critique, can be read.
Recent history has witnessed a revolution in womens health care. Beginning in the late 1960s, women in communities across the United States challenged medical and male control over womens health. Few people today realize the extent to which these grassroots efforts shifted power and responsibility from the medical establishment into womens hands as health care consumers, providers, and advocates.
Into Our Own Hands traces the womens health care movement in the United States. Richly documented, this study is based on more than a decade of research, including interviews with leading activists; documentary material from feminist health clinics and advocacy organizations; a survey of womens health movement organizations in the early 1990s; and ethnographic fieldwork. Sandra Morgen focuses on the clinics born from this movement, as well as how the movements encounters with organized medicine, the state, and ascendant neoconservative and neoliberal political forces of the 1970s to the1980s shaped the confrontations and accomplishments in womens health care. The book also explores the impact of political struggles over race and class within the movement organizations.
In Security Disarmed, scholars, policy planners, and activists come together to think critically about the human cost of violence and viable alternatives to armed conflict. Arranged in four parts--alternative paradigms of security, cross-national militarization, militarism in the United States, and pedagogical and cultural concerns--the book critically challenges militarization and voices an alternative encompassing vision of human security by analyzing the relationships among gender, race, and militarization. This collection of essays evaluates and resists the worldwide crisis of militarizationùincluding but going beyond American military engagements in the twenty-first century.
An avalanche of recent newspapers, weekly newsmagazines, scholarly journals, and academic books has helped to spark a heated debate by publishing warnings of a “boy crisis” in which male students at all academic levels have begun falling behind their female peers. In Learning the Hard Way, Edward W. Morris explores and analyzes detailed ethnographic data on this purported gender gap between boys and girls in educational achievement at two low-income high schools—one rural and predominantly white, the other urban and mostly African American. Crucial questions arose from his study of gender at these two schools. Why did boys tend to show less interest in and more defiance toward school? Why did girls significantly outperform boys at both schools? Why did people at the schools still describe boys as especially “smart”?
Morris examines these questions and, in the process, illuminates connections of gender to race, class, and place. This book is not simply about the educational troubles of boys, but the troubled and complex experience of gender in school. It reveals how particular race, class, and geographical experiences shape masculinity and femininity in ways that affect academic performance. His findings add a new perspective to the “gender gap” in achievement.
David L. Morton examines the process of invention, innovation, and diffusion of communications technology, using the history of sound recording as the focus. Off the Record demonstrates how the history of both the hardware and the ways people used it is essential for understanding why any particular technology became a fixture in everyday life or faded into obscurity. Morton’s approach to the topic differs from most previous works, which have examined the technology’s social impact, but not the reasons for its existence. Recording culture in America emerged, Morton writes, not through the dictates of the technology itself but in complex ways that were contingent upon the actions of users.
Each of the case studies in the book emphasizes one of five aspects of the culture of recording and its relationship to new technology, at the same time telling the story of sound recording history. One of the misconceptions that Morton hopes to dispel is that the only important category of sound recording involves music. Unique in his broad-based approach to sound technology, the five case studies that Morton investigates are :Certificate of Merit for the 2009 Association for Recorded Sound Collections Award for Excellence in Historical Recorded Sound Research
It may be that the song most baby boomers identify from July 1956 is a simple twelve-bar blues, hyped on national television by a twenty-one-year-old Elvis Presley and his handlers. But it is a very different song, with its elongated fourteen-bar choruses of rhythm and dissonance, played on the night of July 7, 1956, by a fifty-seven-year-old Duke Ellington and his big band that got everybody on their feet and moving as one. More than fifty years later, “Diminuendo and Crescendo in Blue,” recorded at the 1956 Newport Jazz Festival, still makes a profound statement about postwar America—how we got there and where it all went.
Backstory in Blue is a behind-the-scenes look at this epic moment in American cultural history. It is the story of who and what made Ellington’s composition so compelling and how one piece of music reflected the feelings and shaped the sensibilities of the postwar generation. As John Fass Morton explains, it was music expressed as much by those who performed offstage as by those who performed on.
Written from the point of view of the audience, this unique account draws on interviews with fans and music professionals of all kinds who were there and whose lives were touched, and in some cases changed, by the experience. Included are profiles of George Avakian, who recorded and produced Ellington at Newport 1956; Paul Gonsalves, the tenor sax player responsible for the legendary twenty-seven choruses that enabled the rebirth of Ellington’s career; and the “Bedford Blonde,” Elaine Anderson, whose dance ignited both the band and the crowd.
Duke Ellington once remarked, “I was born at Newport.” Here we learn that Newport was much more than the turning point for Ellington’s career. It was the tipping point for a generation and a musical genre.
Richard Moser uses interviews and personal stories of Vietnam veterans to offer a fundamentally new interpretation of the Vietnam War and the antiwar movement. Although the Vietnam War was the most important conflict of recent American history, its decisive battle was not fought in the jungles of Vietnam, or even in the streets of the United States, but rather in the hearts and minds of American soldiers. To a degree unprecedented in American history, soldiers and veterans acted to oppose the very war they waged. Tens of thousands of soldiers and veterans engaged in desperate conflicts with their superiors and opposed the war through peaceful protest, creating a mass movement of dissident organizations and underground newspapers.
Moser shows how the antiwar soldiers lived out the long tradition of the citizen soldier first created in the American Revolution and Civil War. Unlike those great upheavals of the past, the Vietnam War offered no way to fulfill the citizen-soldier's struggle for freedom and justice. Rather than abandoning such ideals, however, tens of thousands abandoned the war effort and instead fulfilled their heroic expectations in the movements for peace and justice. According to Moser, this transformation of warriors into peacemakers is the most important recent development of our military culture.
The struggle for peace took these new winter soldiers into America rather than away from it. Collectively these men and women discovered the continuing potential of American culture to advance the values of freedom, equality, and justice on which the nation was founded.
Selected as a "New Jersey Notable Book for 1995-2005" by the New Jersey Center for the Book
Awarded the 2004 Certificate of Commendation by the American Association for State and Local History
African American Women Writers in New Jersey, 1836-2000 is the first and only reference book to identify and document the lives, intellectual contributions, and publications of over one hundred African American women writers in the Garden State from 1836 through 2000. Many, such as Jessie Redmon Fauset, Alice Perry Johnson, Sharon Bell Mathis, Ntozake Shange, Claudia C. Tate, Ruby Ora Williams, and Marion Thompson Wright, were born in the state. Others, like Amina Baraka, E. Alma Flagg, Helen Jackson Lee, Gertrude Williams Pitts, and Dorothy Porter Wesley, although not born there, were residents of New Jersey for more than fifteen years, and made significant contributions during that time.
This volume contains biographical and bibliographical information for each author. There are photographs of the writers as well as citations for their published pamphlets, books, reports, and articles. Sibyl E. Moses has enhanced the text with characteristic excerpts from the poetry and prose of selected writers. The two appendixes highlight the distribution of African American women writers in New Jersey both by city or town, and by genre.
For more than ten thousand years, humans have lived in New Jersey. From Summit to Cape May, from Trenton to the Jersey Shore, the state is a treasure trove of archaeological artifacts, revealing much about those who occupied the region prior to European settlement. As a rule, only the most durable of human creations¾items of stone and pottery¾survive the ravages of time. To complicate matters, the onslaught of our own culture and the indiscriminate looting of sites by greedy collectors have further diminished the cultural materials left behind. The task of the archaeologist is to gather and interpret these scraps for the benefit of science and the public. But digging up relics is a trivial pursuit if the only outcome is a collection of artifacts, however attractive or valuable they may be. Understanding what those relics mean in human terms is crucial.
In Looking beneath the Surface, R. Alan Mounier looks at the human past of New Jersey. With particular focus on the ancient past and native cultures, the author tells the story of archaeology in the state as it has unfolded, and as it continues to unfold. New investigations and discoveries continually change our views and interpretations of the past. In jargon-free language, Mounier provides an in-depth introduction offering information to understand general archaeological practices as well as research in New Jersey. Subsequent chapters describe artifact types, archaeological settlements, and burial practices in detail. He concludes with vignettes of twenty-one archaeological investigations throughout the state to illustrate the variability of sites and the accomplishments of dedicated archaeologists, both professional and amateur.
Robert H. Schuller’s ministry—including the architectural wonder of the Crystal Cathedral and the polished television broadcast of Hour of Power—cast a broad shadow over American Christianity. Pastors flocked to Southern California to learn Schuller’s techniques. The President of United States invited him sit prominently next to the First Lady at the State of the Union Address. Muhammad Ali asked for the pastor’s autograph. It seemed as if Schuller may have started a second Reformation. And then it all went away. As Schuller’s ministry wrestled with internal turmoil and bankruptcy, his emulators—including Rick Warren, Bill Hybels, and Joel Osteen— nurtured megachurches that seemed to sweep away the Crystal Cathedral as a relic of the twentieth century. How did it come to this?
Certainly, all churches depend on a mix of constituents, charisma, and capital, yet the size and ambition of large churches like Schuller’s Crystal Cathedral exert enormous organizational pressures to continue the flow of people committed to the congregation, to reinforce the spark of charismatic excitement generated by high-profile pastors, and to develop fresh flows of capital funding for maintenance of old projects and launching new initiatives. The constant attention to expand constituencies, boost charisma, and stimulate capital among megachurches produces an especially burdensome strain on their leaders. By orienting an approach to the collapse of the Crystal Cathedral on these three core elements—constituency, charisma, and capital—The Glass Church demonstrates how congregational fragility is greatly accentuated in larger churches, a notion we label megachurch strain, such that the threat of implosion is significantly accentuated by any failures to properly calibrate the inter-relationship among these elements.
On any given night in living rooms across America, women gather for a fun girls’ night out to eat, drink, and purchase the latest products—from Amway to Mary Kay cosmetics. Beneath the party atmosphere lies a billion-dollar industry, Direct Home Sales (DHS), which is currently changing how women navigate work and family.
Drawing from numerous interviews with consultants and observations at company-sponsored events, Paid to Party takes a closer look at how DHS promises to change the way we think and feel about the struggles of balancing work and family. Offering a new approach to a flexible work model, DHS companies tell women they can, in fact, have it all and not feel guilty. In DHS, work time is not measured by the hands of the clock, but by the emotional fulfillment and fun it brings.
For decades, the work of one of America’s most influential poets, 1925 Pulitzer Prize–winner Amy Lowell (1874–1925), has been largely overlooked. This vigorous, courageous poet gave voice to an erotic, thoroughly American sensibility. Cigar-smoker, Boston Brahmin, lesbian, impresario, entrepreneur, and prolific poet, Lowell heralded the rush of an American poetic flowering. A best-selling poet as well as a wildly popular lecturer (autograph-seeking fans were sometimes so boisterous that she required a police escort), she was a respected authority on modern poetry, forging the path that led to the works of Allen Ginsberg, May Sarton, Sylvia Plath, and beyond. Yet, since her death, her work has suffered critical neglect.
This volume presents an essential revaluation of Lowell, and builds a solid critical basis for evaluating her poetry, criticism, politics, and influence. Essays explore the varied contributions of Lowell as a woman poet, a modernist, and a significant force of the literary debates of early twentieth-century poetics. In addition to placing Lowell in her proper historical context, contributors demonstrate her centrality to current critical and theoretical discussions: feminist, gay and lesbian, and postcolonial, in as well as in disability, American, and cultural studies. The book includes a transatlantic group of literary critics and scholars.
Amy Lowell, American Modern offers the most sustained examination of Lowell to date. It returns her to conversation and to literary history where she belongs.
In Blanca Muratorio's book, we are introduced to Rucuyaya Alonso, an elderly Quichua Indian of the Upper Ecuadorean Amazon. Alonso is a hunter, but like most Quichuas, he has done other work as well, bearing loads, panning gold, tapping rubber trees, and working for Shell Oil. He tells of his work, his hunting, his marriage, his fights, his fears, and his dreams. His story covers about a century because he incorporates the oral tradition of his father and grandfather along with his own memories. Through his life story, we learn about the social and economic life of that region.
Chapters of Alonso's life history and oral tradition alternate with chapters detailing the history of the world around him--the domination of missionaries, the white settlers' expropriation of land, the debt system workers were subjected to, the rubber boom, the world-wide crisis of the 1930s, and the booms and busts of the international oil market. Muratorio explains the larger social, economic, and ideological bases of white domination over native peoples in Amazonia. She shows how through everyday actions and thoughts, the Quichua Indians resisted attacks against their social identity, their ethnic dignity, and their symbolic systems. They were far from submissive, as they have often been portrayed.
With his dirty, tattered clothes and hollowed-out face, Oliver Twist is the enduring symbol of the young indigent spilling out of orphanages and haunting the streets of late-nineteenth-century London. Although poor children were often portrayed as real-life Oliver Twists—either orphaned or abandoned by unworthy parents—they in fact frequently maintained contact and were eventually reunited with their families.
In Imagined Orphans, Lydia Murdoch focuses on this discrepancy between the representation and the reality of children’s experiences within welfare institutions—a discrepancy that she argues stems from conflicts over middle- and working-class notions of citizenship that arose in the 1870s and persisted until the First World War. Reformers’ efforts to depict poor children as either orphaned or endangered by abusive or “no-good” parents fed upon the poor’s increasing exclusion from the Victorian social body. Reformers used the public’s growing distrust and pitiless attitude toward poor adults to increase charity and state aid to the children.
With a critical eye to social issues of the period, Murdoch urges readers to reconsider the complex situations of families living in poverty. While reformers’ motivations seem well intentioned, she shows how their methods solidified the public’s antipoor sentiment and justified a minimalist welfare state that engendered a cycle of poverty. As they worked to fashion model citizens, reformers’ efforts to protect and care for children took on an increasingly imperial cast that would continue into the twentieth century.
Now if I just remembered where I put that original TV play device--the universal remote control . . .
Television is a global industry, a medium of representation, an architectural component of space, and a nearly universal frame of reference for viewers. Yet it is also an abstraction and an often misunderstood science whose critical influence on the development, history, and diffusion of new media has been both minimized and overlooked. How Television Invented New Media adjusts the picture of television culturally while providing a corrective history of new media studies itself.
Personal computers, video game systems, even iPods and the Internet built upon and borrowed from television to become viable forms. The earliest personal computers, disguised as video games using TV sets as monitors, provided a case study for television's key role in the emergence of digital interactive devices. Sheila C. Murphy analyzes how specific technologies emerge and how representations, from South Park to Dr. Horrible's Sing-Along-Blog, mine the history of television just as they converge with new methods of the making and circulation of images. Past and failed attempts to link television to computers and the Web also indicate how services like Hulu or Netflix On-Demand can give rise to a new era for entertainment and program viewing online. In these concrete ways, television's role in new and emerging media is solidified and finally recognized.
Musil draws on personal experience and compelling data in this practical and rigorous analysis of the causes and cures for global warming. The book presents all the players in the most pressing challenge facing society today, from the massive fossil fuel lobby to the enlightened corporations that are joining the movement to "go green." Musil thoroughly explains the tremendous potential of renewable energy sources-wind, solar, and biofuel-and the startling conclusions of experts who say society can do away entirely with fossil fuels. He tells readers about the engaged politicians, activists, religious groups, and students who are already working together against climate change.
But the future depends, Musil insists, on what changes ordinary citizens make. Through personal choices and political engagement, he shows how readers can cut carbon emissions and create green communities where they live. With practical and realistic solutions, Hope for a Heated Planet inspires readers to be accountable and enables them to usher in an age of sustainability for future generations.
A young Lutheran girl grows up on Long Island, New York. She aspires to be a doctor, and is on the fast track to marriage and the conventional happily-ever-after. But, as the Yiddish saying goes, "Man plans, and God laughs." Meet Andrea Myers, whose coming-of-age at Brandeis, conversion to Judaism, and awakening sexual identity make for a rich and well-timed life in the rabbinate.
In The Choosing, Myers fuses heartwarming anecdotes with rabbinic insights and generous dollops of humor to describe what it means to survive and flourish on your own terms. Portioned around the cycle of the Jewish year, with stories connected to each of the holidays, Myers draws on her unique path to the rabbinate--leaving behind her Christian upbringing, coming out as a lesbian, discovering Judaism in college, moving to Israel, converting, and returning to New York to become a rabbi, partner, and parent.
Myers relates tales of new beginnings, of reinventing oneself, and finding oneself. Whether it's a Sicilian grandmother attempting to bake hamantaschen on Purim for her Jewish granddaughter, or an American in Jerusalem saving a chicken from slaughter during a Rosh Hashanah ritual, Myers keeps readers entertained as she reflects that spirituality, goodness, and morality can and do take many forms. Readers will enthusiastically embrace stories of doors closing and windows opening, of family and community, of integration and transformation. These captivating narratives will resonate and, in the author's words, "reach across coasts, continents, and generations."
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