A SCHOLARLY BOOK REPOSITORY
911 scholarly books by University of Massachusetts Press and 87
start with C
911 scholarly books by University of Massachusetts Press and 87
911 scholarly books by University of Massachusetts Press
87 start with C start with C
87 start with C start with C
The California Days of Ralph Waldo Emerson
Brian C. Wilson
University of Massachusetts Press, 2022
In the spring of 1871, Ralph Waldo Emerson boarded a train in Concord, Massachusetts, bound for a month-and-a-half-long tour of California—an interlude that became one of the highlights of his life. On their journey across the American West, he and his companions would take in breathtaking vistas in the Rockies and along the Pacific Coast, speak with a young John Muir in the Yosemite Valley, stop off in Salt Lake City for a meeting with Brigham Young, and encounter a diversity of communities and cultures that would challenge their Yankee prejudices.
Based on original research employing newly discovered documents, The California Days of Ralph Waldo Emerson maps the public story of this group’s travels onto the private story of Emerson’s final years, as aphasia set in and increasingly robbed him of his words. Engaging and compelling, this travelogue makes it clear that Emerson was still capable of wonder, surprise, and friendship, debunking the presumed darkness of his last decade.
[more]
A Call to Conscience
The Anti-Contra War Campaign
Roger Peace
University of Massachusetts Press, 2012
Unlike earlier U.S. interventions in Latin America, the Reagan administration's attempt to overthrow the Sandinista government of Nicaragua during the 1980s was not allowed to proceed quietly. Tens of thousands of American citizens organized and agitated against U.S. aid to the counterrevolutionary guerrillas, known as "contras." Believing the Contra War to be unnecessary, immoral, and illegal, they challenged the administration's Cold War stereotypes, warned of "another Vietnam," and called on the United States to abide by international norms.
A Call to Conscience offers the first comprehensive history of the anti–Contra War campaign and its Nicaragua connections. Roger Peace places this eight-year campaign in the context of previous American interventions in Latin America, the Cold War, and other grassroots oppositional movements. Based on interviews with American and Nicaraguan citizens and leaders, archival records of activist organizations, and official government documents, this book reveals activist motivations, analyzes the organizational dynamics of the anti–Contra War campaign, and contrasts perceptions of the campaign in Managua and Washington.
Peace shows how a variety of civic groups and networks—religious, leftist, peace, veteran, labor, women's rights—worked together in a decentralized campaign that involved extensive transnational cooperation.
A Call to Conscience offers the first comprehensive history of the anti–Contra War campaign and its Nicaragua connections. Roger Peace places this eight-year campaign in the context of previous American interventions in Latin America, the Cold War, and other grassroots oppositional movements. Based on interviews with American and Nicaraguan citizens and leaders, archival records of activist organizations, and official government documents, this book reveals activist motivations, analyzes the organizational dynamics of the anti–Contra War campaign, and contrasts perceptions of the campaign in Managua and Washington.
Peace shows how a variety of civic groups and networks—religious, leftist, peace, veteran, labor, women's rights—worked together in a decentralized campaign that involved extensive transnational cooperation.
[more]
Camp Grounds
Style and Homosexuality
David Bergman
University of Massachusetts Press, 1993
The concept of camp has never been easy to define. Derived from the French verb camper, "to pose," it has been variously interpreted as a style that favors exaggeration, an ironic attitude toward the cultural mainstream, and a form of aestheticism that celebrates artifice over beauty. At the same time, camp has been long associated with homosexual culture, or at least with a self-conscious eroticism that questions traditional gender constructions.
The sixteen essays on camp included in this book explore further the relationship between style and homosexuality, showing how camp has made its way into every aspect of our cultural lives: theater, popular music, opera, film, and literature. Beginning with an overview of what camp is, where it came from, and how it operates, the chapter addresses topics ranging from the "high camp" of Whitman and Proust to the "low camp" of drag queen culture and gay fanzines. Together they carry forward a conversation that began more than twenty-five years ago, before Stonewall and AIDS, when Susan Sontag published her memorable "Notes on Camp."
The sixteen essays on camp included in this book explore further the relationship between style and homosexuality, showing how camp has made its way into every aspect of our cultural lives: theater, popular music, opera, film, and literature. Beginning with an overview of what camp is, where it came from, and how it operates, the chapter addresses topics ranging from the "high camp" of Whitman and Proust to the "low camp" of drag queen culture and gay fanzines. Together they carry forward a conversation that began more than twenty-five years ago, before Stonewall and AIDS, when Susan Sontag published her memorable "Notes on Camp."
[more]
Campuses of Consent
Sexual and Social Justice in Higher Education
Theresa A. Kulbaga and Leland G. Spencer
University of Massachusetts Press, 2019
Winner of the 2020 OSCLG Outstanding Book Award
This new book for scholars and university administrators offers a provocative critique of sexual justice language and policy in higher education around the concept of consent. Complicating the idea that consent is plain common sense, Campuses of Consent shows how normative and inaccurate concepts about gender, gender identity, and sexuality erase queer or trans students' experiences and perpetuate narrow, regressive gender norms and individualist frameworks for understanding violence.
Theresa A. Kulbaga and Leland G. Spencer prove that consent in higher education cannot be meaningfully separated from larger issues of institutional and structural power and oppression. While sexual assault advocacy campaigns, such as It's On Us, federal legislation from Title IX to the Clery Act, and more recent affirmative-consent measures tend to construct consent in individualist terms, as something "given" or "received" by individuals, the authors imagine consent as something that can be constructed systemically and institutionally: in classrooms, campus communication, and shared campus spaces.
This new book for scholars and university administrators offers a provocative critique of sexual justice language and policy in higher education around the concept of consent. Complicating the idea that consent is plain common sense, Campuses of Consent shows how normative and inaccurate concepts about gender, gender identity, and sexuality erase queer or trans students' experiences and perpetuate narrow, regressive gender norms and individualist frameworks for understanding violence.
Theresa A. Kulbaga and Leland G. Spencer prove that consent in higher education cannot be meaningfully separated from larger issues of institutional and structural power and oppression. While sexual assault advocacy campaigns, such as It's On Us, federal legislation from Title IX to the Clery Act, and more recent affirmative-consent measures tend to construct consent in individualist terms, as something "given" or "received" by individuals, the authors imagine consent as something that can be constructed systemically and institutionally: in classrooms, campus communication, and shared campus spaces.
[more]
Can She Bake a Cherry Pie?
American Women and the Kitchen in the Twentieth Century
Mary Drake McFeely
University of Massachusetts Press, 2001
In the rural America of the past, a woman's reputation was sometimes made by her cherry pie—or her chocolate layer cake, or her biscuits. As America modernized and as women left the home, entered the paid labor force, and battled their way to success in the professions, mastery of cooking remained an accepted sign that a woman took her gendered responsibilities seriously. Ironically, over the course of the twentieth century, as ready-made foods and kitchen appliances made home cooking less essential and labor-intensive, skill in the kitchen continued to be perceived not only by society but often by women themselves as a measure of a woman's true value.
This book shows how cooking developed and evolved during the twentieth century. From Fannie Farmer to Julia Child, new challenges arose to replace the old. Women found themselves still tied to the kitchen, but for different reasons and with the need to acquire new skills. Instead of simply providing sustenance for the family, they now had to master more complex cooking techniques, the knowledge of "ethnic" cuisines, the science of nutrition, the business of consumerism, and, perhaps most important of all, the art of keeping their husbands and children happy and healthy.
This book shows how cooking developed and evolved during the twentieth century. From Fannie Farmer to Julia Child, new challenges arose to replace the old. Women found themselves still tied to the kitchen, but for different reasons and with the need to acquire new skills. Instead of simply providing sustenance for the family, they now had to master more complex cooking techniques, the knowledge of "ethnic" cuisines, the science of nutrition, the business of consumerism, and, perhaps most important of all, the art of keeping their husbands and children happy and healthy.
[more]
Cape Cod
An Environmental History of a Fragile Ecosystem
John T. Cumbler
University of Massachusetts Press, 2014
To many, Cape Cod represents the classic setting for an American summer vacation. Attracting seasonal tourists with picturesque beaches and abundant seafood, the Cape has held a place in our national imagination for almost two hundred years. People have been drawn to its beauty and resources since Native Americans wandered up its long sandy peninsula some 12,000 years ago, while writers such as Henry David Thoreau and Norman Mailer have celebrated its mystery and allure. But, despite its idealized image, Cape Cod has a long history of scarcity and an increasingly evident fragility.
John T. Cumbler's book offers an environmental, social, and economic history of Cape Cod told through the experiences of residents as well as visitors. He notes that over the past four hundred years the Cape has experienced three regimes of resource utilization. The first regime of Native Americans who lived relatively lightly on the land was supplanted by European settlers who focused on production and extraction. This second regime began in the age of sail but declined through the age of steam as the soil and seas failed to yield the resources necessary to sustain continuing growth. Environmental and then economic crises during the second half of the nineteenth century eventually gave way to the third regime of tourism and recreation. But this regime has its own environmental costs, as residents have learned over the last half century.
Although the Cape remains a special place, its history of resource scarcity and its attempts to deal with that scarcity offer useful lessons for anyone addressing similar issues around the globe.
John T. Cumbler's book offers an environmental, social, and economic history of Cape Cod told through the experiences of residents as well as visitors. He notes that over the past four hundred years the Cape has experienced three regimes of resource utilization. The first regime of Native Americans who lived relatively lightly on the land was supplanted by European settlers who focused on production and extraction. This second regime began in the age of sail but declined through the age of steam as the soil and seas failed to yield the resources necessary to sustain continuing growth. Environmental and then economic crises during the second half of the nineteenth century eventually gave way to the third regime of tourism and recreation. But this regime has its own environmental costs, as residents have learned over the last half century.
Although the Cape remains a special place, its history of resource scarcity and its attempts to deal with that scarcity offer useful lessons for anyone addressing similar issues around the globe.
[more]
Captain Paul Cuffe, Yeoman
A Biography
Jeffrey A. Fortin
University of Massachusetts Press, 2024
Paul Cuffe is best understood as a member of the Black founding fathers—a group of pre-eminent African Americans who built institutions and movements during the first decades of the United States. While he is known amongst scholars, his astounding life story deserves a much wider audience. Jeffrey A. Fortin has crafted a beautiful, moving portrait of this important maritime figure that will appeal to anyone interested in early American history and who loves great story telling.
Born on Cuttyhunk Island, Massachusetts in 1759 to a formerly enslaved African father and a Wampanoag Indian mother, Cuffe emerged from anonymity to become the most celebrated African-American sea captain during the Age of Sail. An abolitionist, veteran, and community activist, celebrity followed Cuffe as he built a shipping empire that traded both in American coastal waters and across the wider Atlantic Ocean. Cuffe and his Black crews shook the foundations of systemic racism, challenging norms by sailing into Charleston and other ports where slavery was legal, and thus demonstrating that business and profits were more powerful than social limitations. He founded America’s first racially integrated school in Westport, Massachusetts, and is considered the leader of the nation’s first back-to-Africa movement. Newspapers in England, the United States, and the Caribbean reported his whereabouts and adventures, and abolitionists hailed him for his Quaker beliefs, sobriety, and commitment to advancing opportunities for persons of African descent.
Drawing on pamphlets, letters, and other documents, and painstakingly reconstructing his genealogy, Fortin vividly describes Cuffe’s experiences and places them within the broader history of the Early Republic to help reveal the central role of African Americans in the founding of the United States. Unlike previous biographies, Fortin situates Cuffe within an Atlantic world where race and identity were fluid, and Africans and African Americans sought to build and govern a free Black nation in West Africa.
[more]
Captive Histories
English, French, and Native Narratives of the 1704 Deerfield Raid
Evan Haefeli
University of Massachusetts Press, 2006
This volume draws together an unusually rich body of original sources that tell the story of the 1704 French and Indian attack on Deerfield, Massachusetts, from different vantage points. Texts range from one of the most famous early American captivity narratives, John Williams's The Redeemed Captive, to the records of French soldiers and clerics, to little-known Abenaki and Mohawk stories of the raid that emerged out of their communities' oral traditions. Evan Haefeli and Kevin Sweeney provide a general introduction, extensive annotations, and headnotes to each text.
Although the oft-reprinted Redeemed Captive stands at the core of this collection, it is juxtaposed to less familiar accounts of captivity composed by other Deerfield residents: Quentin Stockwell, Daniel Belding, Joseph Petty, Joseph Kellogg, and the teenaged Stephen Williams. Presented in their original form, before clerical editors revised and embellished their content to highlight religious themes, these stories challenge long-standing assumptions about classic Puritan captivity narratives.
The inclusion of three Abenaki and Mohawk narratives of the Deerfield raid is equally noteworthy, offering a rare opportunity not only to compare captors' and captives' accounts of the same experiences, but to do so with reference to different Native oral traditions. Similarly, the memoirs of French military officers and an excerpt from the Jesuit Relations illuminate the motivations behind the attack and offer fresh insights into the complexities of French-Indian alliances.
Taken together, the stories collected in this volume, framed by the editors' introduction and the assessments of two Native scholars, Taiaiake Alfred and Marge Bruchac, allow readers to reconstruct the history of the Deerfield raid from multiple points of view and, in so doing, to explore the interplay of culture and memory that shapes our understanding of the past.
Although the oft-reprinted Redeemed Captive stands at the core of this collection, it is juxtaposed to less familiar accounts of captivity composed by other Deerfield residents: Quentin Stockwell, Daniel Belding, Joseph Petty, Joseph Kellogg, and the teenaged Stephen Williams. Presented in their original form, before clerical editors revised and embellished their content to highlight religious themes, these stories challenge long-standing assumptions about classic Puritan captivity narratives.
The inclusion of three Abenaki and Mohawk narratives of the Deerfield raid is equally noteworthy, offering a rare opportunity not only to compare captors' and captives' accounts of the same experiences, but to do so with reference to different Native oral traditions. Similarly, the memoirs of French military officers and an excerpt from the Jesuit Relations illuminate the motivations behind the attack and offer fresh insights into the complexities of French-Indian alliances.
Taken together, the stories collected in this volume, framed by the editors' introduction and the assessments of two Native scholars, Taiaiake Alfred and Marge Bruchac, allow readers to reconstruct the history of the Deerfield raid from multiple points of view and, in so doing, to explore the interplay of culture and memory that shapes our understanding of the past.
[more]
Captors and Captives
The 1704 French and Indian Raid on Deerfield
Evan Haefeli
University of Massachusetts Press, 2005
On February 29, 1704, a party of French and Indian raiders descended on the Massachusetts village of Deerfield, killing fifty residents and capturing more than a hundred others. In this masterful work of history, Evan Haefeli and Kevin Sweeney reexamine the Deerfield attack and place it within a framework stretching from the Atlantic Ocean to the Great Lakes. Drawing on previously untapped sources, they show how the assault grew out of the aspirations of New England family farmers, the ambitions of Canadian colonists, the calculations of French officials, the fears of Abenaki warriors, and the grief of Mohawk women as they all struggled to survive the ongoing confrontation of empires and cultures.
Haefeli and Sweeney reconstruct events from multiple points of view, through the stories of a variety of individuals involved. These stories begin in the Native, French, and English communities of the colonial Northeast, then converge in the February 29 raid, as a force of more than two hundred Frenchmen, Abenakis, Hurons, Kahnawake Mohawks, Pennacooks, and Iroquois of the Mountain overran the northwesternmost village of the New England frontier. Although the inhabitants put up more of a fight than earlier accounts of the so-called Deerfield Massacre have suggested, the attackers took 112 men, women, and children captive. The book follows the raiders and their prisoners on the harsh three-hundred-mile trek back to Canada and into French and Native communities. Along the way the authors examine how captives and captors negotiated cultural boundaries and responded to the claims of competing faiths and empires—all against a backdrop of continuing warfare.
By giving equal weight to all participants, Haefeli and Sweeney range across the fields of social, political, literary, religious, and military history, and reveal connections between cultures and histories usually seen as separate.
Haefeli and Sweeney reconstruct events from multiple points of view, through the stories of a variety of individuals involved. These stories begin in the Native, French, and English communities of the colonial Northeast, then converge in the February 29 raid, as a force of more than two hundred Frenchmen, Abenakis, Hurons, Kahnawake Mohawks, Pennacooks, and Iroquois of the Mountain overran the northwesternmost village of the New England frontier. Although the inhabitants put up more of a fight than earlier accounts of the so-called Deerfield Massacre have suggested, the attackers took 112 men, women, and children captive. The book follows the raiders and their prisoners on the harsh three-hundred-mile trek back to Canada and into French and Native communities. Along the way the authors examine how captives and captors negotiated cultural boundaries and responded to the claims of competing faiths and empires—all against a backdrop of continuing warfare.
By giving equal weight to all participants, Haefeli and Sweeney range across the fields of social, political, literary, religious, and military history, and reveal connections between cultures and histories usually seen as separate.
[more]
Capturing COVID
Media and the Pandemic in the Digital Era
Katherine A. Foss
University of Massachusetts Press, 2025
When health authorities quarantined guests aboard the Diamond Princess on February 5, 2020, the cruise ship abruptly shifted from a dream vacation vessel to a public health nightmare. Over the next three weeks, 712 passengers tested positive for coronavirus, with fourteen deaths, and the ship outbreak quickly became the largest cluster of cases outside of China. Guests began to routinely share quarantine updates on social media, ranging from the quality of the ship’s food to their sense of imprisonment. These Facebook, Twitter, Instagram, YouTube, and TikTok accounts became a key source of information for news outlets like the Associated Press, and they helped to set the tone for how the media would cover and frame the pandemic for the next several years.
Unlike past outbreaks, epidemics, and pandemics, COVID-19 emerged in a 21st-century digital landscape of instant communication and abundant online platforms, with older models of news and entertainment media mingling with new types of citizen-produced content. In Capturing COVID, Katherine A. Foss makes sense of how this contemporary media landscape shaped the public’s knowledge and perceptions of the new pandemic. The book focuses on crucial media moments, including the initial reporting from Wuhan; news and social media content on the Diamond Princess quarantine; stories of inequality, stigma, and injustice; narratives of the vaccine rollout; and representations of pandemic life in popular culture. Drawing on press releases, interviews, websites, blogs, social media posts, and other publicly available materials, and guided by critical media analysis, Foss illuminates how this new digital era profoundly shaped the progression of the pandemic. This media landscape kept people informed and connected, but also led to the politicization of the virus, rampant mis/disinformation, and stigmatizing messaging that contributed to public distrust and division. Capturing COVID deftly helps make sense of the entire affair.
[more]
Carbine
Stories
Greg Mulcahy
University of Massachusetts Press, 2010
Inhabiting a world that offers no guarantee of any veracity, the characters in these peculiar stories are driven to and goaded by compulsive and perhaps pointless reflection. They are haunted by unrelenting consciousness and knowledge of failure, yet are, at best, ambivalent toward any conventional equation of success. Theirs is a world of broken relationships, futile memory, constant appetite, and the certain knowledge that they are winding down in a culture in which it is impossible to do—or know—the right thing. Frustrated and obsessed, they cannot articulate their lives and are entranced by the strangeness of the everyday.
Written with keen intelligence and biting humor, Carbine is a book about the ridiculousness of contemporary life—a book about what cannot be said.
Written with keen intelligence and biting humor, Carbine is a book about the ridiculousness of contemporary life—a book about what cannot be said.
[more]
Caribbean Women Writers
Essays from the First International Conference
Selwyn R. Cudjoe
University of Massachusetts Press, 1990
An anthology of essays collected from the first international conference on Caribbean women writers, 1988.
[more]
The Case of the Slave-Child, Med
Free Soil in Antislavery Boston
Karen Woods Weierman
University of Massachusetts Press, 2019
In 1836, an enslaved six-year-old girl named Med was brought to Boston by a woman from New Orleans who claimed her as property. Learning of the girl's arrival in the city, the Boston Female Anti-Slavery Society (BFASS) waged a legal fight to secure her freedom and affirm the free soil of Massachusetts. While Chief Justice Lemuel Shaw ruled quite narrowly in the case that enslaved people brought to Massachusetts could not be held against their will, BFASS claimed a broad victory for the abolitionist cause, and Med was released to the care of a local institution. When she died two years later, celebration quickly turned to silence, and her story was soon forgotten. As a result, Commonwealth v. Aves is little known outside of legal scholarship. In this book, Karen Woods Weierman complicates Boston's identity as the birthplace of abolition and the cradle of liberty, and restores Med to her rightful place in antislavery history by situating her story in the context of other writings on slavery, childhood, and the law.
[more]
Catastrophe
Law, Politics, and the Humanitarian Impulse
Austin Sarat
University of Massachusetts Press, 2009
From 9/11 to Katrina, from Darfur to the Minnesota bridge collapse, ours is an "age of catastrophe." In this era, catastrophic events seem to have a revelatory quality: they offer powerful reminders of the fragility of our social and institutional architectures, making painfully evident vulnerabilities in our social organization that were otherwise invisible. By disrupting the operation of fundamental mechanisms and infrastructures of the social order, they lay bare the conditions that make our sense of normalcy possible.
At a time when societies are directing an unprecedented level of resources and ingenuity to anticipating and mitigating catastrophic events, Catastrophe: Law, Politics, and the Humanitarian Impulse examines the tests that catastrophe poses to politics and humanitarianism as well as to the law. It explores legal, political, and humanitarian responses during times when the sudden, discontinuous, and disastrous event has become, perhaps paradoxically, a structural component of our political imagination. It asks whether law, politics, and humanitarianism live up to the tests posed by disaster, and the role all of them play in creating a more resilient world.
Taken together the essays in this book ask us to see through and beyond the myths that surround catastrophe and our responses to it. They ask us to rethink our understanding of catastrophe and to imagine new legal, political, and humanitarian responses.
In addition to the editors, contributors include Thomas Birkland, Michele Landis Dauber, Kim Fortun, Edward Rackley, Peter Redfield, Peter H. Schuck, and Susan Sterett.
At a time when societies are directing an unprecedented level of resources and ingenuity to anticipating and mitigating catastrophic events, Catastrophe: Law, Politics, and the Humanitarian Impulse examines the tests that catastrophe poses to politics and humanitarianism as well as to the law. It explores legal, political, and humanitarian responses during times when the sudden, discontinuous, and disastrous event has become, perhaps paradoxically, a structural component of our political imagination. It asks whether law, politics, and humanitarianism live up to the tests posed by disaster, and the role all of them play in creating a more resilient world.
Taken together the essays in this book ask us to see through and beyond the myths that surround catastrophe and our responses to it. They ask us to rethink our understanding of catastrophe and to imagine new legal, political, and humanitarian responses.
In addition to the editors, contributors include Thomas Birkland, Michele Landis Dauber, Kim Fortun, Edward Rackley, Peter Redfield, Peter H. Schuck, and Susan Sterett.
[more]
Cemetery of the Murdered Daughters
Feminism, History, and Ingeborg Bachmann
Sara Lennox
University of Massachusetts Press, 2006
Although Austrian writer Ingeborg Bachmann (1926–1973) is widely regarded as one of the most important twentieth-century authors writing in German, her novels and stories have sometimes been viewed narrowly as portraits of women as victims. In this innovative study, Sara Lennox provides a much broader perspective on Bachmann's work, at the same time undertaking an experiment in feminist methodology.Lennox examines Bachmann's poetry and prose in historical context, arguing that the varied feminist interpretations of her writings are the result of shifts in theoretical emphases over a period of more than three decades. Lennox then places her own essays on Bachmann in similar perspective, showing how each piece reflects the historical moment in which it was written. Making use of recent interdisciplinary approaches—Foucauldian theories of sexuality, post-colonial theory, materialist feminism—she explores the extent to which each of her earlier readings was shaped by the methods employed, the questions asked, and the political issues that seemed most germane at the time. Out of this analysis comes a new understanding of the significance of Bachmann's work and new insight into the theory and practice of feminist criticism.
[more]
Censorship in Vietnam
Brave New World
Thomas A. Bass
University of Massachusetts Press, 2017
What does censorship do to a culture? How do censors justify their work? What are the mechanisms by which censorship—and self-censorship—alter people's sense of time and memory, truth and reality? Thomas Bass faced these questions when The Spy Who Loved Us, his account of the famous Time magazine journalist and double agent Pham Xuan An, was published in a Vietnamese edition. When the book finally appeared in 2014, after five years of negotiations with Vietnamese censors, more than four hundred passages had been altered or cut from the text.
After the book was published, Bass flew to Vietnam to meet his censors, at least the half dozen who would speak with him. In Censorship in Vietnam, he describes these meetings and examines how censorship works, both in Vietnam and elsewhere in the world. An exemplary piece of investigative reporting, Censorship in Vietnam opens a window into the country today and shows us the precarious nature of intellectual freedom in a world governed by suppression.
After the book was published, Bass flew to Vietnam to meet his censors, at least the half dozen who would speak with him. In Censorship in Vietnam, he describes these meetings and examines how censorship works, both in Vietnam and elsewhere in the world. An exemplary piece of investigative reporting, Censorship in Vietnam opens a window into the country today and shows us the precarious nature of intellectual freedom in a world governed by suppression.
[more]
Certain Concealments
Poe, Hawthorne, and Early Nineteenth-Century Abortion
Dana Medoro
University of Massachusetts Press, 2022
Antebellum America saw a great upsurge in abortion, driven in part by the rise of the pharmaceutical industry. Unsurprisingly, the practice became increasingly visible in the popular culture and literature of the era, appearing openly in advertisements, popular fiction, and newspaper reports. One figure would come to dominate national headlines from the 1840s onward: Madame Restell. Facing public condemnation and mob attacks at her home for her dogged support of women’s reproductive rights, Restell built an empire selling her powders, pills, and services along the Eastern Seaboard.
Edgar Allan Poe and Nathaniel Hawthorne undoubtedly knew of Restell’s work and would go on to depict the incompatibility of abortion and nationalism in their writings. Through the thwarted plotlines, genealogical interruptions, and terminated ideas of Poe’s Dupin trilogy and Hawthorne’s The Scarlet Letter, The House of Seven Gables, and The Blithedale Romance, these authors consider new concepts around race, reproduction, and American exceptionalism. Dana Medoro demonstrates that their work can be usefully read in the context of debates on fetal life and personhood that circulated in the era.
[more]
Cesare Pavese and America
Life, Love, and Literature
Lawrence G. Smith
University of Massachusetts Press, 2012
When he committed suicide at age forty-one, Cesare Pavese (1908–1950) was one of Italy's best-known writers. A poet, novelist, literary critic, and translator, he had been profoundly influenced in his early years by American literature. But later he grew disaffected with American culture, coming to see it as materialistic and shallow. This book, the first full-length English-language study of Pavese in twenty years, examines his life and the evolution of his views of America through a chronological reading of his works.
[more]
Chamber after Chamber
Saara Myrene Raappana
University of Massachusetts Press, 2024
Chamber after Chamber is about what fractures, fixes, and refills the hearts of two girls as they grow into women. A loose narrative in three sections, the poems follow a speaker and her cousin through their hardscrabble, backwoods childhood to their separation—both physical and emotional—as adults. From the make-believe apocalypses and cut-and-paste valentines of elementary school to the stadium-seating classrooms and multiplexes of southern China, our speaker tries to leave the shame and dysfunction of her family behind. In China, she begins to see America—and herself—clearly for the first time, and in doing so discovers that both her cousin and her country are inextricably woven into
[her body] part that never sleeps the blood
and chambered meat that’s like a rock squeezed
in a fist rapping its knuckles
on the sweet door of the body.
[more]
A Change in the Weather
Modernist Imagination, African American Imaginary
Geoffrey Jacques
University of Massachusetts Press, 2009
This book explores the impact of African American culture on modernist poetic language by placing black literature and culture at the center of an inquiry into the genealogy of avant-garde poetics. Geoffrey Jacques looks at how blackface minstrelsy, ragtime, vernacular languages, advertising copy, Freud's idea of the Uncanny, vaudeville, the cliché, and Tin Pan Alley–style song all influenced modernist poetry. In a key insight, Jacques points out that the black urban community in the United States did not live in ghettos during the years before World War I, but in smaller enclaves spread out among the general population. This circumstance helped catalyze African American culture's dramatic and surprising impact on the emergent avant-garde. By using a wide range of theoretical tools, Jacques poses new questions about literary, cultural, and social history, the history and structure of modernist poetic language, canon formation, and the history of criticism.This contribution to the ongoing debate over early twentieth-century culture presents modernism as an interracial, cross-cultural project, arguing for a new appreciation of the central role black culture played within it. Writers and artists whose works are discussed include Marianne Moore, Charles Chesnutt, Jean Toomer, Wallace Stevens, James A. Bland, Paul Laurence Dunbar, Gertrude Stein, Bert Williams, Zora Neale Hurston, Samuel Beckett, W. C. Handy, Hart Crane, and Clement Greenberg.
[more]
"Chaotic Freedom" in Civil War Louisiana
The Origins of an Iconic Image
Bruce Laurie
University of Massachusetts Press, 2021
The image is terrible and familiar. A man sits, his face in profile, his torso exposed. His back is a breathtaking mass of scars, crisscrossing his body and baring the brutality of American slavery. Reproduced as a carte de visite, the image circulated widely throughout abolitionist networks and was featured in Harper's Weekly. Its undeniable power testified to the evils of slavery. But who was this man and how did this image come to be?
Bruce Laurie uncovers the people and events that created this seminal image, telling the tale of three men, two Yankee soldiers from western Massachusetts who were serving the Union Army in Louisiana and a man named Peter whose scarred back horrified all who saw it. The two soldiers were so shocked by what had been done to Peter, they sought to capture the image and document slavery's cruelty, the likes of which was all too common among those fleeing bondage in Louisiana. Meticulously researched and briskly told, this short volume unearths the story behind an iconic image.
Bruce Laurie uncovers the people and events that created this seminal image, telling the tale of three men, two Yankee soldiers from western Massachusetts who were serving the Union Army in Louisiana and a man named Peter whose scarred back horrified all who saw it. The two soldiers were so shocked by what had been done to Peter, they sought to capture the image and document slavery's cruelty, the likes of which was all too common among those fleeing bondage in Louisiana. Meticulously researched and briskly told, this short volume unearths the story behind an iconic image.
[more]
Charles Benson
Mariner of Color in the Age of Sail
Michael Sokolow
University of Massachusetts Press, 2009
What a miserable life a sea fareing life is, wrote steward Charles Augustus Benson (1830–1881) in his journal in 1862. As a career mariner for nearly two decades, he was well acquainted with the common privations and tribulations of life at sea. But as a black man, Benson faced even greater challenges, especially when it came to his duties, his shipboard status, and his interactions with the other men on board. In nineteenth-century America, thousands of black men served as sailors. What makes Benson distinctive is the detailed diary he kept, a fascinating narrative that documents his experiences and feelings.
In this volume, Michael Sokolow uncovers the inner world of this remarkable individual. Raised in a small town in Massachusetts, Benson was the great-great-grandson of slaves, the great-grandson of a rare eighteenth-century intermarriage between a black man and a white woman, and the grandson of a veteran of the American Revolution. His own life had been marked by economic struggle, marital conflict, and the social ambiguities of mixed race heritage.
In his personal writings, Benson reflected on both the man he was and the man he wanted to be. Living in a culture that prized "self-made" individuals, he sought to forge his own identity even as he labored under strictures that severely limited opportunities for blacks. From his youth in rural Middlesex County, Massachusetts, to his subsequent adult life in the bustling port city of Salem, Benson measured himself against the mores of white, middle-class America. Undeterred by early failures in both marriage and finance, he held fast to his personal vision and became a respectable husband, provider, worker, and member of the black community.
In this volume, Michael Sokolow uncovers the inner world of this remarkable individual. Raised in a small town in Massachusetts, Benson was the great-great-grandson of slaves, the great-grandson of a rare eighteenth-century intermarriage between a black man and a white woman, and the grandson of a veteran of the American Revolution. His own life had been marked by economic struggle, marital conflict, and the social ambiguities of mixed race heritage.
In his personal writings, Benson reflected on both the man he was and the man he wanted to be. Living in a culture that prized "self-made" individuals, he sought to forge his own identity even as he labored under strictures that severely limited opportunities for blacks. From his youth in rural Middlesex County, Massachusetts, to his subsequent adult life in the bustling port city of Salem, Benson measured himself against the mores of white, middle-class America. Undeterred by early failures in both marriage and finance, he held fast to his personal vision and became a respectable husband, provider, worker, and member of the black community.
[more]
Charles Johnson in Context
Linda Furgerson Selzer
University of Massachusetts Press, 2009
Author of the National Book Award–winning novel Middle Passage, Charles Johnson belongs to a generation of writers who collectively raised African American literature to a new position of prominence during the late twentieth century. In this book, Linda Furgerson Selzer takes an interdisciplinary approach to Johnson's major fiction, providing fresh insight into his work by placing it within a broad historical context. In addition to Middle Passage (1990), Selzer focuses on three other novels: Faith and the Good Thing (1974), Oxherding Tale (1982), and Dreamer (1998). She shows how these works reflect Johnson's participation in the larger cultural projects of several significant but often overlooked groups—young black philosophers who challenged the dominant Anglo-American empiricist tradition during the 1960s and 1970s; black Buddhists of the post–civil rights era who sought to translate an ancient religious practice into an African American idiom; and black public intellectuals who attempted to revive a cosmopolitan social ethic during the 1990s. The cultural histories of each of these groups, Selzer argues, provide important contexts for understanding Johnson's evolution as a novelist. In the academic experience of black students who entered philosophy programs during the turbulent 1960s, the spiritual concerns of black Buddhists who have only recently begun to speak more publicly about their faith, and the cultural issues surrounding the emergence of a new cohort of African American public intellectuals, we see the roots of the social, moral, and aesthetic vision that informs what some have described as Johnson's "philosophical fiction." Selzer's probing analysis of the influence of each of these contexts not only enriches our understanding of Charles Johnson's fiction, it also makes a broader contribution to the cultural history of African America during the past half century.
[more]
Charlotte Delbo
A Life Reclaimed
Ghislaine Dunant, Translated by Kathryn M. Lachman
University of Massachusetts Press, 2021
In 1943, Charlotte Delbo and 229 other women were deported to a station with no name, which they later learned was Auschwitz. Arrested for resisting the Nazi occupation of Paris, Delbo was sent to the camps, enduring both Auschwitz and Ravensbrück for twenty-seven months. There, she, her fellow deportees, and millions of others were subjected to slave labor and nearly succumbed to typhus, dysentery, and hunger. She sustained herself by reciting Molière and resolved to someday write a book about herself and her fellow deportees, a stunning work called None of Us Will Return. After the camps, Delbo devoted her life to the art of writing and the duty of witnessing, fiercely advocating for the power of the arts to testify against despotism and tyranny.
Ghislaine Dunant's unforgettable biography of Delbo, La vie retrouvée (2016), captivated French readers and was awarded the Prix Femina. Now translated into English for the first time, Charlotte Delbo: A Life Reclaimed depicts Delbo's lifelong battles as a working-class woman, as a survivor, as a leftist who broke from the Communist Party, and most of all, as a writer whose words compelled others to see.
Ghislaine Dunant's unforgettable biography of Delbo, La vie retrouvée (2016), captivated French readers and was awarded the Prix Femina. Now translated into English for the first time, Charlotte Delbo: A Life Reclaimed depicts Delbo's lifelong battles as a working-class woman, as a survivor, as a leftist who broke from the Communist Party, and most of all, as a writer whose words compelled others to see.
[more]
The Child Cases
How America's Religious Exemption Laws Harm Children
Alan Rogers
University of Massachusetts Press, 2014
When a four-year-old California girl died on March 9, 1984, the state charged her mother with involuntary manslaughter because she failed to provide her daughter with medical care, choosing instead to rely on spiritual healing. During the next few years, a half dozen other children of Christian Science parents died under similar circumstances. The children's deaths and the parents' trials drew national attention, highlighting a deeply rooted, legal/political struggle to define religious freedom.
Through close analysis of these seven cases, legal historian Alan Rogers explores the conflict between religious principles and secular laws that seek to protect children from abuse and neglect. Christian Scientists argued—often with the support of mainline religious groups—that the First Amendment's "free exercise" clause protected religious belief and behavior. Insisting that their spiritual care was at least as effective as medical treatment, they thus maintained that parents of seriously ill children had a constitutional right to reject medical care.
Congress and state legislatures confirmed this interpretation by inserting religious exemption provisos into child abuse laws. Yet when parental prayer failed and a child died, prosecutors were able to win manslaughter convictions by arguing—as the U.S. Supreme Court had held for more than a century—that religious belief could not trump a neutral, generally applicable law. Children's advocates then carried this message to state legislatures, eventually winning repeal of religious exemption provisions in a handful of states.
Through close analysis of these seven cases, legal historian Alan Rogers explores the conflict between religious principles and secular laws that seek to protect children from abuse and neglect. Christian Scientists argued—often with the support of mainline religious groups—that the First Amendment's "free exercise" clause protected religious belief and behavior. Insisting that their spiritual care was at least as effective as medical treatment, they thus maintained that parents of seriously ill children had a constitutional right to reject medical care.
Congress and state legislatures confirmed this interpretation by inserting religious exemption provisos into child abuse laws. Yet when parental prayer failed and a child died, prosecutors were able to win manslaughter convictions by arguing—as the U.S. Supreme Court had held for more than a century—that religious belief could not trump a neutral, generally applicable law. Children's advocates then carried this message to state legislatures, eventually winning repeal of religious exemption provisions in a handful of states.
[more]
Children and Play in the Holocaust
Games among the Shadows
George Eisen
University of Massachusetts Press, 1990
Occasionally an accident of research produces a book more engaging than the one the historian originally intended. While sifting through material for his Ph.D. dissertation, which dealt with an entirely different topic, Eisen came across a diary from the Vilna ghetto written by Zelig Kalmanovitch. His tone was sober, but not entirely so. The passage that caught Eisen's eye concerned a playground erected around 1942 and the author's inner conflict surrounded the coexistence of games and sports and mass murder in the ghetto.
[more]
Choke Box
a Fem-Noir
Christina Milletti
University of Massachusetts Press, 2019
When Edward Tamlin disappears while writing his memoir, Jane Tamlin (his wife and the mother of his young children) begins to write a secret, corrective "counter-memoir" of her own. Calling the book Choke Box, she reveals intimate, often irreverent, details about her family and marriage, rejecting—and occasionally celebrating—her suspected role in her husband's disappearance.
Choke Box isn't Jane's first book. From her room in the Buffalo Psychiatric Institute, she slowly reveals a hidden history of the ghost authorship that has sabotaged her family and driven her to madness. Her latest work, finally written under her own name, is designed to reclaim her dark and troubled story. Yet even as Jane portrays her life as a wife, mother, and slighted artist with sardonic candor, her every word is underscored by one belief above all others: the complete truth is always a secret. But the stories we tell may help us survive—if they don't kill us first.
Choke Box isn't Jane's first book. From her room in the Buffalo Psychiatric Institute, she slowly reveals a hidden history of the ghost authorship that has sabotaged her family and driven her to madness. Her latest work, finally written under her own name, is designed to reclaim her dark and troubled story. Yet even as Jane portrays her life as a wife, mother, and slighted artist with sardonic candor, her every word is underscored by one belief above all others: the complete truth is always a secret. But the stories we tell may help us survive—if they don't kill us first.
[more]
Citizen Participation in Science Policy
Petersen James C.
University of Massachusetts Press, 1984
Citizenship in Cold War America
The National Security State and the Possibilities of Dissent
Andrea Friedman
University of Massachusetts Press, 2014
In the wake of 9/11, many Americans have deplored the dangers to liberty posed by a growing surveillance state. In this book, Andrea Friedman moves beyond the standard security/liberty dichotomy, weaving together often forgotten episodes of early Cold War history to reveal how the obsession with national security enabled dissent and fostered new imaginings of democracy.
The stories told here capture a wide-ranging debate about the workings of the national security state and the meaning of American citizenship. Some of the participants in this debate—women like war bride Ellen Knauff and Pentagon employee Annie Lee Moss—were able to make their own experiences compelling examples of the threats posed by the national security regime. Others, such as Ruth Reynolds and Lolita Lebrón, who advocated an end to American empire in Puerto Rico, or the psychiatrist Fredric Wertham, who sought to change the very definition of national security, were less successful. Together, however, they exposed the gap between democratic ideals and government policies.
Friedman traverses immigration law and loyalty boards, popular culture and theoretical treatises, U.S. court-rooms and Puerto Rican jails, to demonstrate how Cold War repression made visible in new ways the unevenness and limitations of American citizenship. Highlighting the ways that race and gender shaped critiques and defenses of the national security regime, she offers new insight into the contradictions of Cold War political culture.
The stories told here capture a wide-ranging debate about the workings of the national security state and the meaning of American citizenship. Some of the participants in this debate—women like war bride Ellen Knauff and Pentagon employee Annie Lee Moss—were able to make their own experiences compelling examples of the threats posed by the national security regime. Others, such as Ruth Reynolds and Lolita Lebrón, who advocated an end to American empire in Puerto Rico, or the psychiatrist Fredric Wertham, who sought to change the very definition of national security, were less successful. Together, however, they exposed the gap between democratic ideals and government policies.
Friedman traverses immigration law and loyalty boards, popular culture and theoretical treatises, U.S. court-rooms and Puerto Rican jails, to demonstrate how Cold War repression made visible in new ways the unevenness and limitations of American citizenship. Highlighting the ways that race and gender shaped critiques and defenses of the national security regime, she offers new insight into the contradictions of Cold War political culture.
[more]
Clambake
A History and Celebration of an American Tradition
Katherine D. Neustadt
University of Massachusetts Press, 1992
An appreciative examination of the New England clambake, Neustadt divides her study into three parts: historical (social, economic, political, regional, and cultural) influences on the clambake; a close focus on the Allen's Neck clambake as a cultural phenomena in its own right; and a critical examination of the central elements of the clambaking tradition--food, ritual, and festival.
The author views the clambake as a unique American folk tradition with interesting connections and rich resonances with other aspects of American culture and history.
The author views the clambake as a unique American folk tradition with interesting connections and rich resonances with other aspects of American culture and history.
[more]
Clearer Than Truth
The Polygraph and the American Cold War
John Philipp Baesler
University of Massachusetts Press, 2018
A person strapped to a polygraph machine. Nervous eyes, sweaty brow, the needle trembling up and down. Few images are more evocative of Cold War paranoia.
In this first comprehensive history of the polygraph as a tool and symbol of American Cold War policies, John Philipp Baesler tells the story of a technology with weak scientific credentials that was nevertheless celebrated as a device that could expose both internal and external enemies. Considered the go-to technology to test agents' and employees' loyalty, the polygraph's true power was to expose deep ideological and political fault lines. While advocates praised it as America's hard-nosed yet fair answer to communist brainwashing, critics claimed that its use undermined the very values of justice, equality, and the presumption of innocence for which the nation stood.
Clearer Than Truth demonstrates that what began as quick-fix technology promising a precise test of honesty and allegiance eventually came to embody tensions in American Cold War culture between security and freedom, concerns that reach deep into the present day.
In this first comprehensive history of the polygraph as a tool and symbol of American Cold War policies, John Philipp Baesler tells the story of a technology with weak scientific credentials that was nevertheless celebrated as a device that could expose both internal and external enemies. Considered the go-to technology to test agents' and employees' loyalty, the polygraph's true power was to expose deep ideological and political fault lines. While advocates praised it as America's hard-nosed yet fair answer to communist brainwashing, critics claimed that its use undermined the very values of justice, equality, and the presumption of innocence for which the nation stood.
Clearer Than Truth demonstrates that what began as quick-fix technology promising a precise test of honesty and allegiance eventually came to embody tensions in American Cold War culture between security and freedom, concerns that reach deep into the present day.
[more]
Climate Justice and Public Health
Realities, Responses, and Reimaginings for a Better Future
Edited by Rajini Srikanth and Linda Thompson
University of Massachusetts Press, 2024
When climate disasters like hurricanes, heatwaves, and tsunamis strike, they reveal the inequities of our social, political, and economic structures. They also lay bare the negative impacts of these structures on the health and safety of all people, and particularly socioeconomically vulnerable groups. With original contributions from scholars from a wide range of diverse fields—including environmental studies, public health, legal studies, urban planning, literary studies, and nursing—Climate Justice and Public Health examines this nexus of climate change, which has become impossible to ignore in the twenty-first century.
Expanding the climate and health equity discussions to populations all over the globe, the contributors in this volume address an impressive and broad range of topics that include Indigenous health and cultural practices, mental and emotional health, senior health, and impacts on African American communities. Collectively, they present radical new ways of confronting these issues and propose holistic solutions.
[more]
Clio's Foot Soldiers
Twentieth-Century U.S. Social Movements and Collective Memory
Lara Leigh Kelland
University of Massachusetts Press, 2018
Collective memories are key to social movements. Activists draw on a shared history to build identity, create movement cohesion, and focus political purpose. But what happens when marginalized communities do not find their history in dominant narratives? How do they create a useable past to bind their political communities together and challenge their exclusion?
In Clio's Foot Soldiers, Lara Leigh Kelland investigates these questions by examining 1960s and 1970s social movements comprised of historically marginalized peoples: Civil Rights, Black Power, Women's and Gay Liberation, and American Indian. These movements sought ownership over their narratives to create historical knowledge reflective of their particular experiences. To accomplish their goals, activists generated new forms of adult education, published movement newspapers, and pursued campus activism and speeches, public history efforts and community organizations. Through alternative means, marginalized communities developed their own historical discourses to mobilize members, define movement goals, and become culturally sovereign. In so doing, they provided a basis for achieving political liberation and changed the landscape of liberal cultural institutions.
In Clio's Foot Soldiers, Lara Leigh Kelland investigates these questions by examining 1960s and 1970s social movements comprised of historically marginalized peoples: Civil Rights, Black Power, Women's and Gay Liberation, and American Indian. These movements sought ownership over their narratives to create historical knowledge reflective of their particular experiences. To accomplish their goals, activists generated new forms of adult education, published movement newspapers, and pursued campus activism and speeches, public history efforts and community organizations. Through alternative means, marginalized communities developed their own historical discourses to mobilize members, define movement goals, and become culturally sovereign. In so doing, they provided a basis for achieving political liberation and changed the landscape of liberal cultural institutions.
[more]
Closely and Consciously
Reading and the U.S. Women's Liberation Movement
Yung-Hsing Wu
University of Massachusetts Press, 2024
The significant archive of writing that came out of the women’s liberation movement in the United States, from 1965 to 1980, speaks to the value activists placed on reading as an act that is at once personal and yet also about the collective good. Yung-Hsing Wu examines the importance of reading—personal, professional, vocational, aesthetic, and always political—and how the act itself brought a host of women, each with their own history with the movement, into relation, and into a belief in that relation. The value given to reading can be seen in the ways feminists pursued media representation; in consciousness-raising (CR) groups including shared reading in their meetings; in women opening bookstores, developing newsletters, establishing journals, and starting presses; and in corporate publishers pursuing feminist fiction.
Closely and Consciously crisscrosses distinct print spheres, including newsletters and periodicals produced by feminist cells and consciousness-raising groups, feminist presses seeking to articulate their visions for women’s writing, the emergence of feminist literary criticism in first-time monographs and newly established journals, personal and editorial correspondence, press records, and the publishing histories of bestsellers that testified to the increasingly broad popularity of women’s writing. Uniting all these disparate activists and media outlets, and providing crucial relationality, was reading. With a mix of close readings and archival research, Wu unpacks and interprets this central act of reading and why it matters during a crucial moment of feminist history.
[more]
C.L.R. James
His Intellectual Legacies
Selwyn R. Cudjoe
University of Massachusetts Press, 1995
C.L.R. James (1901-1989) made important contributions in a host of fields--literature, criticism, cultural studies, political theory, history, and philosophy. One of the most astute minds of this century, he served as mentor for two generations of international intellectuals. He contributed enormously to their understanding of the colonial question, the Negro question, the Russian question, the role of dialectics in proletarian struggle, and the theory and practice of Marxism in the Americas. In addition to The Black Jacobins, his incisive account of the Haitian revolution of the 1790s, and Notes on Dialectics, James published a range of other books, including a classic work on the game of cricket and a study of Herman Melville.
This collection of essays offers a variety of fresh perspectives on James's life and writings. Included are reminiscences of those who knew James well and critical essays by eminent scholars. The book is the first to offer a full treatment of James's many contributions to twentieth-century intellectual life.
This collection of essays offers a variety of fresh perspectives on James's life and writings. Included are reminiscences of those who knew James well and critical essays by eminent scholars. The book is the first to offer a full treatment of James's many contributions to twentieth-century intellectual life.
[more]
Coded Encounters
Writing, Gender, and Ethnicity in Colonial Latin America
Francisco Javier Cevallos
University of Massachusetts Press, 1994
Much has been written about the ways in which Columbus's "discovery" of America began a process of inventing a new world in European consciousness. But far less has been published about those on the margins of the dominant European discourse--Amerindians, Africans, and women--whose experience is reflected in documents written during the early years of European rule in Latin America. This volume brings together essays by leading scholars of colonial Latin America who address a series of topics relating to both the marginal and European-dominant discourses. The book is divided into five sections: "Representing the New World," "The Institutionalization of the Colony," "Amerindian Texts," "Women in Colonial Latin America," and "The Later Colony and the Caribbean Experience." The essays range from a consideration of Amerindian codes of mapmaking to the career of a transvestite nun, from confessional "sin lists" used by priests to examine the transgressions of their American charges to a new view of colonial women's lives based on birth records, dowry agreements, and wills. Contributors include Walter Mignolo, Maureen Ahern, Abel Alves, Rolena Adorno, Lúcia Helena Santiago Costigan, Pedro Lasarte, Raquel Chang-Rodríguez, Regina Harrison, Asunción Lavrin, Stephanie Merrim, Nina M. Scott, Antonio Carreño, Julie Greer Johnson, Karen Stolley, and Antonio Benítez-Rojo.
[more]
A Cold War State of Mind
Brainwashing and Postwar American Society
Matthew W. Dunne
University of Massachusetts Press, 2013
First popularized during the 1950s, the concept of "brainwashing" is often viewed as an example of Cold War paranoia, an amusing relic of a bygone era. Yet as Matthew W. Dunne shows in this study, over time brainwashing came to connote much more than a sinister form of Communist mind control, taking on broader cultural and political meanings.
Moving beyond well-known debates over Korean War POWs and iconic cultural texts like The Manchurian Candidate, Dunne explores the impact of the idea of brainwashing on popular concerns about freedom, individualism, loyalty, and trust in authority. By the late 1950s the concept had been appropriated into critiques of various aspects of American life such as an insistence on conformity, the alleged "softening" of American men, and rampant consumerism fueled by corporate advertising that used "hidden" or "subliminal" forms of persuasion. Because of these associations and growing anxieties about the potential misuse of psychology, concerns about brainwashing contributed to a new emphasis on individuality and skepticism toward authority in the 1960s. The notion even played an unusual role in the 1968 presidential race, when Republican frontrunner George Romney's claim that he had been "brainwashed" about the Vietnam War by the Johnson administration effectively destroyed his campaign.
In addition to analyzing the evolving meaning of brainwashing over an extended period of time, A Cold War State of Mind explores the class and gender implications of the idea, such as the assumption that working-class POWs were more susceptible to mind control and that women were more easily taken in by the manipulations of advertisers.
Moving beyond well-known debates over Korean War POWs and iconic cultural texts like The Manchurian Candidate, Dunne explores the impact of the idea of brainwashing on popular concerns about freedom, individualism, loyalty, and trust in authority. By the late 1950s the concept had been appropriated into critiques of various aspects of American life such as an insistence on conformity, the alleged "softening" of American men, and rampant consumerism fueled by corporate advertising that used "hidden" or "subliminal" forms of persuasion. Because of these associations and growing anxieties about the potential misuse of psychology, concerns about brainwashing contributed to a new emphasis on individuality and skepticism toward authority in the 1960s. The notion even played an unusual role in the 1968 presidential race, when Republican frontrunner George Romney's claim that he had been "brainwashed" about the Vietnam War by the Johnson administration effectively destroyed his campaign.
In addition to analyzing the evolving meaning of brainwashing over an extended period of time, A Cold War State of Mind explores the class and gender implications of the idea, such as the assumption that working-class POWs were more susceptible to mind control and that women were more easily taken in by the manipulations of advertisers.
[more]
Collected Poems, 1936-1796
Robert Francis
University of Massachusetts Press, 1985
Gathered here in their entirety are the seven previous volumes of Robert Francis poetry — Stand with Me Here, Valhalla and Other Poems, The Sound I Listened For, The Face against the Glass, The Orb Weaver, Come Out into the Sun, and Like Ghosts of Eagles — together with a group of recent poems, many not previously published but "saved" to end this volume on a note of newness.
Because the original seven volumes are kept in chronological order, the reader can follow the author's journey from his quiet early work to poetry of greater color, warmth, vitality, vivacity, and sportiveness; and can note just when and where Francis' style becomes more and more diversified, with word-count, fragmented surface, and the celebration of words themselves.
The book is graced with eight wood engravings by Wang Hui-Ming.
Because the original seven volumes are kept in chronological order, the reader can follow the author's journey from his quiet early work to poetry of greater color, warmth, vitality, vivacity, and sportiveness; and can note just when and where Francis' style becomes more and more diversified, with word-count, fragmented surface, and the celebration of words themselves.
The book is graced with eight wood engravings by Wang Hui-Ming.
[more]
Collecting the Globe
The Salem East India Marine Society Museum
George H. Schwartz
University of Massachusetts Press, 2020
The East India Marine Society Museum was one of the most influential collecting institutions in nineteenth-century America. From 1799 to 1867, when Salem, Massachusetts, was a premier American port and launching pad for international trade, the museum's collection developed at a nexus of global exchange, with donations of artwork, crafts, and flora and fauna pouring in from distant ports of call. At a time when the country was filled with Barnum-esque exhibitions, visitors to this museum could circumnavigate the globe and gain an understanding of the world and their place within it.
Collecting the Globe presents the first in-depth exploration of the East India Marine Society Museum, the precursor to the internationally acclaimed Peabody Essex Museum. Offering fresh perspectives on museums in the United States before the Civil War and how they helped shape an American identity, George H. Schwartz explores the practices of collecting, exhibiting, and interpreting a diversity of international objects and art in the early United States.
Collecting the Globe presents the first in-depth exploration of the East India Marine Society Museum, the precursor to the internationally acclaimed Peabody Essex Museum. Offering fresh perspectives on museums in the United States before the Civil War and how they helped shape an American identity, George H. Schwartz explores the practices of collecting, exhibiting, and interpreting a diversity of international objects and art in the early United States.
[more]
The Colored Cartoon
Black Presentation in American Animated Short Films, 1907-1954
Christopher P. Lehman
University of Massachusetts Press, 2007
From the introduction of animated film in the early 1900s to the 1950s, ethnic humor was a staple of American-made cartoons. Yet as Christopher Lehman shows in this revealing study, the depiction of African Americans in particular became so inextricably linked to the cartoon medium as to influence its evolution through those five decades. He argues that what is in many ways most distinctive about American animation reflects white animators' visual interpretations of African American cultural expression.
The first American animators drew on popular black representations, many of which were caricatures rooted in the culture of southern slavery. During the 1920s, the advent of the sound-synchronized cartoon inspired animators to blend antebellum-era black stereotypes with the modern black cultural expressions of jazz musicians and Hollywood actors. When the film industry set out to desexualize movies through the imposition of the Hays Code in the early 1930s, it regulated the portrayal of African Americans largely by segregating black characters from others, especially white females. At the same time, animators found new ways to exploit the popularity of African American culture by creating animal characters like Bugs Bunny who exhibited characteristics associated with African Americans without being identifiably black.
By the 1950s, protests from civil rights activists and the growing popularity of white cartoon characters led animators away from much of the black representation on which they had built the medium. Even so, animated films today continue to portray African American characters and culture, and not necessarily in a favorable light.
Drawing on a wide range of sources, including interviews with former animators, archived scripts for cartoons, and the films themselves, Lehman illustrates the intimate and unmistakable connection between African Americans and animation.Choice
The first American animators drew on popular black representations, many of which were caricatures rooted in the culture of southern slavery. During the 1920s, the advent of the sound-synchronized cartoon inspired animators to blend antebellum-era black stereotypes with the modern black cultural expressions of jazz musicians and Hollywood actors. When the film industry set out to desexualize movies through the imposition of the Hays Code in the early 1930s, it regulated the portrayal of African Americans largely by segregating black characters from others, especially white females. At the same time, animators found new ways to exploit the popularity of African American culture by creating animal characters like Bugs Bunny who exhibited characteristics associated with African Americans without being identifiably black.
By the 1950s, protests from civil rights activists and the growing popularity of white cartoon characters led animators away from much of the black representation on which they had built the medium. Even so, animated films today continue to portray African American characters and culture, and not necessarily in a favorable light.
Drawing on a wide range of sources, including interviews with former animators, archived scripts for cartoons, and the films themselves, Lehman illustrates the intimate and unmistakable connection between African Americans and animation.Choice
[more]
The Combat Zone
Murder, Race, and Boston's Struggle for Justice
Jan Brogan
University of Massachusetts Press, 2021
Shortlisted for the 2021 Agatha Award for Best Non-Fiction and the 2022 Anthony Award for Best Critical or Nonfiction Work
At the end of the 1976 football season, more than forty Harvard athletes went to Boston's Combat Zone to celebrate. In the city's adult entertainment district, drugs and prostitution ran rampant, violent crime was commonplace, and corrupt police turned the other way. At the end of the night, Italian American star athlete Andy Puopolo, raised in the city's North End, was murdered in a stabbing. Three African American men were accused of the crime. His murder made national news and led to the eventual demise of the city's red-light district.
Starting with this brutal murder, The Combat Zone tells the story of the Puopolo family's struggle with both a devastating loss and a criminal justice system that produced two trials with opposing verdicts, all within the context of a racially divided Boston. Brogan traces the contentious relationship between Boston’s segregated neighborhoods during the busing crisis; shines a light on a court system that allowed lawyers to strike potential jurors based purely on their racial or ethnic identity; and lays bare the deep-seated corruption within the police department and throughout the Combat Zone. What emerges is a fascinating snapshot of the city at a transitional moment in its recent past.
At the end of the 1976 football season, more than forty Harvard athletes went to Boston's Combat Zone to celebrate. In the city's adult entertainment district, drugs and prostitution ran rampant, violent crime was commonplace, and corrupt police turned the other way. At the end of the night, Italian American star athlete Andy Puopolo, raised in the city's North End, was murdered in a stabbing. Three African American men were accused of the crime. His murder made national news and led to the eventual demise of the city's red-light district.
Starting with this brutal murder, The Combat Zone tells the story of the Puopolo family's struggle with both a devastating loss and a criminal justice system that produced two trials with opposing verdicts, all within the context of a racially divided Boston. Brogan traces the contentious relationship between Boston’s segregated neighborhoods during the busing crisis; shines a light on a court system that allowed lawyers to strike potential jurors based purely on their racial or ethnic identity; and lays bare the deep-seated corruption within the police department and throughout the Combat Zone. What emerges is a fascinating snapshot of the city at a transitional moment in its recent past.
[more]
Come the Sweet By and By
LERMAN ELEANOR
University of Massachusetts Press
Commercializing Childhood
Children's Magazines, Urban Gentility, and the Ideal of the Child Consumer in the United States, 1823-1918
Paul B. Ringel
University of Massachusetts Press, 2015
Long before activists raised concerns about the dangers of commercials airing during Saturday morning cartoons, America's young people emerged as a group that businesses should target with goods for sale. As print culture grew rapidly in the nineteenth century, enterprising publishers raced to meet the widespread demand for magazines aimed at middle- and upper-class children, especially those whose families had leisure time and cultural aspirations to gentility. Advertisers realized that these children represented a growing market for more than magazines, and the editors chose stories to help model good consumer behavior for this important new demographic.
In this deeply researched and engaging book, Paul B. Ringel combines an analysis of the stories in nineteenth-century American children's magazines with the backstories of their authors, editors, and publishers to explain how this hugely successful industry trained generations of American children to become genteel consumers. Ringel demonstrates how these publications, which were read in hundreds of thousands of homes, played to two conflicting impulses within American families: to shield children from commercial influences by offering earnest and moral entertainment and to help children learn how to prosper in an increasingly market-driven society.
In this deeply researched and engaging book, Paul B. Ringel combines an analysis of the stories in nineteenth-century American children's magazines with the backstories of their authors, editors, and publishers to explain how this hugely successful industry trained generations of American children to become genteel consumers. Ringel demonstrates how these publications, which were read in hundreds of thousands of homes, played to two conflicting impulses within American families: to shield children from commercial influences by offering earnest and moral entertainment and to help children learn how to prosper in an increasingly market-driven society.
[more]
Committed to Memory
Cultural Mediations of the Holocaust
Oren Baruch Stier
University of Massachusetts Press, 2009
How is contemporary public consciousness of the Holocaust shaped and communicated? How is commitment to its memory expressed and engendered? This book offers a close and critical analysis of a range of cultural activities that mediate the Holocaust for a public increasingly distant from the events of World War II. Oren Baruch Stier argues that the manner in which those events are committed to memory, coupled with the fervent dedication to memory exhibited by many people and institutions, produces distinct memorial mediations of the Shoah.
Stier discusses how these memorializations emerge, paying attention to the ways cultural memory is embodied individually, institutionally, and technologically. He defines and examines four modes of mediation: iconic, videotestimonial, museological, and ritual-ceremonial. In each context, he analyzes how Holocaust memory is inscribed, framed, displayed, and performed through a variety of media in a range of settings. Topics include the use of Holocaust-era railway cars, Art Spiegelman's Maus volumes, novels by Emily Prager, Martin Amis, and Elie Wiesel, and a CD-ROM that incorporates excerpts from Holocaust survivor testimonies. Institutions examined range from Washington's U.S. Holocaust Memorial Museum to Los Angeles's Museum of Tolerance, from Yale's Fortunoff Video Archive for Holocaust Testimonies to the Visual History Foundation created by Steven Spielberg, to the international teen pilgrimage that is the March of the Living.
In the end, Committed to Memory asks what role forgetting can and does play in the memorial landscape, demonstrating how critical attention to our memorial investments, and to the mechanics and media of memory's construction and transmission, can uncover what is both gained and lost in these commitments.
Stier discusses how these memorializations emerge, paying attention to the ways cultural memory is embodied individually, institutionally, and technologically. He defines and examines four modes of mediation: iconic, videotestimonial, museological, and ritual-ceremonial. In each context, he analyzes how Holocaust memory is inscribed, framed, displayed, and performed through a variety of media in a range of settings. Topics include the use of Holocaust-era railway cars, Art Spiegelman's Maus volumes, novels by Emily Prager, Martin Amis, and Elie Wiesel, and a CD-ROM that incorporates excerpts from Holocaust survivor testimonies. Institutions examined range from Washington's U.S. Holocaust Memorial Museum to Los Angeles's Museum of Tolerance, from Yale's Fortunoff Video Archive for Holocaust Testimonies to the Visual History Foundation created by Steven Spielberg, to the international teen pilgrimage that is the March of the Living.
In the end, Committed to Memory asks what role forgetting can and does play in the memorial landscape, demonstrating how critical attention to our memorial investments, and to the mechanics and media of memory's construction and transmission, can uncover what is both gained and lost in these commitments.
[more]
Companionship in Grief
Love and Loss in the Memoirs of C. S. Lewis, John Bayley, Donald Hall, Joan Didion, and Calvin Trillin
Jeffrey Berman
University of Massachusetts Press, 2010
In Companionship in Grief, Jeffrey Berman focuses on the most life-changing event for many people—the death of a spouse. Some of the most acclaimed memoirs of the past fifty years offer insights into this profound loss: C. S. Lewis's A Grief Observed; John Bayley's three memoirs about Iris Murdoch, including Elegy for Iris; Donald Hall's The Best Day the Worst Day; Joan Didion's best-selling The Year of Magical Thinking; and Calvin Trillin's About Alice. These books explore the nature of spousal bereavement, the importance of caregiving, the role of writing in recovery, and the possibility of falling in love again after a devastating loss. Throughout his study, Berman traces the theme of love and loss in all five memoirists' fictional and nonfictional writings as well as in those of their spouses, who were also accomplished writers. Combining literary studies, grief and bereavement theory, attachment theory, composition studies, and trauma theory, Companionship in Grief will appeal to anyone who has experienced love and loss. Berman's research casts light on five remarkable marriages, showing how autobiographical stories of love and loss can memorialize deceased spouses and offer wisdom and comfort to readers.
[more]
Compelling Belief
The Culture of American Schooling
Stephen Arons
University of Massachusetts Press, 1986
This book is about the stifling of dissent by an institution widely acclaimed as the bulwark of democracy in America. It may be no surprise to late twentieth-century cynics that institutions eventually destroy goals they were meant to achieve; but it is nevertheless a paradox that a society should repress intellectual freedom with the institution of education.
[more]
Composting Utopia
Experimental Infrastructures for Organics Recycling in New York City
Guy Schaffer
University of Massachusetts Press, 2023
New Yorkers generate millions of tons of trash annually, which, through the magic of infrastructure and one of the largest waste management systems in the world, disappears from city sidewalks each night. Under pressure from environmentalists, activists, policymakers, and industry, the New York City Department of Sanitation started exploring ways to divert organic material from the waste stream, and in 2013, launched its composting pilot program.
Drawing on three years of ethnographic fieldwork with community composters and microhaulers in New York City, alongside the rollout of the city’s curbside organics collection system, Composting Utopia describes how local, grassroots organizations intervened in the city’s waste system, enacting change and presenting an alternative vision of the composting city. As Guy Shaffer argues, movement-driven infrastructure projects develop new tools for organizing the world, give communities agency over urban design, and promote just sustainability.
[more]
Concrete Changes
Architecture, Politics, and the Design of Boston City Hall
Brian M. Sirman
University of Massachusetts Press, 2018
From the 1950s to the end of the twentieth century, Boston transformed from a city in freefall into a thriving metropolis, as modern glass skyscrapers sprouted up in the midst of iconic brick rowhouses. After decades of corruption and graft, a new generation of politicians swept into office, seeking to revitalize Boston through large-scale urban renewal projects. The most important of these was a new city hall, which they hoped would project a bold vision of civic participation. The massive Brutalist building that was unveiled in 1962 stands apart—emblematic of the city's rebirth through avant-garde design.
And yet Boston City Hall frequently ranks among the country's ugliest buildings. Concrete Changes seeks to answer a common question for contemporary viewers: How did this happen? In a lively narrative filled with big personalities and newspaper accounts, Brian M. Sirman argues that this structure is more than a symbol of Boston's modernization; it acted as a catalyst for political, social, and economic change.
And yet Boston City Hall frequently ranks among the country's ugliest buildings. Concrete Changes seeks to answer a common question for contemporary viewers: How did this happen? In a lively narrative filled with big personalities and newspaper accounts, Brian M. Sirman argues that this structure is more than a symbol of Boston's modernization; it acted as a catalyst for political, social, and economic change.
[more]
Congress and the Nuclear Freeze
An Inside Look at the Politics of a Mass Movement
Douglas Waller
University of Massachusetts Press, 1987
Early in 1982 a group of lawmakers introduced into both houses of the U.S. Congress a resolution calling on the United States and the Soviet Union to negotiate a mutual and verifiable halt to the nuclear arms race. It was a bold measure and one that sparked intense debate between members of Congress and the White House over the conduct of U.S. arms control policy. This book is an inside account of that legislative battle, told by a congressional aide who was in the thick of it.
[more]
Conifers of the New England–Acadian Forest
A Cultural History
Steve Keating
University of Massachusetts Press, 2024
Why did white pine help spark the American Revolution? How did balsam aid the development of germ theory? What does hemlock have to do with making leather? In Conifers of the New England–Acadian Forest, microbiologist Steve Keating explores how conifers influenced the course of human history, writing in a style that is both scientific and accessible.
Keating’s study focuses on one of the most forested and wild ecoregions in North America, which extends into New York, New England, and Canada and includes Acadia National Park. Here, spruces, firs, and cedars of the northern boreal forest mix with hemlocks and pines of more temperate climates. This combination helps create the appearance, aroma, and ecology of the region, and the trees’ unique botanical traits have been ingeniously utilized by numerous peoples including the Iroquois, French explorers, beer brewers, and shipbuilders. Keating concludes with identification guides for the conifers and where they can be found in Acadia National Park.
[more]
Conquering the American Wilderness
The Triumph of European Warfare in the Colonial Northeast
Guy Chet
University of Massachusetts Press, 2003
A study of military tactics and strategy before the War of Independence, this book reexamines the conquest of the North American wilderness and its native peoples by colonial settlers. Historians have long believed that the peculiar conditions of the New World, coupled with the success of Indians tactics, forced the colonists to abandon traditional European methods of warfare and to develop a new "American" style of combat. By combining firearms with guerrilla-like native tactics, colonial commanders were able not only to subdue their Indian adversaries but eventually to prevail against more conventionally trained British forces during the American Revolution. Yet upon closer scrutiny, this common understanding of early American warfare turns out to be more myth than reality. As Guy Chet reveals, clashes between colonial and Indian forces during the seventeenth and eighteenth centuries did not lead to a reevaluation and transformation of conventional military doctrine. On the contrary, the poor performance of the settlers during King Philip's War (1675–76) and King William's War (1689–1697) prompted colonial magistrates to address the shortcomings of their military forces through a greater reliance on British troops and imperial administrators. Thus, as the eighteenth century wore on, growing military success in the New England colonies reflected an increasing degree of British planning, administration, participation, and command. The colonies' military and political leadership, Chet argues, never rejected the time-tested principles of European warfare, and even during the American War of Independence, the republic's military leadership looked to Europe for guidance in the art of combat.
[more]
The Conspiracy of Capital
Law, Violence, and American Popular Radicalism in the Age of Monopoly
Michael Mark Cohen
University of Massachusetts Press, 2019
Between the 1880s and 1920s, a broad coalition of American dissidents, which included rabble-rousing cartoonists, civil liberties lawyers, socialist detectives, union organizers, and revolutionary martyrs, forged a culture of popular radicalism that directly challenged an emergent corporate capitalism. Monopoly capitalists and their allies in government responded by expanding conspiracy laws and promoting conspiracy theories in an effort to destroy this anti-capitalist movement. The result was an escalating class conflict in which each side came to view the other as a criminal conspiracy.
In this detailed cultural history, Michael Mark Cohen argues that a legal, ideological, and representational politics of conspiracy contributed to the formation of a genuinely revolutionary mass culture in the United States, starting with the 1886 Haymarket bombing. Drawing on a wealth of primary sources, The Conspiracy of Capital offers a new history of American radicalism and the alliance between the modern business corporation and national security state through a comprehensive reassessment of the role of conspiracy laws and conspiracy theories in American social movements.
In this detailed cultural history, Michael Mark Cohen argues that a legal, ideological, and representational politics of conspiracy contributed to the formation of a genuinely revolutionary mass culture in the United States, starting with the 1886 Haymarket bombing. Drawing on a wealth of primary sources, The Conspiracy of Capital offers a new history of American radicalism and the alliance between the modern business corporation and national security state through a comprehensive reassessment of the role of conspiracy laws and conspiracy theories in American social movements.
[more]
Constituting Old Age in Early Modern English Literature, from Queen Elizabeth to King Lear
Christopher Martin
University of Massachusetts Press, 2012
How did Shakespeare and his contemporaries, whose works mark the last quarter century of Elizabeth I's reign as one of the richest moments in all of English literature, regard and represent old age? Was late life seen primarily as a time of withdrawal and preparation for death, as scholars and historians have traditionally maintained? In this book, Christopher Martin examines how, contrary to received impressions, writers and thinkers of the era—working in the shadow of the kinetic, long-lived queen herself—contested such prejudicial and dismissive social attitudes.
In late Tudor England, Martin argues, competing definitions of and regard for old age established a deeply conflicted frontier between external, socially "constituted" beliefs and a developing sense of an individual's "constitution" or physical makeup, a usage that entered the language in the mid-1500s. This space was further complicated by internal divisions within the opposing camps. On one side, reverence for the elder's authority, rooted in religious and social convention, was persistently challenged by the discontents of an ambitious younger underclass. Simultaneously, the aging subject grounded an enduring social presence and dignity on a bodily integrity that time inevitably threatened. In a historical setting that saw both the extended reign of an aging monarch and a resulting climate of acute generational strife, this network of competition and accommodation uniquely shaped late Elizabethan literary imagination. Through fresh readings of signature works, genres, and figures, Martin redirects critical attention to this neglected aspect of early modern studies.
In late Tudor England, Martin argues, competing definitions of and regard for old age established a deeply conflicted frontier between external, socially "constituted" beliefs and a developing sense of an individual's "constitution" or physical makeup, a usage that entered the language in the mid-1500s. This space was further complicated by internal divisions within the opposing camps. On one side, reverence for the elder's authority, rooted in religious and social convention, was persistently challenged by the discontents of an ambitious younger underclass. Simultaneously, the aging subject grounded an enduring social presence and dignity on a bodily integrity that time inevitably threatened. In a historical setting that saw both the extended reign of an aging monarch and a resulting climate of acute generational strife, this network of competition and accommodation uniquely shaped late Elizabethan literary imagination. Through fresh readings of signature works, genres, and figures, Martin redirects critical attention to this neglected aspect of early modern studies.
[more]
Constructing the Outbreak
Epidemics in Media and Collective Memory
Katherine A. Foss
University of Massachusetts Press, 2020
When an epidemic strikes, media outlets are central to how an outbreak is framed and understood. While reporters construct stories intended to inform the public and convey essential information from doctors and politicians, news narratives also serve as historical records, capturing sentiments, responses, and fears throughout the course of the epidemic.
Constructing the Outbreak demonstrates how news reporting on epidemics communicates more than just information about pathogens; rather, prejudices, political agendas, religious beliefs, and theories of disease also shape the message. Analyzing seven epidemics spanning more than two hundred years—from Boston's smallpox epidemic and Philadelphia's yellow fever epidemic in the eighteenth century to outbreaks of diphtheria, influenza, and typhoid in the early twentieth century—Katherine A. Foss discusses how shifts in journalism and medicine influenced the coverage, preservation, and fictionalization of different disease outbreaks. Each case study highlights facets of this interplay, delving into topics such as colonization, tourism, war, and politics. Through this investigation into what has been preserved and forgotten in the collective memory of disease, Foss sheds light on current health care debates, like vaccine hesitancy.
Constructing the Outbreak demonstrates how news reporting on epidemics communicates more than just information about pathogens; rather, prejudices, political agendas, religious beliefs, and theories of disease also shape the message. Analyzing seven epidemics spanning more than two hundred years—from Boston's smallpox epidemic and Philadelphia's yellow fever epidemic in the eighteenth century to outbreaks of diphtheria, influenza, and typhoid in the early twentieth century—Katherine A. Foss discusses how shifts in journalism and medicine influenced the coverage, preservation, and fictionalization of different disease outbreaks. Each case study highlights facets of this interplay, delving into topics such as colonization, tourism, war, and politics. Through this investigation into what has been preserved and forgotten in the collective memory of disease, Foss sheds light on current health care debates, like vaccine hesitancy.
[more]
Consulting for Organizational Change
Steele Fritz
University of Massachusetts Press
Containing Addiction
The Federal Bureau of Narcotics and the Origins of America's Global Drug War
Matthew R. Pembleton
University of Massachusetts Press, 2017
The story of America's "War on Drugs" usually begins with Richard Nixon or Ronald Reagan. In Containing Addiction, Matthew R. Pembleton argues that its origins instead lie in the years following World War II, when the Federal Bureau of Narcotics—the country's first drug control agency, established in 1930—began to depict drug control as a paramilitary conflict and
sent agents abroad to disrupt the flow of drugs to American shores.
U.S. policymakers had long viewed addiction and organized crime as profound domestic and trans-national threats. Yet World War II presented new opportunities to implement drug control on a global scale. Skeptical of public health efforts to address demand, the Federal Bureau of Narcotics believed that reducing the global supply of drugs was the only way to contain the spread of addiction. In effect, America applied a foreign policy solution to a domestic social crisis, demonstrating how consistently policymakers have assumed that security at home can only be achieved through hegemony abroad. The result is a drug war that persists into the present day.
sent agents abroad to disrupt the flow of drugs to American shores.
U.S. policymakers had long viewed addiction and organized crime as profound domestic and trans-national threats. Yet World War II presented new opportunities to implement drug control on a global scale. Skeptical of public health efforts to address demand, the Federal Bureau of Narcotics believed that reducing the global supply of drugs was the only way to contain the spread of addiction. In effect, America applied a foreign policy solution to a domestic social crisis, demonstrating how consistently policymakers have assumed that security at home can only be achieved through hegemony abroad. The result is a drug war that persists into the present day.
[more]
The Contemporary African American Novel
Its Folk Roots and Modern Literary Branches
Bernard W. Bell
University of Massachusetts Press, 2005
In 1987 Bernard W. Bell published The Afro-American Novel and Its Tradition, a comprehensive history of more than 150 novels written by African Americans from 1853 to 1983. The book won the Distinguished Scholarship Award of the College Language Association and was reprinted five times. Now Bell has produced a new volume that serves as a sequel and companion to the earlier work, expanding the coverage to 2001 and examining the writings and traditions of a remarkably wide array of black novelists.
[more]
Contested and Dangerous Seas
North Atlantic Fishermen, Their Wives, Unions, and the Politics of Exclusion
Colin J. Davis
University of Massachusetts Press, 2020
Deep-sea fishing has always been a hazardous occupation, with crews facing gale-force winds, huge waves and swells, and unrelenting rain and snow. For those New England and British fishermen whose voyages took them hundreds of miles from the coastline, life was punctuated by strenuous work, grave danger, and frequent fear. Unsurprisingly, every fishing port across the world has memorials to those lost at sea.
During the 1960s and 1970s, these seafaring workers experienced new hardships. As modern fleets from many nations intensified their hunt for fish, they found themselves in increasing competition for disappearing prey. Colin J. Davis details the unfolding drama as New England and British fishermen and their wives, partners, and families reacted to this competition. Rather than acting as bystanders to these crises, the men and women chronicled in Contested and Dangerous Seas became fierce advocates for the health of the Atlantic Ocean fisheries and for their families' livelihoods.
During the 1960s and 1970s, these seafaring workers experienced new hardships. As modern fleets from many nations intensified their hunt for fish, they found themselves in increasing competition for disappearing prey. Colin J. Davis details the unfolding drama as New England and British fishermen and their wives, partners, and families reacted to this competition. Rather than acting as bystanders to these crises, the men and women chronicled in Contested and Dangerous Seas became fierce advocates for the health of the Atlantic Ocean fisheries and for their families' livelihoods.
[more]
Contested Ground
The Tunnel and the Struggle over Television News in Cold War America
Mike Conway
University of Massachusetts Press, 2019
In 1962, an innovative documentary on a Berlin Wall tunnel escape brought condemnation from both sides of the Iron Curtain during one of the most volatile periods of the Cold War. The Tunnel, produced by NBC's Reuven Frank, clocked in at ninety minutes and prompted a range of strong reactions. While the television industry ultimately awarded the program three Emmys, the U.S. Department of State pressured NBC to cancel the program, and print journalists criticized the network for what they considered to be a blatant disregard of journalistic ethics.
It was not just The Tunnel's subject matter that sparked controversy, but the medium itself. The surprisingly fast ascendance of television news as the country's top choice for information threatened the self-defined supremacy of print journalism and the de facto cooperation of government officials and reporters on Cold War issues. In Contested Ground, Mike Conway argues that the production and reception of television news and documentaries during this period reveals a major upheaval in American news communications.
It was not just The Tunnel's subject matter that sparked controversy, but the medium itself. The surprisingly fast ascendance of television news as the country's top choice for information threatened the self-defined supremacy of print journalism and the de facto cooperation of government officials and reporters on Cold War issues. In Contested Ground, Mike Conway argues that the production and reception of television news and documentaries during this period reveals a major upheaval in American news communications.
[more]
Cornelia James Cannon and the Future American Race
Maria I. Diedrich
University of Massachusetts Press, 2011
This biography examines the life of Cornelia James Cannon (1876-1969), a Radcliffe graduate, wife of a prominent Harvard professor, and mother of five who became a prolific writer and "all-purpose reformer," in the words of her son-in-law, Arthur Schlesinger Jr. In addition to writing eight novels, Cannon published dozens of essays during the 1920s and 1930s on a broad range of controversial topics. She advocated on behalf of women's rights, birth control, and public education and wrote provocative essays on immigration policy, welfare reform, and eugenics.
According to Maria I. Diedrich, it was the last of these concerns, Cannon's interest in what she and her husband called "the future of the race"—a term conflating ideas of class, race, and ethnicity—that inspired many of her varied reform activities. From the vantage point of today it may seem hard to understand how a social reformer and outspoken feminist could also embrace eugenicist principles. Yet, in the context of the time such views were not uncommon among progressive thinkers.
Far from being an extremist or even exceptional, Cornelia James Cannon was a woman representative of her social class and historical moment. By disentangling the threads of Cannon's life and thought, Diedrich seeks to shed light on the experiences of other progressive reformers of the interwar years whose interest in social justice often went hand in hand with racially exclusive notions of Americanness.
According to Maria I. Diedrich, it was the last of these concerns, Cannon's interest in what she and her husband called "the future of the race"—a term conflating ideas of class, race, and ethnicity—that inspired many of her varied reform activities. From the vantage point of today it may seem hard to understand how a social reformer and outspoken feminist could also embrace eugenicist principles. Yet, in the context of the time such views were not uncommon among progressive thinkers.
Far from being an extremist or even exceptional, Cornelia James Cannon was a woman representative of her social class and historical moment. By disentangling the threads of Cannon's life and thought, Diedrich seeks to shed light on the experiences of other progressive reformers of the interwar years whose interest in social justice often went hand in hand with racially exclusive notions of Americanness.
[more]
Corner of the Dead
Lynn Lurie
University of Massachusetts Press, 2008
This powerful novel depicts the reign of violence perpetrated in Peru in the 1980s by the Shining Path guerrillas, a Maoist-based organization, and the subsequent authoritarian counterattack by the Peruvian government. It explores these horrific events through the eyes of a young American photojournalist and humanitarian worker, Lisette, who bears witness to the genocide of the Peruvian Indians in whose village she has chosen to live.
"I use the camera to block my view," says Lisette. This is the start of her double vision—trying to forget and trying to recall—and her struggle to come to terms with the human capacity for cruelty. But the grim reality in Peru is so overpowering that she carries it with her back to New York and through the rest of her life. Having abandoned a lover along with the fight, she desperately tries to find meaning beyond that of mere survival.
"I use the camera to block my view," says Lisette. This is the start of her double vision—trying to forget and trying to recall—and her struggle to come to terms with the human capacity for cruelty. But the grim reality in Peru is so overpowering that she carries it with her back to New York and through the rest of her life. Having abandoned a lover along with the fight, she desperately tries to find meaning beyond that of mere survival.
[more]
The Correspondence of W.E.B. Du Bois, Volume I
Selections, 1877–1934
W.E.B. Du Bois
University of Massachusetts Press, 1997
Scholar, author, editor, teacher, reformer, and civil rights leader, W.E.B. Du Bois (1868-1963) was a major figure in American life and one of the earliest proponents of equality for black Americans. He was a founder and leader of the Niagara Movement, the NAACP, and the Pan-African Movement; a progenitor of the 1920s Harlem Renaissance; an advocate of anticolonialism, anti-imperialism, unionism, and equality for women; and a champion of the rights of oppressed people around the world.
The three-volume Correspondence of W.E.B. Du Bois offers a unique perspective on Du Bois's experiences and views. In recognition of the significance of the Correspondence, the final volume was named a Best Book of the Year by the New York Times Book Review.
Herbert Aptheker has provided an introduction and notes to each volume, illuminating the circumstances and identifying the personalities involved in the correspondence. A long time friend and colleague of Du Bois, Aptheker is a well-known historian of the African American experience. In 1939 and again in 1969, he won the history award given by the Association for the Study of Negro Life and History. Among his most prominent works are American Negro Slave Revolts and the three-volume Documentary History of the Negro People in the United States.
The three-volume Correspondence of W.E.B. Du Bois offers a unique perspective on Du Bois's experiences and views. In recognition of the significance of the Correspondence, the final volume was named a Best Book of the Year by the New York Times Book Review.
Herbert Aptheker has provided an introduction and notes to each volume, illuminating the circumstances and identifying the personalities involved in the correspondence. A long time friend and colleague of Du Bois, Aptheker is a well-known historian of the African American experience. In 1939 and again in 1969, he won the history award given by the Association for the Study of Negro Life and History. Among his most prominent works are American Negro Slave Revolts and the three-volume Documentary History of the Negro People in the United States.
[more]
The Correspondence of W.E.B. Du Bois, Volume II
Selections, 1934–1944
W.E.B. Du Bois
University of Massachusetts Press, 1997
Scholar, author, editor, teacher, reformer, and civil rights leader, W.E.B. Du Bois (1868-1963) was a major figure in American life and one of the earliest proponents of equality for black Americans. He was a founder and leader of the Niagara Movement, the NAACP, and the Pan-African Movement; a progenitor of the 1920s Harlem Renaissance; an advocate of anticolonialism, anti-imperialism, unionism, and equality for women; and a champion of the rights of oppressed people around the world.
The three-volume Correspondence of W.E.B. Du Bois offers a unique perspective on Du Bois's experiences and views. In recognition of the significance of the Correspondence, the final volume was named a Best Book of the Year by the New York Times Book Review.
Herbert Aptheker has provided an introduction and notes to each volume, illuminating the circumstances and identifying the personalities involved in the correspondence. A long time friend and colleague of Du Bois, Aptheker is a well-known historian of the African American experience. In 1939 and again in 1969, he won the history award given by the Association for the Study of Negro Life and History. Among his most prominent works are American Negro Slave Revolts and the three-volume Documentary History of the Negro People in the United States.
The three-volume Correspondence of W.E.B. Du Bois offers a unique perspective on Du Bois's experiences and views. In recognition of the significance of the Correspondence, the final volume was named a Best Book of the Year by the New York Times Book Review.
Herbert Aptheker has provided an introduction and notes to each volume, illuminating the circumstances and identifying the personalities involved in the correspondence. A long time friend and colleague of Du Bois, Aptheker is a well-known historian of the African American experience. In 1939 and again in 1969, he won the history award given by the Association for the Study of Negro Life and History. Among his most prominent works are American Negro Slave Revolts and the three-volume Documentary History of the Negro People in the United States.
[more]
The Correspondence of W.E.B. Du Bois, Volume III
Selections, 1944–1963
W.E.B. Du Bois
University of Massachusetts Press, 1997
Scholar, author, editor, teacher, reformer, and civil rights leader, W.E.B. Du Bois (1868-1963) was a major figure in American life and one of the earliest proponents of equality for black Americans. He was a founder and leader of the Niagara Movement, the NAACP, and the Pan-African Movement; a progenitor of the 1920s Harlem Renaissance; an advocate of anticolonialism, anti-imperialism, unionism, and equality for women; and a champion of the rights of oppressed people around the world.
The three-volume Correspondence of W.E.B. Du Bois offers a unique perspective on Du Bois's experiences and views. In recognition of the significance of the Correspondence, the final volume was named a Best Book of the Year by the New York Times Book Review.
Herbert Aptheker has provided an introduction and notes to each volume, illuminating the circumstances and identifying the personalities involved in the correspondence. A long time friend and colleague of Du Bois, Aptheker is a well-known historian of the African American experience. In 1939 and again in 1969, he won the history award given by the Association for the Study of Negro Life and History. Among his most prominent works are American Negro Slave Revolts and the three-volume Documentary History of the Negro People in the United States.
The three-volume Correspondence of W.E.B. Du Bois offers a unique perspective on Du Bois's experiences and views. In recognition of the significance of the Correspondence, the final volume was named a Best Book of the Year by the New York Times Book Review.
Herbert Aptheker has provided an introduction and notes to each volume, illuminating the circumstances and identifying the personalities involved in the correspondence. A long time friend and colleague of Du Bois, Aptheker is a well-known historian of the African American experience. In 1939 and again in 1969, he won the history award given by the Association for the Study of Negro Life and History. Among his most prominent works are American Negro Slave Revolts and the three-volume Documentary History of the Negro People in the United States.
[more]
The Cosmopolitan Lyceum
Lecture Culture and the Globe in Nineteenth-Century America
Tom Wright
University of Massachusetts Press, 2013
From the 1830s to the 1900s, a circuit of lecture halls known as the "lyceum movement" flourished across the United States. At its peak, up to a million people a week regularly attended talks in local venues, captivated by the words of visiting orators who spoke on an extensive range of topics. The movement was a major intellectual and cultural force of this nation-building period, forming the creative environment of writers and public figures such as Frederic Douglass, Ralph Waldo Emerson, Anna Dickinson, and Mark Twain.
The phenomenon of the lyceum has commonly been characterized as inward looking and nationalistic. Yet as this collection of essays reveals, nineteenth-century audiences were fascinated by information from around the globe, and lecturers frequently spoke to their fellow Americans of their connection to the world beyond the nation and helped them understand "exotic" ways of life. Never simple in its engagement with cosmopolitan ideas, the lyceum provided a powerful public encounter with international currents and crosscurrents, foreshadowing the problems and paradoxes that continue to resonate in our globalized world.
This book offers a major reassessment of this important cultural phenomenon, bringing together diverse scholars from history, rhetoric, and literary studies. The twelve essays use a range of approaches, cover a wide chronological timespan, and discuss a variety of performers both famous and obscure. In addition to the volume editor, contributors include Robert Arbour, Thomas Augst, Susan Branson, Virginia Garnett, Peter Gibian, Sara Lampert, Angela Ray, Evan Roberts, Paul Stob, Mary Zboray, and Ronald Zboray.
The phenomenon of the lyceum has commonly been characterized as inward looking and nationalistic. Yet as this collection of essays reveals, nineteenth-century audiences were fascinated by information from around the globe, and lecturers frequently spoke to their fellow Americans of their connection to the world beyond the nation and helped them understand "exotic" ways of life. Never simple in its engagement with cosmopolitan ideas, the lyceum provided a powerful public encounter with international currents and crosscurrents, foreshadowing the problems and paradoxes that continue to resonate in our globalized world.
This book offers a major reassessment of this important cultural phenomenon, bringing together diverse scholars from history, rhetoric, and literary studies. The twelve essays use a range of approaches, cover a wide chronological timespan, and discuss a variety of performers both famous and obscure. In addition to the volume editor, contributors include Robert Arbour, Thomas Augst, Susan Branson, Virginia Garnett, Peter Gibian, Sara Lampert, Angela Ray, Evan Roberts, Paul Stob, Mary Zboray, and Ronald Zboray.
[more]
Cotton and Capital
Boston Businessmen and Antislavery Reform, 1854-1868
Richard dean
University of Massachusetts Press, 2009
Abbott examines the activities and ideology of a group of Boston-area businessmen who promoted the cause of black freedom from the passage of the Kansas-Nebraska Act to the election of Ulysses A. Grant as president.
[more]
Country Comes to Town
The Music Industry and the Transformation of Nashville
Jeremy Hill
University of Massachusetts Press, 2015
Country music evokes a simple, agrarian past, with images of open land and pickup trucks. While some might think of the genre as a repository of nostalgia, popular because it preserves and reveres traditional values, Jeremy Hill argues that country music has found such expansive success because its songs and its people have forcefully addressed social and cultural issues as well as geographic change. Hill demonstrates how the genre and its fans developed a flexible idea of "country," beyond their rural roots, and how this flexibility allowed fans and music to "come to town," to move into and within urban spaces, while retaining a country "character."
To understand how the genre has become the far-reaching commercial phenomenon that it is today, Hill explores how various players within the country music fold have grappled with the notion of place. He shows both how the industry has transformed the city of Nashville and how country music—through song lyrics, imagery associated with the music, and branding—has reshaped ideas about the American landscape and character. As the genre underwent significant change in the last decades of the twentieth century, those who sought to explain its new styles and new locations relied on a traditional theme: "You can take the boy out of the country, but you can't take the country out of the boy." Hill demonstrates how this idea—that you can still be "country" while no longer living in a rural place—has been used to expand country's commercial appeal and establish a permanent home in the urban space of Nashville.
To understand how the genre has become the far-reaching commercial phenomenon that it is today, Hill explores how various players within the country music fold have grappled with the notion of place. He shows both how the industry has transformed the city of Nashville and how country music—through song lyrics, imagery associated with the music, and branding—has reshaped ideas about the American landscape and character. As the genre underwent significant change in the last decades of the twentieth century, those who sought to explain its new styles and new locations relied on a traditional theme: "You can take the boy out of the country, but you can't take the country out of the boy." Hill demonstrates how this idea—that you can still be "country" while no longer living in a rural place—has been used to expand country's commercial appeal and establish a permanent home in the urban space of Nashville.
[more]
Country Comes to Town
The Music Industry and the Transformation of Nashville
Hill Jeremy
University of Massachusetts Press
Covering America
A Narrative History of a Nation's Journalism
Christopher B. Daly
University of Massachusetts Press, 2017
Journalism is in crisis, with traditional sources of news under siege, a sputtering business model, a resurgence of partisanship, and a persistent expectation that information should be free. In Covering America, Christopher B. Daly places the current crisis within historical context, showing how it is only the latest challenge for journalists to overcome.
In this revised and expanded edition, Daly updates his narrative with new stories about legacy media like the New York Times and the Washington Post, and the digital natives like the Huffington Post and Buzzfeed. A new final chapter extends the study of the business crisis facing journalism by examining the "platform revolution" in media, showing how Facebook, Twitter, and other social media are disrupting the traditional systems of delivering journalism to the public. In an era when the factual basis of news is contested and when the government calls journalists "the enemy of the American people" or "the opposition party," Covering America brings history to bear on the vital issues of our times.
In this revised and expanded edition, Daly updates his narrative with new stories about legacy media like the New York Times and the Washington Post, and the digital natives like the Huffington Post and Buzzfeed. A new final chapter extends the study of the business crisis facing journalism by examining the "platform revolution" in media, showing how Facebook, Twitter, and other social media are disrupting the traditional systems of delivering journalism to the public. In an era when the factual basis of news is contested and when the government calls journalists "the enemy of the American people" or "the opposition party," Covering America brings history to bear on the vital issues of our times.
[more]
Covering America
A Narrative History of a Nation's Journalism
Christopher B. Daly
University of Massachusetts Press, 2012
Today many believe that American journalism is in crisis, with traditional sources of news under siege from a failing business model, a resurgence of partisanship, and a growing expectation that all information ought to be free. In Covering America, Christopher B. Daly places the current crisis within a much broader historical context, showing how it is only the latest in a series of transitions that have required journalists to devise new ways of plying their trade.
Drawing on original research and synthesizing the latest scholarship, Daly traces the evolution of journalism in America from the early 1700s to the "digital revolution" of today. Analyzing the news business as a business, he identifies five major periods of journalism history, each marked by a different response to the recurrent conflicts that arise when a vital cultural institution is housed in a major private industry.
Throughout his narrative history Daly captures the ethos of journalism with engaging anecdotes, biographical portraits of key figures, and illuminating accounts of the coverage of major news events as well as the mundane realities of day-to-day reporting.
Drawing on original research and synthesizing the latest scholarship, Daly traces the evolution of journalism in America from the early 1700s to the "digital revolution" of today. Analyzing the news business as a business, he identifies five major periods of journalism history, each marked by a different response to the recurrent conflicts that arise when a vital cultural institution is housed in a major private industry.
Throughout his narrative history Daly captures the ethos of journalism with engaging anecdotes, biographical portraits of key figures, and illuminating accounts of the coverage of major news events as well as the mundane realities of day-to-day reporting.
[more]
Creating a World on Paper
Harry Fenn's Career in Art
Sue Rainey
University of Massachusetts Press, 2013
Harry Fenn was one of the most skilled and successful illustrators in the United States in the latter half of the nineteenth century, a time when illustrated periodicals and books were the primary means of sharing visual images. Fenn's work fostered pride in America's scenic landscapes and urban centers, informed a curious public about foreign lands, and promoted appreciation of printed pictures as artworks for a growing middle class.
Arriving in New York from London in 1857 as a young wood engraver, Fenn soon forged a career in illustration. His tiny black-and-white wood engravings for Whittier's Snow-Bound (1868) surprised critics with their power, and his bold, innovative compositions for Picturesque America (1872–74) were enormously popular and expanded the field for illustrators and publishers. In the 1880s and '90s, his illustrations appeared in many of the finest magazines and newspapers, depicting the places and events that interested the public—from post–Civil War national reconciliation to the World's Columbian Exposition in 1893 to the beginnings of imperialism in the Spanish-American War.
This handsomely designed volume documents Fenn's prolific career from the 1860s until his death in 1911. Sue Rainey also recounts his adventurous sketching trips in the western United States, Europe, and the Middle East, which enhanced his reputation for depicting far-flung places at a time when the nation was taking a more prominent role on the world stage.
Arriving in New York from London in 1857 as a young wood engraver, Fenn soon forged a career in illustration. His tiny black-and-white wood engravings for Whittier's Snow-Bound (1868) surprised critics with their power, and his bold, innovative compositions for Picturesque America (1872–74) were enormously popular and expanded the field for illustrators and publishers. In the 1880s and '90s, his illustrations appeared in many of the finest magazines and newspapers, depicting the places and events that interested the public—from post–Civil War national reconciliation to the World's Columbian Exposition in 1893 to the beginnings of imperialism in the Spanish-American War.
This handsomely designed volume documents Fenn's prolific career from the 1860s until his death in 1911. Sue Rainey also recounts his adventurous sketching trips in the western United States, Europe, and the Middle East, which enhanced his reputation for depicting far-flung places at a time when the nation was taking a more prominent role on the world stage.
[more]
Creating Rosie the Riveter
Class, Gender, and Propaganda during World War II
Maureen Honey
University of Massachusetts Press, 1985
Creating Rosie the Riveter examines advertisements and fiction published in the Saturday Evening Post and True Story in order to show how propaganda was used to encourage women to enter the work force.
[more]
Criminals and Enemies
Austin Sarat
University of Massachusetts Press, 2018
Key binaries like public/private and speech/conduct are mainstays of the liberal legal system. However, the pairing of criminal/enemy has received little scholarly attention by comparison. Bringing together a group of distinguished and disciplinarily diverse scholars, Criminals and Enemies, the most recent volume in the Amherst Series in Law, Jurisprudence, and Social Thought, addresses this gap in the literature. Drawing on political philosophy, legal analysis, and historical research, this essential volume reveals just how central the criminal/enemy distinction is to the structure and practice of contemporary law.
The editors' introduction situates criminals and enemies in a theoretical context, focusing on the work of Thomas Hobbes and Carl Schmitt, while other essays consider topics ranging from Germany's denazification project to South Africa's pre- and post-apartheid legal regime to the complicating factors introduced by the war on terror. In addition to the editors, the contributors include Stephen Clingman, Jennifer Daskal, Sara Kendall, Devin Pendas, and Annette Weinke.
The editors' introduction situates criminals and enemies in a theoretical context, focusing on the work of Thomas Hobbes and Carl Schmitt, while other essays consider topics ranging from Germany's denazification project to South Africa's pre- and post-apartheid legal regime to the complicating factors introduced by the war on terror. In addition to the editors, the contributors include Stephen Clingman, Jennifer Daskal, Sara Kendall, Devin Pendas, and Annette Weinke.
[more]
Cross-Border Commemorations
Celebrating Swedish Settlement in America
Adam Hjorthén
University of Massachusetts Press, 2018
The histories of colonial settlement in America are generally presented as uniquely national stories. Yet because these histories involved settlers who crossed oceans, they are inherently transnational and have been important for different groups throughout the world. To understand how settlement histories are used to promote social, political, and commercial relations across national borders, Adam Hjorthén explores the little-known phenomenon of cross-border commemorations.
Focusing on two celebrations of Swedish settlement in America—the 1938 New Sweden Tercentenary and the 1948 Swedish Pioneer Centennial—Hjorthén examines a wide variety of sources to demonstrate how cultural leaders, politicians, and businessmen used these events to promote international relations between the United States and Sweden during times of great geopolitical transformation. Cross-Border Commemorations argues that scholarship on public commemoration should expand beyond national borders and engage the shared and contested meanings of history across local, national, and transnational contexts.
Focusing on two celebrations of Swedish settlement in America—the 1938 New Sweden Tercentenary and the 1948 Swedish Pioneer Centennial—Hjorthén examines a wide variety of sources to demonstrate how cultural leaders, politicians, and businessmen used these events to promote international relations between the United States and Sweden during times of great geopolitical transformation. Cross-Border Commemorations argues that scholarship on public commemoration should expand beyond national borders and engage the shared and contested meanings of history across local, national, and transnational contexts.
[more]
Crossing the River
A Memoir of the American Left, the Cold War, and Life in East Germany
Victor Grossman
University of Massachusetts Press, 2003
What could possibly impel a relatively privileged twenty-four-year-old American-serving in the U.S. Army in Germany in 1952-to swim across the Danube River to what was then referred to as the Soviet Zone? How are we to understand his decision to forsake the land of his birth and build a new life in the still young German Democratic Republic? These are the questions at the core of this memoir by Victor Grossman, who was born Stephen Wechsler but changed his name after defecting to the GDR.
A child of the Depression, Grossman witnessed firsthand the dislocations wrought by the collapse of the U.S. economy during the 1930s. Widespread unemployment and poverty, CIO sit-down strikes, and the fight to save Republican Spain from fascism-all made an indelible impression as he grew up in an environment that nurtured a commitment to left-wing causes. He continued his involvement with communist activities as a student at Harvard in the late 1940s and after graduation, when he took jobs in two factories in Buffalo, New York, and tried to organize their workers.
Fleeing McCarthyite America and potential prosecution, Grossman worked in the GDR with other Western defectors and eventually became, as he notes, the "only person in the world to attend Harvard and Karl Marx universities." Later, he was able to establish himself as a freelance journalist, lecturer, and author. Traveling throughout East Germany, he evaluated the failures as well as the successes of the GDR's "socialist experiment." He also recorded his experiences, observations, and judgments of life in East Berlin after reunification, which failed to bring about the post-Communist paradise so many had expected.
Written with humor as well as candor, Crossing the River provides a rare look at the Cold War from the other side of the ideological divide.
Mark Solomon, a distinguished historian of the American left, provides a historical afterword that places Grossman's experiences in a larger Cold War context.
A child of the Depression, Grossman witnessed firsthand the dislocations wrought by the collapse of the U.S. economy during the 1930s. Widespread unemployment and poverty, CIO sit-down strikes, and the fight to save Republican Spain from fascism-all made an indelible impression as he grew up in an environment that nurtured a commitment to left-wing causes. He continued his involvement with communist activities as a student at Harvard in the late 1940s and after graduation, when he took jobs in two factories in Buffalo, New York, and tried to organize their workers.
Fleeing McCarthyite America and potential prosecution, Grossman worked in the GDR with other Western defectors and eventually became, as he notes, the "only person in the world to attend Harvard and Karl Marx universities." Later, he was able to establish himself as a freelance journalist, lecturer, and author. Traveling throughout East Germany, he evaluated the failures as well as the successes of the GDR's "socialist experiment." He also recorded his experiences, observations, and judgments of life in East Berlin after reunification, which failed to bring about the post-Communist paradise so many had expected.
Written with humor as well as candor, Crossing the River provides a rare look at the Cold War from the other side of the ideological divide.
Mark Solomon, a distinguished historian of the American left, provides a historical afterword that places Grossman's experiences in a larger Cold War context.
[more]
Cross-Racial Class Protest in Antebellum American Literature
Timothy Helwig
University of Massachusetts Press, 2020
Historians have long claimed that the antebellum white working class viewed blacks, both free and enslaved, not as allies but enemies. While it is true that racial and ethnic strife among northern workers prevented an effective labor movement from materializing in America prior to the Civil War, Cross-Racial Class Protest in Antebellum American Literature demonstrates that a considerable subset of white and black writers were able to imagine cross-racial solidarity in the sensation novels and serial fiction, slave narratives, autobiographies, speeches, and newspaper editorials that they penned.
Timothy Helwig analyzes the shared strategies of class protest in popular and canonical texts from a range of antebellum white and black American authors, including George Lippard, Ned Buntline, Harry Hazel, Frederick Douglass, William Wells Brown, and Frank J. Webb. This pathbreaking study offers original perspectives on racial representations in antebellum American print culture and provides a new understanding of black and white authors' strivings for socioeconomic justice across racial lines in the years leading up to the Civil War.
Timothy Helwig analyzes the shared strategies of class protest in popular and canonical texts from a range of antebellum white and black American authors, including George Lippard, Ned Buntline, Harry Hazel, Frederick Douglass, William Wells Brown, and Frank J. Webb. This pathbreaking study offers original perspectives on racial representations in antebellum American print culture and provides a new understanding of black and white authors' strivings for socioeconomic justice across racial lines in the years leading up to the Civil War.
[more]
Cultivating a Past
Essays on the History of Hadley, Massachusetts
Marla R. Miller
University of Massachusetts Press, 2009
In 1659, a group of Puritan dissenters made their way north from Hartford and Wethersfield, Connecticut, to a crook in the Connecticut River that cut through some of the most fertile land in New England. Three hundred and fifty years later, a group of distinguished scholars mark the founding of that town— Hadley, Massachusetts—with a book that explores a history as rich as that soil.
Edited with an introduction by Marla R. Miller, Cultivating a Past brings together fifteen essays, some previously published and others new, that tell the story of Hadley from a variety of disciplinary vantage points. Archaeologists Elizabeth Chilton, Siobhan Hart, Christopher Donta, Edward Hood, and Rita Reinke investigate relations between Native and European communities, while historians Gregory Nobles, Alice Nash, and Pulitzer Prize winner Laurel Thatcher Ulrich explore the social, cultural, and political past of this New England town. Musicologist Andrea Olmstead surveys the career of composer Roger Sessions, costume specialist Lynne Bassett interprets the wardrobes of the town's seventeenth-century residents, Douglas Wilson investigates the connection between Hadley and the regicides William Goffe and Edward Whalley, and Martin Antonetti charts the course of a 1599 Bible alleged to have belonged Goffe.
Taken together, the essays capture how men and women in this small community responded to the same challenges that have faced other New Englanders from the seventeenth century to the present. They also reveal how the town's historical sense of itself evolved along the way, as stories of the alleged "Angel of Hadley," of favorite sons Joseph Hooker and Clarence Hawkes, and of daughters Mary Webster and Elizabeth Porter Phelps contributed to a civic identity that celebrates strength of character.
Edited with an introduction by Marla R. Miller, Cultivating a Past brings together fifteen essays, some previously published and others new, that tell the story of Hadley from a variety of disciplinary vantage points. Archaeologists Elizabeth Chilton, Siobhan Hart, Christopher Donta, Edward Hood, and Rita Reinke investigate relations between Native and European communities, while historians Gregory Nobles, Alice Nash, and Pulitzer Prize winner Laurel Thatcher Ulrich explore the social, cultural, and political past of this New England town. Musicologist Andrea Olmstead surveys the career of composer Roger Sessions, costume specialist Lynne Bassett interprets the wardrobes of the town's seventeenth-century residents, Douglas Wilson investigates the connection between Hadley and the regicides William Goffe and Edward Whalley, and Martin Antonetti charts the course of a 1599 Bible alleged to have belonged Goffe.
Taken together, the essays capture how men and women in this small community responded to the same challenges that have faced other New Englanders from the seventeenth century to the present. They also reveal how the town's historical sense of itself evolved along the way, as stories of the alleged "Angel of Hadley," of favorite sons Joseph Hooker and Clarence Hawkes, and of daughters Mary Webster and Elizabeth Porter Phelps contributed to a civic identity that celebrates strength of character.
[more]
Cultivating Environmental Justice
A Literary History of U.S. Garden Writing
Robert S. Emmett
University of Massachusetts Press, 2016
While Michael Pollan and others have popularized ideas about how growing one's own food can help lead to environmental sustainability, environmental justice activists have pushed for more access to gardens and fresh food in impoverished communities. Now, Robert S. Emmett argues that mid-twentieth-century American garden writing included many ideas that became formative for these contemporary environmental writers and activists.
Drawing on ecocriticism, environmental history, landscape architecture, and recent work in environmental justice and food studies, Emmett explores how the language of environmental justice emerged in descriptions of gardening across a variety of literary forms. He reveals early egalitarian associations found in garden writing, despite a popular focus on elite sites such as suburban lawns and formal southern gardens. Cultivating Environmental Justice emphasizes the intergenerational work of gardeners and garden writers who, from the 1930s on, asserted increasingly radical socioeconomic and ecological claims to justice. Emmett considers a wide range of texts by authors including Bernard M'Mahon, Scott and Helen Nearing, Katharine S. White, Elizabeth Lawrence, Alice Walker, and Novella Carpenter.
Drawing on ecocriticism, environmental history, landscape architecture, and recent work in environmental justice and food studies, Emmett explores how the language of environmental justice emerged in descriptions of gardening across a variety of literary forms. He reveals early egalitarian associations found in garden writing, despite a popular focus on elite sites such as suburban lawns and formal southern gardens. Cultivating Environmental Justice emphasizes the intergenerational work of gardeners and garden writers who, from the 1930s on, asserted increasingly radical socioeconomic and ecological claims to justice. Emmett considers a wide range of texts by authors including Bernard M'Mahon, Scott and Helen Nearing, Katharine S. White, Elizabeth Lawrence, Alice Walker, and Novella Carpenter.
[more]
A Cultural Arsenal for Democracy
The World War II Work of US Museums
Clarissa J. Ceglio
University of Massachusetts Press, 2022
"Does it seem strange to think of a museum as a weapon in national defense?" asked John Hay Whitney, president of the Museum of Modern Art, in June 1941. As the United States entered the Second World War in the months to follow, this idea seemed far from strange to museums. Working to strike the right balance between education and patriotism, and hoping to attain greater relevance, many American museums saw engagement with wartime concerns as consistent with their vision of the museum as a social instrument.
Unsurprisingly, exhibitions served as the primary vehicle through which museums, large and small, engaged their publics with wartime topics with fare ranging from displays on the cultures of Allied nations to "living maps" that charted troop movements and exhibits on war preparedness. Clarissa J. Ceglio chronicles debates, experiments, and collaborations from the 1930s to the immediate postwar years, investigating how museums re-envisioned the exhibition as a narrative medium and attempted to reconcile their mission with new modes of storytelling.
Unsurprisingly, exhibitions served as the primary vehicle through which museums, large and small, engaged their publics with wartime topics with fare ranging from displays on the cultures of Allied nations to "living maps" that charted troop movements and exhibits on war preparedness. Clarissa J. Ceglio chronicles debates, experiments, and collaborations from the 1930s to the immediate postwar years, investigating how museums re-envisioned the exhibition as a narrative medium and attempted to reconcile their mission with new modes of storytelling.
[more]
Cultural Considerations
Essays on Readers, Writers, and Musicians in Postwar America
Joan Shelley Rubin
University of Massachusetts Press, 2013
A highly regarded scholar in the fields of American cultural history and print culture, Joan Shelley Rubin is best known for her writings on the values, assumptions, and anxieties that have shaped American life, as reflected in both "high" culture and the experiences of ordinary people. In this volume, she continues that work by exploring processes of mediation that texts undergo as they pass from producers to audiences, while elucidating as well the shifting, contingent nature of cultural hierarchy.
Focusing on aspects of American literary and musical culture in the decades after World War II, Rubin examines the contests between critics and their readers over the authority to make aesthetic judgments; the effort of academics to extend the university outward by bringing the humanities to a wide public; the politics of setting poetic texts to music; the role of ideology in the practice of commissioning and performing choral works; and the uses of reading in the service of both individualism and community. Specific topics include the 1957 attack by the critic John Ciardi on the poetry of Anne Morrow Lindbergh in the Saturday Review; the radio broadcasts of the classicist Gilbert Highet; Dwight Macdonald's vitriolic depiction of the novelist James Gould Cozzens as a pernicious middlebrow; the composition and reception of Howard Hanson's "Song of Democracy"; the varied career of musician Gunther Schuller; the liberal humanism of America's foremost twentieth-century choral conductor, Robert Shaw; and the place of books in the student and women's movements of the 1960s.
What unites these essays is the author's ongoing concern with cultural boundaries, mediation, and ideology--and the contradictions they frequently entail.
Focusing on aspects of American literary and musical culture in the decades after World War II, Rubin examines the contests between critics and their readers over the authority to make aesthetic judgments; the effort of academics to extend the university outward by bringing the humanities to a wide public; the politics of setting poetic texts to music; the role of ideology in the practice of commissioning and performing choral works; and the uses of reading in the service of both individualism and community. Specific topics include the 1957 attack by the critic John Ciardi on the poetry of Anne Morrow Lindbergh in the Saturday Review; the radio broadcasts of the classicist Gilbert Highet; Dwight Macdonald's vitriolic depiction of the novelist James Gould Cozzens as a pernicious middlebrow; the composition and reception of Howard Hanson's "Song of Democracy"; the varied career of musician Gunther Schuller; the liberal humanism of America's foremost twentieth-century choral conductor, Robert Shaw; and the place of books in the student and women's movements of the 1960s.
What unites these essays is the author's ongoing concern with cultural boundaries, mediation, and ideology--and the contradictions they frequently entail.
[more]
Cultural Semantics
Keywords of Our Time
Martin Jay
University of Massachusetts Press, 1998
A selection of Martin Jay's recent writings on contemporary thought and culture, this is a book about ideas that matter—and about why ideas matter. Borrowing from Flaubert's notion of a dictionary of "received ideas" and Raymond Williams's explorations of the "keywords" of the modern age, Jay investigates some of the central concepts by which we currently organize our thoughts and lives. His topics range from "theory" and "experience" to the meaning of "multiculturalism" and the dynamics of cultural "subversion." Among the thinkers he engages are Bataille and Foucault, Adorno and Lacoue-Labarthe, Walter Benjamin, Christa Wolf, and Jean-François Lyotard.
By looking closely at what "words do and perform," Jay makes us aware of the extent to which the language we use mediates and shapes our experience. By helping to distance us from much that we now take for granted, he makes it difficult for us to remain comfortably certain about what we think we know.
Elegantly written and richly insightful, this is a work of cultural criticism and intellectual analysis of the first order.
By looking closely at what "words do and perform," Jay makes us aware of the extent to which the language we use mediates and shapes our experience. By helping to distance us from much that we now take for granted, he makes it difficult for us to remain comfortably certain about what we think we know.
Elegantly written and richly insightful, this is a work of cultural criticism and intellectual analysis of the first order.
[more]
The Culture and Sport of Skiing
From Antiquity to World War ll
E. John B. Allen
University of Massachusetts Press, 2007
A comprehensive history of skiing from its earliest origins to the outbreak of World War II, this book traces the transformation of what for centuries remained an exclusively utilitarian practice into the exhilarating modern sport we know today. E. John B. Allen places particular emphasis on the impact of culture on the development of skiing, from the influence of Norwegian nationalism to the role of the military in countries as far removed as Austria, India, and Japan. Although the focus is on Europe, Allen's analysis ranges all over the snow-covered world, from Algeria to China to Zakopane. He also discusses the participation of women and children in what for much of its history remained a male-dominated sport.
Of all the individuals who contributed to the modernization of skiing before World War II, Allen identifies three who were especially influential: Fridtjof Nansen of Norway, whose explorations on skis paradoxically inspired the idea of skiing as sport; Arnold Lunn of England, whose invention of downhill skiing and the slalom were foundations of the sport's globalization; and Hannes Schneider, whose teachings introduced both speed and safety into the sport.
Underscoring the extent to which ancient ways persisted despite modernization, the book ends with the Russo-Finnish War, a conflict in which the Finns, using equipment that would have been familiar a thousand years before, were able to maneuver in snow that had brought the mechanized Soviet army to a halt.
More than fifty images not only illustrate this rich history but provide further opportunity for analysis of its cultural significance.
Of all the individuals who contributed to the modernization of skiing before World War II, Allen identifies three who were especially influential: Fridtjof Nansen of Norway, whose explorations on skis paradoxically inspired the idea of skiing as sport; Arnold Lunn of England, whose invention of downhill skiing and the slalom were foundations of the sport's globalization; and Hannes Schneider, whose teachings introduced both speed and safety into the sport.
Underscoring the extent to which ancient ways persisted despite modernization, the book ends with the Russo-Finnish War, a conflict in which the Finns, using equipment that would have been familiar a thousand years before, were able to maneuver in snow that had brought the mechanized Soviet army to a halt.
More than fifty images not only illustrate this rich history but provide further opportunity for analysis of its cultural significance.
[more]
Culture Club
The Curious History of the Boston Athenaeum
Katherine Wolff
University of Massachusetts Press, 2009
Founded in 1807, the successor to a literary club called the Anthology Society, the Boston Athenaeum occupies an important place in the early history of American intellectual life. At first a repository for books, to which works of art were later added, the Athenaeum attracted over time a following that included such literary luminaries as Ralph Waldo Emerson and Henry James.
Yet from the outset, Katherine Wolff shows, the Boston Athenaeum was more than a library; it was also a breeding ground for evolving notions of cultural authority and American identity. Though governed by the Boston elite, who promoted it as a way of strengthening their own clout in the city, the early Athenaeum reflected conflicting and at times contradictory aims and motives on the part of its membership. On the one hand, by drawing on European aesthetic models to reinforce an exalted sense of mission, Athenaeum leaders sought to establish themselves as guardians of a nascent American culture. On the other, they struggled to balance their goals with their concerns about an increasingly democratic urban populace. As the Boston Athenaeum opened its doors to women as well as men outside its inner circle, it eventually began to define itself against a more accessible literary institution, the Boston Public Library.
Told through a series of provocative episodes and generously illustrated, Culture Club offers a more complete picture than previously available of the cultural politics behind the making of a quintessentially American institution.
Yet from the outset, Katherine Wolff shows, the Boston Athenaeum was more than a library; it was also a breeding ground for evolving notions of cultural authority and American identity. Though governed by the Boston elite, who promoted it as a way of strengthening their own clout in the city, the early Athenaeum reflected conflicting and at times contradictory aims and motives on the part of its membership. On the one hand, by drawing on European aesthetic models to reinforce an exalted sense of mission, Athenaeum leaders sought to establish themselves as guardians of a nascent American culture. On the other, they struggled to balance their goals with their concerns about an increasingly democratic urban populace. As the Boston Athenaeum opened its doors to women as well as men outside its inner circle, it eventually began to define itself against a more accessible literary institution, the Boston Public Library.
Told through a series of provocative episodes and generously illustrated, Culture Club offers a more complete picture than previously available of the cultural politics behind the making of a quintessentially American institution.
[more]
The Culture of Inequality
Michael Lewis
University of Massachusetts Press, 1993
We are currently updating our website and have not yet posted complete information for this title. Many of our books are in the Google preview program, which allows readers to view up to 20% of the book. If this title is active in the program, you will find the Google Preview button in the sidebar below.
[more]
Cultures of Print
Essays in the History of the Book
David D. Hall
University of Massachusetts Press, 1996
How did people in early America understand the authority of print and how was this authority sustained and contested? These questions are at the heart of this set of pathbreaking essays in the history of the book by one of America's leading practitioners in this interdisciplinary field.
David D. Hall examines the interchange between popular and learned cultures and the practices of reading and writing. His writings deal with change and continuity, exploring the possibility of a reading revolution and arguing for the long duration of a Protestant vernacular tradition. A newly written essay on book culture in the early Chesapeake describes a system of scribal publication. The pieces reflect Hall's belief that the better we understand the production and consumption of books, the closer we come to a social history of culture.
David D. Hall examines the interchange between popular and learned cultures and the practices of reading and writing. His writings deal with change and continuity, exploring the possibility of a reading revolution and arguing for the long duration of a Protestant vernacular tradition. A newly written essay on book culture in the early Chesapeake describes a system of scribal publication. The pieces reflect Hall's belief that the better we understand the production and consumption of books, the closer we come to a social history of culture.
[more]
A Curious Land
Stories from Home
Susan Muaddi Darraj
University of Massachusetts Press, 2016
Winner of the 2016 American Book Award, the 2016 Arab American Book Award, and the 2014 Grace Paley Prize in Short Fiction
Susan Muaddi Darraj's short story collection about the inhabitants of a Palestinian West Bank village, Tel al-Hilou, spans generations and continents to explore ideas of memory, belonging, connection, and, ultimately, the deepest and richest meaning of home. A Curious Land gives voice to the experiences of Palestinians in the last century.
An excerpt from A Curious Land:
When Rabab lowered the magad and clapped-clapped to the well in her mother's too-big slippers, the stone jar digging into her shoulder, she didn't, at first, see the body. The morning sun glazed everything around her—the cement homes, the iron rails along one wall, the bars on the windows, the stones around the well—and made her squint her itchy eyes.
She was hungry. That was all.
They'd arrived here only last night, stopping as soon as Awwad and the men were sure the army had moved south. It must have been the third time in just a few weeks—collapse the tents, load the mules, disappear into the sands. She hoped this war would end soon, and she didn't really care who won, as long as it ended because they hadn't eaten well in two years. In the past few months, her mother had sold all her gold, except for her bracelet made of liras. It was the only thing left, and she was holding onto it, and Rabab realized, so were they all; she imagined that, the day it was sold, when her mother's wrist was bare, would signal that they were at the end.
Susan Muaddi Darraj's short story collection about the inhabitants of a Palestinian West Bank village, Tel al-Hilou, spans generations and continents to explore ideas of memory, belonging, connection, and, ultimately, the deepest and richest meaning of home. A Curious Land gives voice to the experiences of Palestinians in the last century.
An excerpt from A Curious Land:
When Rabab lowered the magad and clapped-clapped to the well in her mother's too-big slippers, the stone jar digging into her shoulder, she didn't, at first, see the body. The morning sun glazed everything around her—the cement homes, the iron rails along one wall, the bars on the windows, the stones around the well—and made her squint her itchy eyes.
She was hungry. That was all.
They'd arrived here only last night, stopping as soon as Awwad and the men were sure the army had moved south. It must have been the third time in just a few weeks—collapse the tents, load the mules, disappear into the sands. She hoped this war would end soon, and she didn't really care who won, as long as it ended because they hadn't eaten well in two years. In the past few months, her mother had sold all her gold, except for her bracelet made of liras. It was the only thing left, and she was holding onto it, and Rabab realized, so were they all; she imagined that, the day it was sold, when her mother's wrist was bare, would signal that they were at the end.
[more]
Cutting and the Pedagogy of Self-Disclosure
Jeffrey Berman
University of Massachusetts Press, 2007
Cutting, a form of self-mutilation, is a growing problem in the United States, especially among adolescent females. It is regarded as self-destructive behavior, yet paradoxically, people who cut themselves generally do not wish to die but to find relief from unbearable psychological pain.
Cutting and the Pedagogy of Self-Disclosure is the first book to explore how college students write about their experiences as cutters. The idea behind the book arose when Patricia Hatch Wallace, a high school English teacher, wrote a reader-response diary for a graduate course taught by Professor Jeffrey Berman in which she revealed for the first time that she had cut herself twenty years earlier. At Berman's suggestion, Wallace wrote her Master's thesis on cutting. Not long after she finished her thesis, two students in Berman's expository writing course revealed their own experiences as cutters. Their disclosures encouraged several students in another writing class to share their own cutting stories with classmates. Realizing that so many students were writing about the same phenomenon, Berman and Wallace decided to write a book about a subject that is rarely discussed inside or outside the classroom.
In Part 1, Wallace discusses clinical and theoretical aspects of cutting and then applies these insights to several memoirs and novels, including Susanna Kaysen's Girl, Interrupted, Caroline Kettlewell's Skin Game, and Patricia McCormick's Cut. The motivation behind Wallace's research was the desire to learn more about herself, and she reads these stories through her own experience as a cutter. In Part 2, Berman focuses on the pedagogical dynamics of cutting: how undergraduate students write about cutting, how their writings affect classmates and teachers, and how students who cut themselves can educate everyone in the classroom about a problem that has personal, psychological, cultural, and educational significance.
Cutting and the Pedagogy of Self-Disclosure is the first book to explore how college students write about their experiences as cutters. The idea behind the book arose when Patricia Hatch Wallace, a high school English teacher, wrote a reader-response diary for a graduate course taught by Professor Jeffrey Berman in which she revealed for the first time that she had cut herself twenty years earlier. At Berman's suggestion, Wallace wrote her Master's thesis on cutting. Not long after she finished her thesis, two students in Berman's expository writing course revealed their own experiences as cutters. Their disclosures encouraged several students in another writing class to share their own cutting stories with classmates. Realizing that so many students were writing about the same phenomenon, Berman and Wallace decided to write a book about a subject that is rarely discussed inside or outside the classroom.
In Part 1, Wallace discusses clinical and theoretical aspects of cutting and then applies these insights to several memoirs and novels, including Susanna Kaysen's Girl, Interrupted, Caroline Kettlewell's Skin Game, and Patricia McCormick's Cut. The motivation behind Wallace's research was the desire to learn more about herself, and she reads these stories through her own experience as a cutter. In Part 2, Berman focuses on the pedagogical dynamics of cutting: how undergraduate students write about cutting, how their writings affect classmates and teachers, and how students who cut themselves can educate everyone in the classroom about a problem that has personal, psychological, cultural, and educational significance.
[more]
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press