Spanning the Islamic world, from ninth-century Baghdad to nineteenth-century Iran, this book tells the story of Islamic cartography and the key Muslim map-makers who shaped the art over the centuries. Muslim geographers like al-Khwārazmī and al-Idrīsī developed distinctive styles, often based on geometrical patterns and calligraphy, and their maps covered all the known world, from the sources of the Nile to the European lands of the north and the Wall of Gog and Magog in the east. These map-makers combined novel cartographical techniques with art, science, and geographical knowledge to produce maps that could be both aesthetically stunning and mathematically sophisticated.

Islamic Maps examines Islamic visual interpretations of the world in their historical context through the map-makers themselves. What was the purpose of their maps, what choices did they make, and what arguments about the world were they trying to convey? Lavishly illustrated with stunning manuscripts, beautiful instruments, and Qibla charts, this book shows how maps constructed by Muslim map-makers capture the many dimensions of Islamic civilization across the centuries.
 

The 1920s marked the high point of refined dining, when silver tray–bearing white-gloved waiters circulated among guests and starched linens and candlelit tables were de rigueur. For the decadent class that came to prominence during the post-war period, achieving a reputation for throwing the most recherché dinner parties meant instant social success, and many an enterprising host or hostess sought advice in J. Rey’s The Whole Art of Dining.

By turns a collection of practical advice and a catalog of eccentricities, The Whole Art of Dining, republished by the Bodleian Library as How to Dine in Style, contained everything the would-be socialite needed to know in order to elevate food to high art, from tricks for putting together a proper French menu or throwing a garden party to practical tips on serving wines in the correct order and at the right temperature. Throughout the book are stories of astonishing excess, such as the search for ever-more-elaborate themes and venues, and the more daring of the book’s devotees might have been tempted to emulate efforts like those of the intrepid hostess whose mountaineering-themed dinner party had guests rappel to the rooftop of her Chicago home or American millionaire George A. Kessler, whose infamous “Gondola Party” flooded— for the first and only time—the central courtyard of the Savoy.

A captivating glimpse into the golden age of fine dining, this book will be consumed with interest by discerning diners and fans of the Roaring Twenties—and it may even inspire readers to try their hand at throwing a stylish soiree of their own.

Every child knows that costumes are magical. Put on the right hat, add some imagination, and you can be anyone.

That's what happens to a little boy in The March Wind. Finding a large black hat lying in the street, he tries it on . . . and instantly becomes a host of exciting characters: a soldier marching proudly through puddles, a cowboy galloping on his steed, a bandit fleeing the law under cover of night, a circus ringleader entertaining the crowd. But then the owner of the hat returns, and the boy finds himself face to face with the March Wind. Is this part of his imagination, too, or is something bigger happening?   

This charming children’s book, first published in 1957, is brought to life by the timeless illustrations of Vladimir Bobri, whose wonderfully imaginative renderings of the boy’s flights of fancy are endearing and captivating. It will charm parents and children alike.
 

The Blackwell Collections—the archive of the well-loved bookselling and publishing company—are full of surprises. There are warrior women no longer prepared to suffer the fate of a spellbound princess, scholarly apprentices giving themselves an Oxford education, and reluctant radicals publishing in protest against the authorities who sent so many to “certain death” in the Great War. Amid the many unknown authors the Blackwells published are famous names: J. R. R Tolkien, John Buchan, Wilfred Owen, John Betjeman, Dorothy L Sayers, Vera Brittain, Edith Sitwell, and Laurence Binyon, who is recollected whenever For the Fallen is read. But the memoirs, letters, and journals of “ordinary people” who worked for the family also deserve a hearing. The diary of Will King, a real-life Jude the Obscure, stands out. Its astonishing record of what he read and his mordant dissection of the texts amounts to a critique of English culture between 1910 and 1950. Together with the stories of three generations of B. H. Blackwells and their diverse associates, the book provides a panel of nineteenth- and early twentieth-century history far beyond Oxford.

Heath Robinson (1872–1944) is Britain’s “Gadget King”—master of the art of creating madcap contraptions that made use of ropes, weights, and pulleys to perform relatively simple tasks, from wart removal to peeling potatoes. Although he trained as a painter and also worked as a book illustrator, Robinson developed his forte with drawings of gadgets that parodied the absurdities of modern life. A true cartoonist, Robinson had a way of getting at the heart of the matter while simultaneously satirizing it mercilessly. He became a household name in Britain, and his popularity continues today with plans to build a museum in London to share with a new generation the story of his life and work.

Heath Robinson’s Golf establishes Robinson as one of the great humorists of the “gentleman’s game.” From the origin of those peculiar shortened pants called “plus-fours” to the multiple meanings of an “awkward lie,” Robinson pokes fun at this popular sport. Among the cartoons in Golf are mechanisms like a machine for testing golf drivers or the “waterproof mashie” for keeping one’s clothes dry. And, while Robinson primarily focuses on the antics of a portly golfer and his long-suffering caddie, few will avoid the feeling that Robinson is at times speaking directly to them with contraptions like a putter fitted with a patented ball guide or a “movable bunker” to block an opponent’s progress down the fairway.

A side-splittingly funny collection from the man whose “absurd, beautiful drawings” H. G. Wells claimed “give me a peculiar pleasure of the mind like nothing else in the world,” this book make a perfect gift for anyone looking to have a laugh at our complicated and increasingly mechanical modern life.

Heath Robinson (1872–1944) is Britain’s “Gadget King”—master of the art of creating madcap contraptions that made use of ropes, weights, and pulleys to perform relatively simple tasks, from wart removal to peeling potatoes. Although he trained as a painter and also worked as a book illustrator, Robinson developed his forte with drawings of gadgets that parodied the absurdities of modern life. A true cartoonist, Robinson had a way of getting at the heart of the matter while simultaneously satirizing it mercilessly. He became a household name in Britain, and his popularity continues today with plans to build a museum in London to share with a new generation the story of his life and work.

With Heath Robinson’s Great War, the cartoonist lampoons the German army and the hardships of war. What better antidote to the threat of popular German propaganda than drawings of the “Huns” disabling the British army not with mustard gas but laughing gas? In high demand among British civilians, Robinson’s WWI panels also provided respite to thousands of troops—many of whom sent the cartoonist letters suggesting future subjects or simply expressing their appreciation. 

A side-splittingly funny collection from the man whose “absurd, beautiful drawings” H. G. Wells claimed “give me a peculiar pleasure of the mind like nothing else in the world,” this book make a perfect gift for anyone looking to have a laugh at our complicated and increasingly mechanical modern life.

With Heath Robinson’s Second World War, Britain’s “Gadget King” uses his characteristic madcap contraptions to poke good-natured fun at the war. From a series of cork bath mats strung together to enable soldiers to cross a treacherous stream to a tank complete with piano attachment for campsite concertos, the cartoons found here are uproariously funny while also forming a cheerful critique of some of the absurdities of war.

Heath Robinson was a household name in Britain, and millions of readers around the world continue to thoroughly enjoy his cartoons today. This classic military-themed compendium will be a favorite with fans of the cartoonist’s complicated, fanciful contraptions.

Heath Robinson (1872–1944) is Britain’s “Gadget King”—master of the art of creating madcap contraptions that made use of ropes, weights, and pulleys to perform relatively simple tasks, from wart removal to peeling potatoes. Although he trained as a painter and also worked as a book illustrator, Robinson developed his forte with drawings of gadgets that parodied the absurdities of modern life. A true cartoonist, Robinson had a way of getting at the heart of the matter while simultaneously satirizing it mercilessly. He became a household name in Britain, and his popularity continues today with plans to build a museum in London to share with a new generation the story of his life and work.

For the car enthusiast, How to Be a Motorist offers a compendium of Robinson’s wonderfully inventive car-based contraptions, with innovations like a handy “zip-opening bonnet,” a rear wheel to turn the car around with one movement, and a fork attachment to help rural motorists to avoid the occasional chicken on the roadway. The days of unsolicited driving advice could be over with the realization of Robinson’s “duo car for the incompatible,” and the book also includes a parody of a production line demonstrating how cars are made.

A side-splittingly funny collection from the man whose “absurd, beautiful drawings” H. G. Wells claimed “give me a peculiar pleasure of the mind like nothing else in the world,” this book make a perfect gift for anyone looking to have a laugh at our complicated and increasingly mechanical modern life.

Heath Robinson (1872–1944) is Britain’s “Gadget King”—master of the art of creating madcap contraptions that made use of ropes, weights, and pulleys to perform relatively simple tasks. Although he trained as a painter and also worked as a book illustrator, Robinson developed his forte with drawings of gadgets that parodied the absurdities of modern life. A true cartoonist, Robinson had a way of getting at the heart of the matter while simultaneously satirizing it mercilessly. He became a household name in Britain, and his popularity continues today.

The cartoons in Heath Robinson: How to be a Perfect Husband provide sage advice for how to succeed in almost all aspects of married life—and, of course, it often features a complicated Robinsonian gadget. The perfect husband, for example, will take advantage of two simple attachments to the garden roller to tend the lawn and entertain the baby simultaneously. Likewise, he can peel onions with no fear of tears using a mirror and construct a cost-effective vacuum cleaner using items found around the house. Most importantly, he will devise a device to help him climb the stairs silently after a late night out with the boys.

A gently satirical collection, this book make a perfect gift for anyone looking to have a laugh at our complicated and increasingly mechanical modern life.
 

Heath Robinson (1872–1944) is Britain’s “Gadget King”—master of the art of creating madcap contraptions that made use of ropes, weights, and pulleys to perform relatively simple tasks, from wart removal to peeling potatoes. Although he trained as a painter and also worked as a book illustrator, Robinson developed his forte with drawings of gadgets that parodied the absurdities of modern life. A true cartoonist, Robinson had a way of getting at the heart of the matter while simultaneously satirizing it mercilessly. He became a household name in Britain, and his popularity continues today with plans to build a museum in London to share with a new generation the story of his life and work.

How to Live in a Flat brings together a series of patently Robinsonesque space-saving solutions for city dwellers looking to make the most of modest square footage. Some of the solutions involve furniture made to serve multiple—and often opposing—purposes, like a combination bath-and-writing desk for businessmen. Others reimagine the workings of entire apartment complexes, including one cutaway explaining the use of the communal bath.

A side-splittingly funny collection from the man whose “absurd, beautiful drawings” H. G. Wells claimed “give me a peculiar pleasure of the mind like nothing else in the world,” this book make a perfect gift for anyone looking to have a laugh at our complicated and increasingly mechanical modern life.

Heath Robinson’s Home Front sees the well-loved cartoonist working in collaboration with the writer and humorist Cecil Hunt. Together, they offer hopelessly impractical solutions to some of the most perplexing problems of the day. Pity the poor Briton advised to play his weekly bridge tournament while wearing a gas mask, the gardener who substitutes a complex configuration of magnets in the shortage of simple pea-sticks, or the motorist who must find a way to power her vehicle without gasoline. The result is an amusingly idiosyncratic celebration of the British population’s remarkable ability to “make do and mend.”

Heath Robinson was a household name in Britain, and millions of readers around the world continue to thoroughly enjoy his cartoons today. A classic military-themed compendium, Heath Robinson’s Home Front will be a favorite with fans of the cartoonist’s complicated, fanciful contraptions.

A royal physician and fellow of the Royal Society, Martin Lister was an extraordinarily prolific natural historian with an expertise in shells and mollusks. Disappointed with the work of established artists, Lister decided to teach his daughters, Susanna and Anna, how to illustrate images of the specimens he studied. The sisters became so skilled that Lister entrusted them with his great work, Historiæ Conchyliorum, assembled between 1685 and 1692. This first comprehensive study of conchology consisted of more than one thousand copperplates of shells and mollusks collected from around the world. Martin Lister and his Remarkable Daughters reconstructs the creation of this masterwork, presenting original drawings, engraved copperplates, draft prints, and photographs of the finished books.

Susanna and Anna portrayed the shells of this collection not only as curious and beautiful objects, but also as specimens of natural history, rendering them with sensitivity and keen scientific empiricism. Beautiful in their own right, their illustrations and engravings reveal the early techniques behind scientific illustration and offer fascinating insight into the often hidden role of women in the scientific revolution.

Margaret was both a saint and a celebrated queen who, with her husband, led Scotland to great acclaim and power in eleventh-century Europe. Her favorite book was an illuminated manuscript of extracts from the gospels, and her personal copy, currently held in the Bodleian Library, is reproduced here for the pleasure of modern readers.

Margaret’s piety, dignity, and compassion made her a beloved figure long after her death. Her illuminated manuscript reveals the depths of her sanctity, opening with a Latin poem relating the one miracle attributed to her, where she preserved this book from damage. Exquisite illustrations transform the script into an arresting treasure, and Rebecca Rushforth uses incisive and comprehensive commentary to explain the story behind the manuscript and set it within Margaret’s historical context. She explores both the creation of the manuscript and its special meaning for Margaret, along with Margaret’s role as a significant figure in British and world history.

A fascinating piece of historical art, St Margaret’s Gospel-Book will be treasured by historians, religious scholars, and classicists alike.