Sufi mysticism’s surprising revival in nineteenth-century Shi‘ite Persia.

Islamic mysticism experienced a remarkable revival in nineteenth-century fundamentalist Persia. Sparked by the return of the Sufi master Ma‘um Ali Shah from India, the Ni‘matullāhī  Order rapidly spread throughout the region amid fierce opposition from Shi‘te clerics. Rise of the Ni‘matullāhī  Order charts the movement’s unlikely rise across three generations of Sufi masters. Reza Tabandeh demonstrates how Ma‘um Ali Shah, Majdhub Ali Shah, and Mast Ali Shah sustained the revival by reinterpreting classical Sufi teachings for a Shi‘ite context.
 

Abu ‘Abdollâh’ Jafar ibn Mohammad Rudaki (c. 880 CE-941 CE) was a poet to the Samanid court which ruled much of Khorâsân (northeastern Persia) from its seat in Bukhara. He is widely regarded as “the father of Persian poetry, for he was the first major poet to write in New Persian language, following the Arab conquest in the seventh and eighth centuries, which established Islam as the official religion, and made Arabic the predominant literary language in Persian-speaking lands for some two centuries. In the tenth century the Caliphate power, with headquarters in Bagdad, gradually weakened. The remoteness of Khorâsân, where Rudaki was based, provided a hospitable atmosphere for a “renaissance” of Persian literature. Persian poetry—now written in the Arabic alphabet—flourished under the patronage of the Samanid amirs, who drew literary talent to their court. Under the rule of Nasr ibn Ahmad II (r. 914-943), Rudaki distinguished himself as the brightest literary star of the Samanid court. This book presents Rudaki as the founder of a new poetic aesthetic, which was adopted by subsequent generations of Persian poets. Rudaki is credited with being the first to write in the rubâi form; and many of the images we first encounter in Rudaki’s lines have become staples of Persian poetry.