Between 2011 and 2015, Arkansas commemorated the 150th anniversary of the American Civil War with re-enactments, lectures, placement of historical markers, and a wide variety of other events that were collectively attended by more than 375,000 people. While the sesquicentennial commemoration highlighted the Civil War events that occurred in the state and honored the people who experienced the war in Arkansas, the question of the war’s significance to modern Arkansas remained.
Competing Memories: The Legacy of Arkansas’s Civil War collects the proceedings of the final seminar sponsored by the Arkansas Civil War Sesquicentennial Commission, which sought to define the lasting impact that the nation’s deadliest conflict had on the state by bringing together some of the state’s leading historians.
In these essays, Thomas A. DeBlack explores the post-war lives of both Union and Confederate soldiers who played prominent roles in Civil War Arkansas. Cherisse Jones-Branch delves into the lives of black Arkansans during the war and Reconstruction. Jeannie Whayne discusses the many ways the Civil War affected the state’s economic development, while Kelly Houston Jones investigates the Civil War’s impact on Arkansas women. Mary Jane Warde examines the devastating effects of the Civil War on Native Americans in Arkansas and the Indian Territory. Elliott West scrutinizes Civil War Arkansas from a continental perspective, and Carl Moneyhon considers the evolution of how we remember the Civil War.
Together, the essays in Competing Memories: The Legacy of Arkansas’s Civil War provide a compelling account of how America’s bloodiest war continues to affect Arkansas and its people today.What do a rockabilly musician turned cinematic swamp monster, a composer of player-piano music, an avant-garde cellist, a musical instrument that lent its name to a weapon, a rock musician turned Catholic monk, some of the best audio speakers in the world, and the creator of Schoolhouse Rock! have in common? That’s right–they all come from Arkansas.
Encyclopedia of Arkansas Music is a special project of the Encyclopedia of Arkansas History & Culture (EOA), an online encyclopedia launched in 2006 by the Butler Center for Arkansas Studies at the Central Arkansas Library System.
This colorful, photo-filled reference work spanning all aspects of Arkansas’s musical past and present includes more than 150 entries on musicians, ensembles, musical works, and events.
For those who care about literature or simply love a good laugh (or both), Charles Portis has long been one of America’s most admired novelists. His 1968 novel True Grit is fixed in the contemporary canon, and four more have been hailed as comic masterpieces. For the first time, his other writings—journalism, travel stories, short fiction, memoir, and even a play—were brought together in Escape Velocity: A Charles Portis Miscellany, published in 2012 as his first new book in more than twenty years. This revised edition includes a new afterword by best-selling author Donna Tartt, who first published her remembrance in the New York Times following Portis’s death in 2020.
All the familiar Portis elements are in this collection: picaresque adventures, deadpan humor, an expert eye for detail and keen ear for the spoken word, and encounters with oddball characters both real and imagined. The collection encompasses the breadth of his fifty-year writing career, from his gripping reportage of the civil rights movement for the New York Herald Tribune to a comic short story about the demise of journalism in the twenty-first century. His three-act play, Delray’s New Moon, was performed onstage in 1996 and published in Escape Velocity for the first time.
Whether this is your first journey to the world of Portis or a long-awaited return to it, you’ll agree with critic Ron Rosenbaum—whose essay appears here alongside tributes by other writers—that Portis “will come to be regarded as the author of classics on the order of a twentieth-century Mark Twain, a writer who captures the soul of America.”
The United States was a vital, if brief, participant in World War I—spending only eighteen months fighting in “the Great War.” But that short span marked an era of tremendous change for women as they moved out of the Victorian nineteenth century and came into their own as social activists during the early years of the twentieth century.
Faithful to Our Tasks provides the context for women’s actions and reactions during the war. It incorporates the mitigating factors and experiences of American women in general and compares Arkansas women’s Progressive Era actions with those of other southern women. The contextual underpinnings provide a rich tapestry as we attempt to understand our grandmothers and great-grandmothers’ responses to wartime needs.
Primary records of the World War I era, accessed in archives in central Arkansas, reveal that the state’s organized women were suddenly faced with a devastating world war for which they were expected to make a significant contribution of time and effort. “Club women” were already tackling myriad problems to be found in abundance within a poor, rural state as they worked for better schools, a centralized education system, children’s well-being, and improved medical care.
Under wartime conditions, their contributions were magnified as the women followed a barrage of directions from Washington, DC, within a disconcerting display of micromanagement by the federal government. The important takeaway, however, is that the Great War created a scenario in which Arkansas’s organized women—as well as women throughout the nation—would step forward and excel as men and governments stood up and took notice. After the war, these same organized women won the right to vote.
Having operated now for more than 140 years, the University of Arkansas at Pine Bluff (UAPB) was founded in 1875 as Branch Normal College by Joseph Carter Corbin, a native of Ohio and the son of former slaves. Corbin, who had a classical education, was the first African American superintendent of public education in Arkansas and literally built the school from the ground up. There was a desperate need for teachers in Arkansas, as there was a great desire for education by former slaves who had been prohibited from learning to read and write.
Corbin himself cleared the land that would soon house the college and then set about to create a school that would produce the first African American teachers following the Reconstruction years. For almost three decades, he worked tirelessly on behalf of Arkansas’s black community to meet the need for educators.
In the early days, Corbin worked both as the president and the janitor so that he could control costs and keep the school going. He often waived matriculation fees and other expenses to allow impoverished students the opportunity to graduate and become qualified to teach throughout Arkansas.
Although he might not have realized it at the time, Corbin was a member of the so-called aristocrats of color, the African American elite of national prominence and a group that included such luminaries as Booker T. Washington. Corbin was a true giant in the history of education in Arkansas. His story, told by a former UAPB student, is monumental for the scope of what one man was able to accomplish.
As commissioner of the Arkansas Department of Education from 1953 to 1978, Arch Ford served under five governors. His vision was to expand educational opportunities because he believed education was the foundation for improving people’s lives. Throughout his career, he campaigned for increased educational funding, better-qualified teachers, and higher teachers’ salaries. Ford helped lead the state in peacefully integrating its schools and established twenty-three vocational-technical schools across the state. During Ford’s tenure, the Arkansas Children’s Colony was established to provide educational services to the developmentally disabled, and the Arkansas Educational Television Network was set up to provide instructional programming across the state.
The state also expanded educational opportunities to include kindergarten, special education, community colleges, and adult education. His leadership left Arkansas with a strong educational system that continued to advance. This was his legacy.For decades, Rex Nelson has been traveling Arkansas. He learned to love the back roads, small towns, and people of the state while going on trips with his father, who sold athletic supplies to high schools. They sat in old Depression-era gyms built by the Works Progress Administration, ate in small-town cafes, and waded in streams on warm spring days.
Throughout his career as a sportswriter, political writer, senior staff member in the governor’s office, presidential appointee to the Delta Regional Authority, and now corporate communications director for Simmons Bank, Nelson has written millions of words about Arkansas and its people.
In this collection of columns from the Arkansas Democrat-Gazette, Nelson brings to life the personalities, communities, festivals, and tourist attractions that make Arkansas unique. As he says, “Arkansas is a hard place to explain to outsiders. We’re mostly Southern but also a bit Midwestern and a tad Southwestern. The Ozarks are different from the pine woods of the Gulf Coastal Plain, and the Delta is different from the Ouachitas. Invariably, though, those who take the time to get off the main roads and get to know the real Arkansas are entranced by the place.”
“Although of a relatively scarce breed,” the Arkansas Times observed in the obituary of the itinerant writer it had once employed, “Mike Trimble was Arkansas’s and perhaps the country’s greatest self-deprecating journalist.” Readers will find in this fifty-year inventory of Trimble’s wit and wisdom all the vindication they might seek for that quaint judgment—the rare humble author. Whether he was chronicling, in the 1980s, rising political worthies like the far-into-the-future governors Asa Hutchinson and Mike Beebe, or, more often, the ordinary and feckless people that he encountered every day, befriended, and spent most of his career writing about, Trimble usually found a way, subtly or artlessly, to bring up his own failings, such as identifying the wrong person as the dead woman in an obituary he had written in his earliest days for his first employer, the Texarkana Gazette. Like the yokels in the vaudeville duos Laurel and Hardy, Abbott and Costello, Rowan and Martin, and Fey and Poehler, Trimble’s confessed bumblings were purposeful and studied instruments of his humor.
Arkansas produced more than its quota of weirdos, fabulists, con men, oleaginous politicians, charlatans, creeps, visionaries, and fantastical creatures—from Albert Pike, Arvin the Wino, Dr. Brinkley the Great Depression’s goat-gland sex therapist, Editor Weston, and the salty riverboat queen Ray Dorthy all the way to Say McIntosh and Red the Irish Setter. Mike Trimble, the South’s best and funniest storyteller, put them all down on paper for some of the best reading since Catch-22. Trimble turned humor into art and history into vaudeville.
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