This ranging epistolary novel follows Julia Grenville, a Welsh beauty who knows little of the world until her marriage to the older Lord Stanley. Through Julia’s letters to her sister, readers learn more of Julia’s new life in London—her unfaithful husband, her miscarriage, her disillusionment with the city and its fashions. Other letters reveal that Julia has a longtime admirer, Harry Woodley, from her former life, as well as a mysterious guardian angel: her Sylph. This character guides Julia away from the depravities of her life in London, including her gambling problem. The Sylph is also another sympathetic ear to Julia’s increasing marital dissatisfaction and growing affinity for another man, the Baron Ton-hausen. As Julia nearly falls prey to the overzealous admirations of one of her husband’s associates, her husband is consumed by gambling debts to that same associate. She is shocked to discover the depths of her husband’s ruin and plans to flee to Wales before she too can be claimed in payment. Her disgraced husband takes the ultimate way out and Julia goes home to her father and sister in Wales. Her Sylph is not far behind, however, and soon reveals himself to Julia to be more than she could have ever imagined.
Originally published in 1966, this pivotal work of Mikel Dufrenne revises Kant’s notion of a priori, a concept previously given insufficient attention by philosophers, to realize a rich understanding that finally does justice to one of Kant’s most troubling cruxes. Following the Husserlian analytics of phenomenology, Dufrenne postulates a dualistic conception of the a priori as a structure that expresses itself outside the human subject, but also as a virtual knowledge that points to a philosophy of immediate apprehension or feeling. A friend of Paul Ricoeur, with whom he was detained as a prisoner of war during World War II, Dufrenne’s work until now has been sorely overlooked by American philosophers.
Charles Gates Dawes: A Life is the first comprehensive biography of an American in whose fascinating story contemporary readers can follow the struggles and triumphs of early twentieth-century America and Europe.
Dawes is most known today as vice president of the United States under Calvin Coolidge, but he also distinguished himself and his hometown of Evanston, Illinois, on the world stage with the 1925 Nobel Peace Prize. This engrossing biography traces how, when the punitive armistice that ended the First World War resulted in a disabled, restive Germany, Dawes’s diplomatic legerdemain averted war through a renegotiation of Germany’s debt repayments.
Dawes’s diplomatic and political achievements, however, were only the illustrious capstones to a multifaceted career that included military service, law, finance, and business on the local, state, national, and global stages. In every arena of his life, he combined the social graces of the Gilded Age with the spirit of service of the Progressive Era.
Despite his life of disciplined service, Dawes was an ebullient and irrepressible figure. Dawes’s salty language was often colorful fodder for tabloid and magazine writers of his era. In this captivating biography, Annette B. Dunlap recounts the story of an original American who enlightened and enlivened his world.
This book was published in cooperation with the Evanston History Center and with generous support from the Tawani Foundation.
The first extensive examination of Stein's notebooks, manuscripts and letters, prepared over a period of twenty years, Gertrude Stein: The Language That Rises asks new questions and explores new ways of reading Stein. This definitive study give us a finely detailed, deeply felt understanding of Stein, the great modernist, throughout one of her most productive periods. From "An Elucidation" in 1923 to Lectures In America in 1934, Ulla E. Dydo examines the process of the making and remaking of Stein's texts as they move from notepad to notebook to manuscript, from an idea to the ultimate refinement of the author's intentions. The result is an unprecedented view of the development of Stein's work, word by word, text by text, and over time.
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