Long out of print and found only in rare-book stores, it is now available to a contemporary audience with this new paperback edition.
When slavery was abolished by the Emancipation Proclamation, there were slaves in every county of the state, and almost half the population was directly involved in slavery as either a slave, a slaveowner, or a member of an owner’s family. Orville Taylor traces the growth of slavery from John Law’s colony in the early eighteenth century through the French and Spanish colonial period, territorial and statehood days, to the beginning of the Civil War. He describes the various facets of the institution, including the slave trade, work and overseers, health and medical treatment, food, clothing, housing, marriage, discipline, and free blacks and manumission.
While drawing on unpublished material as appropriate, the book is, to a great extent, based on original, often previously unpublished, sources. Valuable to libraries, historians in several areas of concentration, and the general reader, it gives due recognition to the signficant place slavery occupied in the life and economy of antebellum Arkansas.
This revised and expanded edition of the Dictionary for Business & Finance defines terms from every field of business, as well as economics, statistics, and management and many words and expressions from other fields which have been adopted for special use by the business community. In this new edition, John V. Terry has added more than two hundred terms that help define the rapidly changing global economy of the late 1990s—terms like “European Currency Unit,” “Datsu-sara,” and “Keiretsu.” Of particular value to the student and business person alike are appendices for ratios, equations, formulas, abbreviations, and general financial and investment information.
In a clear, easy-to-follow style, Dictionary for Business & Finance goes directly to the business usage of a word or term, making it unnecessary to wade through irrelevant definitions.
Finalist, 2022 Miller Williams Poetry Prize
In a voice at times electrified by caustic cynicism, at other times stripped bare by grief, Casey Thayer’s Rational Anthem offers wry tribute to “the greatest country God could craft with the mules he had / on hand.” In seeking to tell the story of the ragged world around him, Thayer examines the links among flag-waving populism, religious fervor, and toxic masculinity. Here male intimacy—among childhood friends, between father and son, and in the tenuous bonds between young adults—generally finds acceptance only when expressed through a shared passion for guns and hunting: “I helped my father clean his hands with field grass, / convinced we had shared a moment / in rolling the internal organs out of the abdomen.”
In “How-To,” the book’s closer—a mash-up of instructions from active-shooter trainings attended by the poet—Thayer grasps at strategies for surviving a world where we have come to see school shootings as routine: “Grab a textbook, they instructed my child, and hug it to your chest over your heart.”
Formally deft and lyrically dense, Rational Anthem asks why we find it so hard to change the stories we keep repeating.
From the small Cadet Band that supported the school’s military department to the “best in sight and sound” Marching Razorbacks that are a staple of the university’s athletic program, the band has provided the soundtrack to the University of Arkansas.
The rich history of the Razorback Band has spanned almost the entire existence of the University of Arkansas. This book documents the distinguished 130-year history of the band from its humble beginnings in 1874 as an adjunct to the military cadet squad to the major college organization that it is today. Both as a supporting player of the military and ROTC programs and of the athletic department, the Razorback Band has provided the spirited musical excitement required through the years, as well as performing concerts on its own for an appreciative student body and community audience with the Concert Band and Wind Ensemble. Add to that the parallel story of the evolution of an exciting basketball and volleyball spirit band—the Hogwild Band—and you have in this lavishly illustrated book the first-ever history of the music makers of the University of Arkansas.
The world of William Trowbridge is one preoccupied with loss, with the fall from some possibility of grace that all who are born must bear. In the title poem of Trowbridge’s first full-length collection the poet calls our attention to movies, to Shane in particular. He asks us to identify, not with Shane, the lonely knight on a nameless quest, but with the much more lonely, and real, Jack Palance, the Prince of Darkness.
Trowbridge favors the villain, the outcast, the imperfect, the sinner, the alienated: King Kong, the Frog Prince, Frankenstein’s monster.
As Howard Nemerov has said in praise of William Trowbridge’s first poetry collection: “he is very much up on the peculiarities of our little world … He is both funny and serious, seriously funny; probably the best, if not the only, way of dealing with the complex predicament.”
Continuing in this third collection of poems to work in the realm of the serio-comic, Trowbridge explores other borderlands—between the tangible world and the intuitive one, between actuality and memory, between consciousness and unconsciousness, between self as flesh and blood and self as ghost.
This is fast-faced, nervy poetry whose witty, vernacular language moves surprisingly toward transcendence.
Originally published in a limited edition in 1866, this memoir of Will Tunnard’s experiences and observations of the Civil War in the West, where he served in the famed Third Louisiana Infantry, is one of only a handful of chronicles left by western Confederate soldiers. His first-person account of the battles of Wilson’s Creek, Pea Ridge, Iuka, and Corinth as well as the seige of Vicksburg, is a vivid history of these hard-fought campaigns which determined the outcome of the war in the Trans-Mississippi theater.
Using letters and diaries assembled from former comrades as well as his own daily journal, Tunnard tells the story of his regiment and its extraordinary odyssey from the Gulf of Mexico to the Ozark Plateau and from the Indian Territory to Mobile Bay. He offers an extensive and valuable account of capture and parole at Vicksburg and includes muster rolls which will interest genealogists as well as Civil War scholars and history enthusiasts. With a clear eye for detail and an engaging, objective style, Tunnard conveys the pathos of war and recounts the trials of camp life, social conditions, and the war’s affect on the civilian population.
Noted Civil War scholar William L. Shea supports the original text with background on the regiment and the time period, sketching a helpful chronology of events. In retelling this remarkable story of comradeship, hardship, endurance, courage, pride, and eventual defeat, Tunnard and Shea give modern readers a rare glimpse of the war in the West.
This anthology comprises reminiscences by a number of Anton Pavlovich Chekhov’s contemporaries, including the artist Konstantin Korovin, the writer Maxim Gorky, and Chekhov’s wife, Olga Knipper-Chekhova, and numerous letters written by Chekhov to his fellow writers and artists, family, publishers, and others.
Now available for the first time in English in America, these sixty-eight letters and ten essay-length reminiscences trace the development of Chekhov’s personality and talent, opening a window into the life and times of one of the world’s greatest short-story writers and playwrights. These perspectives on his family life and marriage, his early works, the stage productions of his plays, his literary successes, and the philosophies behind his writing create a rich biography of Chekhov that will reward writers, scholars, and all lovers of literature.
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