Exploring the concept and history of visual and graphic epistemologies, this engrossing collection of essays by artists, curators, and scholars provides keen insights into the many forms of connection between visibility and legibility. With more than 130 color and black-and-white photographs, Visible Writings sheds new light on the visual dimensions of writing as well as writing's interaction with images in ways that affect our experiences of reading and seeing.

Multicultural in character and historical in range, essays discuss pre-Colombian Mesoamerican scripts, inscriptions on ancient Greek vases, medieval illuminations, Renaissance prints, Enlightenment concepts of the legible, and the Western "reading" of Chinese ideograms. A rich array of modern forms, including comics, poster art, typographic signs, scribblings in writers' manuscripts, anthropomorphic statistical pictograms, the street writings of 9/11, intersections between poetry and painting, the use of color in literary texts, and the use of writing in visual art are also addressed.

Visible Writings reaches outside the traditional venues of literature and art history into topics that consider design, history of writing, philosophy of language, and the emerging area of visual studies. Marija Dalbello, Mary Shaw, and the other contributors offer both scholars and those with a more casual interest in literature and art the opportunity, simply stated, to see the writing on the wall.

When Washington made his famous crossing of the Delaware River, it is a shame he couldn't have invited local historian Frank T. Dale along for the ride. Dale could have suggested the easiest crossing points.

Fortunately for contemporary readers, Dale has written a fascinating book chronicling thirty-five of the most historic bridges crossing the Delaware, some of which have served the residents of New Jersey, Pennsylvania, and New York for almost two centuries. Many of us take these bridges for granted as we speed across, impatient to reach our destination, but their histories are too interesting to ignore.

Dale brings us the stories behind each bridge, covering design, engineering, ownership, finances, and politics. He chronicles the life of each, from the original construction, through modifications, and, sometimes, through the bridges' multiple destructions and reconstructions. Along the way, Dale recounts the history of the area surrounding each bridge, including the demise of ferry services, reasons why each bridge was built, politics surrounding construction, debates over public versus privately owned bridges, and stories of the floods and fires that threatened not only the bridges, but the local residents. Dozens of rare photos give readers a captivating window back into the past.

These fine old structures have become integral parts of Delaware River life and have an exciting past of their own. Bridges over the Delaware River will ensure that their legacies endure.

Everyone knows that Washington crossed the Delaware and turned the "times that try men's souls" into a triumphal victory. And today residents of and visitor to New York, New Jersey, and Pennsylvania enjoy canoeing and tubing, shad fishing and bed and breakfasting along the Delaware. Have you ever wondered about the life of the river in the two centuries in between? The Delaware was the scene of important events after the Revolution, too- an early and tragic experiment in steam propulsion, a notoriously lethal prison camp in the Civil War, memorable floods, hurricanes, ice storms, and even a furious battle with the U.S. army.

Frank Dale, who has lived near the Delaware all of his life, has burrowed into old newspaper files and archives and traced down eyewitnesses o the life of the Delaware. Rivers were the highways of choice in early America, and the Delaware presented much greater challenges than the nearby Hudson. Filled with rapid, falls, and inconvenient rocks, the river refused to accommodate itself easily to the needs of commerce. The rivermen who ventured down the Delaware on massive timber rafts or Durham boats filled with iron ore earned a deserved reputation for pure ornery courage. Later entrepreneurs tried steamboats, canals, and bridges to attempt to harness and exploit this most unexploitable river, with decidedly mixed results. In recent times, the Tocks Island Dam was defeated by a community that had come to admire the river's stubborn resistance to being conquered and harnesses to human ends. Canoeists and waterside strollers can now appreciate its unspoiled beauties.

Apocalypse Never illuminates why we must abolish nuclear weapons, how we can, and what the world will look like after we do. The twenty-first century has ushered in a world at the atomic edge. The pop culture days of Dr. Strangelove have been replaced by the all-too-real single day of 24. Tad Daley has written a book for the general reader about this most crucial of contemporary challenges.

Apocalypse Never maintains that the abolition of nuclear weapons is both essential and achievable, and reveals in fine detail what we need to do--both governments and movements--to make it a reality. Daley insists that while global climate change poses the single greatest long-term peril to the human race, the nuclear challenge in its many incarnation--nuclear terror, nuclear accident, a nuclear crisis spinning out of control--poses the single most immediate peril. Daley launches a wholesale assault on the nuclear double standard--the notion that the United States permits itself thousands of these weapons but forbids others from aspiring to even one--insisting that it is militarily unnecessary, morally indefensible, and politically unsustainable. He conclusively repudiates the most frequent objection to nuclear disarmament, "the breakout scenario"--the possibility that after abolition someone might whip back the curtain, reveal a dozen nuclear warheads, and proceed to "rule the world."

On the wings of a brand new era in American history, Apocalypse Never makes the case that a comprehensive nuclear policy agenda from President Obama, one that fully integrates nonproliferation with disarmament, can both eliminate immediate nuclear dangers and set us irreversibly on the road to abolition. In jargon-free language, Daley explores the possible verification measures, enforcement mechanisms, and governance structures of a nuclear weapon-free world. Most importantly, he decisively argues that universal nuclear disarmament is something we can transform from a utopian fantasy into a concrete political goal.

A collection of cutting-edge articles that demonstrate an implicit dialogue between art historians and film specialists.

The Visual Turn is a cutting-edge dialogue between art historians and film theorists from the silent period to the aftermath of World War II. Its aim is to broaden the horizons of film studies, while making students of art history more comfortable when they approach the key texts of classical film theory.

Through pairings of articles, The Visual Turn demonstrates that an implicit dialogue between art historians and film specialists has enriched both fields for decades. By combining original essays, reprints, and translations from French and Italian, The Visual Turn makes this little-known dialogue between two disciplines speak about such rich issues as: iconophobia, iconophilia, and iconoclasm; haptic and optical images; cognitivism and aesthetics; visual form, history, and technology.

At the turn of the twentieth century W.E.B. DuBois predicted that the central problem facing the United States in the new century would be that of the “color line.” Now, at the beginning of a new century, we find many people straddling the color line. These people come from the growing number of multiracial families in America, families who search for places of comfort and familiarity in a racially polarized society whose educational system, places of worship, and neighborhoods continue to suffer a de facto segregation. This group has provoked an ever-widening debate and an upheaval in traditional racial thinking in the United States.

Through in-depth interviews with individuals from black–white multiracial families, and insightful sociological analysis, Heather M. Dalmage examines the challenges faced by people living in such families and explores how their experiences demonstrate the need for rethinking race in America. She examines the lived reality of race in the ways multiracial family members construct and describe their own identities and sense of community and politics. She shows how people whose own very lives complicate the idea of the color line must continually negotiate and contest it in order not to reproduce it. Their lack of language to describe their multiracial existence, along with their experience of coping with racial ambiguity and with institutional demands to conform to a racially divided, racist system is the central theme of Tripping on the Color Line. By connecting the stories to specific issues, such as census categories, transracial adoption, intermarriage, as well as the many social responses to violations of the color line, Dalmage raises the debate to a broad discussion on racial essentialism and social justice.

Exploring the dynamic of race as it pervades the lives of those close to the color line, Dalmage argues that the struggle for racial justice must include an understanding that race is a complex construct that is constantly shifting, and is something we do rather than something we simply are.

Based on nearly a decade of research, Aging and Loss examines how the landscape of aging is felt, understood, and embodied by older adults themselves. In detailed portraits, anthropologist Jason Danely delves into the everyday lives of older Japanese adults as they construct narratives through acts of reminiscence, social engagement and ritual practice, and reveals the pervasive cultural aesthetic of loss and of being a burden.

 

Through first-hand accounts of rituals in homes, cemeteries, and religious centers, Danely argues that what he calls the self-in-suspense can lead to the emergence of creative participation in an economy of care. In everyday rituals for the spirits, older adults exercise agency and reinterpret concerns of social abandonment within a meaningful cultural narrative and, by reimagining themselves and their place in the family through these rituals, older adults in Japan challenge popular attitudes about eldercare. Danely’s discussion of health and long-term care policy, and community welfare organizations, reveal a complex picture of Japan’s aging society. 

Homecoming Queers provides a critical discussion of the multiple strategies used by queer Latina authors and artists in the United States to challenge silence and invisibility within mainstream media, literary canons, and theater spaces. Marivel T. Danielson's analysis reveals the extensive legacy of these cultural artists, including novelists, filmmakers, students and activists, comedians, performers, and playwrights. By clearly discussing the complexities and universalities of ethnic, racial, sexual, gender, and class intersections between queer Chicana and U.S. Latinas, Danielson explores the multiple ways identity shapes and shades creative expression. Weaknesses and gaps are revealed in the treatment of difference as a whole, within dominant and marginalized communities.

Spanning multiple genres and forms, and including scholarly theory alongside performances, films, narratives, and testimonials, Homecoming Queers leads readers along a crucial path toward understanding and overcoming the silences that previously existed across these fields.

A Patchwork Shawl sheds light on the lives of a segment of the U.S. immigrant population that has long been relegated to the margins. It focuses on women's lives that span different worlds: Bangladesh, India, Pakistan, and the United States. This collection of essays by and about South Asian women in America challenges stereotypes by allowing women to speak in their own words. Together they provide discerning insights into the reconstruction of immigrant patriarchy in a new world, and the development of women's resistance to that reconstruction. Shamita Das DasGupta's introduction also acquaints readers with the psychological topography of the South Asian community.

A Patchwork Shawl considers topics from re-negotiation of identity to sexuality, violence to intimacy, occupations to organizing within the community. The essays bear witness to women's negotiations for independent identities, their claim to their own bodies, and the right to choose relationships based on their own histories and truths. They bring new understanding to the intersection of gender, ethnicity, race, sexuality, and class.

When South Asians immigrated to the United States in great numbers in the 1970s, they were passionately driven to achieve economic stability and socialize the next generation to retain the traditions of their home culture. During these years, the immigrant community went to great lengths to project an impeccable public image by denying the existence of social problems such as domestic violence, sexual assault, child sexual abuse, mental illness, racism, and intergenerational conflict. It was not until recently that activist groups have worked to bring these issues out into the open.

In Body Evidence, more than twenty scholars and public health professionals uncover the unique challenges faced by victims of violence in intimate spaces . . . within families, communities and trusted relationships in South Asian American communities. Topics include cultural obsession with women's chastity and virginity; the continued silence surrounding intimate violence among women who identify themselves as lesbian, bisexual, or transgender; the consequences of refusing marriage proposals or failing to meet dowry demands; and, ultimately, the ways in which the United States courts often confuse and exacerbate the plights of these women.
 

In Unveiling Desire, Devaleena Das and Colette Morrow show that the duality of the fallen/saved woman is as prevalent in Eastern culture as it is in the West, specifically in literature and films. Using examples from the Middle to Far East, including Iran, India, Pakistan, Bangladesh, Thailand, Japan, and China, this anthology challenges the fascination with Eastern women as passive, abject, or sexually exotic, but also resists the temptation to then focus on the veil, geisha, sati, or Muslim women’s oppression without exploring Eastern women’s sexuality beyond these contexts. The chapters cover instead mind/body sexual politics, patriarchal cultural constructs, the anatomy of sex and power in relation to myth and culture, denigration of female anatomy, and gender performativity. From Persepolis to Bollywood, and from fairy tales to crime fiction, the contributors to Unveiling Desire show how the struggle for women’s liberation is truly global.  

What led to the Fourth Amendment’s protection of the people against unreasonable searches and seizures, codified in written law for the first time in history, and are we in danger of losing that protection? Celebrated lawyer Samuel Dash, known for his role as Chief Counsel of the Watergate Committee, explores the struggle for privacy. He does so by telling the dramatic tales of the people who were involved in influential legal battles, including landmark Supreme Court cases.

Covering almost eight-hundred years of history, Dash begins with the time of King John of England and the Magna Carta, then moves to colonial America as colonists resisted searches mandated under King George. These tensions contributed to the birth of the United States and the adoption of our Bill of Rights with its Fourth Amendment, protecting people against unreasonable searches and seizures.

How effective that protection has been is the story of the next two centuries. Dash explores U.S. Supreme Court cases through the sometimes humorous experiences of the people involved, including the unlucky gambler with a shoplifting wife and the police lieutenant turned king of bootleggers. To some extent, judicial safeguarding of Fourth Amendment protections depended on who made up the majority of the Court at any given time.

By 2001 a conservative majority of the Court had given law enforcement agents greater search powers than ever before. Dash challenges the legal justification of the Bush Administration’s grab for greater search, seizure, and wiretap powers after the 9/11 terrorists’ attacks. He reminds us of government abuses of power in prior emergencies in American history. For Dash, the best security is our belief in individual liberty and the enforcement of our Bill of Rights.   

Most scholars of genocide focus on mass murder. Lawrence Davidson, by contrast, explores the murder of culture. He suggests that when people have limited knowledge of the culture outside of their own group, they are unable to accurately assess the alleged threat of others around them. Throughout history, dominant populations have often dealt with these fears through mass murder. However, the shock of the Holocaust now deters today’s great powers from the practice of physical genocide. Majority populations, cognizant of outside pressure and knowing that they should not resort to mass murder, have turned instead to cultural genocide as a “second best” politically determined substitute for physical genocide.

In Cultural Genocide, this theory is applied to events in four settings, two events that preceded the Holocaust and two events that followed it: the destruction of American Indians by uninformed settlers who viewed these natives as inferior and were more intent on removing them from the frontier than annihilating them; the attack on the culture of Eastern European Jews living within Russian-controlled areas before the Holocaust; the Israeli attack on Palestinian culture; and the absorption of Tibet by the People’s Republic of China.

In conclusion, Davidson examines the mechanisms that may be used to combat today’s cultural genocide as well as the contemporary social and political forces at work that must be overcome in the process.

How fast do butterflies fly? Does a butterfly have ears? Do they sleep? Does a caterpillar have a skeleton? How does a moth get out of its cocoon? What is the difference between a butterfly and a moth? And just what is a skipper?

Every year, thousands of people visit butterfly conservatories to stand in quiet awe of the simple beauty displayed by these magical creatures. Hazel Davies and Carol A. Butler capture the sense of wonderment and curiosity experienced by adults and children alike in this book about butterflies and their taxonomic cousins, the moths and the skippers. Beautifully illustrated with color and black and white photographs, and drawings by renowned artist William Howe, this book is an essential resource for parents, teachers, students, or anyone who has ever been entranced by these fascinating, fluttering creatures.

Covering everything from their basic biology to their complex behaviors at every stage of life to issues in butterfly conservation, Davies and Butler explore wide-ranging topics and supply a trove of intriguing facts. You'll find tips on how to attract more butterflies to your garden, how to photograph them, and even how to raise them in your own home. Arranged in a question and answer format, the book provides detailed information written in an accessible style that brings to life the science and natural history of these insects. In addition, sidebars throughout the book detail an assortment of butterfly trivia, while extensive appendices direct you to organizations, web sites, and more than 200 indoor and outdoor public exhibits, where you can learn more or connect with other lepidopterophiles (butterfly lovers).

Why would a successful physician who has undergone seven years of rigorous medical training take the trouble to seek out and learn to practice alternative methods of healing such as homeopathy and Chinese medicine? From Doctor to Healer answers this question as it traces the transformational journeys of physicians who move across the philosophical spectrum of American medicine from doctor to healer. Robbie Davis-Floyd and Gloria St. John conducted extensive interviews to discover how and why physicians make the move to alternative medicine, what sparks this shift, and what beliefs they abandon or embrace in the process.

After outlining the basic models of American health care-the technocratic, humanistic, and holistic-the authors follow the thoughts and experiences of forty physicians as they expand their horizons in order to offer effective patient care. The book focuses on the radical shift from one end of the spectrum to the other-from the technocratic approach to holism-made by most of the interviewees. Because many American physicians find such a drastic change too threatening, the authors also address the less radical transition to humanism-a movement toward compassionate care arising from within the medical system.

The emergence of the double-bill in the 1930s created a divide between A-pictures and B-pictures as theaters typically screened packages featuring one of each. With the former considered more prestigious because of their larger budgets and more popular actors, the lower-budgeted Bs served largely as a support mechanism to A-films of the major studios—most of which also owned the theater chains in which movies were shown. When a 1948 U.S. Supreme Court antitrust ruling severed ownership of theaters from the studios, the B-movie soon became a different entity in the wake of profound changes to the corporate organization and production methods of the major Hollywood studios.

In The Battle for the Bs, Blair Davis analyzes how B-films were produced, distributed, and exhibited in the 1950s and demonstrates the possibilities that existed for low-budget filmmaking at a time when many in Hollywood had abandoned the Bs. Made by newly formed independent companies, 1950s B-movies took advantage of changing demographic patterns to fashion innovative marketing approaches. They established such genre cycles as science fiction and teen-oriented films (think Destination Moon and I Was a Teenage Werewolf) well before the major studios and also contributed to the emergence of the movement now known as underground cinema. Although frequently proving to be multimillion-dollar box-office draws by the end of the decade, the Bs existed in opposition to the cinematic mainstream in the 1950s and created a legacy that was passed on to independent filmmakers in the decades to come.

Comic Book Movies explores how this genre serves as a source for modern-day myths, sometimes even incorporating ancient mythic figures like Thor and Wonder Woman’s Amazons, while engaging with the questions that haunt a post-9/11 world: How do we define heroism and morality today? How far are we willing to go when fighting terror? How can we resist a dystopian state?

Film scholar Blair Davis also considers how the genre’s visual style is equally important as its weighty themes, and he details how advances in digital effects have allowed filmmakers to incorporate elements of comic book art in innovative ways. As he reveals, comic book movies have inspired just as many innovations to Hollywood’s business model, with film franchises and transmedia storytelling helping to ensure that the genre will continue its reign over popular culture for years to come.  

As Christopher Nolan’s Batman films and releases from the Marvel Cinematic Universe have regularly topped the box office charts, fans and critics alike might assume that the “comic book movie” is a distinctly twenty-first-century form. Yet adaptations of comics have been an integral part of American cinema from its very inception, with comics characters regularly leaping from the page to the screen and cinematic icons spawning comics of their own. 

 

Movie Comics is the first book to study the long history of both comics-to-film and film-to-comics adaptations, covering everything from silent films starring Happy Hooligan to sound films and serials featuring Dick Tracy and Superman to comic books starring John Wayne, Gene Autry, Bob Hope, Abbott & Costello, Alan Ladd, and Dean Martin and Jerry Lewis. With a special focus on the Classical Hollywood era, Blair Davis investigates the factors that spurred this media convergence, as the film and comics industries joined forces to expand the reach of their various brands. While analyzing this production history, he also tracks the artistic coevolution of films and comics, considering the many formal elements that each medium adopted and adapted from the other. 

 

As it explores our abiding desire to experience the same characters and stories in multiple forms, Movie Comics gives readers a new appreciation for the unique qualities of the illustrated page and the cinematic moving image.  

 

Adolescence is in many ways a culturally constructed category, with different meanings for different societies. Susan Schaefer Davis and Douglas A. Davis have studied adolescence in Zawiya, a town in northern Morocco. They examine changes in views of adolescence, changes in adolescent behavior, and differences in the adolescent experiences of boys and girls over the past few decades.

Rashid was eighteen in 1982, when he helped us understand the feelings and activities of young people in his neighborhood, no longer a boy but not quite a man. He liked to talk about how his feelings and his understanding had grown from the time described, when he was just a kid. He recalled his dreams and plans in one of the hundreds of conversations we had about adolescence in this Moroccan town. His generation of youth in "Zawiya," on the western edge of North Africa, are the subject of this book.

Biographies are so much more than lists of teachers, roles, and awards. The Actor’s Art conveys stories about numerous productions, insight about becoming and being an actor, and opinions about issues such as color-blind casting and the future of theatre. Together, these conversations form lively, thought-provoking sketches of such stars as Hume Cronyn and Jessica Tandy, Ruby Dee, Julie Harris, Cherry Jones, James Earl Jones, Stacy Keach, Nathan Lane, and Jason Robards. The Actor’s Art demonstrates the value of listening, and the pleasures of reading.

From that Place and Time is the memoir of Lucy S. Dawidowicz, an American-Jewish historian who set out to study Yiddish language and Jewish history at YIVO, the Jewish Scientific Institute in Vilna, Poland, in 1938. Escaping Poland only days before the Nazi onslaught, she worked in the New York YIVO during the war, and returned to Europe from 1946 to 1947 to aid Jewish displaced persons in Munich and Belsen with the American Jewish Joint Distribution Committee. Dawidowicz's memoir not only describes her pre-war year in Jewish Eastern Europe, but also treats the ghostly post-war period, and her role in salvaging what remained of Vilna's scorched Jewish archives and libraries.

Nancy Sinkoff's new introduction explores the historical forces, particularly the dynamic world of secular Yiddish culture, which shaped Dawidowicz's decision to journey to Poland and her reassessment of those forces in the last years of her life.

The only comprehensive, up-to-date guide to wineries of the eastern United States!

Look out Napa Valley. From Maine to Virginia, a surprising number of vintners are producing impressive wines worthy of a celebratory toast. Or two.

Once thought to be a region dominated by quaint farm wines, the eastern U.S. now boasts a number of highly coveted wines. Pinot Noirs and Merlots, Rieslings and Gewürztraminers are being bottled all along the Atlantic, so even the most discriminating wine drinker can find something to please the palate.

Here is the only comprehensive, up-to-date directory to nearly 300 wineries across New England and the mid-Atlantic. Wineries in thirteen states are covered: Connecticut, Delaware, Maine, Maryland, Massachusetts, New Hampshire, New Jersey, New York, Pennsylvania, Rhode Island, Vermont, Virginia, and West Virginia.

Invaluable as both a buying and touring guide, East Coast Wineries offers insights into the winemaking world and puts the reviews of the experts at your fingertips. Features include:

A short history of the winery
A listing of wines offered by that winery, plus recommended buys
Reviews by wine experts from major newspapers, magazines, and journals
Directions and hours of operation
A listing of annual wine festivals and other special events

Whether you’re a wine connoisseur or a beginner, East Coast Wineries is the book to read. Cheers!

What do community organizations and organizers do, and what should they do? For the past thirty years politicians, academics, advocates, and activists have heralded community as a site and strategy for social change. In contrast, Contesting Community paints a more critical picture of community work which, according to the authors--in both theory and practice--has amounted to less than the sum of its parts. Their comparative study of efforts in the United States, the United Kingdom, and Canada describes and analyzes the limits and potential of this work.

Covering dozens of groups, including ACORN, Brooklyn's Fifth Avenue Committee, and the Immigrant Workers Centre in Montreal, and discussing alternative models, this book is at once historical and contemporary, global and local. Contesting Community addresses one of the vital issues of our day--the role and meaning of community in people's lives and in the larger political economy.

Decade after decade, violence against women has gained more attention from scholars, policy makers, and the general public. Social scientists in particular have contributed significant empirical and theoretical understandings to this issue.

Strikingly, scant attention has focused on the victimization of women who want to leave their hostile partners. This groundbreaking work challenges the perception that rural communities are safe havens from the brutality of urban living. Identifying hidden crimes of economic blackmail and psychological mistreatment, and the complex relationship between patriarchy and abuse, Walter S. DeKeseredy and Martin D. Schwartz propose concrete and effective solutions, giving voice to women who have often suffered in silence.

Contemporary feminist scholarship has done much to challenge the many binary constructions at the heart of Western culture: white/nonwhite, theory/practice, and, most notably, masculine/feminine. Feminist criticism has reshaped these conceptions by breaking them apart and reconfiguring them into intersecting, relational fields of difference. The contributors to this collection look to the future of feminist theory and practice, specifically in terms of their complex relationship with the global and local configurations of postmodernity.

In the first part of this book, current feminist theory is assessed for possible future directions. Part two focuses primarily on political issues and part three on questions of the body. Topics include feminist success versus social backlash, global womens human rights, postcolonial feminism, the politics of reproduction, and narratives of womens aging in postmodern culture.

Contributors: Karen Barad, Anne C. Bellows, Charlotte Bunch, Nao Bustamante, Elaine K. Chang, Marianne DeKoven, Leela Fernandes, Susan Stanford Friedman, Coco Fusco, Radha S. Hegde, Cheryl Johnson-Odim, E. Ann Kaplan, Debra J. Liebowitz, Rajeswari Sunder Rajan, Cynthia Saltzman, Lynne Segal

The authors provide an eye-opening account of recent battles over publicly financed stadiums in some of America’s largest cities. Their interviews with the key decision makers present a behind-the-scenes look at how and why powerful individuals and organizations foist these sports palaces on increasingly unreceptive communities.

 Delaney and Eckstein show that in the face of studies demonstrating that new sports facilities don’t live up to their promise of big money, proponents are using a new tactic to win public subsidies¾intangible “social” rewards, such as prestige and community cohesion. The authors find these to be empty promises as well, demonstrating that new stadiums may exacerbate, rather than erase, social problems in cities.

During a ceremony held in 1996 to commemorate the fiftieth anniversary of formal Philippine independence, the U.S. flag was being lowered while the Philippine flag was being raised, and the two became entangled. In The Star-Entangled Banner, Sharon Delmendo demonstrates that this incident is indicative of the longstanding problematic relationship between the two countries. When faced with a national crisis or a compelling need to reestablish its autonomy, each nation paradoxically turns to its history with the other to define its place in the world.

Each chapter of the book deals with a separate issue in this linked history: the influence of Buffalo Bill’s show on the proto-nationalism of José Rizal, who is often described as the “First Filipino”; the portrayal of the Philippines in American children’s books; Back to Bataan, a World War II movie starring John Wayne; the post-independence fiction of F. Sionil José; and the refusal of the U..S military to return the Balangiga Bells, which were taken as war booty during the Philippine-American War. Ultimately, Delmendo demonstrates how the effects of U.S. imperialism in the Philippines continue to resonate in U.S. foreign policy in the post cold war era and the war on terrorism.

Even the most casual sports fans celebrate the achievements of professional athletes, among them Jackie Robinson, Muhammad Ali, and Joe Louis. Yet before and after these heroes staked a claim for African Americans in professional sports, dozens of college athletes asserted their own civil rights on the amateur playing field, and continue to do so today.

Integrating the Gridiron, the first book devoted to exploring the racial politics of college athletics, examines the history of African Americans on predominantly white college football teams from the nineteenth century through today. Lane Demas compares the acceptance and treatment of black student athletes by presenting compelling stories of those who integrated teams nationwide, and illuminates race relations in a number of regions, including the South, Midwest, West Coast, and Northeast. Focused case studies examine the University of California, Los Angeles in the late 1930s; integrated football in the Midwest and the 1951 Johnny Bright incident; the southern response to black players and the 1955 integration of the Sugar Bowl; and black protest in college football and the 1969 University of Wyoming "Black 14." Each of these issues drew national media attention and transcended the world of sports, revealing how fans—and non-fans—used college football to shape their understanding of the larger civil rights movement.

Crossing the Gods examines the sometimes antagonistic and sometimes cozy but always difficult and dangerous relationship between religion and politics in countries around the globe.            

Eminent sociologist of religion Jay Demerath traveled to Brazil, China, Egypt, Guatemala, India, Indonesia, Israel, Japan, Northern Ireland, Pakistan, Poland, Sweden, Turkey, and Thailand to explore the history and current relationship of religion, politics, and the state in each country. In the first part of this wide-ranging book, he asks, What are the basic fault lines along which current tensions and conflicts have formed? What are the trajectories of change from past to present, and how do they help predict the future?

In the book’s second part the author returns home to focus on the United States the only nation founded specifically on the principle of a separation between religion and state and examines the extent to which this principle actually holds and the consequences when it does not. Highlighting such issues as culture wars, violence, globalization, and the fluidity of individual religious identity, Demerath exposes the provincialism and fallacies underlying many of our views of religion and politics worldwide.

Finally, Demerath examines America’s status as the world’s most religious nation. He places that claim within a comparative context and argues that our country is not “more religious” but “differently religious.” He argues that it represents a unique combination of congregational religion, religious pluralism, and civil religion. But the United States also illustrates the universal tendency for the sacred to give way to the secular and for the secular to generate new forms of the sacred.

Rutgers University’s Douglass Residential College is the only college for women that is nested within a major public research university in the United States. Although the number of women’s colleges has plummeted from a high of 268 in 1960 to 38 in 2016, Douglass is flourishing as it approaches its centennial in 2018. To explore its rich history, Kayo Denda, Mary Hawkesworth, Fernanda H. Perrone examine the strategic transformation of Douglass over the past century in relation to continuing debates about women’s higher education.

The Douglass Century celebrates the college’s longevity and diversity as distinctive accomplishments, and analyzes the contributions of Douglass administrators, alumnae, and students to its survival, while also investigating multiple challenges that threatened its existence.  This book demonstrates how changing historical circumstances altered the possibilities for women and the content of higher education, comparing the Jazz Age, American the Great Depression, the Second World War, the post-war Civil Rights era, and the resurgence of feminism in the 1970s and 1980s. Concluding in the present day, the authors highlight the college’s ongoing commitment to Mabel Smith Douglass’ founding vision, “to bring about an intellectual quickening, a cultural broadening in connection with specific training so that women may go out into the world fitted…for leadership…in the economic, political, and intellectual life of this nation.” In addition to providing a comprehensive history of the college, the book brings its subjects to life with eighty full-color images from the Special Collections and University Archives, Rutgers University Libraries.  
 

"Intellectually broad and carefully grounded in fundamental issues affecting the time, role, and place of the academy in society, this collection explores the ways in which art and tradition are either maintained or rearticulated late in the Victorian Era. Art and the Academy forges a distinctive new way to look at the broad range of academic creativity against a complex network of changing social patterns." -Gabriel P. Weisberg, department of art history, University of Minnesota

Throughout the nineteenth century, academies functioned as the main venues for the teaching, promotion, and display of art. Contemporary scholars have, for the most part, denigrated academic art, calling it formulaic, unoriginal, and repetitious. The contributors to Art and the Academy in the Nineteenth Century challenge this entrenched notion and consider how academies worldwide have represented an important system of artistic preservation and transmission. Their essays eschew easy binaries that have reigned in academia for over half a century and that simply oppose the avant-garde to academism.

The essayists uncover the institutional structures and artistic practices of academies in England, France, Germany, and Brazil. Investigating artistic protocols across national and cultural boundaries, the scholars examine the relationship between artistic training and cultural identity. Their essays provide new insights into the ways in which institutions of art helped shape the nineteenth century's view of itself as an age of civilization amidst the turmoil of rapid social and cultural change. With an engaging mix of works by leading scholars, Art and the Academy will be essential reading for anyone interested in the artistic, cultural, and social history of the nineteenth century.

Rafael Cardoso Denis is adjunct professor (visiting) at the Escola Superior de Desenho Industrial (Universidade do Estado do Rio de Janeiro). Colin Trodd is senior lecturer in art history at the University of Sunderland.

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Scott Derrick has written an original book that contributes significantly to current revisions of the nineteenth-century American literary tradition's representation of gender and sexuality. His interpretation of feminist, lesbian-feminist, and gay issues in nineteenth-century American literature as complementary enlarges our historical understanding and helps build the coalition politics needed in these areas."-John Carlos Rowe, University of California, Irvine

Recent gender-based scholarship on nineteenth-century American literature has established male authors' crucial awareness of the competition from popular women writers. And critical work in gay studies and queer theory has stressed the importance in canonical American literature of homoerotic relations between men, even before "homosexuality" became codified at the end of the century. Scott Derrick draws on these insights to explore the ways in which male authors struggle to refigure literature-historically devalued as feminine-as a masculine and heterosexual enterprise. Derrick focuses on scenes of compositional crisis that reveal how male identity itself is at risk in the perils and possibilities of being a male author in a feminized literary marketplace.

He suggests that traditionally valued texts by Hawthorne, Poe, James, Sinclair, and Crane have at their core combustible four-sided conflicts between feminine identifications and masculine distancings, homoerotic longings and homophobic dreads, conflicts which are largely determined by domestic ideals of male and female roles within the nineteenth-century family. The negotiation of such conflicts is controlled by the nature of fiction writing, which both frees the imagination to explore forbidden fantasies and harnesses the imagination to public understandings of the proper form and content of fiction. Thus Monumental Anxieties also contributes to recent debates about the social shaping of contemporary homosexuality and to the history of American masculinity.

Bringing together thirty-seven essays that have helped define the study of colonial and postcolonial cultures, this expansive and thoughtfully organized anthology offers an up-to-date and in-depth overview of this rapidly developing field.

Canonical articles, most unexcerpted, explore postcolonialism’s key themes—power and knowledge—while articles by contemporary scholars expand the discipline to include discussions of the discovery of the New World, Native American and indigenous identities in Latin America and the Pacific, settler colonies in Africa and Australia, English colonialism in Ireland, and feminism in Nigeria and Egypt. The inclusion of a broad sampling of histories and theories attests to multiple, even competing postcolonialisms, while the skillful organization of the volume provides a useful map of the field in terms of recognizable patterns, shared family resemblances, and common genealogies.

The book is divided into nine sections: Ideologies of Imperialism, The Critique of Colonial Discourse, The Politics of Language and Literary Studies, Nationalisms and Nativisms, Hybrid Identities, Gender and Sexualities, Reading the Subaltern, Comparative (Post)colonialisms, and Globalization and Postcoloniality. Detailed introductions to each section serve to develop key themes, encourage debate, and contextualize the wide-ranging voices that contribute to the topic.

The most cogent and teachable collection of postcolonial texts yet compiled, this anthology is equally suitable for undergraduate students and seasoned scholars.

 

The United States has taken the lead in efforts to end international human trafficking-the movement of peoples from one country to another, usually involving fraud, for the purpose of exploiting their labor. Examples that have captured the headlines include the 300 Chinese immigrants that were smuggled to the United States on the ship Golden Venture and the young Mexican women smuggled by the Cadena family to Florida where they were forced into prostitution and confined in trailers.
   
The public's understanding of human trafficking is comprised of terrible stories like these, which the media covers in dramatic, but usually short-lived bursts. The more complicated, long-term story of how policy on trafficking has evolved has been largely ignored. In The War on Human Trafficking, Anthony M. DeStefano covers a decade of reporting on the policy battles that have surrounded efforts to abolish such practices, helping readers to understand the forced labor of immigrants as a major global human rights story.
  
DeStefano details the events leading up to the creation of the Trafficking Victims Protection Act of 2000, the federal law that first addressed the phenomenon of trafficking in persons. He assesses the effectiveness of the 2000 law and its progeny, showing the difficulties encountered by federal prosecutors in building criminal cases against traffickers. The book also describes the tensions created as the Bush Administration tried to use the trafficking laws to attack prostitution and shows how the American response to these criminal activities was impacted by the events of September 11th and the War in Iraq.

Parsing politics from practice, this important book gets beyond sensational stories of sexual servitude to show that human trafficking has a much broader scope and is inextricable from the powerful economic conditions that impel immigrants to put themselves at risk.

Mark Di Ionno is a Jersey guy through and through. He’s lived in fifteen different towns in six different New Jersey counties. He’s been a journalist for the state’s top newspapers, currently the Star-Ledger, where his first job was to go out and write about things that were “interesting.” Who better to take readers on a personal tour of the backroads of New Jersey?

In Backroads, New Jersey, Di Ionno leads readers off the congested interstates with their commonplace scenery to the seldom-explored secondary roads, where the real life of the state can be found. These inter-county or 500 series roads are a 6,788-mile network of mostly one-lane highways. Marked by blue-and-yellow five-sided shields bearing county names, they make up more than 20 percent of New Jersey’s public roads. They are never the fastest or most direct way to get anywhere, but when you break out of the towns and hit the country, they are a pleasure to drive.

Travel with Di Ionno as he takes readers to see the state’s amazing beauty¾from the dizzying cliffs of the Palisades, to the blunted peaks of the Highlands and Kittatinny Ridges, to the rolling hills of Morris, Hunterdon, and Somerset counties, to the topsoil-wealthy agricultural belts of Monmouth and the southern counties, to the flat, sandy beaches of the 127-mile Jersey Shore. Travel with him as he shows us the homes of New Jersey’s culturally diverse population, whose men and women work at everything from farms to pharmacies, from banks to auto assembly lines. And travel with him as he recounts the history made along the back country roads in towns like Rocky Hill, where George Washington wrote his farewell orders. Di Ionno calls New Jersey “a place of infinite natural beauty, a place of intricate human patterns. A place where you can see a lot in a little time. This is, simply put, the overriding theme of this book. New Jersey is a restless state for restless people. A state for wanderers to explore.” Backroads, New Jersey is a rare chance to see it all through the eyes of a well-traveled Jerseyan. Happy wandering!

Most people see the Jersey Shore as sun, sand, and surf . . . and hours in bumper-to-bumper traffic on the Garden State Parkway. But theres much more to the Shore!Long before the first hotel, miniature golf range, and amusement pier were built, explorers, sailors, and settlers were drawn to New Jerseys coast and left their mark upon it.

In this book, Mark Di Ionno invites you to join him in discovering New Jerseys rich and varied coastal heritage. Hell take you on a personal tour to explore the Sandy Hook Lighthouse and Spermaceti Cove Station, admire offbeat collections of saltwater taffy boxes and sand art in Atlantic City, spend an afternoon at Brigantine and unravel the legend of Captain Kidd, marvel at the skills of Tuckertons boatbuilders, discover New Jerseys own version of the Boston Tea Party in Greenwich, and find inspiration at Ocean Grove, a Methodist meeting place.

Organized by county and amply illustrated with photographs and maps, the guides entries give directions and information about hours, programs, and accessibility, and, above all, lively descriptions of the local history and cultural traditions that make each place special. Di Ionno includes many sites on the National Park Services Coastal Heritage Trail, but roves beyond the Trail to highlight a host of other wonderful museums, buildings, byways, and landmarks that could not be incorporated into the official trail.

This important new work is a study of the everyday lives of the inhabitants of São Paulo in the nineteenth century. Full of vivid detail, the book concentrates on the lives of working women--black, white, Indian, mulatta, free, freed, and slaves, and their struggles to survive. Drawing on official statistics, and on the accounts of travelers and judicial records, the author paints a lively picture of the jobs, both legal and illegal, that were performed by women. Her research leads to some surprising discoveries, including the fact that many women were the main providers for their families and that their work was crucial to the running of several urban industries. This book, which is a unique record of women’s lives across social and race strata in a multicultural society, should be of interest to students and researchers in women’s studies, urban studies, historians, geographers, economists, sociologists, and anthropologists.

Honorable mention, 2018 Ananda Kentish Coomaraswamy Book Prize from the South Asia Council of the Association for Asian Studies

Many Americans still envision India as rigidly caste-bound, locked in traditions that inhibit social mobility. In reality, class mobility has long been an ideal, and today globalization is radically transforming how India’s citizens perceive class. Living Class in Urban India examines a nation in flux, bombarded with media images of middle-class consumers, while navigating the currents of late capitalism and the surges of inequality they can produce. 

 

Anthropologist Sara Dickey puts a human face on the issue of class in India, introducing four people who live in the “second-tier” city of Madurai: an auto-rickshaw driver, a graphic designer, a teacher of high-status English, and a domestic worker. Drawing from over thirty years of fieldwork, she considers how class is determined by both subjective perceptions and objective conditions, documenting Madurai residents’ palpable day-to-day experiences of class while also tracking their long-term impacts. By analyzing the intertwined symbolic and economic importance of phenomena like wedding ceremonies, religious practices, philanthropy, and loan arrangements, Dickey’s study reveals the material consequences of local class identities. Simultaneously, this gracefully written book highlights the poignant drive for dignity in the face of moralizing class stereotypes.  

 

Through extensive interviews, Dickey scrutinizes the idioms and commonplaces used by residents to justify class inequality and, occasionally, to subvert it. Along the way, Living Class in Urban India reveals the myriad ways that class status is interpreted and performed, embedded in everything from cell phone usage to religious worship.  

 

The United States is known as a "melting pot" yet this mix tends to be volatile and contributes to a long history of oppression, racism, and bigotry.

Emerging Intersections, an anthology of ten previously unpublished essays, looks at the problems of inequality and oppression from new angles and promotes intersectionality as an interpretive tool that can be utilized to better understand the ways in which race, class, gender, ethnicity, and other dimensions of difference shape our lives today. The book showcases innovative contributions that expand our understanding of how inequality affects people of color, demonstrates the ways public policies reinforce existing systems of inequality, and shows how research and teaching using an intersectional perspective compels scholars to become agents of change within institutions. By offering practical applications for using intersectional knowledge, Emerging Intersections will help bring us one step closer to achieving positive institutional change and social justice.

The success of internet auction sites like eBay and the cult status of public television's Antiques Roadshow attest to the continued popularity of collecting in American culture. Acts of Possession investigates the ways cultural meanings of collections have evolved and yet remained surprisingly unchanged throughout American history.

Drawing upon the body of theoretical work on collecting and focusing on individual as opposed to museum collections, the contributors investigate how, what, and why Americans have collected and explore the inherent meanings behind systems of organization and display. Essays consider the meanings of Thomas Jefferson's Indian Hall at Monticello; the pedagogical theories behind nineteenth-century children's curiosity cabinets; collections of Native American artifacts; and the ability of the owners of doll houses to construct meaning within the context of traditional ideals of domesticity.

The authors also consider some darker aspects of collecting-hoarding, fetishism, and compulsive behavior-scrutinizing collections of racist memorabilia and fascist propaganda. The final essay posits the serial killer as a collector, an investigation into the dangerous objectification of humans themselves.

By bringing fresh, interdisciplinary critical perspectives to bear on these questions, Dilworth and her coauthors weave a fascinating cultural history of collecting in America.

Art in the Lives of Immigrant Communities in the United States is the first book to provide a comprehensive and lively analysis of the contributions of artists from America's newest immigrant communities--Africa, the Middle East, China, India, Southeast Asia, Central America, and Mexico. Adding significantly to our understanding of both the arts and immigration, multidisciplinary scholars explore tensions that artists face in forging careers in a new world and navigating between their home communities and the larger society. They address the art forms that these modern settlers bring with them; show how poets, musicians, playwrights, and visual artists adapt traditional forms to new environments; and consider the ways in which the communities' young people integrate their own traditions and concerns into contemporary expression.

In a series of unflinching vignettes laced with heartbreak and often with humor, Places in the Bone gives an unforgettable account of loss and survival, childhood secrets banished from memory, and the power of language to retrieve the missing parts of oneself and one’s past. Woven together with unmistakable lyricism, Carol Dine’s narrative moves back and forth in time and place—from the childhood bedroom that fills her with fear, to a hospital room after her surgery for breast cancer, to an adobe hut in a New Mexico artists’ colony where she escapes and finds her voice.

This voice, it turns out, is a chorus—a harmony of cries, both anguished and triumphant. Among them we hear a young girl speak about the abuse by her father; we hear the tormented reflections of a mother who, for several years after a divorce, loses contact with her young son; and we hear the testimony of a cancer survivor. Through it all, we feel the determination, courage, and creativity of a woman who has spent more than two decades confronting her past, her body, and her identity. Despite her struggles, Dine finds positive influences in her life, including her mentor, Anne Sexton, who recognizes the fire in her words, and Stanley Kunitz, whose indomitable spirit provides enduring inspiration.  

More than a story of personal loss, the memoir moves us with its humanity, its unnerving wit, and its defiant faith. As the fragments come together, we experience Dine’s joy in living and her reconciliation with the past that allow her to renew bonds with her son, her sister, and her mother. In page after page, we witness the power of art to refigure a body, to transform suffering, and ultimately, to redeem.  

In The Feminine Mystique, Jewish-raised Betty Friedan struck out against a postwar American culture that pressured women to play the role of subservient housewives. However, Friedan never acknowledged that many American women refused to retreat from public life during these years. Now, A Jewish Feminine Mystique? examines how Jewish women sought opportunities and created images that defied the stereotypes and prescriptive ideology of the "feminine mystique."

As workers with or without pay, social justice activists, community builders, entertainers, and businesswomen, most Jewish women championed responsibilities outside their homes. Jewishness played a role in shaping their choices, shattering Friedan's assumptions about how middle-class women lived in the postwar years. Focusing on ordinary Jewish women as well as prominent figures such as Judy Holliday, Jennie Grossinger, and Herman Wouk's fictional Marjorie Morningstar, leading scholars explore the wide canvas upon which American Jewish women made their mark after the Second World War.

This volume is about power. It is about the power to make war and to destroy lives. It is also about another kind of power-the power to make images that may distort, displace, and destroy knowledge of the times in which those lives were lived. Many of the nineteen essays gathered in this volume are about the interrelationships between these two types of power. They demonstrate, as well, yet another type of power, the power of critical thinking to challenge dangerous myths and to confront prevailing ideologies.

The title of this anthology calls attention to the process whereby aspects of the Vietnam War have been appropriated by the American cultural industry. Probing the large body of emotion-laden, controversial films, From Hanoi to Hollywood is concerned with the retelling of history and the retrospection that such a process involves. In this anthology, an awareness of film as a cultural artifact that molds beliefs and guides action is emphasized, an awareness that the contributors bring to a variety of films. Their essays span over one hundred documentary and fiction films, and include in-depth analyses of major commercial films, ranging from Apocalypse Now to Platoon, Rambo: First Blood Part II, and Full Metal Jacket, and documentaries from In the Year of the Pig to Dear America: Letters Home from Vietnam.

The essays in this volume deal with representations of the Vietnam war in documentary film and television reporting, examining the ways the power of film is used to deliver political messages. There are surprises here, new readings, and important insights on the ways we as a society have attempted to come to terms with the experiences of the Vietnam era. The book also contains two appendixes-a detailed chronology charting the relationship between major historical events and the release of American war films from 1954 through 1988, and a filmography listing information on over four hundred American and foreign films about the Vietnam War.

The 1940s was a watershed decade for American cinema and the nation. Shaking off the grim legacy of the Depression, Hollywood launched an unprecedented wave of production, generating some of its most memorable classics, including Citizen Kane, Rebecca, The Lady Eve, Sergeant York, and How Green Was My Valley. In 1942, Hollywood joined the national war effort with a vengeance, creating a series of patriotic and escapist films, such as Casablanca, Mrs. Miniver, The Road to Morocco, and Yankee Doodle Dandy.

With the end of the war, returning GIs faced a new America, in which the country had been transformed overnight. Film noir reflected a new public mood of pessimism and paranoia, in such classic films of betrayal and conflict as Kiss of Death, Force of Evil, Caught, and Apology for Murder, depicting a poisonous universe of femme fatales, crooked lawyers, and corrupt politicians.

With the threat of the atom bomb lurking in the background and the beginnings of the Hollywood Blacklist, the 1940s was a decade of crisis and change. Featuring essays by a group of respected film scholars and historians, American Cinema of the 1940s brings this dynamic and turbulent decade to life. Illustrated with many rare stills and filled with provocative insights, the volume will appeal to students, teachers, and to all those interested in cultural history and American film of the twentieth century.

From the glossy monochrome of the classic Hollywood romance, to the gritty greyscale of the gangster picture, to film noir’s moody interplay of light and shadow, black-and-white cinematography has been used to create a remarkably wide array of tones. Yet today, with black-and-white film stock nearly impossible to find, these cinematographic techniques are virtually extinct, and filmgoers’ appreciation of them is similarly waning.  
 
Black and White Cinema is the first study to consider the use of black-and-white as an art form in its own right, providing a comprehensive and global overview of the era when it flourished, from the 1900s to the 1960s. Acclaimed film scholar Wheeler Winston Dixon introduces us to the masters of this art, discussing the signature styles and technical innovations of award-winning cinematographers like James Wong Howe, Gregg Toland, Freddie Francis, and Sven Nykvist. Giving us a unique glimpse behind the scenes, Dixon also reveals the creative teams—from lighting technicians to matte painters—whose work profoundly shaped the look of black-and-white cinema.  
 
More than just a study of film history, this book is a rallying cry, meant to inspire a love for the artistry of black-and-white film, so that we might work to preserve this important part of our cinematic heritage. Lavishly illustrated with more than forty on-the-set stills, Black and White Cinema provides a vivid and illuminating look at a creatively vital era.
 

Death of the Moguls is a detailed assessment of the last days of the “rulers of film.” Wheeler Winston Dixon examines the careers of such moguls as  Harry Cohn at Columbia, Louis B. Mayer at MGM, Jack L. Warner at Warner Brothers, Adolph Zukor at Paramount, and Herbert J. Yates at Republic in the dying days of their once-mighty empires. He asserts that the sheer force of personality and business acumen displayed by these moguls made the studios successful; their deaths or departures hastened the studios’ collapse. Almost none had a plan for leadership succession; they simply couldn't imagine a world in which they didn’t reign supreme.

Covering 20th Century-Fox, Selznick International Pictures, Metro-Goldwyn-Mayer, Paramount Pictures, RKO Radio Pictures, Warner Brothers, Universal Pictures, Republic Pictures, Monogram Pictures and Columbia Pictures, Dixon briefly introduces the studios and their respective bosses in the late 1940s, just before the collapse, then chronicles the last productions from the studios and their eventual demise in the late 1950s and early 1960s. He details such game-changing factors as the de Havilland decision, which made actors free agents; the Consent Decree, which forced the studios to get rid of their theaters; how the moguls dealt with their collapsing empires in the television era; and the end of the conventional studio assembly line, where producers had rosters of directors, writers, and actors under their command.

Complemented by rare, behind-the-scenes stills, Death of the Moguls is a compelling narrative of the end of the studio system at each of the Hollywood majors as television, the de Havilland decision, and the Consent Decree forced studios to slash payrolls, make the shift to color, 3D, and CinemaScope in desperate last-ditch efforts to save their kingdoms. The aftermath for some was the final switch to television production and, in some cases, the distribution of independent film.

Noir. A shadow looms. The blow, a sharp surprise. Waking and sleeping, the fear is with us and cannot be contained. Paranoia.

Wheeler Winston Dixon's comprehensive work engages readers in an overview of noir and fatalist film from the mid-twentieth century to the present, ending with a discussion of television, the Internet, and dominant commercial cinema. Beginning with the 1940s classics, Film Noir and the Cinema of Paranoia moves to the "Red Scare" and other ominous expressions of the 1950s that contradicted an American split-level dream of safety and security. The dark cinema of the 1960s hosted films that reflected the tensions of a society facing a new and, to some, menacing era of social expression. From smaller studio work to the vibrating pulse of today's "click and kill" video games, Dixon boldly addresses the noir artistry that keeps audiences in an ever-consumptive stupor.

What 1970s Hollywood filmmaker influenced Quentin Tarantino? How have contemporary Japanese horror films inspired Takashi Shimizu, director of the huge box office hit The Grudge? What is it like to be an African American director in the twenty-first century?

The answers to these questions, along with many more little-known facts and insights, can be found in Film Talk, an in-depth, behind-the-scenes look at filmmaking from the 1940s to the present. In eleven intimate and revealing interviews, contemporary film directors speak frankly about their work-their successes and their disappointments, their personal aspirations, struggles, relationships, and the politics that affect the industry.

A medley of directors including those working in pop culture and documentary, as well as feminist filmmakers, social satirists, and Hollywood mavericks recount stories that have never before been published. Among them are Monte Hellman, the auteur of the minimalist masterpiece Two-Lane Blacktop; Albert Maysles, who with his late brother David, created some of the most important documentaries of the 1960s, including Salesman and The Beatles: What's Happening?; Robert Downey Sr., whose social satires Putney Swope and Greaser's Palace paved the way for a generation of filmmakers; Bennett Miller, whose film Capote won an Academy Award in 2005; and Jamie Babbit, a lesbian crossover director whose low-budget film But I'm a Cheerleader! became a mainstream hit.

The candid conversations, complimented by more than fifty photographs, including many that are rare, make this book essential reading for aspiring moviemakers, film scholars, and everyone interested in the how movies are made and who the fascinating individuals are who make them.

Ever since horror leapt from popular fiction to the silver screen in the late 1890s, viewers have experienced fear and pleasure in exquisite combination. Wheeler Winston Dixon's A History of Horror is the only book to offer a comprehensive survey of this ever-popular film genre.

Arranged by decades, with outliers and franchise films overlapping some years, this one-stop sourcebook unearths the historical origins of characters such as Dracula, Frankenstein, and the Wolfman and their various incarnations in film from the silent era to comedic sequels. A History of Horror explores how the horror film fits into the Hollywood studio system and how its enormous success in American and European culture expanded globally over time.

Dixon examines key periods in the horror film-in which the basic precepts of the genre were established, then banished into conveniently reliable and malleable forms, and then, after collapsing into parody, rose again and again to create new levels of intensity and menace. A History of Horror, supported by rare stills from classic films, brings over fifty timeless horror films into frightfully clear focus, zooms in on today's top horror Web sites, and champions the stars, directors, and subgenres that make the horror film so exciting and popular with contemporary audiences.

Depictions of sex, violence, and crime abound in many of today's movies, sometimes making it seem that the idyllic life has vanished-even from our imaginations. But as shown in this unique book, paradise has not always been lost. For many years, depictions of heaven, earthly paradises, and utopias were common in popular films.

Illustrated throughout with intriguing, rare stills and organized to provide historical context, Visions of Paradise surveys a huge array of films that have offered us glimpses of life free from strife, devoid of pain and privation, and full of harmony. In films such as Moana, White Shadows in the South Seas, The Green Pastures, Heaven Can Wait, The Enchanted Forest, The Bishop's Wife, Carousel, Bikini Beach, and Elvira Madigan, characters and the audience partake in a vision of personal freedom and safety-a zone of privilege and protection that transcends the demands of daily existence.

Many of the films discussed are from the 1960s-perhaps the most edenic decade in contemporary cinema, when everything seemed possible and radical change was taken for granted. As Dixon makes clear, however, these films have not disappeared with the dreams of a generation; they continue to resonate today, offering a tonic to the darker visions that have replaced them.

They are shot on high-definition digital cameras—with computer-generated effects added in postproduction—and transmitted to theaters, websites, and video-on-demand networks worldwide. They are viewed on laptop, iPod, and cell phone screens. They are movies in the 21st century—the product of digital technologies that have revolutionized media production, content distribution, and the experience of moviegoing itself.

21st-Century Hollywood introduces readers to these global transformations and describes the decisive roles that Hollywood is playing in determining the digital future for world cinema. It offers clear, concise explanations of a major paradigm shift that continues to reshape our relationship to the moving image. Filled with numerous detailed examples, the book will both educate and entertain film students and movie fans alike.

With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.  

A Short History of Film, Second Edition, provides a concise and accurate overview of the history of world cinema, detailing the major movements, directors, studios, and genres from 1896 through 2012. Accompanied by more than 250 rare color and black-and-white stills—including many from recent films—the new edition is unmatched in its panoramic view, conveying a sense of cinema's sweep in the twentieth and early twenty-first centuries as it is practiced in the United States and around the world.

Wheeler Winston Dixon and Gwendolyn Audrey Foster present new and amended coverage of the industry in addition to updating the birth and death dates and final works of notable directors. Their expanded focus on key films brings the book firmly into the digital era and chronicles the death of film as a production medium.

The book takes readers through the invention of the kinetoscope, the introduction of sound and color between the two world wars, and ultimately the computer-generated imagery of the present day. It details significant periods in world cinema, including the early major industries in Europe, the dominance of the Hollywood studio system in the 1930s and 1940s, and the French New Wave of the 1960s. Attention is given to small independent efforts in developing nations and the more personal independent film movement that briefly flourished in the United States, the significant filmmakers of all nations, and the effects of censorship and regulation on production everywhere. In addition, the authors incorporate the stories of women and other minority filmmakers who have often been overlooked in other texts.

Engaging and accessible, this is the best one-stop source for the history of world film available for students, teachers, and general audiences alike.

 While mental illness and mental health care are increasingly recognized and accepted in today’s society, awareness of the most severely mentally ill—as well as those who care for them—is still dominated by stereotypes.  Managing Madness in the Community dispels the myth.  Readers will see how treatment options often depend on the social status, race, and gender of both clients and carers; how ideas in the field of mental health care—conflicting priorities and approaches—actually affect what happens on the ground; and how, amid the competing demands of clients and families, government agencies, bureaucrats and advocates, the fragmented American mental health system really works—or doesn’t.

In the wake of movies like One Flew Over the Cuckoo’s Nest and Shutter Island, most people picture the severely or chronically mentally ill being treated in cold, remote, and forbidding facilities.  But the reality is very different.  Today the majority of deeply troubled mental patients get treatment in nonprofit community organizations.  And it is to two such organizations in the Midwest that this study looks for answers.  Drawing upon a wealth of unique evidence—fifteen months of ethnographic observations, 91 interviews with clients and workers, and a range of documents—Managing Madness in the Community lays bare the sometimes disturbing nature and effects of our overly complex and disconnected mental health system.

Kerry Michael Dobransky examines the practical strategies organizations and their clients use to manage the often-conflicting demands of a host of constituencies, laws, and regulations.  Bringing to light the challenges confronting patients and staff of the community-based institutions that bear the brunt of caring for the mentally ill, his book provides a useful broad framework that will help researchers and policymakers understand the key forces influencing the mental health services system today.

E.D.E.N. Southworth was one of the most popular and prolific writers of the nineteenth century and her Capitola Black, or Black Cap - a cross-dressing, adventure-seeking girl-woman - was so well-loved that the book was serialized three times between 1859 and 1888 and was dramatized in forty different versions. When we first meet sharp and witty Capitola she is living among beggars and street urchins, and dressed as a boy because a boy can get work and be safe, whereas a girl is left to starve for want of "proper" employment. Unknown to her, Capitola has a very rich elderly guardian who finds her at a providential moment and takes her back to his palatial mansion where she finds herself "decomposing above ground for want of having my blood stirred." But not to fear. There are bandits, true-loves, evil men, long-lost mothers, and sweet women friends in Capitola's future - not to mention thunder storms, kidnap attempts, and duels. The pace is fast, the action wonderfully unbelievable. This is escape literature at its nineteenth-century best, with a woman at its center who makes you feel strong, daring, and reckless.

 

"A profound study of the nebulous Creoles. . . . Domínguez's use of original sources . . . is scholarship at its best. . . . Her study is fascinating, thought-provoking, controversial, and without a doubt, one of the most objective analyses of Creole Louisiana. Her emphasis on social stratification and her excellent integration of ethnic and racial classification of Creoles with legal and social dynamics and individual choice of ethnic identity elucidates strikingly the continuing controversy of who and what is a Louisiana Creole."--Journal of American Ethnic History

"Domínguez's most important contribution lies in her conceptualization of the problem of identity. She treats ethnic identity as something that can change over time, warning us against imposing current meanings on the past and requiring us to consider evidence of how terms were actually used in the past. . . . It is hard to imagine a frame of reference more ideally suited to historical analysis."--Louisiana History

"A valuable interdisciplinary examination of the processes of racial definition in Louisiana's history. Her study combines the anthropologist's sensitivity to language and self definition within a community with a skillful exploitation of historical sources."--Law and Society

"I highly recommend this book to all persons interested in social stratification."--Alvin L. Bertrand, Contemporary Sociology

"A vivid and insightful reading of the historical circumstances that have shaped definitions of Creoles within Louisiana law and society."--Journal of Southern History

"A profound study of the nebulous Creoles. . . . Domínguez's use of original sources . . . is scholarship at its best. . . . Her study is fascinating, thought-provoking, controversial, and without a doubt, one of the most objective analyses of Creole Louisiana. Her emphasis on social stratification and her excellent integration of ethnic and racial classification of Creoles with legal and social dynamics and individual choice of ethnic identity elucidates strikingly the continuing controversy of who and what is a Louisiana Creole."--Journal of American Ethnic History

"Domínguez's most important contribution lies in her conceptualization of the problem of identity. She treats ethnic identity as something that can change over time, warning us against imposing current meanings on the past and requiring us to consider evidence of how terms were actually used in the past. . . . It is hard to imagine a frame of reference more ideally suited to historical analysis."--Louisiana History

"A valuable interdisciplinary examination of the processes of racial definition in Louisiana's history. Her study combines the anthropologist's sensitivity to language and self definition within a community with a skillful exploitation of historical sources."--Law and Society

"I highly recommend this book to all persons interested in social stratification."--Alvin L. Bertrand, Contemporary Sociology

"A vivid and insightful reading of the historical circumstances that have shaped definitions of Creoles within Louisiana law and society."--Journal of Southern History

Baseball's Greatest Series details what many believe to be the most exciting postseason series in baseball history: the 1995 Division Series between the New York Yankees and the Seattle Mariners.

This division series was not simply about two teams playing five postseason games. It was about Ken Griffey Jr., Lou Piniella, Buck Showalter, Gene Michael, Jim Leyritz, Randy Johnson, Wade Boggs, Tony Fernandez, Pat Kelly, Dion James, Darryl Strawberryùand many others who changed the course of baseball history . . .
A team playing to keep baseball alive in the Pacific Northwest
A manager who was literally managing for his job
A New York sports icon who for one week reminded everybody of the dominating player he had been a decade earlier

Chris Donnelly's replay of this entire season reminds readers that it was a time when grown men cried their eyes out after defeat, and others, just a few hundred feet away, poured beer and champagne over one another while 57,000 people in Seattle's Kingdome celebrated. Five games they were. Five games that reminded people, after the devastating players' strike in 1994, how great a game baseball is because comebacks are always possible, no matter how great the obstacles may seem.

From Don Mattingly's only postseason home run, which caused a near riot, to Edgar Martinez's legendary eleventh inning series-clinching double, Donnelly chronicles the earlier struggles of both teams during the 1980s, their mid-1990s resurgence, all five heart-stopping games of the series, and the dramatic and long-lasting effects of Seattle's victory. Simply stated, Baseball's Greatest Series hits a home run.

Treating Frances Burney (1752-1840) with the seriousness usually reserved for later novelists of the nineteenth and twentieth centuries, Margaret Anne Doody combines biographical narrative with informed literary criticism as she analyzes not only Burney's published novels, but her plays, fragments of novels, poems, and other works never published. Doody also draws upon a mine of letters and diaries for detailed and sometimes surprising biographical information. Burney's feelings and emotions forcefully emerge in her sophisticated and complex late novels, Camilla and The Wanderer. Her novels all relate to personal experience; as an artist she is attracted to the violent, the grotesque, and the macabre. She is a powerful comic writer, but her comedy is far from reflecting a shallow cheerfulness. Bringing a novelist's perspective to her material, in this 1989 book Doody shows an appreciation of the many dimensions of a predecessor's writings and she tells her story with force and conviction.

Twentieth-century historians and critics defending the novel have emphasized its role as superseding something else, as a sort of legitimate usurper that deposed the Epic, a replacement of myth, or religious narrative. To say that the Age of Early Christianity was really also the Age of the Novel rumples such historical tidiness––but so it was. From the outset of her discussion, Doody rejects the conventional Anglo-Saxon distinction between Romance and Novel. This eighteenth-century distinction, she maintains, served both to keep the foreign––dark-skinned peoples, strange speakers, Muslims, and others––largely out of literature, and to obscure the diverse nature of the novel itself.

This deeply informed and truly comparative work is staggering in its breadth. Doody treats not only recognized classics, but also works of usually unacknowledged subgenres––new readings of novels like The Pickwick Papers, Puddn’head Wilson, L’Assommoir, Death in Venice, and Beloved  are accompanied by insights into Death on the Nile or The Wind in the Willows. Non-Western writers like Chinua Achebe and Witi Ihimaera are also included. In her last section, Doody goes on to show that Chinese and Japanese novels, early and late, bear a strong and not incidental affinity to their Western counterparts. Collectively, these readings offer the basis for a serious reassessment of the history and the nature of the novel.

The True Story of the Novel marks the beginning of the twenty-first century’s understanding of fiction and of culture. It is essential reading for anyone with an interest in literature.

In this book, Jeffery M. Dorwart chronicles more than three centuries of Camden County history. He takes readers on a journey, from the earliest days as a Native American settlement, to the county's important roles in the Revolutionary and Civil Wars, Camden City's booms and busts, the county's increasing suburbanization, and concluding with current inner-city revitalization efforts.

Dorwart details how the earliest European settlers radically changed the local Native American culture and introduced black slavery. In the Revolutionary War, the county's location directly across the Delaware River from Philadelphia placed it at the crossroads of the American Revolution. Dorwart examines the county's conflicted roles during the Civil War, when the older agrarian population, which held traditional social and economic ties to the slave-owing South, clashed with the increasingly industrialized interests of the urban waterfront, which showed strong Unionist tendencies. He explores the changing demographics of the area as waves of European immigrants came to work in the factories. He surveys the rise and fall of first Camden City, then of the suburbs, as both areas experienced population ebbs and flows. Finally, Dorwart looks at the revitalization efforts of 2000 when Camden County began efforts to reinvent the riverfront community where it all began.

Cape May County, at the southern tip of New Jersey, is one of America's most vibrant seashore resorts. Jeffery Dorwart has written a history of this community from its earliest settlement as an Atlantic maritime and farming frontier to its development today as a major regional tourist attraction. From earliest times, Cape May County was a region of cultural ferment, as American Indians, African-American slaves, European Quakers, Baptists, and Presbyterians struggled to coexist on the wild, isolated Jersey Cape. Despite this variety of settlers, a distinct type of resident, known as the whaler yeoman, dominated affairs on the Cape May peninsula for over two hundred years. Railroad development and the arrival during the late nineteenth century of Eastern European, Italian, and Scandinavian immigrants gradually changed Cape May County society. A multiethnic, multicultural community evolved that threatened whaler yeoman domination. New settlements appeared in the pine wilderness of the mainland and on the uninhabited Atlantic Ocean barrier islands. These changes caused social and political conflicts, and new development assaulted the fragile seashore environment. Fishing and shipbuilding were key industries throughout the early history of Cape May County. In addition, familiar industries such as cranberry harvesting and nearly forgotten endeavors such as goldbeating, sugar refining, and cedar shingle mining played vital roles in the county's economic development. Dorwart also traces the origins of the seashore resort industry through the history of the city of Cape May, with its unique architectural styles and heritage, as well as the founding of Wildwood, Ocean City, and the newer resort towns. The story of how Cape May County responded to dramatic change not only illuminates the historical development of a New Jersey seashore community but also enhances our understanding of the American experience with changing social and economic conditions.

Transnational Aging and Reconfigurations of Kin Work documents the social and material contributions of older persons to their families in settings shaped by migration, their everyday lives in domestic and community spaces, and in the context of intergenerational relationships and diasporas. Much of this work is oriented toward supporting, connecting, and maintaining kin members and kin relationships—the work that enables a family to reproduce and regenerate itself across generations and across the globe.
 

The late 1990s and early 2000s witnessed a surge in the publication and popularity of autobiographical writings about childhood. Linking literary and cultural studies, Contesting Childhood draws on a varied selection of works from a diverse range of authorsùfrom first-time to experienced writers. Kate Douglas explores Australian accounts of the Stolen Generation, contemporary American and British narratives of abuse, the bestselling memoirs of Andrea Ashworth, Augusten Burroughs, Robert Drewe, Mary Karr, Frank McCourt, Dave Pelzer, and Lorna Sage, among many others.

Drawing on trauma and memory studies and theories of authorship and readership, Contesting Childhood offers commentary on the triumphs, trials, and tribulations that have shaped this genre. Douglas examines the content of the narratives and the limits of their representations, as well as some of the ways in which autobiographies of youth have become politically important and influential. This study enables readers to discover how stories configure childhood within cultural memory and the public sphere.

What makes women sick? To an Ecuadorean woman, it’s nervios from constant worry about her children’s illnesses. To a woman working in a New Mexico electronics factory, it’s the solvents that leave her with a form of dementia. To a Ugandan woman, it’s HIV from her husband's sleeping with the widow of an AIDS patient. To a Bangladeshi woman, it’s a fatal infection following an IUD insertion. What they all share is a recognition that their sickness is somehow caused by  situations they face every day at home and at work.

In this clearly written and compelling book, Lesley Doyal investigates the effects of social, economic, and cultural conditions on women’s health. The “fault line” of gender that continues to divide all societies has, Doyal demonstrates, profound and pervasive consequences for the health of women throughout the world. Her broad synthesis highlights variations between men and women in patterns of health and illness, and it identifies inequalities in medical care that separate groups of women from each other. Doyal’s wide-ranging arguments, her wealth of data, her use of women’s voices from many cultures—and her examples of women mobilizing to find their own solutions—make this book required reading for everyone concerned with women’s health.

Environmental movements are among the most vibrant, diverse, and powerful social movements occurring today, across all corners of the globe. They range dramatically from government lobbyists raising campaign funds to save the North American spotted owl; to “Green Warriors” engaging in guerrilla conflict in the mountains of the Philippines; to small landholders and indigenous peoples vowing to die by meeting the waters of the Narmada River in India as it rises due to its damming. 

Drawing on his primary fieldwork in six countries, environmental researcher Timothy Doyle argues that there is, in fact, no one global environmental movement; rather, there are many, and the differences among them far outweigh their similarities.  Movements in the third world—such as those in India and the Philippines —tend to be oriented around issues of human health, shelter, food security, and survival; while those of the developed world—for example, the United States, England, Germany, and Australia —can afford to focus on post-materialist issues such as wilderness concerns and animal rights. Doyle also demonstrates that the consequences of these campaigns are as wide-ranging as their motives and methods.

Taking a much-needed step beyond the wealth of nation-centered accounts of environmentalism, this book makes an important contribution to studies concerned with global environmental problems and politics.