Simultaneously transnational and local, poetry in the twenty-first century is produced across digital networks, shaped through local communities, and evaluated on a global scale. It might start on social media, where a video of a poet circulates and goes viral, gaining international attention without ever going through traditional modes of publication. In Networked Poetics, Susanna L. Sacks introduces readers to the southern African poetry scene in Malawi, Zimbabwe, and South Africa, illustrating how contemporary poetry is shaped, from inception to canonization, by the influence of digital media publication.
Interweaving ethnographic observation and extensive literary analysis, Sacks demonstrates that, as more artists in Africa reach wider audiences through online publication, poetic form has shifted to reflect social media’s aesthetic norms of urgency, immediacy, and populism. These changes have, in turn, challenged elite processes of valuation, forcing literary institutions like prizes, festivals, and curricula to accommodate the digital turn.
Does the law shield citizens from authoritarian regimes? Are the core beliefs of classical liberalism—namely the rights of all individuals and constraints on state power—still protected by law? Liberalism and its expansion of rights could not exist without the legal system, and unsurprisingly, many scholars have explored the relationship between law and liberalism. However, the study of law and illiberalism is a relatively recent undertaking, a project that takes on urgency in light of the rise of authoritarian powers, among them Donald Trump’s administration, Viktor Orban’s Hungary, Recep Erdogan’s Turkey, and Jair Bolsanoro’s Brazil.
In this volume, six penetrating essays explore the dynamics of the law and illiberal quests for power, examining the anti-liberalism of neoliberalism; the weaponization of “free speech”; the role of the administrative state in current crises of liberal democracy; the broad and unstoppable assault on facts, truth, and reality; and the rise of conspiracism leading up to the Capitol insurrection. In addition to the editors, contributors include Sharon Krause, Elizabeth Anker, Jeremy Kessler, Lee McIntyre, and Nancy Rosenblum.
New Yorkers generate millions of tons of trash annually, which, through the magic of infrastructure and one of the largest waste management systems in the world, disappears from city sidewalks each night. Under pressure from environmentalists, activists, policymakers, and industry, the New York City Department of Sanitation started exploring ways to divert organic material from the waste stream, and in 2013, launched its composting pilot program.
Drawing on three years of ethnographic fieldwork with community composters and microhaulers in New York City, alongside the rollout of the city’s curbside organics collection system, Composting Utopia describes how local, grassroots organizations intervened in the city’s waste system, enacting change and presenting an alternative vision of the composting city. As Guy Shaffer argues, movement-driven infrastructure projects develop new tools for organizing the world, give communities agency over urban design, and promote just sustainability.
While the Civil War raged on, many northern artists depicted everyday life rather than grand battles or landscapes of noble sacrifice. Amidst a conflict that was upending antebellum social norms, these artists created realistic scenes of mundane events, known as genre paintings. While many of the paintings seem merely to show everyday incidents, Vanessa Meikle Schulman argues that artists connected the visuals to larger concerns.
With attention to how the war shaped new definitions of gender, race, and disability, Art during Wartime uncovers the complexity of these genre paintings. Schulman uses seven case studies of prominent and lesser-known artists who explored how the war instigated social change and shaped northern opinions about current events, including George Cochran Lambdin, Vincent Colyer, and Eastman Johnson. Utilizing detailed visual analysis and extensive historical research, Art during Wartime reframes our narrative of Civil War visual culture, placing genre painting in a central ideological role.
Honorable mention for U.S. Maritime History, John Lyman Book Awards
After the Revolutionary War ended, the new American nation grappled with a question about its identity: Were the states sovereign entities or subordinates to a powerful federal government? The War of 1812 brought this vexing issue into sharp relief, as a national government intent on waging an unpopular war confronted a populace in Massachusetts that was vigorously opposed to it. Maine, which at the time was part of Massachusetts, served as the battleground in this political struggle.
Joshua M. Smith recounts an innovative history of the war, focusing on how it specifically affected what was then called the District of Maine. Drawing on archival materials from the United States, Britain, and Canada, Smith exposes the bitter experience of Maine’s citizens during that conflict as they endured multiple hardships, including starvation, burdensome taxation, smuggling, treason, and enemy occupation. War’s inherent miseries, along with a changing relationship between regional and national identities, gave rise to a statehood movement that rejected a Boston-centric worldview in favor of a broadly American identity.
Winner of the 2023 National Communication Association's American Studies Division Outstanding Book Award
News media and popular culture in the United States have produced a conventional narrative of the outcomes of sexual abuse: someone perpetrates sexual violence, goes to trial, and is then punished with prison time. Survivors recede into the background, becoming minor characters in their own stories as intrepid prosecutors, police officers, and investigators gather evidence and build a case.
Leland G. Spencer explains how the stories we tell about sexual assault serve to reinforce rape culture, privileging criminal punishment over social justice and community-based responses to sexual violence. Examining a broad range of popular media, including news coverage of the Brock Turner case, Naomi Iizuka’s popular play Good Kids, the television program Criminal Minds, and the book turned television show 13 Reasons Why, Spencer demonstrates how these representations shore up the carceral state, perpetuate rape myths, blame victims, and excuse those who harm. While increased discussion about sexual violence represents feminist progress, these narratives assume that policing and prosecution are the only means of achieving justice, sidelining other potential avenues for confronting perpetrators and supporting victims.
When climate disasters like hurricanes, heatwaves, and tsunamis strike, they reveal the inequities of our social, political, and economic structures. They also lay bare the negative impacts of these structures on the health and safety of all people, and particularly socioeconomically vulnerable groups. With original contributions from scholars from a wide range of diverse fields—including environmental studies, public health, legal studies, urban planning, literary studies, and nursing—Climate Justice and Public Health examines this nexus of climate change, which has become impossible to ignore in the twenty-first century.
Expanding the climate and health equity discussions to populations all over the globe, the contributors in this volume address an impressive and broad range of topics that include Indigenous health and cultural practices, mental and emotional health, senior health, and impacts on African American communities. Collectively, they present radical new ways of confronting these issues and propose holistic solutions.
In a food industry shaped by the abundance, cheapness, and convenience that giant corporations can offer, small-scale ventures struggle to survive, as anthropologist Cathy Stanton discovered when she joined the effort to save a small food co-op in a former mill town in western Massachusetts. On the margins of the dominant system, Stanton found herself reckoning with its deep racial and class inequities, and learning that making real change requires a fierce commitment to community and a willingness to change herself as well.
Part memoir and part history lesson, Food Margins traces the tangled economic and political histories of the plantation, the factory, and the supermarket through the life of one New England town. Stanton tells a complex and compelling story of a rural community imagining and creating a viable alternative to the mainstream in a time of increasingly urgent need to build a more socially and ecologically just food system.
A runaway circus lion haunts a small town where two lovers risk more than their respective marriages. A junket to Cuba and an ambassador’s dalliance with a niece hide dark secrets and political revolution. “I’ve always had a knife,” says the unstable stepson to his parents. Inventive, dark, and absurd, the stories in The Long Swim capture Terese Svoboda’s clear-eyed, wry angle on the world: a place of violence and uncertainty but also wild beauty, adventure, and love both lasting and ephemeral. Her characters strive for escape—through romance, travel, or more self-destructive pursuits—and collide with the constraints of family and home, their longing for freedom and autonomy often at odds with the desire for safety and harmony.
Cynical, irreverent, and formally daring, Svoboda’s stories in The Long Swim are a deft exploration of womanhood and humanity. Waves of provocation and wonder toss the reader and leave them wanting more.
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