Images of mirrors and reflection have long played a substantial role in literature by women, used to convey ineffable psychological states, the countless images that define and complicate women’s lives, and much more. In Mirrors of Entrapment and Emancipation, Leila Rahimi Bahmany focuses in particular on the work of two major women writers, Persian poet Forugh Farrokhzad (1935–67) and the American Sylvia Plath (1932–63), exploring the various ways that these two artists deployed mirrors and reflections as sites of entrapment or emancipation.

One of the defining issues of our age, terrorism frequently makes headlines as governments, private businesses, and ordinary citizens find themselves at risk or under attack. But what is the nature of this threat, and what can be done about it?

Terrorism and Counterterrorism Studies examines the essence of terrorism as an instrument to achieve certain goals and explores our difficulties in defining the very concept itself. The volume also provides an overview of current (counter)terrorism studies and discusses policy implications. The resulting recommendations will be valuable for limiting terrorism’s impact and reducing the threat to global peace, security, and stability.

The concept of “real legal certainty” provides a much-needed corrective to the general attention legal certainty currently receives, emphasizing relations between citizens, adding socio-legal insight, and providing a “view from below” Real legal certainty thus leads to more realistic insights on how to build state institutions. The concept was introduced by Leiden University’s professor of law and governance in developing countries Jan Michiel Otto, and can be considered a central pillar of his work.
In this volume, friends and colleagues of Otto engage with the concept of real legal certainty against the backdrop of an ever-increasing interest in legal certainty in policy-making and academia, providing a wide variety of examples of its relevance. Drawing on case material from all over the world, they show how real legal certainty can be understood in a bottom-up manner and how it is relevant for building state institutions. They also show how the concept can gain in relevance by taking non-state actors into account. In all, the volume is important reading for all whom share Otto’s interest in translating law in the books and into law in action.
 

Shari’a, the framework of Islamic rules and norms, governs many aspects of human behavior. The contributors to Applying Shari’a in the West examine in depth how Muslims in the West shape their normative behavior on the basis of Shari’a and how Western societies and legal systems react thereto. With its explicit focus on social and family relations, these country and thematic studies provide a timely overview of the current state of Shari’a and outline aspects of possible future developments, studies, and policies.   

The relationship between Europe and Islam has been complicated, if not troubled, throughout the thirteen centuries since Muslims first began playing a part in European history. This volume offers a compact, yet comprehensive look at the entire history of the interaction of Islam and Eureopean culture, religion, and politics.

Maurits S. Berger focuses in particular on the transformations that the figure of the Muslim and the image of Islam have undergone in the European mind. Conqueror, Antichrist, scholar, benign ruler, corsair, tradesman, fellow citizen—the Muslim has been all of those and more, and even today, as Muslims make up a substantial portion of Europe’s citizenry, they remain all too often a source of undeserved anxiety for ordinary people and politicians alike. Through Berger’s clear prose and incisive analysis, the story of Islam and Europe is seen as one of interaction and mutual influence rather than perpetual antagonism.

The Exposition of Artistic Research: Publishing Art in Academia introduces the pioneering concept of ‘expositions’ in the context of art and design research, where practice needs to be exposed as research to enter academic discourse. It brings together reflective and methodological approaches to exposition writing from a variety of artistic disciplines including fine art, music and design, which it links to questions of publication and the use of technology. The book proposes a novel relationship to knowledge, where the form in which this knowledge emerges and the mode in which it is communicated makes a difference to what is known.

 

Textiles that have been uncovered in archaeological excavations include garments, household fabrics, and sails. But until now, systematic analyses of such discoveries had not yet been undertaken for Dutch artifacts. Closing this considerable gap, Clothes Make the Man focuses on textile remains dating from between 400 and 1000 CE that have been recovered from settlements and cemeteries in what is now the Netherlands. As Chrystel R. Brandenburgh shows, such fabrics enable valuable reconstructions of burial clothing and yield important data about their production processes and techniques.