The Rain Gods’ Rebellion examines Nahua oral narratives to illuminate the cultural basis of the 1977–1984 rebellion against the local Hispanic elite in Huitzilan de Serdán, Mexico. Drawing from forty years of fieldwork in the region, James M. Taggart traces the sociopolitical role of Nahua rain gods—who took both human and divine forms—back hundreds of years and sheds new light on the connections between social experiences and the Nahua understanding of water and weather in stories. As Taggart shows, Nahua tales of the rain gods’ rebellion anticipated the actual 1977 land invasion in Huitzilan, in which some 200–300 Nahua were killed.
The Rain Gods’ Rebellion reveals how local culture evolves from the expression of unrest to organized insurgency and then into collective memory. Taggart records a tradition of storytelling in which Nahuas radicalized themselves through recounting the rain gods’ stories—stories of the gods organizing and striking with bolts of lightning the companion spirits of autocratic local leaders who worked closely with mestizos. The tales are part of a tradition of resisting the friars’ efforts to convert the Nahuas, Totonacs, Otomi, and Tepehua to Christianity and inspiring nativistic movements against invading settlers.Providing a rare longitudinal look at the cultural basis of this grassroots insurgency, The Rain Gods’ Rebellion offers rare insight into the significance of oral history in forming Nahua collective memory and, by extension, culture. It will be of significance to scholars of Indigenous studies, anthropology, oral history, and violence studies, as well as linguistic anthropologists and sociolinguists.
A sophisticated, state-of-the-art study of the remaking of Christianity by indigenous societies, Words and Worlds Turned Around reveals the manifold transformations of Christian discourses in the colonial Americas. The book surveys how Christian messages were rendered in indigenous languages; explores what was added, transformed, or glossed over; and ends with an epilogue about contemporary Nahuatl Christianities.
In eleven case studies drawn from eight Amerindian languages—Nahuatl, Northern and Valley Zapotec, Quechua, Yucatec Maya, K'iche' Maya, Q'eqchi' Maya, and Tupi—the authors address Christian texts and traditions that were repeatedly changed through translation—a process of “turning around” as conveyed in Classical Nahuatl. Through an examination of how Christian terms and practices were made, remade, and negotiated by both missionaries and native authors and audiences, the volume shows the conversion of indigenous peoples as an ongoing process influenced by what native societies sought, understood, or accepted.
The volume features a rapprochement of methodologies and assumptions employed in history, anthropology, and religion and combines the acuity of of methodologies drawn from philology and historical linguistics with the contextualizing force of the ethnohistory and social history of Spanish and Portuguese America.
Contributors: Claudia Brosseder, Louise M. Burkhart, Mark Christensen, John F. Chuchiak IV, Abelardo de la Cruz, Gregory Haimovich, Kittiya Lee, Ben Leeming, Julia Madajczak, Justyna Olko, Frauke Sachse, Garry Sparks
The 2015 theme for Manifest West’s annual anthology is “Western Weird.” The works in this collection reflect both myths and suspected truths about the part of the United States we call “the West.” But this year’s edition focuses entirely on the tradition of the strange. To borrow from Jeff VanderMeer’s definition for speculative fiction’s “New Weird,” this volume creates a new parallel genre for work that subverts the traditional romanticized ideas about place, playing with clichés about the West in order to put these elements to discomfiting, rather than consoling, ends.
Topics included in this collection of poetry, fiction, and creative nonfiction range from the West’s numinous fascination with E.T., Bigfoot, and ghosts and its celebration of its indigenous fauna and deadly landscapes to its uncomfortable relationships with its own marginalized peoples and its unforgiving and sometimes violent traditions. The tone of these works ranges from light—even campy—to chilling, but all allow readers to gaze straight into the many faces of what makes the West a weird place.
For the first time in the series, this volume includes solicited work as well as open submissions, including a number of established and award-winning writers and serving its mission by giving voice to brand-new writers.
Western Weird is the fourth volume in Western Press Books’ literary anthology series, Manifest West. The press, affiliated with Western State Colorado University, annually produces one anthology focused on Western regional writing
Contributors:
Bredt Bredthauer, Bartholomew Brinkman, Amy Brunvand, George David Clark, Michael Luis Dauro, Carol V. Davis, Russell Davis, Joe DiBuduo, Michael Engelhard, Daniel Ervin, Mel Goldberg, R. S. Gwynn, Aline Kaplan, Don Kunz , Nate Liederbach, Ellaraine Lockie, Nathan Alling Long, Robert McBrearty, Teresa Milbrodt, Lance Nizami, William Notter, Marlene Olin, C. R. Resetarits, Kate Robinson, Michaela Roessner, David J. Rothman, Matt Schumacher, Renée Thompson, Wendy Videlock, Vivian Wagner, Kirby Wright
He found friends among some of Colorado's more colorful characters, people who taught him much about life on the frontier. Jake Chisolm taught him how to shoot after rescuing him from two men preparing to skin him at poker. Wild Bill of Colorado taught him the meaning of "the drop" and warned him against wearing a gun in town unless he wanted trouble. Capturing the Western vernacular more accurately than any other writer, Townshend includes vivid details of life in the West, where he killed a buffalo, prospected for gold, and was present for the official government conference with the Ute Indians after gold was discovered on their lands.
Aerial mine tramways proved to have a special fascination; people often rode them for a thrill, sometimes with disastrous results. They were also very temperamental, needed constant attention, and were prone to accidents. The years between 1900 and 1920 saw the operation of some of the west's most spectacular tramways, but the decline in high-country mining beginning in the 1920s--coupled with the development of more efficient means of transportation--made this technology all but obsolete by the end of the Second World War.
Historians and the general reader will be equally enthralled by Trennert's fascinating story of the rise and fall of aerial mine tramways.
"Professor Trennert has explored a new area of mining history, and is to be commended for his pioneering work." --Liston Leyendecker, author of The Griffith Family and the Founding of Georgetown.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press