A SCHOLARLY BOOK REPOSITORY308 start with P start with P
Given their tendency to splinter over tactics and goals, social movements are rarely unified. Following the modern Western animal rights movement over thirty years, Corey Lee Wrennapplies the sociological theory of Bourdieu, Goffman, Weber, and contemporary social movement researchers to examine structural conditions in the animal rights movement, facilitating factionalism in today’s era of professionalized advocacy.
Modern social movements are dominated by bureaucratically oriented nonprofits, a special arrangement that creates tension between activists and movement elites who compete for success in a corporate political arena. Piecemeal Protest examines the impact of nonprofitization on factionalism and a movement’s ability to mobilize, resonate, and succeed. Wrenn’sexhaustive analysis of archival movement literature and exclusive interviews with movement leaders illustrate how entities with greater symbolic capital are positioned to monopolize claims-making, disempower competitors, and replicate hegemonic power, eroding democratic access to dialogue and decision-making essential for movement health.
Piecemeal Protest examines social movement behavior shaped by capitalist ideologies and state interests. As power concentrates to the disadvantage of marginalized factions in the modern social movement arena, Piecemeal Protest shines light on processes of factionalism and considers how, in the age of nonprofits, intra-movement inequality could stifle social progress.
The long awaited new edition of a classic offers memories, myths, and meanings of the largest contiguous piece of wild land in Michigan's Lower Peninsula.
This updated edition explores more deeply why and how the outdoors moves and compels us. It’s a book about mice who sing, elk who wear collars, deer who kiss, and birds who could dictate their compositions to Mozart. It's about the human species interacting in generous and sometimes misguided ways with the rest of life. It's about men trying to ripen pinecones into pineapples and women taking better aim with a revolver than expected. It's about poetry—from Mary Oliver, Lao Tzu, and Theodore Roethke—and seeing hawks dive in a night sky or feeling oil geologists shake the earth below. It's about finding fish dead in the river by the thousands and crouching behind a stump to watch beaver build a dwelling. While this book considers life beyond the boundaries of Pigeon River Country, it is steeped in the specifics of a place that lives mostly on its own, instead of human, terms.
The Pigeon River Country is a remote northern forest, ecologically distinct from most of the United States. Laced with waterways, it has a storied past. Dale Clarke Franz has collected personal accounts from various people intrigued with the Pigeon River Country—including loggers, conservationists, mill workers, campers, even the young Ernest Hemingway, who said he loved the forest "better than anything in the world." There are comprehensive discussions of the area's flora and fauna, guides to trails and camping sites, and photos showcasing the changing face of this hidden national treasure.
Pastoral poetry highlights the didactic relationship of older and younger shepherds, whether as rivals or as patron and successor. As such it is an ideal form for young poets' self-representation vis-à-vis their elders, whose work they simultaneously appropriated and transformed, even as the elder poets were represented in the new texts. This influence is reenacted in every generation: Theocritus vs. his Alexandrian forebears, Vergil vs. Theocritus, Calpurnius vs. Vergil, Nemesianus vs. Vergil and Calpurnius, Petrarch vs. Vergil, Boccaccio vs. Petrarch, Spenser vs. Vergil, along with Chaucer and Milton vs. Spenser.
The Pipes of Pan combines multiple strands of contemporary intertextual theory with reception aesthetics and Harold Bloom's theory of intersubjective conflict between generations of poets. It also provides one of the first systematic studies of intertextual and intersubjective dynamics within a whole genre.
This work will be of interest to classicists, students of literary theory, comparative literature, medieval and Renaissance literature, Italian humanism, and English literature of the sixteenth and seventeenth centuries. All texts are translated.
Thomas Hubbard is Associate Professor of Classics, University of Texas at Austin.
This book fills a glaring gap in existing poetry scholarship by focusing exclusively on writers of color, and particularly on Latino poetry. González makes important observations about the relevance, urgency, and exquisite craft of the work coming from writers who represent marginalized communities. His insightful connections between the Latino, African American, Asian American, and Native American literatures persuasively position them as a collective movement critiquing, challenging, and reorienting the direction of American poetry with their nuanced and politicized verse. González’s inclusive vision covers a wide landscape of writers, opening literary doors for sexual and ethnic minorities.
In this richly textured multidisciplinary work, Steven Mullaney examines the cultural situation of popular drama in Elizabethan and Jacobean England. Relying upon a dynamic model of cultural production, Mullaney defines an original and historically grounded perspective on the emergence of popular theater and illustrates the critical, revisionary role it played in the symbolic economy of Renaissance England.
Combining literary, historical, and broadly conceived cultural analysis, he investigates, among other topics, the period's exhaustive "rehearsal" of other cultures and its discomfiting apprehensions of the self; the politics of vanished forums for ideological production such as the wonder-cabinet and the leprosarium; the cultural poetics of royal entries; and the incontinent, uncanny language of treason. As Mullaney demonstrates, Shakespearean drama relied upon and embodied the marginal license of the popular stage and, as a result, provides us with powerful readings of the shifting bases of power, license, and theatricality in Elizabethan and Jacobean England.
"A major study, not merely of selected Shakespearean plays but of the very conditions of the possibility of Renaissance drama." --Louis Montrose, University of California, San Diego
"Mullaney's rich and engaged reading of the place of Shakespeare's stage represents the texture of early modern life and its cultural productions in the vivid tradition of annales history and brilliantly exemplifies his theoretical call for a poetics of culture." -- Shakespeare Quarterly
"Mullaney marshals an impressive range of cultural representations which, taken together, will undoubtedly force a reconsideration of the semiotics of the Elizabethan stage." --Times Higher Education Supplement
". . . something of a dramatic feat in cultural studies: literary critic Mullaney calls in a cast ranging from Clifford Geertz and Pierre Bourdieu to Raymond Williams, Mary Douglas, and Michel Foucault." --Contemporary Sociology
Steven Mullaney is Associate Professor of English at the University of Michigan.
—Radd Ehrman, Kent State University
"Play Redux excels in tying together intellectual traditions that are rooted in literary studies, cognitive science, play studies and several other fields, thereby creating a logical whole. Through this, the book makes service to several academic communities by pointing out their points of contact. This is clearly an important contribution to a growing academic field, and will no doubt become important in many future discussions about digital games and play."
---Frans Mäyrä, University of Tampere, Finland
"David Myers has researched video games longer than anyone else. Play Redux shows him continually relevant, never afraid of courting controversy."
---Jesper Juul, IT University of Copenhagen, Denmark
Play Redux is an ambitious description and critical analysis of the aesthetic pleasures of video game play, drawing on early twentieth-century formalist theory and models of literature. Employing a concept of biological naturalism grounded in cognitive theory, Myers argues for a clear delineation between the aesthetics of play and the aesthetics of texts. In the course of this study, Myers asks a number of interesting questions: What are the mechanics of human play as exhibited in computer games? Can these mechanisms be modeled? What is the evolutionary function of cognitive play, and is it, on the whole, a good thing? Intended as a provocative corrective to the currently ascendant, if not dominant, cultural and ethnographic approach to game studies and play, Play Redux will generate interest among scholars of communications, new media, and film.
David Myers is Reverend Aloysius B. Goodspeed Distinguished Professor at the School of Mass Communication, Loyola University New Orleans.
Hardworking actor, playwright, and stage manager Harry Watkins (1825–94) was also a prolific diarist. For fifteen years Watkins regularly recorded the plays he saw, the roles he performed, the books he read, and his impressions of current events. Performing across the U.S., Watkins collaborated with preeminent performers and producers, recording his successes and failures as well as his encounters with celebrities such as P. T. Barnum, Junius Brutus Booth, Edwin Forrest, Anna Cora Mowatt, and Lucy Stone. His is the only known diary of substantial length and scope written by a U.S. actor before the Civil War—making Watkins, essentially, the antebellum equivalent of Samuel Pepys. Theater historians Amy E. Hughes and Naomi J. Stubbs have selected, edited, and annotated excerpts from the diary in an edition that offers a vivid glimpse of how ordinary people like Watkins lived, loved, struggled, and triumphed during one of the most tumultuous periods in U.S. history. The selections in A Player and a Gentleman are drawn from a more expansive digital archive of the complete diary. The book, like its digital counterpart, will richly enhance our knowledge of antebellum theater culture and daily life in the U.S. during this period.
Some incidents are famous. A great artist's mural is demolished because the rich man who commissioned it is offended by its political implications. One of America's most famous collections is closed to virtually every notable person in the art world, whose requests for visits produce only a postcard from the owner saying "go to Blazes." Scholars who seek access to the Dead Sea Scrolls, monopolized and secreted by a handful of individuals for nearly forty years, are dismissed as "slime," "fleas," "gang-snatchers," and "manure," and told, "You will not see these things in your lifetime."
Playing Darts with a Rembrandt explores abuses of ownership of cultural treasures in a wide range of settings, including material of historic and scientific interest, as well as art and antiquities. It examines the claims made on behalf of the public for preservation, protection, and access to important artifacts, balancing those claims against proprietary and privacy interests, and discusses the proper role of institutions such as museums and libraries that act as repositories. Acknowledging the complexities that sometimes arise (such as the claims of history against the desire of a great figure's family to withhold private letters), Playing Darts with a Rembrandt proposes a new species of qualified ownership: to own an object of great public importance is to become a "fortunate, if provisional, trustee, having no right to deprive others who value the objects as much as they do themselves."
The fascinating stories that comprise the bulk of the book, ranging from dinosaur excavations and the Dead Sea Scrolls to the fate of presidential papers and the secrets held by the Library of Congress, will be of interest to a wide range of general readers. The extensive discussion of collectors, and their role, should commend the book to those in the art world, as well as to those professionally associated with museums, libraries, and archives. While written in a readable and untechnical way, it should also be of interest to those in the legal community who are interested in the philosophical and theoretical underpinnings of our property system.
"Sax turns his attention from public rights to conserve land and water to protection of cultural treasures. As always, he sees both sides of the argument and comes to reasoned and wise conclusions, balancing private and public interests. His prose is lucid, and his examples are both instructive and entertaining. An invaluable book for anyone interested in the preservation of our cultural resources." --I. Michael Heyman, Secretary, Smithsonian Institution
Joseph L. Sax is Professor of Law, University of California, Berkeley. He was formerly the counselor to the Secretary of the Interior and Professor of Law, the University of Michigan Law School.
"Beautifully written and brilliantly argued, The Playing Fields of Eton takes us on a three-century tour of modern mental and physical life. We visit gymnasiums and dueling fields, murderball courts and Olympic venues, and while immersed in thought-provoking stories of people wrestling with the twin pursuit of equality and excellence, we find ourselves learning what it might mean to be modern. With equal measures of erudition and gentle humor, Mika LaVaque-Manty convincingly refutes the view that egalitarian progress forecloses possibilities for human excellence."
---Elisabeth Ellis, Texas A&M University
"A very insightful and clearly written philosophical inquiry into the nature of sport."
---Marion Smiley, Brandeis University
"A marvelously original analysis of the tensions---and interdependence---between equality and excellence in modern political life. From eighteenth-century dueling to contemporary doping in sports, LaVaque-Manty illuminates the bodily life of democracy at play, and challenges us to think in new ways about the connections between achievement and autonomy. The Playing Fields of Eton is an important book that pushes liberal and democratic theory in fruitful new directions."
---Sharon Krause, Brown University
Can equality and excellence coexist? If we assert that no person stands above the rest, can we encourage and acknowledge athletic, artistic, and intellectual achievements? Perhaps equality should merely mean equality of opportunity. But then how can society reconcile inherent differences between men and women, the strong and the weak, the able-bodied and the disabled?
In The Playing Fields of Eton, Mika LaVaque-Manty addresses questions that have troubled philosophers, reformers, and thoughtful citizens for more than two centuries. Drawing upon examples from the eighteenth-century debate over dueling as a gentleman's prerogative to recent controversies over athletes' use of performance-enhancing drugs, LaVaque-Manty shows that societies have repeatedly redefined equality and excellence. One constant remains, however: sports provide an arena for working out tensions between these two ideals.
Just as in sports where athletes are sorted by age, sex, and professional status, in modern democratic society excellence has meaning only in the context of comparisons among individuals who are, theoretically, equals. LaVaque-Manty's argument will engage philosophers, and his inviting prose and use of familiar illustrations will welcome nonphilosophers to join the conversation.
Mika LaVaque-Manty is Associate Professor of Political Science at the University of Michigan.
-William Coco
"At last---a book documenting the beginnings of Off-Off Broadway theater. Playing Underground is an insightful, illuminating, and honest appraisal of this important period in American theater."
-Rosalyn Drexler, author of Art Does (Not!) Exist and Occupational Hazard
"An epic movie of an epic movement, Playing Underground is a book the world has waited for without knowing it. How precisely it captures the evolution of our revolution! I am amazed by the book's scope and scale, and I bless its author especially for giving two greats, Paul Foster and H. M. Koutoukas, their proper, polar places, and for memorializing such unjustly forgotten masterpieces as Irene Fornes's Molly's Dream and Jeff Weiss's A Funny Walk Home. Stephen Bottoms's vivid evocation of the grand adventure of Off-Off Broadway has woken and broken my heart. It is difficult to believe that he was not there alongside me to breathe the caffeine-nicotine-alkaloid-steeped air."
-Robert Patrick, author of Kennedy's Children and Temple Slave
Few books address the legendary age of 1960s off-off Broadway theater. Fortunately, Stephen Bottoms fills that gap with Playing Underground---the first comprehensive history of the roots of off-off Broadway.
This is a theater whose legacy is still felt today: it was the launching pad for many leading contemporary theater artists, including Sam Shepard, Maria Irene Fornes, and others, and it was a pivotal influence on improv comedy and shows like Saturday Night Live.
Off-off Broadway groups such as the Living Theatre, La Mama, and Caffe Cino captured the spirit of nontraditional theater with their edgy, unscripted, boundary-crossing subjects. Yet, as Bottoms discovers, there is no one set of truths about off-off Broadway to uncover; the entire scene was always more a matter of competing perceptions than a singular, concrete reality.
No other author has managed to illuminate this shifting tableau as Bottoms does. Through interviews with dozens of the era's leading playwrights, performers, directors, and critics, he unearths a countercultural theater movement that was both influential and transforming-yet ephemeral and quintessentially of its moment.
Playing Underground will be a definitive work on the subject, offering a complete picture of an important but little-studied period in American theater.
Plays by French and Francophone Women presents eight recent plays by contemporary French and francophone women writers. The plays vary in style and form from the satirical to the poetic, from the comedic one-woman show to the potential multi-media esoteric production, and have been written by French, Qué becois, Acadian, and Caribbean francophone writers. The editors have provided informative headnotes to introduce each play, then faithful translations rendered with an ear toward production in English. A general introduction to the volume situates each work within the broader context of contemporary French-language theater by women. The volume also includes an annotated bibliography by Cynthia Running-Johnson of thirty-one additional plays by women in French.
Featured plays and playwrights are The Scent of Sulphur by S. Corinna Bille; When Fairies Thirst by Denise Boucher; Island Memories by Ina Césaire; Warmth: A Bloodsong by Chantal Chawaf; The Goddess Lar or Centuries of Women by Andrée Chedid; The Name of Oedipus: Song of the Forbidden Body by Hélène Cixous; The Table: Womenspeak by Michèle Foucher; and The Rabble by Antonine Maillet.
Pleasure Grounds of Death considers the history of the rural cemetery in the United States throughout the duration of the nineteenth century as not only a critical cultural institution embedded in the formation of community and national identities, but also as major sites of contest over matters of burial reform, taste and respectability, and public behavior; issues concerning race, class, and gender; conflicts over the burial of the Civil War dead and formation of postwar memory; and what constituted the most appropriate ways to structure the landscape of the dead in a modern and progressive society. As cultural landscapes that served the needs of the living as well as the dead, rural cemeteries offer a mirror for the transformations and conflicts taking place throughout the nineteenth century in American society.
Through a series of interrelated essays, The Pleasures of Exile explores the cultural politics and relationships created in the crucible of colonization. Drawing on Shakespeare’s The Tempest and C. L. R. James’s The Black Jacobins, as well as his own fiction and poetry, Lamming deftly locates the reader in a specific intellectual and cultural domain while conjuring a rich and varied spectrum of physical, intellectual, psychological, and cultural responses to colonialism. “My subject,” he writes, “is the migration of the West Indian writer, as colonial and exile, from his native kingdom, once inhabited by Caliban, to the tempestuous island of Prospero’s and his language. This book is a report on one man’s way of seeing.”
In the Cameroon grassfields, an area of high fertility, women hold a paradoxical fear of infertility. By combining symbolic, political-economic, and historical analyses, Pamela Feldman-Savelsberg traces the way reproductive threat is invoked in struggles over gender and ethnic identities. Women's fears of reproductive disorders, she finds, are an important mode of expression for their worries about much larger issues, such as rural poverty, brought about or exacerbated by political and economic changes in this century.
A lively case study of an infertile queen who flees the palace sets the stage for discussions of the ethnographic and historical setting, the symbolism of fertility and infertility, and the development and interaction of cosmopolitan and ethno-gynecologies. The book concludes with an analysis of the links between women's role in human reproduction and the divine king's role in social reproduction, both occurring in the rapidly changing context of a multiethnic African nation.
Plundered Kitchens, Empty Wombs underscores the relevance of medical anthropology to other anthropological specializations, as well as to epidemiologists, population specialists, and development planners. It should reach a broad audience in medical anthropology, public health, and women's studies.
Pamela Feldman-Savelsberg is Assistant Professor of Anthropology, Carleton College.
Friend to the Beats, organizer of the Six Gallery poetry reading in 1955, and iconoclastic poet extraordinare, Kenneth Rexroth here turns his imagination to a selection of verses from the Greek Anthology. In his lively style he successfully captures the spirit of the originals by such poets as Sappho, Anyte, Glykon, Antipatros, Leonidas, Askelpiades, and Ammianos. Students of the classics as well as poets and translators will welcome this collection for the insight and dexterity of its unconventional editor.
Kenneth Rexroth (1905-1982), poet, critic, and translator, is also noted for his translations from the Chinese and Japanese. Widely prolific, he helped usher in the Beat movement in the 1950s and is widely considered to have invented the idea of San Francisco as a center of literary innovation. David Mulroy is Associate Professor in the Department of Foreign Languages and Linguistics, University of Wisconsin, Milwaukee. He is the translator of Early Greek Lyric Poetry and Horace's Odes and Epodes.
In his masterful translation and accompanying notes, Dr. Else makes a special effort to achieve maximum clarity, while remaining faithful to the original. His constant aim is to provide -- for all readers -- a "way in" to Aristotle's processes of thinking about literature.
This important modern translation is made form the 1965 Oxford Classical Text edition of the Poetics by Rudolf Kassel and thus reflects the latest and most authoritative textual scholarship. Not only the translation but the valuable fund of commentary will delight anyone -- literary critic, philosopher, classicist, or general reader -- who want to learn what Aristotle really said.
Poetics of Dislocation sets the work of contemporary American poetry within the streams of migration that have made the nation what it is in the twenty-first century. There are few poets better qualified to muse on that context than Meena Alexander, who spent her life studying at prestigious institutions around the globe before settling in the United States to work on her acclaimed body of poetry.
Part of the University of Michigan Press's award-winning Poets on Poetry series, Poetics of Dislocation studies not only the personal creative process Alexander uses, but also the work of other prominent writers. Alexander discusses what it means to come to America as an adult to write poetry, and her place---and that of others---in the collection of cultures that makes up this country. She outlines the dilemmas that face modern immigrant poets, including how to make a place for oneself in a new society and how to write poetry in a time of violence worldwide.
In Poetics of Relation, Glissant turns the concrete particulars of Caribbean reality into a complex, energetic vision of a world in transformation. He sees the Antilles as enduring suffering imposed by history, yet as a place whose unique interactions will one day produce an emerging global consensus. Arguing that the writer alone can tap the unconscious of a people and apprehend its multiform culture to provide forms of memory capable of transcending "nonhistory," Glissant defines his "poetics of relation"--both aesthetic and political--as a transformative mode of history, capable of enunciating and making concrete a French-Caribbean reality with a self-defined past and future. Glissant's notions of identity as constructed in relation and not in isolation are germane not only to discussions of Caribbean creolization but also to our understanding of U.S. multiculturalism. In Glissant's view, we come to see that relation in all its senses--telling, listening, connecting, and the parallel consciousness of self and surroundings--is the key to transforming mentalities and reshaping societies.
This translation of Glissant's work preserves the resonating quality of his prose and makes the richness and ambiguities of his voice accessible to readers in English.
"The most important theoretician from the Caribbean writing today. . . . He is central not only to the burgeoning field of Caribbean studies, but also to the newly flourishing literary scene in the French West Indies." --Judith Graves Miller, University of Wisconsin, Madison
Édouard Glissant is Distinguished Professor of French at City University of New York, Graduate Center. Betsy Wing's recent translations include Lucie Aubrac's Outwitting the Gestapo (with Konrad Bieber), Didier Eribon's Michel Foucault and Hélêne Cixous's The Book of Promethea.
Engaging the works of critics such as Chandra Mohanty, Barbara Harlow, Claribel Alegria, Albie Sachs, and Audre Lorde, among others, Mary DeShazer reconceptualizes traditional notions of resistance and literature and the relationship between them. She argues that women’s voices have been underrepresented in previous analyses of Third World resistance poetry, and that when examined collectively, their work reveals overtly gendered concerns that distinguish it from that of their male counterparts.
DeShazer defines resistance as an active quest for justice and a means of collective empowerment. She looks at the diasporic consciousness of exiled and dislocated women, examines the tensions between claims of identity and claims of difference, and explores the ways in which gender and struggle connect women across nationalities and historical imperatives. Her analysis of Salvadoran and South African women’s poetry reveal the ways in which poetic conventions can be seen as “political declarations of privilege,” casting a new light on women’s resistance poetry in the United States.
Based on rich ethnographic work in Western and non-Western cultures, the essays represent distinct approaches to the topic, from one person's account of her interactions with a possessing spirit to another's world-spanning statement on prophetic poetics. Each contributor challenges easy assumptions that poetic texts are crafted works, products of skill rather than inspiration, while prophetic speech and writing are best understood as spontaneous performance rather than formal art.
As a whole the collection aims to reorient the anthropological study of possession and oracular experiences toward an awareness of the word, and to draw the attention of literary critics to "inspired" poetry. It will also appeal to readers in performance studies and comparative religion.
Contributors are Marjorie Mandelstam Balzer, James Fernandez, Paul Friedrich, John Leavitt, Dennis Tedlock, Margaret Trawick.
John Harold Leavitt is Professor of Anthropology, University of Montreal.
Wang Jingwei, poet and politician, patriot and traitor, has always been a figure of major academic and popular interest. Until now, his story has never been properly told, let alone critically investigated. The significance of his biography is evident from an ongoing war on cultural memory: modern mainland China prohibits serious academic research on wartime collaboration in general, and on Wang Jingwei in particular. At this critical juncture, when the recollection of World War II is fading from living memory and transforming into historical memory, this knowledge embargo will undoubtedly affect how China remembers its anti-fascist role in WWII. In Poetry, History, Memory: Wang Jingwei and China in Dark Times, Zhiyi Yang brings us a long overdue reexamination of Wang’s impact on cultural memory of WWII in China.
In this book, Yang brings disparate methodologies into a fruitful dialogue, including sophisticated methods of poetic interpretation. The author argues that Wang’s lyric poetry, as the public performance of a private voice, played a central role in constructing his political identity and heavily influenced the public’s posthumous memory of him. Drawing on archives (in the PRC, Taiwan, Japan, the USA, France, and Germany), memoires, historical journals, newspapers, interviews, and other scholarly works, this book offers the first biography of Wang that addresses his political, literary, and personal life in a critical light and with sympathetic impartiality.
Although critics have attested to the importance of the visual arts to literary modernists and have begun to explore the relationships between literary production and social institutions, before now no one has examined the particular institutions in which modernist poets found the artworks, specimens, and other artifacts that inspired their literary innovations. Catherine Paul's book offers the reader a fresh encounter with modernism that will interest literary and art historians, literary theorists, critics, and scholars in cultural studies and museum studies.
Catherine Paul is Associate Professor of English, Clemson University.
One chapter is devoted to Charles Bukowski, the celebrity face of the city’s poetry. Other chapters discuss the ways that poets explore “Interiors” and “Exteriors” throughout the cityscape. Goldstein also provides ample connections to the novels, films, art, and politics of Southern California. In clear prose, Poetry Los Angeles examines the strategies by which poets make significant places meaningful and memorable to readers of every region of the U.S. and elsewhere.
This volume is organized into ten sections, grouping the madrigals around themes such as the anguish of passion, the asymmetry of desire, the incursions of jealousy, and the possibility of mutual bliss. Nicholas R. Jones renders Guarini’s poetry into accessible contemporary English verse that nevertheless stays true to the substance and form of the original texts, reflecting their roots in the Petrarchan poetic tradition and displaying the emotion and musicality that made these lyrics so popular from the start. A substantive introduction provides cultural context for the madrigals and their musical settings; brief commentaries follow each translation to illuminate aspects of poetic and rhetorical craft. An extensive appendix lists the madrigal compositions that set these lyrics for vocal performance.
The book fills a major gap in the scholarship on Guarini’s literary legacy. It will appeal to scholars of literature, Renaissance studies, and musicology, early-music performers, and general readers interested in poetry and classical music.
"The great pleasure of this book is the writing itself. Not only is it free of academic and ‘lit-crit' jargon, it is lively prose, often deliciously witty or humorous, and utterly contemporary. Poetry's Afterlife has terrific classroom potential, from elementary school teachers seeking to inspire creativity in their students, to graduate students in MFA programs, to working poets who struggle with the aesthetic dilemmas Stein elucidates, and to teachers of poetry on any level."
--- Beckian Fritz Goldberg, Arizona State University
"Kevin Stein is the most astute poet-critic of his generation, and this is a crucial book, confronting the most vexing issues which poetry faces in a new century."
---David Wojahn, Virginia Commonwealth University
At a time when most commentators fixate on American poetry's supposed "death," Kevin Stein's Poetry's Afterlife instead proposes the vitality of its aesthetic hereafter. The essays of Poetry's Afterlife blend memoir, scholarship, and personal essay to survey the current poetry scene, trace how we arrived here, and suggest where poetry is headed in our increasingly digital culture. The result is a book both fetchingly insightful and accessible. Poetry's spirited afterlife has come despite, or perhaps because of, two decades of commentary diagnosing American poetry as moribund if not already deceased. With his 2003 appointment as Illinois Poet Laureate and his forays into public libraries and schools, Stein has discovered that poetry has not given up its literary ghost. For a fated art supposedly pushing up aesthetic daisies, poetry these days is up and about in the streets, schools, and universities, and online in new and compelling digital forms. It flourishes among the people in a lively if curious underground existence largely overlooked by national media. It's this second life, or better, Poetry's Afterlife, that his book examines and celebrates.
Kevin Stein is Caterpillar Professor of English and Director of the Creative Writing Program at Bradley University and has served as Illinois Poet Laureate since 2003, having assumed the position formerly held by Gwendolyn Brooks and Carl Sandburg. He is the author of numerous books of poetry and criticism.
digitalculturebooksis an imprint of the University of Michigan Press and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Visit the website at www.digitalculture.org.
Praise for Annie Finch
“A self-proclaimed ‘postmodern poetess,’ Annie Finch lives up to the moniker, presenting a simultaneously thorough and mercurial array of musings on poetics focusing on form and meter, remaining three beats ahead of the rank-and-file herd of traditional prosodists.”
—Art New England
For beginning or advanced students of poetry focused on the art of structuring a poem, A Poet’s Ear serves as a handbook to writing in numerous fixed forms. Here, Annie Finch’s remarkably in-depth introduction to poetic form in English opens a new and exciting world to contemporary poets. From the basic meters and traditional European forms of the ballad and the sonnet to poetic forms brought to English from worldwide cultures and postmodern forms and techniques, A Poet’s Ear serves as both a survey and a guide to the exploration of poetic form. More diverse and comprehensive than any other form handbook, A Poet’s Ear will be essential to the serious student of poetry.
A follow-up to the highly praised Poets Teaching Poets, Daniel Tobin and Pimone Triplett's Poet's Work, Poet's Play gathers together essays by some of the most important voices in contemporary poetry: Carl Dennis, Stephen Dobyns, Tony Hoagland, Heather McHugh, Ellen Bryant Voigt, Eleanor Wilner, Dean Young, and the late Larry Levis and Agha Shahid Ali.
Lively, accessible, and erudite, the pieces range from discussions on syntax and the syllable to an exploration of the complexities of canon formation under the shadow of imperialism, race, and history. Exploring the work of John Donne, William Butler Yeats, Robert Frost, Philip Larkin, Charles Olsen, Ezra Pound, Anne Carson, Robert Herrick, Harryette Mullen, and many others, Poet's Work, Poet's Play---like its predecessor volume---will be an invaluable tool for teachers, students, and poets at every level.
"Much more than a set of essays on poetic craft or aesthetic understandings, this collection takes on two of the most prevalent anxieties about writing poetry in our time: the place of subjectivity in poetry, and how to make a significant shape in language while both affirming and interrogating the poetic I's authority. This is a book for anyone who wants to write better poems, who wants to read with greater passion, and who believes that poetry is an independent category of human consciousness that can be as capaciousness as the world, and as nuanced."
---Tom Sleigh, author of Space Walk and Far Side of the Earth
"Gathering together essays by unquestionably important poets, Poet's Work, Poet's Play has immense pedagogical value in the way it demonstrates how to discover in poetry resources of language and structure often overlooked in first, and ensuing, readings of complex texts."
---Laurence Goldstein, Professor of English, University of Michigan, and Editor, Michigan Quarterly Review
"A valuable document illuminating critical aspects of the contemporary American poetry scene."
---John Koethe, Distinguished Professor of Philosophy at the University of Wisconsin, Milwaukee, and author of Sally's Hair: Poems
The collection covers a broad range of subjects and concerns that lie at the intersection of disability and the arts, including fetal alcohol syndrome, education, and identity; representations of disability in the visual arts and the complicated position of the disabled spectator; the impact of cancer on the patient and the caregiver; the similarities between beauty pageants and freak shows; Alzheimer's disease; prosthetic devices; the mechanized disabled body; disability and performance; and profiles of Helen Keller and Annie Sullivan, Christopher Reeve, Franklin Roosevelt, and sado-masochistic performance artist Bob Flanagan.
Points of Contact: Disability, Art, and Culture was originally published as a special double issue of the well regarded literary magazine, the Michigan Quarterly Review. Now available in a single, convenient paperback volume, its broad range of perspectives on disability and its entertaining and engaging selections will appeal to general readers, scholars, and students alike.
Susan Crutchfield is lecturer in English, University of Michigan. Marcy Epstein teaches literature at The Roeper School and women's studies at Henry Ford Community College.
Poker is an extraordinary worldwide phenomenon with major social, cultural, and political implications, and Poker: The Parody of Capitalism investigates the game of poker as a cultural expression of significance not unlike art, literature, film, or music. Tracing the history of poker and comparing the evolution of the game to the development of capitalism, Ole Bjerg complicates prevalent notions of “casino capitalism” and correspondingly facile and simplistic comparisons of late capitalism and poker. By employing Slavoj Žižek’s threefold distinction between imaginary-symbolic-real as a philosophical framework to analyze poker and to understand the basic strategies of the game, Bjerg explores the structural characteristics of poker in relation to other games, making a clear distinction between poker and other gambling games of pure chance such as roulette and craps. With its combination of social theory and empirical research, Poker offers an engaging exploration of a cultural trend.
"Poker is a theoretically sophisticated, highly original and innovative treatment of a contemporary social phenomenon, and contributes greatly to our understanding of the nature of contemporary capitalism."
—Charles Livingstone, Monash University Australia
Lesbian, gay, bisexual, and transgender people face the same family issues as their heterosexual counterparts, but that is only the beginning of their struggle. The LGBT community also encounters legal barriers to government recognition of their same-sex relationships and relationships to their own children. Policy Issues Affecting Lesbian, Gay, Bisexual, and Transgender Families addresses partner recognition, parenting, issues affecting children of LGBT parents, health care, discrimination, senior care and elder rights, and equal access to social services.
Sean Cahill and Sarah Tobias provide up-to-date, accurate analysis of the major policies affecting LGBT people, their same-sex partners, and their children. This valuable resource offers literature reviews of demographic research as well as original research based on the U.S. Census same-sex couple sample. It also provides a look at the 30-year history of right-wing anti-gay activism and the intra-community intellectual debates over the fight for marriage.
"The sheer diversity of gay people and opinion shines through Cahill and Tobias's fact-packed depiction of same-sex couples and their kids, their needs and day-to-day challenges, and the movement for fairness and the freedom to marry. The disparate personal stories and struggles in this informative book underscore the importance of ending discrimination in marriage and ensuring that no family is left behind."
—Evan Wolfson, Founder and Executive Director of the Freedom to Marry Project
"A concise, comprehensive guide to gay-family issues that combines an impassioned progressive sensibility with a firm respect for facts."
—Jonathan Rauch, senior writer and columnist for National Journal,Atlantic Monthly correspondent, and author of Gay Marriage: Why It Is Good for Gays, Good for Straights, and Good for America
"Cahill and Tobias offer readers a thorough and immensely readable guide to the legal problems faced by LGBT families."
—Ellen Andersen, Indiana University–Purdue University at Indianapolis
"For an account of policy issues that frame lesbian, gay, bisexual, and transgender (LGBT) family lives here in the United States, one need look no further. Sean Cahill and Sarah Tobias supply accurate and up-to-date information about the legal and policy contexts of LGBT lives across the country. This book is sure to be a valuable resource for students and scholars, as well as for others seeking to understand and challenge discrimination based on sexual orientation or gender identity."
—Charlotte J. Patterson, University of Virginia
Sean Cahill is Director of the National Gay and Lesbian Task Force Policy Institute.
Sarah Tobias is a feminist theorist and LGBT activist who earned her Ph.D. in Political Science from Columbia University. She has taught Political Theory at colleges in New York and New Jersey, and currently works as Senior Policy Analyst in the Democracy program at Demos, a New York City–based think tank.
Lesbian, gay, bisexual, and transgender people face the same family issues as their heterosexual counterparts, but that is only the beginning of their struggle. The LGBT community also encounters legal barriers to government recognition of their same-sex relationships and relationships to their own children. Policy Issues Affecting Lesbian, Gay, Bisexual, and Transgender Families addresses partner recognition, parenting, issues affecting children of LGBT parents, health care, discrimination, senior care and elder rights, and equal access to social services.
Sean Cahill and Sarah Tobias provide up-to-date, accurate analysis of the major policies affecting LGBT people, their same-sex partners, and their children. This valuable resource offers literature reviews of demographic research as well as original research based on the U.S. Census same-sex couple sample. It also provides a look at the 30-year history of right-wing anti-gay activism and the intra-community intellectual debates over the fight for marriage.
"The sheer diversity of gay people and opinion shines through Cahill and Tobias's fact-packed depiction of same-sex couples and their kids, their needs and day-to-day challenges, and the movement for fairness and the freedom to marry. The disparate personal stories and struggles in this informative book underscore the importance of ending discrimination in marriage and ensuring that no family is left behind."
—Evan Wolfson, Founder and Executive Director of the Freedom to Marry Project
"A concise, comprehensive guide to gay-family issues that combines an impassioned progressive sensibility with a firm respect for facts."
—Jonathan Rauch, senior writer and columnist for National Journal,Atlantic Monthly correspondent, and author of Gay Marriage: Why It Is Good for Gays, Good for Straights, and Good for America
"Cahill and Tobias offer readers a thorough and immensely readable guide to the legal problems faced by LGBT families."
—Ellen Andersen, Indiana University–Purdue University at Indianapolis
"For an account of policy issues that frame lesbian, gay, bisexual, and transgender (LGBT) family lives here in the United States, one need look no further. Sean Cahill and Sarah Tobias supply accurate and up-to-date information about the legal and policy contexts of LGBT lives across the country. This book is sure to be a valuable resource for students and scholars, as well as for others seeking to understand and challenge discrimination based on sexual orientation or gender identity."
—Charlotte J. Patterson, University of Virginia
Sean Cahill is Director of the National Gay and Lesbian Task Force Policy Institute.
Sarah Tobias is a feminist theorist and LGBT activist who earned her Ph.D. in Political Science from Columbia University. She has taught Political Theory at colleges in New York and New Jersey, and currently works as Senior Policy Analyst in the Democracy program at Demos, a New York City–based think tank.
The Roman writer Cornelius Nepos was a friend of Cicero and Catullus and other first-century BCE authors, and portions of his encyclopedic work On Famous Men are the earliest surviving biographies written in Latin. In The Political Biographies of Cornelius Nepos, Rex Stem presents Nepos as a valuable witness to the late Republican era, whose biographies share the exemplary republican political perspective of his contemporaries Cicero and Livy. Stem argues that Nepos created the genre of grouped political biographies in order to characterize renowned Mediterranean figures as role models for Roman leaders, and he shows how Nepos invested his biographies with moral and political arguments against tyranny.
This book, the first to regard Nepos as a serious thinker in his own right, also functions as a general introduction to Nepos, placing him in his cultural context. Stem examines Nepos' contributions to the growth of biography, and he defends Nepos from his critics at the same time that he lays out the political significance and literary innovation of Nepos' writings. Accessible to advanced undergraduates, this volume is addressed to a general audience of classicists and ancient historians, as well as those broadly interested in biography, historiography, and political thought.
From civically and politically engaged women linking their identity as “mothers” to their fight for prohibition, public sanitation, and protective labor laws to the general call to arms of “mama grizzlies” issued by Sarah Palin in 2010, American political activists and candidates have used motherhood to rally women’s interest, support, and participation throughout American history. Politicized motherhood persists, and motherhood continues to inspire women’s participation and direct their concerns.
In The Political Consequences of Motherhood, Jill S. Greenlee investigates the complex relationship between motherhood and women’s political attitudes. Combining a historical overview of the ways motherhood has been used for political purposes with recent political opinion surveys and individual-level analysis, she explains how and when motherhood shapes women’s thoughts and preferences. Greenlee argues that two mechanisms account for the durability of motherhood politics. First, women experience attitudinal shifts when they become mothers. Second, “mother” is a broad-based identity, widely shared and ideologically unconstrained, that lends itself to appeals across the political spectrum to build support for candidates and policy issues.
More than mere touts for the interests of Washington insiders, these groups encourage Congress to enact policies that are likely to succeed while avoiding those that have too great of a risk of failure. The surprising result is greater legislative efficiency. The Political Economy of Expertise illustrates that this system actually favors effective and informed decision making, thereby increasing the likelihood that new policies will benefit the American public.
The chapters that follow are grouped in three sections, corresponding to the three stages of peacemaking: reduction or management of regional conflict; peacemaking or progress toward a peace treaty; and maintenance of bilateral peace and the regionalization of the peace settlement. In each chapter, the contributors consider the five key questions from a variety of methodological, historical, cultural, and empirical perspectives, drawing data from the Pacific, the Middle East, Europe, Asia, and Latin America. The conclusion expands on several themes found in the chapters and proposes an agenda for future research.
Each chapter synopsizes a major area of political persuasion and provides an update on the latest findings as well as overviews of past research in each area. Whole sections of the book center on the three major agents involved in the political persuasion process: the mass media, political elites, and individual citizens themselves.
Political Persuasion and Attitude Change boldly contradicts the received wisdom on the extent of mass media's influence on political attitudes and argues that the media's effects are indeed massive, rather than limited. It explores the impact of political elites on the persuasion process, and focuses on individual control over the persuasion process.
This volume is unique in that chapters address theoretical as well as methodological issues, simultaneously combining reviews of literature with the latest research findings. It will appeal to scholars and students interested in the study of political persuasion in contemporary politics across the disciplines of political science, psychology, sociology, and communications.
Part I. Mass Media and Political Persuasion. Contributors are Steven Ansolabehere and Shanto Iyengar; Joanne M. Miller and Jon A. Krosnick; and John Zaller.
Part II. Persuasion by Political Elites. Contributors are James H. Kuklinski and Norman L. Hurley; Kathleen M. McGraw and Clark Hubbard; Lee Sigelman and Alan Rosenblatt.
Part III. Individual Control of the Political Persuasion Process. Contributors are Steven H. Chaffee and Rajiv Rimal; Dennis Chong; Gregory Andrade Diamond and Michael D. Cobb; Jeffrey Mondak, Diana C. Mutz, and Robert Huckfeldt.
Diana C. Mutz is Associate Professor of Political Science and Mass Communications, University of Wisconsin, Madison. Paul M. Sniderman is Professor of Political Science, Stanford University. Richard A. Brody is Professor Emeritus of Political Science and Communications, Stanford University.
In the wake of September 11, the American public has been besieged with claims that politics is driven by personality. Saddam Hussein, Osama bin Laden, Kim Chong-Il, Ayatollah Khameinei-America's political rogues' gallery is populated by individuals whose need for recognition supposedly drives their actions on the world stage. How does personality actually drive politics? And how is personality, in turn, formed by political environment? Political Psychology in International Relations provides students and scholars with the analytical tools they need to answer these pressing questions, and to assess their implications for policy in a real and sometimes dangerous world.
It is often thought that small party survival or failure is a result of institutional constraints, the behavior of large parties, and the choices of individual politicians. Jae-Jae Spoon, in contrast, argues that the decisions made by small parties themselves determine their ability to balance the dual goals of remaining true to their ideals while maximizing their vote and seat shares, thereby enabling them to survive even in adverse electoral systems.
Spoon employs a mixed-methods approach in order to explore the policy, electoral, and communication strategies of West European Green Parties from 1980 to the present. She combines cross-national data on these parties with in-depth comparative case studies of two New Politics parties, the French and British Green Parties, that have survived in similar national-level plurality electoral systems. Both of these parties have developed as organizations which run candidates in elections at the local, national, and European levels in their respective countries. The parties’ survival, Spoon asserts, results from their ability to balance their competing electoral, policy, and communication goals.
In 1862, in the only instance of a Jewish expulsion in America, General Ulysses S. Grant banished Jewish citizens from the region under his military command. Although the order was quickly revoked by President Lincoln, it represented growing anti-Semitism in America. Convinced that assimilation was their best defense, Jews sought to Americanize by shedding distinctive dress, occupations, and religious rituals.
American Jews recognized the benefit and urgency of bridging the divide between Reform and Orthodox Judaism to create a stronger alliance to face the challenges ahead. With Grant’s 1868 presidential campaign, they also realized they could no longer remain aloof from partisan politics. As they became a growing influence in American politics, both political parties courted the new Jewish vote.
Once in office, Grant took notice of the persecution of Jews in Romania and Russia, and he appointed more Jews to office than any president before him. Indeed, Simon Wolf, a Washington lawyer who became one of Grant’s closest advisers, was part of a new generation of Jewish leaders to emerge in the post–Civil War era—thoroughly Americanized, politically mature, and committed to the modernized Judaism of the Reform movement.
In Politics, Faith, and the Making of American Judaism, Peter Adams recounts the history of the American Jewish Community’s assimilation efforts, organization, and political mobilization in the late 19th century, as political and cultural imperatives crafted a new, American brand of Judaism.
"Politics in the Pews probes the internal dynamics of political decision making within the Black church."
---William E. Nelson, Jr., Research Professor, Department of African American and African Studies, Ohio State University
As Eric McDaniel demonstrates in his study of Black congregations in the U.S., a church's activism results from complex negotiations between the pastor and the congregation. The church's traditions, its institutional organization, and its cultural traditions influence the choice to make politics part of the church's mission. The needs of the local community and opportunities to vote, lobby, campaign, or protest are also significant factors.
By probing the dynamics of churches as social groups, McDaniel opens new perspectives on civil rights history and the evangelical politics of the twenty-first century. Politics in the Pews contributes to a clearer understanding of the forces that motivate any organization, religious or otherwise, to engage in politics.
Eric L. McDaniel is Assistant Professor in the Department of Government at the University of Texas at Austin.
Skålnes explains changes in foreign economic policy in terms of shifting strategic assessments regarding the importance of military support from allies. When states need military support from their allies to meet threats to their security, they will adopt discriminatory foreign economic policies in an attempt to strengthen alliance relations. When states can go it alone without military support, by contrast, they will not pursue foreign economic policies that discriminate in favor of either allies or other countries. Discriminatory policies, Skalnes argues, are important strategic instruments for several reasons. First, they can be used to tie countries to a military alliance. Second, they are useful as signals of intention. Third, discriminatory policies may strengthen an ally militarily by increasing the economic resources available for military purposes.
Skålnes provides detailed accounts of the grand strategies of Germany (1879-1914), France (1887-1914), Great Britain (1919-1939), and the United States (1945-1967).
Politics, Markets, and Grand Strategy will be important reading for scholars and students in the fields of national security studies, international political economy, and economic history, and to economists working on problems associated with foreign investment and trade generally and customs union theory and discriminatory trade agreements specifically.
Lars S. Skålnes is Associate Professor of Political Science, University of Oregon.
Jewish voting is distinctive and paradoxical. Stereotypes about the voting habits of American Jews include that they vote at unusually high levels, that they’re liberal, that they vote for Democratic candidates without regard to their self-interest, and that Israel is their most important issue. Not only are all of those claims wrong, but they obscure aspects of Jews’ voting behavior that are much more interesting.
The Politics of American Jews uncovers new perspectives on Jews’ political choices by analyzing the unprecedented amount of survey data that is now available, including surveys that permit contrasting the voting of Jews with that of comparable non-Jews. The data suggest several mysteries about Jewish voting. While more Jews are Democrats than are liberals, there has not been a previous exploration of why more politically conservative Jews are not Republicans.
A fresh picture of Jews’ political behaviors shows that Jews are no longer politically monolithic. They vote on the basis of their self-interest and their values, but not all Jews share the same self-interest or the same values. While most Jews have incorporated being Democratic and liberal into their political DNA, growing divisions in their ranks suggest a mutation could occur.
Drawing on insights from sociology, political science, and institutional theory, Sending challenges theories centered on particular actors’ authority, whether it is the authority of so-called epistemic communities, the moral authority of advocacy groups, or the rational-legal authority of international organizations. Using in-depth and historically oriented case studies of population and peacebuilding, he demonstrates that authority is not given nor located in any set of particular actors. Rather, continuous competition for recognition as an authority to determine what is to be governed, by whom, and for what purpose shapes global governance in fundamental ways.
Advancing a field-based approach, Sending highlights the political stakes disguised by the technical language of professionals and thus opens a broader public debate over the key issues of our time.
Debates on the end-of-life controversy are complex because they seem to highjack national and cultural traditions. Where previous books have focused on ideological grounds, The Politics of Intimacy explores dying as the site where policies are negotiated and implemented. Intimacy comprises the emotional experience of the end of life and how we acknowledge it—or not—through institutions. This process shows that end-of-life controversy relies on the conflict between the individual and these institutions, a relationship that is the cornerstone of Western liberal democracies.
Through interviews with mourners, stakeholders, and medical professionals, examination of media debates in France and the Czech Republic, Durnová shows that liberal institutions, in their attempts to accommodate the emotional experience at the end of life, ultimately fail. She describes this deadlock as the “politics of intimacy,” revealing that political institutions deploy power through collective acknowledgment of individual emotions but fail to maintain this recognition because of this same experience.
Today the Millennial generation, the cohort born from the early 1980s to the late 1990s, is the largest generation in the United States. It exceeds one-quarter of the population and is the most diverse generation in U.S. history. Millennials grew up experiencing September 11, the global proliferation of the Internet and of smart phones, and the worst economic recession since the Great Depression of the 1930s. Their young adulthood has been marked by rates of unemployment and underemployment surpassing those of their parents and grandparents, making them the first generation in the modern era to have higher rates of poverty than their predecessors at the same age. The Politics of Millennials explores the factors that shape the Millennial generation’s unique political identity, how this identity conditions political choices, and how this cohort’s diversity informs political attitudes and beliefs. Few scholars have empirically identified and studied the political attitudes and policy preferences of Millennials, despite the size and influence of this generation. This book explores politics from a generational perspective, first, and then combines this with other group identities that include race and ethnicity to bring a new perspective to how we examine identity politics.
"Scheingold presents a clear, thoughtful discussion of the ways in which rights can both empower and constrain those seeking change in American society. While much of the writing on rights is abstract and obscure, The Politics of Rights stands out as an accessible and engaging discussion."
-Gerald N. Rosenberg, University of Chicago
"This book has already exerted an enormous influence on two generations of scholars. It has had an enormous influence on political scientists, sociologists, and anthropologists, as well as historians and legal scholars. With this new edition, this influence is likely to continue for still more generations. The Politics of Rights has, I believe, become an American classic."
-Malcolm Feeley, Boalt Hall School of Law, University of California, Berkeley, from the foreword
Stuart A. Scheingold is Professor Emeritus of Political Science at the University of Washington.
An ambitious, original work, The Politics of Sociability is Stefan-Ludwig Hoffmann's exploration of the social and political significance of Freemasonry in German history. Drawing on de Tocqueville's theory that without civic virtue there is no civil society, and that civic virtue unfolds only through the social interaction between citizens, Hoffmann examines the critical link between Freemasonry and the evolution of German civil society in the late nineteenth century. The practice of Masonic sociability reflected an enlightened belief in the political significance of moral virtue for civil society, indeed, for humanity. Freemasons' self-image as civilizing agents, acting in good faith and with the unimpeachable idea of universal brotherhood, was contradicted not only by their heightened sense of exclusivity; Freemasons unintentionally exacerbated nineteenth-century political conflicts---for example, between liberals and Catholics, or Germans and French---by employing a universalist language.
Using a wealth of archival sources previously unavailable, Stefan-Ludwig Hoffmann shows how Freemasonry became a social refuge for elevated and liberal-minded bourgeois men who felt attracted to its secret rituals and moral teachings. German Freemasons sought to reform self and society but, Hoffmann argues, ultimately failed to balance modern politics with a cosmopolitan ethos. Hoffmann illuminates a capacious history of the political effects of Enlightenment concepts and practices in a century marked by nationalism, social discord, and religious conflict.
Stefan-Ludwig Hoffmann is Assistant Professor of Modern History at Ruhr-University Bochum. The German edition of this book, Die Politik der Geselligkeit: Freimaurerlogen in der deutschen Bürgergesellschaft, 1840-1918 (Vandenhoeck & Ruprecht, 2000), won the Association of German Historians' 2002 Hedwig Hintze Prize for Best First Book.
Tom Lampert was born in Boston in 1962 and grew up in northern California. He received a BA in political science from Stanford University (1986) and a PhD in government from Cornell (1998). His book, Ein einziges Leben (Hanser Verlag 2001) was published as One Life by Harcourt in 2004, which he translated himself. Lampert has worked as a freelance translator since 1998. He currently lives in Bad Kreuznach, Germany.
Cover Image: Monument of the Battle of the Nations in Leipzig, erected between 1898 and 1913 by German Freemasons, Barbarossa-Head by Christian Behrens, located next to the stairs leading to the monument. The German mythical figure of the Kaiser Barbarossa is depicted as a sphinx, which in Masonic symbolism protects the Masonic secret from profanation. Courtesy of the Deutsche Bücherei, Leipzig.
"This is an exemplary study of the role of Freemasonry in the German Bürgergesellschaft (civil society) of the nineteenth and early twentieth centuries, concise, comprehensive, and well written. It combines social profiling with a careful examination of contemporary concepts in a long-term diachronic study, based on an impressive amount of primary material. . . . Hoffmann's empirically and methodologically convincing study is not only a major contribution to our understanding of Freemasonry in the German Bürgergesellschaft. It also reflects the complex social and political transformation of German society in the nineteenth century and the difficulties contemporaries faced in responding to it."
---German History
"Hoffmann's arguments are theoretically informed, supported by a wealth of archival sources. . . . Indeed, in many ways this is the best combination of painstaking social history and well-argued Begriffsgeschichte (conceptual history). . . . One of the great virtues of this book is that Hoffmann does not shy away from the contradictions in the Freemasons' rhetoric and actions. Such contradictions, in fact, are key to the Mason's importance, because they force us to rethink some of our assumptions about Imperial Germany. . . . This is an important book that encourages us to rethink many of our characterizations of the German Kaiserreich and our assumptions about civil society."
---Central European History
"Based on a rich variety of sources. . . . Hoffmann explores the evolving relationship between Freemasonry and the monarchy, state, and church, and he also scrutinizes the internal practices and discourse of these notoriously secretive and cosmopolitan societies. . . . Hoffmann engages fruitfully with a wide historiography covering themes such as masculinity and racism, he dissects the complex attitude of Freemasonry to Jews and Catholics, and he scrutinizes the attacks of its conservative, clerical, and antisemitic critics."
---Journal of Modern History
In The Politics of the Trail, Löwenheim confronts this tension by focusing on his encounters with three places along the trail: the separation fence between Israel and the Palestinians; the ruins of the Palestinian village Qalunya, demolished in 1948; and the trail connecting the largest 9/11 memorial site outside of the U.S. with a top-secret nuclear-proof bunker for the Israeli cabinet. He shares the stories of the people he meets along the way and considers how his own subjectivity is shaped by the landscape and culture of conflict. Moreover, he deconstructs, challenges, and resists the concepts and institutions that constitute such a culture and invites conversation about the idea of conflict as a culture.
The readings in this volume illustrate several varieties of institutional analysis. Each reading builds upon the foundation of game theory to address similar sets of questions concerning institutions and self-governance. The chapters in the first section lay out interrelated frameworks for analysis. Section two illustrates the normative component of institutions and their effects on human behavior. Readings in the following two sections detail how these frameworks have been applied to models of specific situations. Section five presents a modeling exercise exploring the functions of monitoring and enforcement, and the sixth section discusses approaches to the problems of complexity that confront individuals playing polycentric games. The final readings provide overviews of experimental research on the behavior of rational individuals.
Contributors include Arun Agrawal, Sue E. S. Crawford, Clark C. Gibson, Roberta Herzberg, Larry L. Kiser, Michael McGinnis, Stuart A. Marks, Elinor Ostrom, Vincent Ostrom, James Walker, Franz J. Weissing, John T. Williams, and Rick Wilson.
Michael McGinnis is Associate Professor, Department of Political Science and Co-Associate Director, Workshop in Political Theory and Policy Analysis, Indiana University.
The central insight of the research collected in the volume is this: much can be learned by a careful examination of the ways in which local communities have organized themselves to solve collective problems, achieve common aspirations, and resolve conflicts. The first two sections deal with efforts to manage water and other common-pool resources on a relatively small scale. Section three moves to the macro-level of analysis, with particular attention given to examples of constitutional order from Africa, while section four demonstrates that local organizations and informal networks can play essential roles in furthering democratization and development. The concluding section addresses issues at the national level, by linking the practical world of resource management and development policy to the abstract world of the policy analyst. This collection of essays is designed to illustrate how all the pieces fit together and to suggest connections among multiple levels and modes of analysis.
Contributors include Paula C. Baker, William Blomquist, Larry L. Kiser, Ronald J. Oakerson, Elinor Ostrom, Vincent Ostrom, Roger B. Parks, Stephen L. Percy, Charles M. Tiebout, Martha Vandivort, Robert Warren, Gordon P. Whitaker, and Rick Wilson.
Michael McGinnis is Associate Professor, Department of Political Science and Co-Associate Director, Workshop in Political Theory and Policy Analysis, Indiana University.
Polycentricity and Local Public Economies presents both explorations of broad general concepts and specific empirical analyses. The many interactions between the two modes of analysis provide valuable insights for the reader. Readings in the first section cover basic theoretical concepts and analytical distinctions that apply to the study of institutions generally. The second section includes conceptual pieces specifically addressed to the nature of governance in metropolitan areas, while section three reports on a series of empirical studies of police performance. Section four again broadens the focus to highlight the overall organization of local public economies. The final section discusses conceptual advances that have continuing relevance for research and policy debates.
Contributors include William Blomquist, Kathryn Firmin-Sellers, Roy Gardner, Dele Olowu, Elinor Ostrom, Vincent Ostrom, Amos Sawyer, Edella Schlager, Shui Yan Tang, Wai Fung Lam, and James S. Wunsch.
Michael McGinnis is Associate Professor, Department of Political Science and Co-Associate Director, Workshop in Political Theory and Policy Analysis, Indiana University.
In AD 79, Mt. Vesuvius erupted in two stages. While the first stage was incredibly destructive, it was the second stage, a so-called pyroclastic flow, that inundated Pompeii with a combination of superheated gases, pumice, and rocks, killing tens of thousands of people and animals and burying them in ash and mud.
During excavations of the town in 1863, Giuseppe Fiorelli, the director of the dig, poured plaster of paris into a cavity under the soil revealed by a workman's pick. When the plaster set and the mound was uncovered, all were amazed to see the secret that the ground had held for 1,800 years: a detailed cast of an ancient Pompeian such as no one had seen before, frozen in the instant of dying and complete in every respect, including outlines of the clothes he was wearing at the time of the destruction. The bodies, photographed and exhibited in the specially built Pompeii Museum, completely changed the world's ideas of life in ancient Italy.
Pompeii's Living Statues is a narrative account, supported by contemporary documents, of the remarkable discovery of those ancient victims preserved in the volcanic mud of Vesuvius.
Eugene Dwyer examines these casts and related records, the originals of a number of which (along with their museum) were lost in World War II bombing. As he considers the casts as archaeological and cultural pieces, he also discusses Pompeii and its artifacts in the context of Italian unification and party politics, the development of modern excavation methods, and the challenges of maintaining a very large archaeological site. Dwyer's clear organization and writing style, combined with a collection of photographs and engravings, make for a fascinating exploration of Pompeii and its victims.
By collecting, sifting, and cross-referencing these varied documents, Franklin proves it possible to trace the major political alliances of the times, explore the remains of their houses, and find traces of their personalities. A few families, like the powerful Holconii, developers of the region's most famous grape vine, prove to have been steady players throughout Pompeii's history; but most families rose and fell within two generations at most. Chapters examine the men and families most prominent in each imperial period, including an analysis of their houses, and concludes with family trees. The documents themselves, elsewhere difficult to access, are prominently featured and translated in the text, making these discussions available and vivid to all readers.
This book is the first such attempt to cross-reference and animate all kinds of writing found at this legendary site. Outside of the city of Rome itself, this is the largest collection of writing from Roman antiquity, and it has lain mostly unexamined in the course of three centuries of excavations at Pompeii. This volume will interest not only students of Pompeii and classical scholars, but also historians, political scientists, sociologists, and enthusiasts of human behavior of all eras.
James L. Franklin is Professor of Classical Studies, Indiana University.
F.E. Romer is Professor and Chair of the Department of Foreign Languages and Literatures, East Carolina University. He is the author of numerous articles and has received awards for both his writing and teaching.
Portraits of Medieval and Renaissance Living opens with Herlihy's final summary of his views on family history, followed by a reminiscence by his most important collaborator, Christiane Klapisch-Zuber. The first group of essays takes us inside specific familial settings, using recent methods in anthropological, legal, and women's studies to uncover new dimensions of medieval and Renaissance family life. A second group of studies focuses on the question of authority in medieval society and advances new theses about politics and society in Florence and other local settings. The final group of authors considers the special circumstances of town and countryside in Italy, England, and Spain and draws insightful generalizations across territorial and national boundaries.
Like Herlihy's own work, these essays present innovative and challenging hypotheses about significant problems in the history of medieval and Renaissance Europe. Important new material on Florence, family history, religion, the Inquisition, and taxation is presented for the first time, but the essays are not simply technical exercises focused on small or isolated pieces of research. Thus the volume will go beyond the interest of specialists in medieval and Renaissance social history and will attract a wide audience of students and scholars.
Samuel K. Cohn, Jr., is Professor of History, Brandeis University. Steven Epstein is Professor of History, University of Colorado.
Suzannah Biernoff draws on a wide variety of sources mainly from WWI but also contemporary photography and computer games. Each chapter revolves around particular images: Marine Wedding is discussed alongside Stuart Griffiths’ portraits of British veterans; Henry Tonks’ drawings of WWI facial casualties are compared to the medical photographs in the Gillies Archives; the production of portrait masks for the severely disfigured is approached through the lens of documentary film and photography; and finally the haunting image of one of Tonks’s patients reappears in BioShock, a highly successful computer game. The book simultaneously addresses a neglected area in disability studies; puts disfigurement on the agenda for art history and visual studies; and makes a timely and provocative contribution to the literature on the First World War.
other book like it.”
—Norman Schofield, Washington University
“The authors succeed brilliantly in tackling a large
number of important questions concerning the
interaction among voters and elected representatives
in the political arena, using a common, rigorous
language.”
—Antonio Merlo, University of Pennsylvania
Positive Political Theory II: Strategy and Structure
is the second volume in Jeffrey Banks and David
Austen-Smith’s monumental study of the links
between individual preferences and collective choice.
The book focuses on representative systems, including
both elections and legislative decision-making
processes, clearly connecting individual preferences to
collective outcomes. This book is not a survey. Rather,
it is the coherent, cumulative result of the authors’
brilliant efforts to indirectly connect preferences to
collective choice through strategic behaviors such as
agenda-selection and voting.
The book will be an invaluable reference and teaching
tool for economists and political scientists, and an
essential companion to any scholar interested in the
latest theoretical advances in positive political theory.
Despite the central role that animals play in African writing and daily life, African literature and African thinkers remain conspicuously absent from the field of animal studies. The Postcolonial Animal: African Literature and Posthuman Ethics demonstrates the importance of African writing to animal studies by analyzing how postcolonial African writing—including folktales, religion, philosophy, and anticolonial movements—has been mobilized to call for humane treatment of nonhuman others. Mwangi illustrates how African authors grapple with the possibility of an alternative to eating meat, and how they present postcolonial animal-consuming cultures as shifting toward an embrace of cultural and political practices that avoid the use of animals and minimize animal suffering. The Postcolonial Animal analyzes texts that imagine a world where animals are not abused or used as a source of food, clothing, or labor, and that offer instruction in how we might act responsibly and how we should relate to others—both human and nonhuman—in order to ensure a world free of oppression. The result is an equitable world where even those who are utterly foreign to us are accorded respect and where we recognize the rights of all marginalized groups.
The Puerto Rican debt crisis, the challenges of social, political, and economic transition in Cuba, and the populist politics of Duterte in the Philippines—these topics are typically seen as disparate experiences of social reality. Though these island territories were colonized by the same two colonial powers—by the Spanish Empire and, after 1898, by the United States—research in the fields of history and the social sciences rarely draws links between these three contexts.
Located at the intersection of Postcolonial Studies, Latin American Studies, Caribbean Studies, and History, this interdisciplinary volume brings together scholars from the US, Europe, Latin America, the Caribbean, and the Philippines to examine the colonial legacies of the three island nations of Cuba, Puerto Rico, and the Philippines. Instead of focusing on the legacies of US colonialism, the continuing legacies of Spanish colonialism are put center-stage. The analyses offered in the volume yield new and surprising insights into the study of colonial and postcolonial constellations that are of interest not only for experts, but also for readers interested in the social, political, economic, and cultural dynamics of Cuba, Puerto Rico, and the Philippines during Spanish colonization and in the present. The empirical material profits from a rigorous and systematic analytical framework and is thus easily accessible for students, researchers, and the interested public alike.
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