A SCHOLARLY BOOK REPOSITORY159 start with P start with P
As Da Costa shows, commodification, heritage, and management discussions inevitably creep into performance. Yet the ability of performance to undermine such subtle invasions make activist theater a crucial site for considering what counts as creativity in the cultural politics of creative economy. Da Costa explores the precarious lives, livelihoods, and ideologies at the intersection of heritage projects, planning discourse, and activist performance. By analyzing the creators, performers, and activists involved--individuals at the margins of creative economy as well as society--Da Costa builds a provocative argument. Their creative economy practices may survive, challenge, and even reinforce the economies of death, displacement, and divisiveness used by the urban poor to survive.
-- J'nana Morse Sellery, coauthor of Elizabeth Bowen: A Bibliography
A fascinating analysis of a punk rock hotbed, Politics as Sound tells the story of how a generation created music that produced--and resisted--politics and power.
Inside the Sioux Nation's pursuit of recognition and justice
This book is the powerful story of the ongoing struggle of indigenous Americans in the twentieth century United States and of its shift in focus from traditional battlefield and massacre sites to federal courtrooms and the halls of Congress.
The Politics of Hallowed Ground includes excerpts from the diary kept by Mario Gonzalez, the attorney for the Sioux Nation in its struggle for recognition of the Wounded Knee Massacre site as a national monument. Gonzalez's personal record of the struggle is coupled with commentary by Elizabeth Cook-Lynn, a Native American writer who places the work in its historical context. Together, the two voices will draw the reader into far more than the continuing struggle of the Sioux people to achieve justice.
The book covers Sioux history from before the Wounded Knee tragedy to modern times, through the Sioux Nation's long and often rancorous dialogue with the U.S. government over control of South Dakota's Black Hills, traditional Sioux lands recognized by treaty in 1877 and never forfeited or sold. After reading a 13-year-old survivor's narrative of what happened at Wounded Knee and the list of the dead and wounded, readers will find it difficult not to share the Sioux perspective.
Politics cannot function without responsibility, but there have been serious disagreements about how responsibility is to be understood and huge controversies about how it is to be distributed, rewarded, legislated, and enforced. The liberal notions of personal responsibility that have dominated political thinking in the West for more than a century are rooted in the familiar territory of individual will and causal blame, but these theories have been assailed as no longer adequate to explain or address the political demands of a global social structure. Informed by Marx, Foucault, and Butler, Chad Lavin argues for a "postliberal" theory of responsibility, formulating responsibility as a process that is anchored in a persistent ability to respond, not reproach. Lavin works this formulation through discussions of contemporary political issues such as globalization, police brutality, and abortion.
Rather than assigning individual blame, postliberal responsibility challenges the supposed autonomy of individual subjects by taking structural arguments into account. Lavin concludes that a liberal concept of responsibility gives rise to a moralistic and oppressive approach to social problems, while a postliberal approach highlights a shared responsibility for developing collective solutions to systemic problems. Postliberal responsibility not only suggests more generous and democratic responses to social ills, it also allows us to theorize a greater range of issues that demand political response.
The minimum wage appears to be a standard economic regulatory measure, yet a politics of symbolism more than anything else defines the political contests that periodically erupt over it. Detractors abhor its corruption of market principles, while supporters see it as a measure of society's symbolic commitment to the poor.
Tracing the history of the minimum wage and exposing its inherent contradictions as a political issue, Jerold Waltman proposes an alternative to the economic arguments that now dominate debates over it. Citing overwhelming public support for the minimum wage as evidence of an enduring civic consciousness and humanitarianism, Waltman advocates recasting the discussion in terms of a political economy of citizenship. Such a perspective would focus on the communal value of work, the need for citizens to have a stake in the community, and the effects of economic inequality on the bonds of common citizenship.
Positioning the minimum wage as a fulcrum for the most basic conflict underlying America's unique combination of democracy and a market economy, The Politics of the Minimum Wage shows how a defense of the minimum wage built on a communal sense of responsibility rests on a strong tradition of civic republicanism and strengthens the hope for a truly democratic society.
This comprehensive history traces the care of dependent, delinquent,
and disabled children in Illinois from the early nineteenth century to
current times, focusing on the dilemmas raised by both public intervention
and the lack of it. Joan Gittens explores the inadequacies of a system
that has allowed problems in the public care of children to recur regularly
but at the same time insists that the state's own history makes it clear
that the potential for improvements exists.
With a new preface Bill V. Mullen updates his dynamic reappraisal of a critical moment in American cultural history. Mullen's study includes reassessments of the politics of Richard Wright's critical reputation and a provocative reading of class struggle in Gwendolyn Brooks' A Street in Bronzeville. He also takes an in-depth look at the institutions that comprised Chicago's black popular front: the Chicago Defender, the period's leading black newspaper; Negro Story, the first magazine devoted to publishing short stories by and about African Americans; and the WPA-sponsored South Side Community Art Center.
"Williams provides a thought-provoking overview of popular religion in America that will intrigue specialist and student alike. . . . He has both answered many questions and raised important new ones on the nature and development of American popular religion." --Journal for the Scientific Study of Religion
"Pioneering. . . . I for one am glad he combined scholarship and chutzpah for this modestly immodest first word." --Catholic Historical Review
At once a Technicolor wonderland and the embodiment of American mythology, Las Vegas exists at the Ground Zero of a reverence for risk-taking and the transformative power of a winning hand. Jake Johnson edits a collection of short essays and flash ideas that probes how music-making and soundscapes shape the City of Second Chances. Treating topics ranging from Cher to Cirque de Soleil, the contributors delve into how music and musicians factored in the early development of Vegas’s image; the role of local communities of musicians and Strip mainstays in sustaining tensions between belief and disbelief; the ways aging showroom stars provide a sense of timelessness that inoculates visitors against the outside world; the link connecting fantasies of sexual prowess and democracy with the musical values of Liberace and others; considerations of how musicians and establishments gambled with identity and opened the door for audience members to explore Sin City–only versions of themselves; and the echoes and energy generated by the idea of Las Vegas as it travels across the country.
Contributors: Celine Ayala, Kirstin Bews, Laura Dallman, Joanna Dee Das, James Deaville, Robert Fink, Pheaross Graham, Jessica A. Holmes, Maddie House-Tuck, Jake Johnson, Kelly Kessler, Michael Kinney, Carlo Lanfossi, Jason Leddington, Janis McKay, Sam Murray, Louis Niebur, Lynda Paul, Arianne Johnson Quinn, Michael M. Reinhard, Laura Risk, Cassaundra Rodriguez, Arreanna Rostosky, and Brian F. Wright
Advancing multiple, even conflicted visions of postcolonial America, this important volume interrogates postcolonial theory and traces the emergence and significance of postcolonial practices and precepts in the United States. Contributors discuss how the unique status of the United States as the colony that became a superpower has shaped its sense of itself. They assess the global networks of inequality that have displaced neocolonial systems of conquest, exploitation, and occupation. They also examine how individuals and groups use music, the Internet, and other media to reconfigure, reinvent, and resist postcoloniality in American culture.
Candidly facing the inherent contradictions of "the American experience," this collection demonstrates the patterns, connections, and histories characteristic of postcoloniality in America and initiates important discussions about how these conditions might be changed.
Often examined separately, play and hauntings in fact act together to frame postcolonial issues. Sushmita Chatterjee showcases their braided workings in social and political fabrics. Drawing on this intertwined idea of play and hauntings, Chatterjee goes to the heart of conundrums within transnational postcolonial feminisms by examining the impossible echoes of translations, differing renditions of queer, and the possibilities of solidarity beyond the fraternal friendships that cement nation-states. Meaning-plays, or slippages through language systems as we move from one language to another, play a pivotal role in a global world. As Chatterjee shows, an attentiveness to meaning-plays discerns the past and present, here and there, and moves us toward responsive ethics in our theories and activisms.
Insightful and stimulating, Postcolonial Hauntings centers the inextricable work of play and hauntings as a braided ethics for postcolonial transnational struggles.
A merger of eyewitness accounts and theory, Postconflict Utopias explores the links between lived knowledge and survival while revealing the power unleashed when women ask the simple question, “Why not?”
From 1931 to 1945 Pound's poetry took a back seat to his activities as an economic reformer and propagandist for the corporate state. Pound believed he had a simple and practical solution for the economic woes of the world brought on by the Great Depression, and he became increasingly preoccupied with capturing political power for the economic reform he envisioned.
As the world spiraled toward war, Pound's program of economic reform foundered and he gradually succumbed to a paranoid belief in a Jewish conspiracy. Through an incisive analysis of Pound's correspondence and writings, much of it previously unexamined, Surette shows how this belief fostered the virulent anti-Semitism that pervades his work-–both poetry and prose-–from this time forward.
These essays explore the lives of powerful women whose lineage gave them status within a patriarchal society designed to keep women from public life. Each of the influential and literary women discussed in this volume handled her status differently, and their concerns were not dissimilar from the concerns of feminists today: the blurring of the personal and the political, public versus private space, language and voice, and property.
Spanning the two centuries between Juana Pimentel, a widow who manipulated the patronage system to her own ends, and Luisa de Carvajal y Mendoza, who rejected both convent and marriage in favor of missionary work, Power and Gender in Renaissance Spain reveals a complex society in which women were limited by law, and yet their social status made those laws negotiable.
These women found that their personal agendas had a broad societal impact, challenging the laws of the land and patriarchal assumptions about women's inferiority.
sixteenth centuries, these essays suggest that influence and power may
have paradoxically been available to women despite, and sometimes precisely
because of, their subordinate position in society. Striking for its range
of scholarship, this collection explores the power and independence, relationships
and influence of medieval queens, holy women, mothers, widows, Jewish
conversas, and others. Latin and Anglo-Norman hagiography, confessors'
manuals, coronation rituals, responsa literature, and legal theory
are represented.
"An intriguing exploration
of a basic paradox of medieval society, and an excellent blend of theory
and gender studies with detailed work relevant for social and political
history." -- Joel Rosenthal, author of Patriarchy and Families
of Privilege in Fifteenth-Century England
JENNIFER CARPENTER
is a lecturer in history at the University of Otago, Dunedin, New Zealand.
Chosen as a Choice Magazine's Outstanding Academic Book for 1999.
For two and a half millennia philologists have viewed themselves as the modest heirs and curators of their textual past's most glorious periods, collecting and editing text fragments, historicizing them and adding commentary, and ultimately teaching them to contemporary readers.
Gumbrecht argues for a return to this tradition as an alternative to an often free-floating textual interpretation and to the more recent redefinition of literary studies as "cultural studies," which risks a loss of intellectual focus. Such a return to philological core exercises, however, can become more than yet another movement of academic nostalgia only if it takes into account the hidden desire that has inspired
philology since its Hellenistic beginnings: the desire to make the past present again by embodying it.
Beginning with FDR's masterful use of radio to establish the sense of a personal, benevolently paternal relationship with the American people and culminating in the discovery and coverage of the Watergate break-in, Halberstam tracks the firm establishment of the media as a potent means of shaping both public opinion and public policy. He tells the story through vivid, intimate portraits of the men, women, and politics behind four key media organizations: CBS and its board chairman William S. Paley; Time magazine and its cofounder Henry Luce; the Washington Post and successive publishers Philip Graham and his wife, Katherine; and the Los Angeles Times and publishers Norman Chandler and his son, Otis.
The first comprehensive look at an American conservation community, Prairie Crossing goes beyond windmills and nest boxes to examine an effort to connect adults to the land while creating a healthy and humane setting for raising a new generation attuned to nature. John Scott Watson places Prairie Crossing within the wider context of suburban planning, revealing how two first-time developers implemented a visionary new land ethic that saved green space by building on it. The remarkable achievements include a high rate of resident civic participation, the reestablishment of a thriving prairie ecosystem, the reintroduction of endangered and threatened species, and improved water and air quality. Yet, as Watson shows, considerations like economic uncertainty, lack of racial and class diversity, and politics have challenged, and continue to challenge, Prairie Crossing and its residents.
Landscaping with native plants has encouraged gardeners from the Midwest and beyond to embark on a profound scientific, ecological, and emotional partnership with nature. Benjamin Vogt shares his expertise with prairie plants in a richly photographed guide aimed at gardeners and homeowners, making big ideas about design approachable and actionable. Step-by-step blueprints point readers to plant communities that not only support wildlife and please the eye but that rethink traditional planting and maintenance. Additionally, Vogt provides insider information on plant sourcing, garden tools, and working with city ordinances. This book will be an invaluable reference in sustainable garden design for those wanting both beautiful and functional landscapes.
Easy to use and illustrated with over 150 color photos, Prairie Up is a practical guide to artfully reviving diversity and wildness in our communities.
Received Honorable Mention from the AHS Book Awards (American Horticultural Society)
literature through empiricism, idealism, and romanticism. Berman demonstrates how
modern social, political, and scientific developments -- including capitalism, socialism,
humanism, psychoanalysis, fascism, and modernism itself -- have altered attitudes toward
time, space, self, creativity, the natural world, and community. "Deserves careful study."
-- Choice
Using a unique combination of biblical scholarship and folklore methodology, Susan Niditch tracks stories of biblical characters who become heroes against the odds, either through trickery or through native wisdom, physical prowess, and the help of human or divine agents. In this volume, originally published as Underdogs and Tricksters, Niditch examines three cross-sections of the Old Testament in detail: stories in Genesis in which patriarchs pretend that their wives are really their sisters; the contrasting stories of two younger sons, the trickster Jacob and the earnest underdog Joseph; and the story of Esther as a paradigm of feminine wisdom pitted against unjust authority.
Linking these Old Testament heroes to the legendary tricksters and underdogs of other cultures, Niditch shows how the Israelites' worldview and self-image are reflected in the way biblical authors tell their stories. Through a thoughtful analysis of style, content, narrative choices, and attitudes to issues of gender and political authority in biblical narrative, A Prelude to Biblical Folklore draws persuasive conclusions about the identity, location, and provenance of the stories' authors and their audiences.
Drawn from more than seventy-five hours of recorded interviews, Pressing On reveals Roni's gifts as a master storyteller. With characteristic spunk and candor, she describes her "pooristic" ("way beyond 'poverty-stricken'") Appalachian childhood, and how her brother Scott taught her to play the challenging and innovative three-finger banjo picking style developed by Earl Scruggs. She also warmly recounts Hee Haw-era adventures with Minnie Pearl, Roy Clark, and Buck Owens; her encounters as a musician with country greats like Loretta Lynn, Johnny Cash, June Carter, and Patsy Cline; as well as her personal struggles with shiftless and violent husbands, her relationships with her children, and her musical life after Hee Haw.
In the modern era, there arose a prolific and vibrant print culture—books, newspapers, and magazines issued by and for diverse, often marginalized, groups. This long-overdue collection offers a unique foray into the multicultural world of reading and readers in the United States.
The contributors to this award-winning collection pen interdisciplinary essays that examine the many ways print culture functions within different groups. The essays link gender, class, and ethnicity to the uses and goals of a wide variety of publications and also explore the role print materials play in constructing historical events like the Titanic disaster.
Contributors: Lynne M. Adrian, Steven Biel, James P. Danky, Elizabeth Davey, Michael Fultz, Jacqueline Goldsby, Norma Fay Green, Violet Johnson, Elizabeth McHenry, Christine Pawley, Yumei Sun, and Rudolph J. Vecoli
convicted of violating the Edmunds Law, which prohibited polygamy, provides
a unique perspective on this period of Utah history. Rudger Clawson (1857-1943)
was a prominent member of the Church of Jesus Christ of Latter-day Saints,
serving as missionary, stake president, apostle, president of the Quorum
of the Twelve Apostles, and counselor in the First Presidency.
His memoirs of three years as a "cohab" in the Utah Territorial
Penitentiary are published here for the first time. They reflect the pride
Mormon polygamists felt at being "prisoners for conscience sake,"
and they include discussions of Mormon doctrines, accounts of daring prison
escapes, details of prison life, and the sense of a husband's frustration
at being separated from his plural wife.
Wuthnow uses as a guiding assumption the idea that cultural expressions, religious or otherwise, do not simply happen but are produced. He considers the major kinds of organizations that produce public religion--congregations, hierarchies, special interests, academies, and public rituals--showing how these organizational vehicles shape public religion's messages and how specific types of religious organization draw resources from their environments. He also reveals the implicit and unintended ways in which sacredness is expressed in modern society.
A volume in the series Public Expressions of Religion in America
This volume bares professional concerns, relationships, ambitions, and insecurities about working in academe. Professions provides hard-to-get insider information for students contemplating an academic career. It also challenges professional scholars to retrieve the intellectual curiosity that drew them to scholarship in the first place while demonstrating how disagreement on controversial issues can be conducted with respect, good humor, and an open mind.
Professions features:
Jane Tompkins and Gerald Graff
John McGowan and Regenia Gagnier
James Phelan and James Kincaid
Marjorie Perloff and Robert von Hallberg
Judith Jackson Fossett and Kevin Gaines
Dennis W. Allen and Judith Roof
Niko Pfund, Gordon Hutner, and Martha Banta
Geoffrey Galt Harpham
Donald E. Hall and Susan S. Lanser
J. Hillis Miller, Herbert Lindenberger, Sandra Gilbert, Bonnie Zimmerman, Nellie Y. McKay, and Elaine Marks
Mark Lloyd has crafted a complex and powerful assessment of the relationship between communication and democracy in the United States. In Prologue to a Farce, he argues that citizens’ political capabilities depend on broad public access to media technologies, but that the U.S. communications environment has become unfairly dominated by corporate interests.
Drawing on a wealth of historical sources, Lloyd demonstrates that despite the persistent hope that a new technology (from the telegraph to the Internet) will rise to serve the needs of the republic, none has solved the fundamental problems created by corporate domination. After examining failed alternatives to the strong publicly owned communications model, such as antitrust regulation, the public trustee rules of the Federal Communications Commission, and the underfunded public broadcasting service, Lloyd argues that we must re-create a modern version of the Founder’s communications environment, and offers concrete strategies aimed at empowering citizens.
Eloquently extolled by President John F. Kennedy, the idea that only artists in free societies can produce great art became a bedrock assumption of the Cold War. That this conviction defied centuries of historical evidence--to say nothing of achievements within the Soviet Union--failed to impact impregnable cultural Cold War doctrine.
Joseph Horowitz writes: “That so many fine minds could have cheapened freedom by over-praising it, turning it into a reductionist propaganda mantra, is one measure of the intellectual cost of the Cold War.” He shows how the efforts of the CIA-funded Congress for Cultural Freedom were distorted by an anti-totalitarian “psychology of exile” traceable to its secretary general, the displaced Russian aristocrat/composer Nicolas Nabokov, and to Nabokov’s hero Igor Stravinsky.
In counterpoint, Horowitz investigates personal, social, and political factors that actually shape the creative act. He here focuses on Stravinsky, who in Los Angeles experienced a “freedom not to matter,” and Dmitri Shostakovich, who was both victim and beneficiary of Soviet cultural policies. He also takes a fresh look at cultural exchange and explores paradoxical similarities and differences framing the popularization of classical music in the Soviet Union and the United States. In closing, he assesses the Kennedy administration’s arts advocacy initiatives and their pertinence to today’s fraught American national identity.
Challenging long-entrenched myths, The Propaganda of Freedom newly explores the tangled relationship between the ideology of freedom and ideals of cultural achievement.
Michael Hubbard MacKay traces the Church of Jesus Christ of Latter-day Saints' claim to religious authority and sets it within the context of its times. Delving into the evolution of the concept of prophetic authority, MacKay shows how the Church emerged as a hierarchical democracy with power diffused among leaders Smith chose. At the same time, Smith's settled place atop the hierarchy granted him an authority that spared early Mormonism the internal conflict that doomed other religious movements. Though Smith faced challenges from other leaders, the nascent Church repeatedly turned to him to decide civic plans and define the order of both the cosmos and the priesthood.
Available in English for the first time, Prosdocimo's Tractatus plane musice (1412) and Tractatus musice speculative (1425) are exemplary texts for understanding the high sophistication of music theory in the early fifteenth century. Known for considering music as a science based on demonstrable mathematical principles, Prosdocimo praises Marchetto for his theory of plainchant but criticizes his influential Lucidarium for its heterodox mathematics. In dismissing Marchetto as a “mere performer,” Prosdocimo takes up matters as broad as the nature and definition of music and as precise as counterpoint, tuning, and ecclesiastical modes. The treatises also reveal much about Prosdocimo’s understanding of plainchant; his work with Euclid's Elementa; and his familiarity with the music theory of Boethius, Macrobius, and Johannes de Muris. A foremost authority on Italian music theory of the Middle Ages and early Renaissance, Jan Herlinger consults manuscripts from Bologna, Cremona, and Lucca in preparing these valuable first critical editions.
Jeffrey Nichols examines how prostitution became a focal point in the moral contest between Mormons and gentiles and aided in the construction of gender systems, moral standards, and the city's physical and economic landscapes. Gentiles likened polygamy to prostitution and accused polygamous Mormons of violating Christian norms of family structure and sexual behavior. Defending their church and its ideals, Mormons blamed gentiles for introducing the sinful business of prostitution into their honorable city. Nichols traces the interplay of prostitution and reform from the 1890s, when the Church of Jesus Christ of Latter-day Saints began to move away from polygamy, to World War I, when Mormon and gentile moral codes converged at the expense of prostitutes. He also considers how the conflict over polygamy distinguished Salt Lake City from other cities struggling to abolish prostitution in the Progressive Era.
In nineteen original essays, a foreword by Jean–Yves Tadié, and an introduction by editors Armine Kotin Mortimer and Katherine Kolb, this volume guides readers through the dense weave of Proust's fiction and correspondence. The essays take us into the realm of Proustian language–-as quotation, metaphor, and memory–-and into art history and musical ideology, connecting the art of words with the words of art. They explore the interface of history and fiction, the mysteries of the text's evolution, and the dilemmas of its publication. They present the revelations of genetic criticism and the surprises of gender analysis.
Taken together, these essays conjure a multifaceted profile of Proust–-his work, life, character, and influence–-and of new directions in Proust scholarship today. With compelling rigor and infectious enthusiasm, Proust in Perspective conveys the magnitude of Proust's continuing appeal.
Christine M. Cano’s Proust’s Deadline presents a concise history of the publishing and reception of À la recherche du temps perdu, and sorts out the most important issues that have arisen from the ensuing debates about the text. She ultimately shows how this quintessential “book about time” tells another story about time’s passage: the story of Proust’s mortal confrontation with the temporality of writing, publishing, and reading.
dealing with issues of agency. The authors raise issues that are very
important . . . and they raise them as they must be raised--by bridging
theory and action." -- Kathryn Pine Addelson, author of Moral
Passages: Toward a Collectivist Moral Theory
Both the women's liberation movement and those who have studied it characterize
agency as the capacity to make change in individual consciousness, personal
lives, and society. The seventeen contributors to Provoking Agents
explore whether--and how--feminist theory, writing, and other social practices
can help readers move beyond seeing women as a powerless group to effecting
changes in their own lives and, ultimately, becoming social activists.
Topics in this multi-disciplinary collection range from maternal surrogacy
to writing, from consciousness-raising to AIDS activism, from pornography
to local organizing
The latest volume in the Urban Agenda series looks at pressing infrastructure issues discussed at the 2017 UIC Urban Forum. Topics include: competing notions of the infrastructure ideal; what previous large infrastructure programs can teach the Trump Administration; how infrastructure influences city design; the architecture of the cities of tomorrow; who benefits from infrastructure improvements; and evaluations of projects like the Chicago Riverwalk and grassroots efforts to reclaim neighborhood parks from gangs.
Contributors: Philip Ashton, Beverly S. Bunch, Bill Burton, Charles Hoch, Sean Lally, and Sanjeev Vidyarthi
Thomas J Billard and Silvio Waisbord curate essays from a wide range of specialties within the study of communication. Aimed at scholars and students alike, the contributors use approaches from critical meditations to case studies to how-to guides as they explore the possibilities of seeing shared knowledge not as a gift to be granted but as an imperative urging readers to address the problems of the world. Throughout the volume, the works show that a pivot to ideas of scholarship as public service is already underway in corners of communication studies across the country.
Visionary and provocative, Public Scholarship in Communication Studies proposes a needed reconsideration of knowledge and a roadmap to its integration with community.
Contributors: Elaine Almeida, Becca Beets, Thomas J Billard, Danielle K. Brown, Aymar Jean Christian, Stacey L. Connaughton, Paula Gardner, Larry Gross, Amy Jordan, Daniel Kreiss, Rachel Kuo, Susan Mancino, Shannon C. McGregor, Philip M. Napoli, Todd P. Newman, Srividya Ramasubramanian, Chad Raphael, Sue Robinson, Silvio Waisbord, Yidong Wang, and Holley Wilkin
From white-collar executives to mail carriers, public workers meet the needs of the entire nation. Frederick W. Gooding Jr. and Eric S. Yellin edit a collection of new research on this understudied workforce. Part One begins in the late nineteenth- and early twentieth century to explore how questions of race, class, and gender shaped public workers, their workplaces, and their place in American democracy. In Part Two, essayists examine race and gender discrimination while revealing the subtle contemporary forms of marginalization that keep Black men and Black and white women underpaid and overlooked for promotion. The historic labor actions detailed in Part Three illuminate how city employees organized not only for better pay and working conditions but to seek recognition from city officials, the public, and the national labor movement. Part Four focuses on nurses and teachers to address the thorny question of whether certain groups deserve premium pay for their irreplaceable work and sacrifices or if serving the greater good is a reward unto itself.
Contributors: Eileen Boris, Cathleen D. Cahill, Frederick W. Gooding Jr., William P. Jones, Francis Ryan, Jon Shelton, Joseph E. Slater, Katherine Turk, Eric S. Yellin, and Amy Zanoni
Winner of the Critics’ Choice Book awards of the American Educational Studies Association (AESA-CCBA)
The postwar migration of Puerto Rican men and women to Chicago brought thousands of their children into city schools. These children's classroom experience continued the colonial project begun in their homeland, where American ideologies had dominated Puerto Rican education since the island became a US territory. Mirelsie Velázquez tells how Chicago's Puerto Ricans pursued their educational needs in a society that constantly reminded them of their status as second-class citizens. Communities organized a media culture that addressed their concerns while creating and affirming Puerto Rican identities. Education also offered women the only venue to exercise power, and they parlayed their positions to take lead roles in activist and political circles. In time, a politicized Puerto Rican community gave voice to a previously silenced group--and highlighted that colonialism does not end when immigrants live among their colonizers.
A perceptive look at big-city community building, Puerto Rican Chicago reveals the links between justice in education and a people's claim to space in their new home.
Synonymous with American mediocrity, Peoria was fertile ground for the boredom- and anger-fueled fury of punk rock. Jonathan Wright and Dawson Barrett explore the do-it-yourself scene built by Peoria punks, performers, and scenesters in the 1980s and 1990s. From fanzines to indie record shops to renting the VFW hall for an all-ages show, Peoria's punk culture reflected the movement elsewhere, but the city's conservatism and industrial decline offered a richer-than-usual target environment for rebellion. Eyewitness accounts take readers into hangouts and long-lost venues, while interviews with the people who were there trace the ever-changing scene and varied fortunes of local legends like Caustic Defiance, Dollface, and Planes Mistaken for Stars. What emerges is a sympathetic portrait of a youth culture in search of entertainment but just as hungry for community—the shared sense of otherness that, even for one night only, could unite outsiders and discontents under the banner of music.
A raucous look at a small-city underground, Punks in Peoria takes readers off the beaten track to reveal the punk rock life as lived in Anytown, U.S.A.
Luís LM Aguiar and Joseph A. McCartin edit essays on one of contemporary labor’s bedrock organizations. The contributors explore key episodes, themes, and features in the union’s recent history and evaluate SEIU as a union with global aspirations and impact. The first section traces the SEIU’s growth in the last and current centuries. The second section offers in-depth studies of key campaigns in the United States, including the Justice for Janitors and Fight for $15 movements. The third section focuses on the SEIU’s work representing low-wage workers in Canada, Australia, Europe, and Brazil. An interview with Justice for Janitors architect Stephen Lerner rounds out the volume.
Contributors: Luís LM Aguiar, Adrienne E. Eaton, Janice Fine, Euan Gibb, Laurence Hamel-Roy, Tashlin Lakhani, Joseph A. McCartin, Yanick Noiseux, Benjamin L. Peterson, Allison Porter, Alyssa May Kuchinski, Maite Tapia, Veronica Terriquez, and Kyoung-Hee Yu
The Andean nation of Ecuador derives much of its revenue from petroleum that is extracted from its vast Upper Amazonian rain forest, which is home to ten indigenous nationalities. Norman E. Whitten Jr. and Dorothea Scott Whitten have lived among and studied one such people, the Canelos Quichua, for nearly forty years. In Puyo Runa, they present a trenchant ethnography of history, ecology, imagery, and cosmology to focus on shamans, ceramic artists, myth, ritual, and political engagements. Canelos Quichua are active participants in national politics, including large-scale movements for social justice for Andean and Amazonian people. Puyo Runa offers readers exceptional insight into this cultural world, revealing its intricacies and embedded humanisms.
is a provocative, intelligent analysis of V., The Crying of Lot 49, Gravity's
Rainbow, and Vineland. Hanjo Berrssem examines these works in the
light of post-structuralist thought and literary theory, investigating the notion
of subjectivity and the relations between the subject, culture, and language.
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