A SCHOLARLY BOOK REPOSITORY69 have author last names that start with S have author last names that start with S
In many communities across North America in the 1960s and 1970s, the rural-relocation movement became both a way of life and a path forward for many people inclined to buck the mainstream—and Paul Salstrom embraced it. His experiences in rural Lincoln County, West Virginia, led him to the self-sufficient, “neighborly networking” lifestyle well known in many Appalachian communities since the early nineteenth century.
In Appalachia’s Alternative to Mainstream America, Salstrom outlines his Appalachian experiences in a memoir, revisiting this back-to-the-land tradition that guided his cultural experience during this time. While he pursued a number of experimental alternatives to a mainstream way of life during the late 1960s, it was not until he landed in Lincoln County a few years later that he found himself engaging in an alternative way of living that didn’t feel “experimental” at all. This distinctive way of life was largely characterized by a closer connection to the earth—local sufficiency informed by homesteading, subsistence farming, and gardening—and the community-wide trading of favors in a spirit of mutual aid.
Over time, Salstrom’s engagement in this “neighborly” occupation has nurtured an informed belief that Americans will be drawn back to landed customs, taking care of the earth and of one another to thrive as individuals and communities. Facing today’s pandemics, climate change, and deepening political divisions, says Salstrom, Americans urgently need to create a groundswell of localized food security and energy production.
From Boss Crump to King Willie offers an in-depth look at the vital role that race played in the political evolution of Memphis, from the rise of longtime political boss Edward Hull Crump to the election of Dr. Willie Herenton as the city’s first black mayor. Filled with vivid details on the workings of municipal politics, this accessible account by veteran journalist Otis Sanford explores the nearly century-long struggle by African Americans in Memphis to secure recognition from local leaders and gain a viable voice in the city’s affairs.
Sanford explains how, in 1909, Crump won his first election as mayor without black support but then immediately sought to woo and keep the black vote in order to maintain his political machine for the next two generations. The African American community overwhelmingly supported the Crump organization because he at least listened and responded to some of
their concerns, while other white leaders completely ignored them. The book probes Crump’s hot-and-cold relationship with local newspaper editors, some of whom castigated his machine politics, and examines the press’s influence on the political and civic life of the city. It also shows how, amid longstanding racism and poverty in Memphis, the black community nevertheless produced many prominent business, religious, and political leaders, most of whom had an amicable relationship with “Boss” Crump.
The book goes on to explore the political vacuum that ensued after Crump’s death in 1954, and the factors that led to African Americans becoming the majority voting population in the city following Dr. Martin Luther King Jr.’s assassination in 1968. Through the civil rights movement and beyond, black Memphians kept up their fight for recognition and inclusion.
That fight culminated in the election of Dr. Herenton, a well-educated native son who proved to be the right man at the right time to make racial and political history in the city. Additionally, the book compares the racial climate in Memphis with that in other southern cities during the height of the civil rights movement.
OTIS SANFORD holds the Hardin Chair of Excellence in Economic/Managerial Journalism at the University of Memphis. He also serves as the political commentator for WREG-TV in Memphis. A former managing editor and current political columnist at the Memphis Commercial Appeal, he also worked for the Jackson (Miss.) Clarion-Ledger, the Pittsburgh Press, and the Detroit Free Press. He was inducted into the Tennessee Journalism Hall of Fame in 2014.
From Boss Crump to King Willie offers an in-depth look at the vital role that race played in the political evolution of Memphis, from the rise of longtime political boss Edward Hull Crump to the election of Dr. Willie Herenton as the city’s first black mayor. Filled with vivid details on the workings of municipal politics, this accessible account by veteran journalist Otis Sanford explores the nearly century-long struggle by African Americans in Memphis to secure recognition from local leaders and gain a viable voice in the city’s affairs.
Sanford explains how, in 1909, Crump won his first election as mayor without black support but then immediately sought to woo and keep the black vote in order to maintain his political machine for the next two generations. The African American community overwhelmingly supported the Crump organization because he at least listened and responded to some oftheir concerns, while other white leaders completely ignored them. The book probes Crump’s hot-and-cold relationship with local newspaper editors, some of whom castigated his machine politics, and examines the press’s influence on the political and civic life of the city. It also shows how, amid longstanding racism and poverty in Memphis, the black community nevertheless produced many prominent business, religious, and political leaders, most of whom had an amicable relationship with “Boss” Crump.
The book goes on to explore the political vacuum that ensued after Crump’s death in 1954, and the factors that led to African Americans becoming the majority voting population in the city following Dr. Martin Luther King Jr.’s assassination in 1968. Through the civil rights movement and beyond, black Memphians kept up their fight for recognition and inclusion. That fight culminated in the election of Dr. Herenton, a well-educated native son who proved to be the right man at the right time to make racial and political history in the city. Additionally, the book compares the racial climate in Memphis with that in other southern cities during
the height of the civil rights movement.
Jack Santino has put together the first collection of essays to examine the evolution of Halloween from its Celtic origins through its adaptation into modern culture. Using a wide variety of perspectives and approaches, the thirteen essayists examine customs, communities, and material culture to reveal how Halloween has manifested itself throughout all aspects of our society to become not just a marginal survivor of a dying tradition but a thriving, contemporary, post-industrial festival. Its steadily increasing popularity, despite overcommercialization and criticism, is attributed to its powerful symbolism that employs both pre-Christian images and concepts from popular culture to appeal to groups of all ages, orientations, and backgrounds. However, the essays in this volume also suggest that there is something ironic and unsettling about the immense popularity of a holiday whose main images are of death, evil, and the grotesque.
Halloween and other Festivals of Death and Life is a unique contribution that questions our concepts of religiosity and spirituality while contributing to our understanding of Halloween as a rich and diverse reflection of our society’s past, present, and future identity.
The Editor: Jack Santino is an associate professor in the department of popular culture at Bowling Green State University, Bowling Green, Ohio.
The highland forests of southwestern Virginia were a sacred land to Native Americans and one they relied upon for sustenance. After European contact, this beautiful country drew successive waves of settlers and visitors, and for a brief yet intense period, industrialists rapaciously exploited its timber resources, particularly in the higher elevations where the woodlands had survived the nearby valleys’ generations of agricultural use. This is the story of how various peoples have regarded this land over the centuries and how, starting in the early twentieth century, the federal government acquired 700,000 acres of it to create what is now the Jefferson National Forest (JNF).
Will Sarvis’s in-depth history explores the area’s significance to such native tribes as the Cherokee and Shawnee, for whom it functioned as a buffer zone in late prehistory, and its attraction for nineteenth-century romantics who, arriving in stagecoaches, became the area’s first tourists. Aggressive commercial logging gave way to the arrival of the U.S. Forest Service, which patched the JNF together through successive purchases of privately owned land and instituted a more regulated harvesting of various timber resources. Public support for Forest Service policy during the Depression and World War II was followed by controversies, including the use of eminent domain. In presenting this history, Sarvis probes the many complexities of land stewardship and, in analysis that is sure to spark debate, discusses how and why the JNF could abandon clear-cutting and return to traditional selective tree management.
An ongoing experiment in democratic land use, the JNF contains many lessons about our relationship with the natural environment. This book delineates those lessons in a clear and compelling narrative that will be of great interest to policy makers, activists, and indeed anyone drawn to American environmental history and Appalachian studies.
Ronald N. Satz is Dean of Graduate Studies and University Research and teaches history at the University of Wisconsin-Eau Claire. In addition to numerous articles and book reviews, his published work includes American Indian Policy in the Jacksonian Era (1975). He has received fellowships from both the Ford Foundation and the National Endowment for the Humanities. Professor Satz has served as a member of the Editorial Advisory Board of the American Indian Quarterly.
Known for his sometimes-gritty naturalism and use of Appalachian dialect, Harry Harrison Kroll (1888–1967) was a remarkably prolific Tennessee novelist and short-story writer during the middle decades of the twentieth century. His career spanned two of the three major shifts in publishing during the twentieth century: the heyday and decline of the fiction magazine market during the late 1920s, and the rise of nonfiction and solidification of paperback marketing during the 1950s. Never Been Rich explores details of Kroll’s humble, rural youth, his long delayed education and the development of his craft, before discussing his lengthy career and how it reflected changes in both public taste and the American publishing industry.
Kroll focused on writing not as a high art, but instead on what was popular—what would earn him a living. He preferred to write voluminously rather than exquisitely, and growing up in the rural south provided him with a broad and fertile field of experience to plow for his crop of stories. As a writing instructor, he had a profound influence on his students, particularly the well-known Appalachian triumvirate of James Still, Jesse Stuart, and Don West.
While Kroll may lack grand literary significance, Richard Saunders maintains that we should explore not merely the linguistic and thematic aspects of a writer’s work but also its broad economic and social contexts, including the idea that literature is both an art form and a marketable product in an extensive industry. His study of Kroll delves deeply into those contexts and shows that, while Kroll did not strive for a place among writers of high literature, he exemplifies the far more widely read popular literature of his times.
Boria Sax traces the idea of the animal bride through history by drawing upon legends and literary works from throughout the world. He pays particular attention to Eurasian sources which support his thesis that the animal bride theme originated among the serpent cults of Mesopotamia and southeastern Europe. Through time, the details of the animal bride theme changed as a result of mankind's changing perceptions of the natural world. In general, this study is an account of myths and beliefs that have surrounded animals—and women—during the rise of modern humankind.
The Serpent and the Swan identifies and explains images of the animal bride that pervade, enliven, and enrich our culture. The bride becomes Eve taking an apple from the serpent, Medea casting spells, Cinderella riding to the royal ball in a pumpkin coach, and the Little Mermaid rising from the waves.
The Author: Boria Sax, who holds a doctorate in German and intellectual history, is the author of The Frog King and The Parliament of Animals, among other books.
Winner of the 2022 Fred B. Kniffen Book Award from the International Society Landscape, Place, and Material Culture and the 2023 Abbott Lowell Cummings Award from the Vernacular Architecture Forum!
Michigan’s Keweenaw Peninsula juts into Lake Superior, pointing from the western Upper Peninsula toward Canada. Native peoples mined copper there for at least five thousand years, but the industrial heyday of the “Copper Country” began in the late nineteenth century, as immigrants from Cornwall, Italy, Finland, and elsewhere came to work in mines largely run from faraway cities such as New York and Boston. In those cities, suburbs had developed to allow wealthier classes to escape the dirt and grime of the industrial center. In the Copper Country, however, the suburbs sprang up nearly adjacent to mines, mills, and coal docks.
Sarah Fayen Scarlett contrasts two types of neighborhoods that transformed Michigan’s mining frontier between 1875 and 1920: paternalistic company towns built for the workers and elite suburbs created by the region’s network of business leaders. Richly illustrated with drawings, maps, and photographs, Company Suburbs details the development of these understudied cultural landscapes that arose when elites began to build housing that was architecturally distinct from that of the multiethnic workers within the old company towns. They followed national trends and created social hierarchies in the process, but also, uniquely, incorporated pre-existing mining features and adapted company housing practices. This idiosyncratic form of suburbanization belies the assumption that suburbs and industry were independent developments.
Built environments evince interrelationships among landscapes, people, and power. Scarlett’s work offers new perspectives on emerging national attitudes linking domestic architecture with class and gender identity. Company Suburbs complements scholarship on both industrial communities and early suburban growth, increasing our understanding of the ways hierarchies associated with industrial capitalism have been built into the shared environments of urban areas as well as seemingly peripheral American towns.
But this book is more than a memorial to Heiser. Schmidt melds decades of archival research, conservation efforts, family interviews, and trips to Jerusalem and Berlin into a critical reconstruction of the life and vision of Hazzan Mordecai Gustav Heiser in the multiple contexts that shaped him. Coming of age in Berlin in the afterglow of the Second German Empire meant that young Gustav had tasted European Jewish culture in a rare state of refinement and modernity. But by January 30, 1940, when he reached New York with his wife, Elly, and two-and-a-half-year-old daughter, Judith, Cantor Heiser had lost nearly all of his living family relations to the extermination programs of the German Reich, after narrowly surviving a brief incarceration at Sachsenhausen.
While Cantor Heiser’s art was steeped in nineteenth-century tradition, Schmidt contends that Heiser’s music was a powerful affirmation of Jewish life in the twentieth century. In a final chapter, Schmidt describes his influence on the American cantorate and American culture and society.
Helen Finney Cox (her husband affectionately referred to her as “Lilla”) was a mother of six and the daughter of Oberlin College president Charles Finney. These intimate and insightful wartime letters show both the fondness Cox had for his spouse and his respect for her as an intellectual equal. To Helen, the stoic, introverted statesman revealed—as he did to no one else—his inner thoughts and concerns, presenting observant, lucid, and informative reports and analyses of the war, his changing life, and his ambitions. This collection illustrates the life of a Gilded Age Renaissance man as he made the transition from untested soldier to respected general and statesman.
Beginning in the 1960s in California, erstwhile music producer Tony Alamo became interested in authoritarian religion and, along with his charismatic wife, Susan, began gathering followers. By the 1970s, Tony Alamo Christian Ministries had established particularly strong footholds in Arkansas, as well as maintaining outposts in California. The ministry gained a legion of followers, with branches not only in the USA but in places as diverse as Africa and Sri Lanka. Even through their leader’s eventual imprisonment under federal charges (related to transporting minors across state lines for sexual purposes), Alamo’s vision survived—and his community survives him today.
Whispering in the Daylight: The Children of Tony Alamo Christian Ministries and Their Journey to Freedom is based on numerous interviews from group members and, more importantly, on interviews with the children—second and third-generation followers. Author Debby Schriver chronicles how this group was formed, documenting its many abuses and its gradual adoption of cult-like behaviors and practices. Like many cult leaders, Tony Alamo had different faces. The public saw him as a somewhat self-important but harmless music promoter and designer of bedazzling denim jackets. Schriver chronicles firsthand the condemnation, rejection, and torment that the second-generation survivors of Tony Alamo’s abuses experienced. Schriver’s interviews, particularly those with children, illuminate the real horrors of the Alamos’ behavior, ranging from economic exploitation, extreme forced fasts, and beatings, that resulted in permanent injury.
Schriver’s extensive research—including interviews with Tony Alamo himself, harrowing visits to Alamo compounds, and witnessing gut-wrenching confrontations between freed children and their unreformed parents—tells the story of a closed group whose origins and history are unlikely ever to be definitively unraveled.
The essays gathered by Jeffrey Leak encompass three key periods of Schuyler’s development. The first section follows his literary evolution in the 1920s and 1930s, during which time he deserted the U.S. Army and briefly became a member of the Socialist Party. Part II reveals his shift toward political conservatism in response to World War II and the perceived threat of Communism. Part III covers the civil rights movement of the 1960s—an era that prompted some of his most extreme and volatile critiques of black leadership and liberal ideology. The book includes many essays that are not well known as well as pieces that have never before been published. One notable example is the first printed transcript of Schuyler’s 1961 debate on the Black Muslims with Malcolm X, James Baldwin, and C. Eric Lincoln.
Because African American experience is more often than not associated with liberalism and the left, the idea of a black conservative strikes many as an anomaly. Schuyler’s writings, however, force us to broaden and rethink our political and cultural conceptions. At times misguided, at times prophetic, his work expands our understanding of black intellectual thought in the twentieth century.
Schwartz traces how the development of New Criticism, a re-evaluation of his work (the difficulty of his style and depraved subject matter, once considered a negative, were now praised), and the publication of THE PORTABLE FAULKNER all went to make him the most respected writer of the 20th Century.
Only about half the book is about Faulkner directly, however; there is also a long chapter on the politics of the new criticism and the intellectual stand of the critics in the 1940s. Some might appreciate this diversion, and much of it is interesting, but for me it went on too long and took away from the main subject of the book. Readers interested in Faulkner's literary career will definitely this book valua
Sciorra spent thirty-five years researching these community art forms and interviewing Italian immigrant and U.S.-born Catholics. By documenting the folklife of this group, Sciorra reveals how Italian Americans in the city use expressive culture and religious practices to transform everyday urban space into unique, communal sites of ethnically infused religiosity. The folk aesthetics practiced by individuals within their communities are integral to understanding how art is conceptualized, implemented, and esteemed outside of museum and gallery walls. Yard shrines, sidewalk altars, Nativity presepi, Christmas house displays, a stone-studded grotto, and neighborhood processions—often dismissed as kitsch or prized as folk art—all provide examples of the vibrant and varied ways contemporary Italian Americans use material culture, architecture, and public ceremonial display to shape the city’s religious and cultural landscapes.
Written in an accessible style that will appeal to general readers and scholars alike, Sciorra’s unique study contributes to our understanding of how value and meaning are reproduced at the confluences of everyday life.
Joseph Sciorra is the director of Academic and Cultural Programs at the John D. Calandra Italian American Institute, Queens College. He is the editor of Italian Folk: Vernacular Culture in Italian-American Lives and co-editor of Embroidered Stories: Interpreting Women's Domestic Needlework from the Italian Diaspora.
Bruce wrote for more than a hundred different newspapers and founded several of them, including the Argus, the Sunday Item, and Washington Grit in Washington, D.C., and the Weekly Standard in Yonkers, New York. A cultural nationalist and Pan-Africanist, Bruce was known as a race-first proponent. In his quest to see that African Americans were granted full political and civil rights, he championed the contributions of African civilization to western culture as a whole, amassing an impressive collection of books, articles, and other scholarly documentation. For most of his career, he believed that African Americans would eventually be able to claim an equal share of the American Dream. However, by the end of his life, he became disillusioned and concluded that the best hope for their future lay in emigration back to Africa.
Seraile traces Bruce’s shifting strategies and tactics and his alliances with famous contemporaries such as Arthur A. Schomburg, Carter G. Woodson, Booker T. Washington, and Marcus Garvey. He argues that underlying all of Bruce’s work was what would become his greatest legacy: his promotion of history and culture of African people in the diaspora as valuable fields of study.
The Author: William Seraile is professor of black studies at Lehman College. He is the author of Voice of Dissent: Theophilus Gould Steward and Black America, Fire in His Heart: Bishop Benjamin Tucker Tanner and the A.M.E. Church, and New York’s Black Regiments During the Civil War.
Thomas W. Colley served in one of the most active and famous units in the Civil War, the 1st Virginia Cavalry, which fought in battles in the Eastern Theater, from First Manassas/Bull Run to the defense of Petersburg. Colley was born November 11, 1837, outside Abingdon, Virginia, and grew up knowing the daily demands of life on a farm. In May 1861, along with the other members of the Washington Mounted Rifles, he left his home in Washington County and reported to camp in Richmond. During the war, Colley received wounds on three different occasions: first at Waterloo Bridge in 1862, again at Kelly’s Ford in 1863, and finally at Haw’s Shop in 1864. The engagement at Haw’s Shop resulted in the amputation of his left foot, thereby ending his wartime service.
The first modern scholarly edition of Colley’s writings, In Memory of Self and Comrades dramatizes Colley’s fate as a wounded soldier mustered out before the war’s conclusion. Colley’s postwar reflections on the war reveal his struggle to earn a living and maintain his integrity while remaining somewhat unreconciled to his condition. He found much of his solace through writing and sought to advance his education after the war. As one of an estimated 20,000 soldiers who underwent amputation during the Civil War, his memoirs reveal the challenges of living with what many might recognize today as post-traumatic stress disorder. Annotations from editor Michael K. Shaffer provide further context to Colley’s colorful and insightful writings on both his own condition and the condition of other veterans also dealing with amputations
Androgynous Democracy examines how the notions of gender equality propounded by transcendentalists and other nineteenth-century writers were further developed and complicated by the rise of literary modernism. Aaron Shaheen specifically investigates the ways in which intellectual discussions of androgyny, once detached from earlier gonadal-based models, were used by various American authors to formulate their own paradigms of democratic national cohesion. Indeed, Henry James, Frank Norris, Charlotte Perkins Gilman, John Crowe Ransom, Grace Lumpkin, W. E. B. Du Bois, and Marita Bonner all expressed a deep fascination with androgyny—an interest that bore directly on their thoughts about some of the most prominent issues America confronted as it moved into the first decades of the twentieth century.
Shaheen not only considers the work of each of these seven writers individually, but he also reveals the interconnectedness of their ideas. He shows that Henry James used the concept of androgyny to make sense of the discord between the North and the South in the years immediately following the Civil War, while Norris and Gilman used it to formulate a new model of citizenship in the wake of America’s industrial ascendancy. The author next explores the uses Ransom and Lumpkin made of androgyny in assessing the threat of radicalism once the Great Depression had weakened the country’s faith in both capitalism and religious fundamentalism. Finally, he looks at how androgyny was instrumental in the discussions of racial uplift and urban migration generated by Du Bois and Bonner.
Thoroughly documented, this engrossing volume will be a valuable resource in the fields of American literary criticism, feminism and gender theory, queer theory, and politics and nationalism.
Aaron Shaheen is UC Foundation Assistant Professor of English at the University of Tennessee at Chattanooga. He has published articles in the Southern Literary Journal, American Literary Realism, and the Henry James Review.
“I never could keep the world properly divided into gods and demons for very long,” wrote John Dos Passos, whose predilection toward nuance and tolerance brought him to see himself as a “chronicler”: a writer who might portray political situations and characters but would not deliberately lead the reader to a predetermined conclusion. Privileging the tangible over the ideological, Dos Passos’s writing between the two World Wars reveals the enormous human costs of modern warfare and ensuing political upheavals.
This wide-ranging and engaging collection of essays explores the work of Dos Passos during a time that challenged writers to find new ways to understand and render the unfolding of history. Taking their foci from a variety of disciplines, including fashion, theater, and travel writing, the contributors extend the scholarship on Dos Passos beyond his best-known U.S.A. trilogy. Including scholars from both sides of the Atlantic, the volume takes on such topics as how writers should position their labor in relation to that of blue-collar workers and how Dos Passos’s views of Europe changed from fascination to disillusionment. Examinations of the Modernist’s Adventures of a Young Man, Manhattan Transfer, and “The Republic of Honest Men” increase our understanding of the work of a complicated figure in American literature, set against a backdrop of rapidly evolving technology, growing religious skepticism, and political turmoil in the wake of World War I.
The theme of the meeting, “Ports, Hubs and Bridges: Key Links in Anthropological Theory and Practice,” is a reference to the important interconnections found not only within the discipline among the various types of anthropologies, but also between the anthropological professional and those whom anthropologists teach, rely on for information, or otherwise focus on in their research.
The papers in this volume elaborate upon bridges that can be or have been built in theory, pedagogy, and practice, and in a variety of cultural contexts. They are organized in three groups.Part I consists of papers that emphasize theory and conceptual issues; part II is for papers about teaching and practice; and, part III is for papers with an ethnography focus.
Choice Magazine Outstanding Academic Book??
“John Shields's book is a provocative challenge to the venerable Adamic myth so exhaustively deployed in examinations of early American literature and in American studies. Moreover, The American Aeneas builds wonderfully on Shields's considerable work on Phillis Wheatley. “?—American Literature??
“The American Aeneas should be of interest to classicists and American studies scholars alike.” ?—The New England Quarterly??
John Shields exposes a significant cultural blindness within American consciousness. Noting the biblical character Adam as an archetype who has long dominated ideas of what it means to be American, Shields argues that an equally important component of our nation’s cultural identity—a secular one deriving from the classical tradition—has been seriously neglected.??Shields shows how Adam and Aeneas—Vergil’s hero of the Aeneid— in crossing over to American from Europe, dynamically intermingled in the thought of the earliest American writers. Shields argues that uncovering and acknowledging the classical roots of our culture can allay the American fear of “pastlessness” that the long-standing emphasis on the Adamic myth has generated.
John C. Shields is the editor of The Collected Works of Phillis Wheatley and the author of The American Aeneas: Classical Origins of the American Self, which won a Choice Outstanding Academic Book award and an honorable mention in the Harry Levin Prize competition, sponsored by the American Comparative Literature Association.
Phillis Wheatley was the first African American to publish a book. Born in Gambia in 1753, she came to America aboard a slave ship, the Phillis. From an early age, Wheatley exhibited a profound gift for verse, publishing her first poem in 1767. Her tribute to a famed pastor, “On the Death of the Rev. Mr. George Whitefield,” followed in 1770, catapulting her into the international spotlight, and publication of her 1773 Poems on Various Subjects Religious and Moral in London created her an international star.
Despite the attention she received at the time, history has not been kind to Wheatley. Her work has long been neglected or denigrated by literary critics and historians. John C. Shields, a scholar of early American literature, has tried to help change this perception, and Wheatley has begun to take her place among the elite of American writers.
In Phillis Wheatley and the Romantic Age, Shields contends that Wheatley was not only a brilliant writer but one whose work made a significant impression on renowned Europeans of the Romantic age, such as Samuel Taylor Coleridge, who borrowed liberally from her works, particularly in his famous distinction between fancy and imagination. Shields shows how certain Wheatley texts, particularly her “Long Poem,” consisting of “On Recollection,” “Thoughts on the Works of Providence,” and “On Imagination,” helped shape the face of Romanticism in the late eighteenth and nineteenth centuries.
Phillis Wheatley and the Romantic Age helps demolish the long-held notion that literary culture flowed in only one direction: from Europe to the Americas. Thanks to Wheatley’s influence, Shields argues, the New World was influencing European literary masters far sooner than has been generally understood.
The first African American to publish a book on any subject, poet Phillis Wheatley (1753?–1784) has long been denigrated by literary critics who refused to believe that a black woman could produce such dense, intellectual work, let alone influence Romantic-period giants like Samuel Taylor Coleridge. Indeed, Thomas Jefferson once declared that “the compositions published under her name are below dignity of criticism.” In recent decades, however, Wheatley’s work has come under new scrutiny as the literature of the eighteenth century and the impact of African American literature have been reconceived. In these never-before-published essays, fourteen prominent Wheatley scholars consider her work from a variety of angles, affirming her rise into the first rank of American writers.
The pieces in the first section show that perhaps the most substantial measure of Wheatley’s multilayered texts resides in her deft handling of classical materials. The contributors consider Wheatley’s references to Virgil’s Aeneid and Georgics and to the feminine figure Dido as well as her subversive critique of white readers attracted to her adaptation of familiar classics. They also discuss Wheatley’s use of the Homeric Trojan horse and eighteenth-century verse to mask her ambitions for freedom and her treatment of the classics as political tools.
Engaging Wheatley’s multilayered texts with innovative approaches, the essays in the second section recontextualize her rich manuscripts and demonstrate how her late-eighteenth-century works remain both current and timeless. They ponder Wheatley’s verse within the framework of queer theory, the concepts of political theorist Hannah Arendt, rhetoric, African studies, eighteenth-century “salon culture,” and the theoretics of imagination.
Together, these essays reveal the depth of Phillis Wheatley’s literary achievement and present concrete evidence that her extant oeuvre merits still further scrutiny.
John C. Shields is Distinguished Professor of English at Illinois State University. He is the editor of The Collected Works of Phillis Wheatley and author of The American Aeneas: Classical Origins of the American Self, a Choice Outstanding Academic Book; Phillis Wheatley and the Romantics; and Phillis Wheatley’s Poetics of Liberation; and awarded honorable mention in competition for the American Comparative Literature Association’s Harry Levin Prize. As well, Shields serves as director of the Center for Classicism and American Culture and General Editor for the series of monographs on Classicism in American Culture to be published by the University of Tennessee Press.
Eric D. Lamore is an assistant professor of English at the University of Puerto Rico, Mayaguez, and a contributor to The Greenwood Encyclopedia of American Poets and Poetry.
From their own point of view, mining families left behind a life of hard labor and drafty weatherboard homes. With little time for such celebrated arts as tale-telling and quilting, preindustrial mountain people strung more beans than dulcimers. In addition, the rural population was growing, and farmland was becoming scarce. What the families recall about the coal towns contradicts the popular image of mining life. Most miners did not owe their souls to the company store, and most mining companies were not unusually harsh taskmasters. Former miners and their families remember such company benefits as indoor plumbing, regular income, and leisure activities. They also recall the United Mine Workers of America as bringing not only pay raises and health benefits but work stoppages and violent confrontations.
Far from being mere victims of historical forces, miners and their families shaped their own destiny by forging a new working-class culture out of the adaptation of their rural values to the demands of industrial life. This new culture had many continuities with the older one. Out of the closely knit social ties they brought from farming communities, mining families created their own safety net for times of economic downturn. Shifflett recognizes the dangers and hardships of coal-town life but also shows the resilience of Appalachian people in adapting their culture to a new environment.
Crandall A. Shifflett is an associate professor of history at Virginia Polytechnic Institute and State University.
In A Dark Pathway: Precontact Native American Mud Glyphs from 1st Unnamed Cave, Tennessee, Jan Simek and his colleagues present two decades of research at a precontact dark zone cave art site in East Tennessee. Discovered in 1994, 1st Unnamed Cave ushered in an extensive and systematic effort to research precontact cave art sites in the Eastern Woodlands, where the tradition of cave art production was widespread among ancient peoples. Indeed, when a preliminary report about 1st Unnamed Cave was first published in 1997, there were only seven known cave art sites across the Southeast; today, that number exceeds ninety.
From the tale of the cave’s discovery in chapter 1 to descriptions of its art in later chapters, A Dark Pathway boasts nearly one hundred maps, high-resolution photographs, and illustrations that bring the story of one of North America’s premier cave art sites to life. Importantly, Simek and his colleagues also orient 1st Unnamed Cave within the broader context of cave art sites across the Southeast, elevating them as a whole to the notable prominence they deserve. Yet his analysis does more than present and situate the discovery of 1st Unnamed Cave within the greater realm of regional cave art site studies; it also calls for the protection and preservation of these fragile sites and for the acknowledgment of the still-vibrant indigenous cultures that produced them.
With a foreword by Russell Townsend, tribal historic preservation officer for the Eastern Band of Cherokee Indians, A Dark Pathway is a long-awaited volume more than twenty years in the making. Even as he delivers a comprehensive archaeological analysis, Simek’s clear presentation makes for accessible and thrilling reading not only for students of archaeology, anthropology, and Native American studies, but for interested readers as well.
As Simpson shows in fascinating detail, rockface concrete blocks, pressed metal imitations of stone, linoleum “marble” and “parquet,” and embossed wall coverings made available to the masses a host of ornamental effects that only the wealthy could previously have afforded. But, she notes, wherever these new materials appeared, a heated debate over the appropriateness of imitation followed. Were these materials merely tasteless shams? Or were they economical, durable alternatives that democratically extended the possibilities of ornamentation?
Simpson devotes chapters to each of the various ornamental materials, considering its precursors, invention, production, and distribution. In her final chapter, she traces the history of the aesthetic debate over imitation and analyzes the social meaning of the materials. Far from being “bad taste,” she concludes, these new ornamental forms reflected modernism, democracy, and progress—some of the most deeply held values of the period.
The Author: Pamela H. Simpson is Ernest Williams II Professor of Art History at Washington and Lee University. The author of numerous articles and exhibition catalogs, she is co-author (with Royster Lyle) of The Architecture of Historic Lexington. She was president, for the 1997–99 term, of the Vernacular Architecture Forum.
These tales, carefully and thoughtfully transcribed by Sivinski, have been passed down through Appalachia’s oral histories over decades and even centuries. This wonderful selection was mainly drawn from the Archives of Appalachia at East Tennessee State University and special collections at Berea College. Drawing on the work of other regional archivists and folklorists, Sivinski grapples with issues of gender balance in Appalachian storytelling. The problem, Sivinski posits, does not rest with the fairy tale genre itself but in the canonization process, in which
women’s contributions have been diminished as oral traditions become transcribed.
Appalachian women have historically demonstrated resilience, wit, and adaptability, and it is time that more collections of regional folklore reorient themselves to make this fact more apparent. Stories are living, breathing narratives, meant not just to be read but to be read aloud. This timely selection of unique stories, along with beautiful, evocative illustrations, makes Fairy Tales of Appalachia an intriguing addition to the much-contested “fairy tale canon.”
Appalachian Echoes
Thomas E. Douglass, series fiction editor
“Very real and tremendously moving. . . . Not only an obvious brief for the unfortunate but a well told and honest story.” —New York Times
“Hubert Skidmore, a native West Virginian, wrote as a witness from inside the belly of the beast. His gift is for pitch-perfect dialogue, a varied cast of characters, and the calling up of emotion, of anger, fear, dread, and love. To encounter this novel at last is a sort of resurrection, both for its persecuted author and the Depression poor whose lives it evokes.” —Denise Giardina, author of The Unquiet Earth and Storming Heaven
The building of a tunnel at Gauley Bridge, West Virginia, beginning in 1930 has been called the worst industrial disaster in American history: more died there than in the Triangle Shirtwaist Factory fire and the Sunshine and Farmington mine disasters combined. And when native West Virginian Hubert Skidmore tried to tell the real story in his 1941 novel, Union Carbide and Carbon Corporation apparently convinced publisher Doubleday, Doran & Co. to pull the book from publication after only a few hundred copies had appeared.
Now the Appalachian Echoes series makes Hawk’s Nest available to a new generation of readers. This is the riveting tale of starving men and women making their way from all over the Depression-era United States to the hope and promise of jobs and a new life. What they find in West Virginia is “tunnelitis,” or silicosis, a disease which killed at least seven hundred workers—probably many more—a large number of them African American, virtually all of them poor. Skidmore’s roman à clef provides a narrative with emotional drive, interwoven with individual stories that capture the hopes and the desperation of the Depression: the Reips who come from the farm with their pots and pans and hard-working children, the immigrants Pete and Anna, kind waitress Lessie Lee, and “hobos” Jim Martin, “Long” Legg, and Owl Jones, the last of whom, as an African American, receives the worst treatment. This important story of conscience encompasses labor history, Appalachian studies, and literary finesse.
Hubert Skidmore (1909–1946) was the author of five other novels: I Will Lift Up Mine Eyes (1936), Heaven Came So Near (1938), River Rising (1939), Hill Doctor (1950), and Hill Lawyer (1942). He died in a house fire at the age of thirty-seven.
Born in 1916 at the northern end of New Zealand’s South Island, the teenaged Robert William Lane became obsessed with the singing and expressive yodeling of country music’s Jimmie Rodgers. By the 1940s, his obsession and subsequent focus on his own guitar playing, singing, and yodeling led him to achieve musical stardom as Tex Morton, master showman and influential progenitor of Australian country music. Tex Morton: From Australian Yodeler to International Showman offers the first full-length biography of this country music phenomenon from down under.
“From the time he first left the security of his home and set out to discover the world, life was a continual journey for Tex Morton,” Smith writes in chapter 1. And it was: Beginning with Morton’s early life and chronicling his burgeoning career and ultimate stardom, Smith’s study showcases Morton’s multi-faceted creative endeavors over the years, from showman and sharpshooter to hypnotist and academic. His talents took him all over the world, from Australia and New Zealand and countries throughout Asia to the United States, Canada, and England. Smith’s carefully constructed narrative captures the nuance of a versatile yet driven, flawed yet talented figure who ultimately became both an influential country artist and an entertainer of international standing over the course of an almost fifty-year career.
An important contribution to music history scholarship, this volume not only establishes Morton’s significance in the history of Australian country music, but it also draws deep connections between Morton’s Australasian influence and country music in the United States, exploring Morton’s legacy in the wider context of the genre worldwide. Complete with a comprehensive discography of Tex Morton’s works, Smith’s in-depth biography claims for Morton his rightful place as a major founding figure in the history of Australian country music.
In 1863, General Ulysses S. Grant appointed one of his regimental chaplains, John Eaton of Ohio, as general superintendent of contrabands for the Department of the Tennessee. As the American Civil War raged, the former chaplain’s approach to humanitarian aid and education for the newly freed people marked one of the first attempts to consider how an entire population of formerly enslaved people would be assimilated into and become citizens of the postwar Union. General superintendent Eaton chronicled these pioneering efforts in his 1907 memoir, Grant, Lincoln, and the Freedmen: Reminiscences of the Civil War, a work that for more than a century has been an invaluable primary source for historians of the Civil War era.
In this long-awaited scholarly edition, editors John David Smith and Micheal J. Larson provide a detailed introduction and chapter-by-chapter annotations to highlight the lasting significance of Eaton’s narrative. These robust supplements to the 1907 volume contextualize important events, unpack the complexities of inter-agency relationships during the war and postwar periods, and present Eaton’s view that the military should determine how best to assimilate the freed people into the reunited Union.
Grant, Lincoln, and the Freedmen presents a firsthand account of the challenges Grant, Lincoln, and Eaton himself faced in serving and organizing the integration of the newly freed people. This heavily annotated reprint reminds us just how important Eaton’s recollections remain to the historiography of the emancipation process and the Civil War era.
At the outbreak of the Civil War, Massachusetts native Gilbert Thompson joined the regular army, which assigned him to the engineer battalion, a unit that provided critical support for the Union military effort in building bridges and roads and surveying and producing maps. While serving, Thompson kept a journal that eventually filled three volumes. The author’s early education in a utopian community called Hopedale left him well read, affording a journal peppered with literary allusions. Once the war ended, Corporal Thompson added some postwar reflections to create a unified single volume, which editor Mark A. Smith has carefully arranged so that the reader can clearly distinguish between Thompson’s contemporary accounts and his postwar reminiscences. An accomplished artist and topographer, Thompson illustrated his journals, adding depth to his narrative with portraits of key figures, drawings of ordinary scenes such as soldiers playing chess, and sights of the war. Additionally, he collected photographs both during and after the war, many of which are included.
Thompson’s wartime musings and postwar recollections have much to offer. Few diaries contain glimpses into the workings of a highly specialized unit such as the engineer battalion, and Thompson’s skills in depicting daily camp life in both words and pictures provide a distinctive look at the Union Army during the Civil War as well as an insightful look into the human condition. In his 1879 introduction, Thompson writes, “I wonder how I wrote as much and as well, and am thankful I was so fortunate as to have the opportunity to do so.” Students of the Civil War will feel fortunate he did.
Perhaps no instrument better represents the music of Appalachia than the fretted dulcimer. The instrument was no longer confined to back porches and local music halls when Jean Ritchie so melodically thrust herself and her dulcimer into the national limelight during the folk revival of the 1950s. But where did the dulcimer, known to exist in no other folk culture in the world, come from?
In The Story of the Dulcimer, Ralph Lee Smith traces the dulcimer’s beginnings back to European immigration to America in the eighteenth and early nineteenth centuries. As German immigrants settled in Pennsylvania and Appalachia, they brought with them scheitholts, a type of northern European fretted zither. As German immigrants intermingled with English and Scotch-Irish immigrants, the scheitholt, which was customarily played to a slower tempo in German cultural music, began to be musically integrated into the faster tempos of English and Scotch-Irish ballads and folk songs. As Appalachia absorbed an increasing flow of English and Scotch-Irish immigrants and the musical traditions they brought with them, the scheitholt steadily evolved into an instrument that reflected this folk music amalgamation, and the modern dulcimer was born.
In this second edition, Smith brings the dulcimer’s history into the twenty-first century with a new preface and updates to the original edition. Copiously illustrated with images of both antique scheitholts and contemporary dulcimers, The Story of the Dulcimer is a testament to the enduring musical heritage of Appalachia and solves one of the region’s musical mysteries.
In An Evil Day in Georgia, author Robert Smith raises lingering questions about the
guilt of two men—one white and one black—executed for a murder in the Deep South
in the 1920s. . . . The telling of this story, one that played out in the Jim Crow era and the
days of bootlegging and the Ku Klux Klan, exposes the death penalty’s imperfections even
as it calls into question the veracity of a woman’s confession, later recanted, that
once brought her within a stone’s throw of the state’s electric chair.”
—John Bessler, author of Cruel and Unusual: The American Death Penalty
and the Founders’ Eighth Amendment
On the night of August 5, 1927, someone shot and killed Coleman Osborn, a store owner in
Chatsworth, Georgia, in his place of business. Police and neighbors found only circumstantial
traces of the murderer: tire tracks, boot prints, shell casings, and five dollars in cash near
Osborn’s body. That day, three individuals—James Hugh Moss, a black family man locally
renowned for his baseball skills; Clifford Thompson, Moss’s white friend who grew up in the
Smoky Mountains; and Eula Mae Thompson, Clifford’s wife and a woman with a troubling history
of failed marriages and minor run-ins with the law—left Etowah, Tennessee, unknowingly
on a collision course with Deep South justice.
In chilling detail, Robert N. Smith examines the circumstantial evidence and deeply flawed
judicial process that led to death sentences for Moss and the Thompsons. Moving hastily in the
wake of the crime, investigators determined from the outset that the Tennessee trio, well known
as bootleggers, were the culprits. Moss and Clifford Thompson were tried and convicted within a
month of the murder. Eula Mae was tried separately from the other two defendants in February
1928, and her sentence brought her notoriety and celebrity status. On the night of her husband’s
execution, she recanted her original story and would change it repeatedly in the following years.
As reporters from Atlanta and across Georgia descended on Murray County to cover the trials
and convictions, the public perception of Eula Mae changed from that of cold-blooded murderer
to victim—one worthy of certain benefits that suited her status as a white woman. Eula Mae
Thompson’s death sentence was commuted in 1928, thanks in part to numerous press interviews
and staged photos. She was released in 1936 but would not stay out of trouble for long.
An Evil Day in Georgia exposes the historic deficiencies in death penalty implementation
and questions, through its case study of the Osborn murder, whether justice can ever be truly
unbiased when capital punishment is inextricably linked to personal and political ambition and
to social and cultural values.
Robert N. Smith is an independent scholar living in Oxford, England.
Unlike the “tomboy” or the American frontierswoman, this more encompassing figure has been understudied until now. The action-adventure heroine has special relevance today, as scholars are forcefully challenging the once-dominant separate-spheres paradigm and offering alternative interpretations of gender conventions in nineteenth-century America. The hard-body action heroine in our contemporary popular culture is often assumed to be largely a product of the twentieth-century television and film industries (and therefore influenced by the women’s movement); however, physically strong, agile, sometimes violent female figures have appeared in American popular culture and literature for a very long time.
Smith analyzes captivity narratives, war narratives, stories of manifest destiny, dime novels, and tales of seduction to reveal the long literary history of female protagonists who step into traditionally masculine heroic roles to win the day. Smith’s study includes such authors as Herman Mann, Mercy Otis Warren, Catharine Maria Sedgwick, E.D.E.N. Southworth, Edward L. Wheeler, and many more who are due for critical reassessment. In examining the female hero—with her strength, physicality, and violence—in eighteenth-and nineteenth-century American narratives, The Action-Adventure Heroine represents an important contribution to the field of American studies.
In the century and a half since the Civil War, various entities, both private and public, have earnestly sought to safeguard the legacy of that seismic conflict through the preservation of its battlefields. In Altogether Fitting and Proper—a title taken from Lincoln’s Gettysburg Address—Timothy B. Smith provides the most comprehensive synthesis ever written of the long, often fraught history of those preservation efforts, which began even as the war was still raging and have continued up through the present day.
Smith traces the story of battlefield park establishment from the war and the Reconstruction era through the “Golden Age of Preservation” at the turn of the century, to the New Deal period and well beyond. He pays close attention to the evolution of public policy, as the creation and oversight of parks shifted from the War Department to the National Park Service, and explores the evolving ways in which the Civil War has been remembered over the years, most significantly with regard to its causes: slavery and race. While Smith’s primary focus is on the famous national parks—Gettysburg, Shiloh, Antietam, Chickamauga, and others—he also examines the endeavors of state and local governments, as well as an assortment of private organizations, to establish parks and monuments for lesser-known battle sites. The ongoing conflicts between preservationists and commercial developers form another key element of the narrative.
As Smith makes clear, the story of battlefield preservation is in many ways a story of people—from Civil War veterans like Henry Boynton, the Medal of Honor winner who oversaw the development of the first national military park at Chickamauga, to Jim Lighthizer, the president of the Civil War Trust, the private charitable organization spearheading the twenty-first-century preservation movement. In their dedication to this particular cause, such individuals and the groups they represent have kept a central event in American history alive in our collective memory.
less understood, or, to state the case more accurately, more persistently
misunderstood, than any other engagement . . . during the entire rebellion.”
In Rethinking Shiloh, Timothy B. Smith seeks to rectify these persistent
myths and misunderstandings, arguing that some of Shiloh’s story is either
not fully examined or has been the result of a limited and narrow collective
memory established decades ago. Continuing the work he began in The
Untold Story of Shiloh, Smith delves even further into the story of Shiloh
and examines in detail how the battle has been treated in historiography and
public opinion.
The nine essays in this collection uncover new details about the
battle, correct some of the myths surrounding it, and reveal new avenues of
exploration. The topics range from a compelling analysis and description of
the last hours of General Albert Sidney Johnston to the effect of the New
Deal on Shiloh National Military Park and, subsequently, our understanding
of the battle. Smith’s careful analyses and research bring attention to
the many relatively unexplored parts of Shiloh such as the terrain, the
actual route of Lew Wallace’s march, and post-battle developments that
affect currently held perceptions of thatfamed clash between Union and
Confederate armies in West Tennessee.
Studying Shiloh should alert readers and historians to the likelihood
of misconceptions in other campaigns and wars—including today’s military
conflicts. By reevaluating aspects of the Battle of Shiloh often ignored by
military historians, Smith’s book makes significant steps toward a more
complete understanding and appreciation of the Shiloh campaign in all of its
ramifications.
Returning to the Pittsburg Landing battlefield, Shiloh veterans organized themselves to push the Federal government into establishing a park to honor both the living participants in the battle and those who died there. In a larger sense, these veterans also contributed to the contemporaneous reconciliation of the North and the South by focusing on the honor, courage, and bravery of Civil War soldiers instead of continuing divisive debates on slavery and race.
This Great Battlefield of Shiloh tells the story of their efforts from the end of the battle to the park’s incorporation within the National Park Service in 1933. The War Department appointed a park commission made up of veterans of the battle. This commission surveyed and mapped the field, purchased land, opened roads, marked troop positions, and established the historical interpretation of the early April 1862 battle. Many aged veterans literally gave the remainder of their lives in the effort to plan, build, and maintain Shiloh National Military Park for all veterans. By studying the establishment and administration of parks such as the one at Shiloh, the modern scholar can learn much about the mindsets of both veterans and their civilian contemporaries regarding the Civil War. This book represents an important addition to the growing body of work on the history of national remembrance.
In The Untold Story of Shiloh, Timothy B. Smith fills in those gaps, looking beyond two days of battle and offering unique insight into the history of unexplored periods and topics concerning the Battle of Shiloh and the Shiloh National Military Park.
This collection of essays, some previously unpublished, tackles a diverse range of subjects, including Shiloh's historiography, the myths about the battle that were created, and the mindsets that were established after the battle. The book reveals neglected military aspects of the battle, such as the naval contribution, the climax of the Shiloh campaign at Corinth, and the soldiers' views of the battle. The essays also focus on the Shiloh National Military Park's establishment and continuation with particular emphasis on those who played key roles in its creation.
Taken together, the essays tell the overall story of Shiloh in greater detail than ever before. General readers and historians alike will discover that The Untold Story of Shiloh is an important contribution to their understanding of this crucial episode in the Civil War.
Timothy B. Smith is on staff at the Shiloh National Military Park. He is author of Champion Hill: Decisive Battle for Vicksburg and This Great Battlefield of Shiloh: History, Memory, and the Establishment of a Civil War National Military Park.
“In Cool Wooden Box, Rand Smith has cleverly woven person, social, and musical histories into a compelling narrative. In doing so, Smith has illustrated just how, well, cool the steel string acoustic guitar, its makers, and its players are.” —John Thomas, author of Kalamazoo Gals: A Story of Extraordinary Women and Gibson’s “Banner” Guitars of WWII, and field editor for The Fretboard Journal
Beginning with a comparison of the American acoustic guitar world in the early 1960s with that of today, then describing iconic performances at storied venues such as The Ark in Ann Arbor while meticulously researching the instrument’s top makers, Smith assembles a passion-filled and eye-opening history of that “cool wooden box” from the folk era through the pandemic. The author focuses on both the playing and making of the acoustic guitar, concluding that the instrument has been transformed in both aspects during the last sixty years. On the playing side, Smith examines the influences on, and the impact of, such guitarists as David Bromberg, Elizabeth Cotten, Paul Geremia, and Norman Blake. On the making side, the author takes the reader into the tradition-minded yet dynamic world of lutherie. He traces how the oldest, most revered companies whose reputations are based on legendary breakthroughs in lutherie, Gibson and Martin, have adapted as the new lutherie movement of innovative small-scale producers, exemplified by interviewees such as Michael Gurian, Bill Collings, Richard Hoover, and Dana Bourgeois, arose. Starting small and then growing exponentially, Taylor Guitars is a wholly different “player” in acoustic guitar building, and Smith compellingly tells its story. Finally, Cool Wooden Box considers the effects of globalization on the industry.
Clocking thousands of miles and hours of interviews with guitar makers, suppliers, and sellers, W. Rand Smith has created not only a detailed history of the acoustic guitar, but also a lasting tribute to an instrument he so clearly reveres.
Ethnocentrism in Its Many Guises gathers essays on a topic of urgent concern. Marjorie Snipes’s introduction chronicles the treatment of ethnocentrism within the discipline of anthropology. Christine Kovic decries the ethnocentrism codified in immigration law that has led to thousands of deaths at the US–Mexico border. Brandon Lundy’s and Kezia Darkwah’s ethnographic research among labor migrants in Cabo Verde demonstrates how communities undergoing immigration pressures react to outsiders in complex ways. Yeju Choi contends that Canada’s Truth and Reconciliation Commission failed to heal the wounds inflicted by a century of cultural genocide because the process did not fully engage and respect the worldview of Aboriginal peoples. Using the example of Rapa Nui, Kathleen and Daniel Ingersoll note how we project and privilege our own values when we observe other cultures and historical periods. Ayla Samli argues that both the nutritionally deficient Standard American Diet and our federal supplemental nutrition programs are limited and ethnocentric. Michael Blum explains how the Wu-Tang Clan’s music can be understood as a site of resistance against American racism.
These papers were presented at the 2017 annual meeting of the Southern Anthropological Society (SAS) in Carrollton, Georgia.
Born near Guntersville, Alabama, Catherine (Cassie) Fennell was nineteen when the Civil War began. Starting with her time at a female academy in Washington, DC, the diaries continue through the war’s end and discuss civilian experiences in Alabama and the Tennessee Valley. Fennell believed that by keeping a diary she made a small contribution to the war effort and history itself.
Fennell was fairly well off and highly educated, moving easily in very elite social circles. Most of her relatives were staunch Confederates, and the war took its toll, with multiple members of her family killed or captured. As Fennell recounts the consequences of war—the downward spiral of the family fortune, the withering of hope at news from the battlefront, and the general uncertainty of civilian life in the South—her diaries constitute one of the few contemporaneous records of north Alabama, including the shelling and burning of Guntersville, which has been poorly documented in the historiography of the Civil War. While the first diary is written as a private reflection, the war journals are well researched and rely on extensive familiarity with local newspapers and seem like they are intended for the eyes of later generations.
Ultimately, these diaries amount to a social history of the war years, in a specific region where scholars have recovered relatively few firsthand accounts, and editor Whitney Snow’s compilation adds to the now growing genre of women’s Civil War diaries. Insightful and engrossing, The Civil War Diaries of Cassie Fennell is a compelling portrait of a privileged young woman who suffered devastating losses for her ardent support of a Confederate nation.
Joseph Sobol is one of a select few contemporary scholar-practitioners to chart the evolution of storytelling from traditional foundations to its current multifarious presence in American life. The years since his classic The Storytellers’ Journey: An American Revival (1999), have brought seismic shifts in storytelling circles. Essays gathered here move between cultural history, critical analysis, and personal narratives to showcase the efforts of traditional and contemporary storytellers to make their presence felt in the world.
The book begins with an account of recent changes in the storytelling landscape, including the growth of a new generation of urban personal storytelling venues sparked by The Moth. Next is a suite of essays on Appalachian Jack tales, the best-known cycle of traditional American wonder tales, and an account of its most celebrated practitioners, including close encounters with the traditional master, Ray Hicks. The next set examines frames through which storytellers capture truth—historical, legendary, literary, oral traditional, and personal. Stylistic differences between northern and southern tellers are affectionately portrayed, with a special look at the late, much-loved Alabaman Kathryn Tucker Windham.
The final section makes the case for informed critical writing on storytelling performance, through a survey of notable contemporary storytellers’ work, a look at the ethics of storytelling genres, and a nuanced probe of truth and fiction in storytelling settings. A tapestry of personal stories, social criticism, and artistic illuminations, Liars, Damn Liars, and Storytellers is valuable not only to scholars and students in performance, folklore, cultural studies, and theater, but also to general readers with a love for the storytelling art.
Daniel Smith Donelson was the grandson of two of early Middle Tennessee’s most famous founders—John Donelson and Daniel Smith—and nephew of Tennessee’s perhaps most famous soldier statesman, Andrew Jackson. And while Civil War historians are familiar with Donelson because he led a Confederate brigade, his namesake fort in Middle Tennessee, and his importance to the war effort as he transitioned into Confederate war administration, Donelson the significant son of Tennessee has eluded a full study, and no book-length biography has been published, until now.
Unfortunately, Daniel Smith Donelson left no body of papers, which leaves any biographers, as Richard Douglas Spence contends, to approach their subject through a “historical back door” via Donelson’s legendary uncle and his brother, Andrew Jackson Donelson, who enjoyed a significant political career in his own right. Spence’s biography begins with Donelson’s upbringing at the Hermitage after Donelson’s father died when he was three. From there Spence follows Donelson’s career as a planter, militiaman, state congressman, Civil War general, and finally an administrator overseeing the Confederate Department of East Tennessee. Fort Donelson was named in his honor, and his brigades fought at Cheat Mountain, Perryville, and Murfreesboro (Stones River). He was posthumously promoted to major general after dying of disease on April 17, 1863, at the age of sixty-one.
Spence’s approach reveals aspects of Donelson’s life and career that in many ways rival his Civil War record for importance, providing fresh perspectives on Jackson’s tumultuous presidency and the contentious nature of antebellum politics in Tennessee.
--Bobby L. Lovett, author of The Civil Rights Movement in Tennessee: A Narrative History
In this second edition, Raye Springfield brings the story of the Taylor-Springfield family and the community of Brownsville, Haywood County, Tennessee, into the twenty-first century. In 2015, as the fifteenth anniversary of The Legacy of Tamar approached, another important but relatively unknown event was also reaching its seventy-fifth anniversary: the June 1940 lynching of Elbert “Dick” Williams, the first known NAACP official killed during civil rights activities. Williams was a longtime Brownsville resident and secretary of the local NAACP chapter and was killed while organizing a voter registration drive for Haywood County’s black residents. In her preface to the second edition, Springfield recounts the services for Williams (services that were not allowed to be held in 1940), how times in Brownsville, and the nation, have changed, and yet how African Americans continue the fight for racial equality.
The Legacy of Tamar spans two world wars, the Great Depression, the civil rights era, and now the changing of the millennium. For the Taylor-Springfield family, ultimately, the dreams of prior generations were realized in the youth of the present day. More than just the story of one family in rural Tennessee, The Legacy of Tamar reflects historic nationwide struggles by African Americans and offers hope for new generations.
The Campaign and Battle of Gettysburg have inspired scrutiny from virtually every angle. Standing out amid the voluminous scholarship, this book is not merely one more narrative history of the events that transpired before, during, and after those three momentous July days in southern Pennsylvania. Rather, it focuses on and analyzes nineteen critical decisions by Union and Confederate commanders that determined the particular ways in which those events unfolded.
Matt Spruill, a retired U.S. Army colonel who studied and taught at the U. S. Army War College in Carlisle, Pennsylvania, contends that, among the many decisions made during any military campaign, a limited number—strategic, operational, tactical, organizational—make the difference, with subsequent decisions and circumstances proceeding from those defining moments. At Gettysburg, he contends, had any of the nineteen decisions he identifies not been made and/or another decision made in its stead, all sorts of events from those decision points on would have been different and the campaign and battle as we know it today would appear differently. The battle might have lasted two days or four days instead of three. The orientation of opposing forces might have been different. The battle could well have occurred away from Gettysburg rather than around the town. Whether Lee would have emerged the victor and Meade the vanquished remains an open question, but whatever the outcome, it was the particular decision-making delineated here that shaped the campaign that went into the history books.
Along with his insightful analysis of the nineteen decisions, Spruill includes a valuable appendix that takes the battlefield visitor to the actual locations where the decisions were made or executed. This guide features excerpts from primary documents that further illuminate the ways in which the commanders saw situations on the ground and made their decisions accordingly.
From June 25 to July 1, 1862, Gen. Robert E. Lee’s Army of Northern Virginia engaged Maj. Gen. George B. McClellan’s Army of the Potomac in a series of battles at the end of the Peninsula Campaign that would collectively become known as the Seven Days Battles. Beginning with the fighting at the Battle of Beaver Dam Creek, Lee consistently maneuvered against and attacked McClellan’s Army of the Potomac as it retreated south across the Virginia Peninsula to the James River. At the conclusion of the Battle of Malvern Hill, Lee’s second most costly battle, where McClellan’s strong defensive position of infantry and artillery repelled multiple frontal assaults by Lee’s troops, the Federal army slipped from Lee’s grasp and brought the Seven Days to an end. The Seven Days was a clear Confederate victory that drove the Union army away from the capital at Richmond, began the ascendancy of Robert E. Lee, and commenced a change in the war in the Eastern Theater. It set the stage for the Second Manassas Campaign followed by the Maryland Campaign of 1862.
Decisions of the Seven Days explores the critical decisions made by Confederate and Union commanders during the Seven Days Battles and how these decisions shaped the outcome. Rather than offering a history of the battles, Matt Spruill hones in on a sequence of critical decisions made by commanders on both sides of the contests to provide a blueprint of the Seven Days at its tactical core. Identifying and exploring the critical decisions in this way allows students of the battles to progress from knowledge of what happened to a mature grasp of why events happened.
Complete with maps and a driving tour, Decisions of the Seven Days is an indispensable primer, and readers looking for a concise introduction to the battles can tour this sacred ground—or read about it at their leisure—with key insights into the campaign and a deeper understanding of the Civil War itself.
Decisions of the Seven Days is the tenth in a series of books that will explore the critical decisions of major campaigns and battles of the Civil War.
Among the myriad books examining the Battle of Gettysburg (July 1–3, 1863), Summer Thunder is one of a kind. A terrific resource for is visitors to the national military park, it explores the clashing armies’ deployment of artillery throughout the battle—from one position to another, from one day to the next. Matt Spruill, a retired U.S. Army colonel and former licensed Gettysburg guide, carefully takes readers to every point on the battlefield where artillery was used, and combining his own commentary with excerpts from the Official Records and other primary sources, he reveals the tactical thinking of both Union and Confederate commanders.
Spruill uses a sequential series of thirty-five “stops,” complete with driving instructions and recent photographs, to guide readers around the park and orient them about where the opposing units were placed and what happened there. Detailed maps depict the battlefield as it was in 1863 and are marked with artillery positions, including the number of guns in action with each battery. Meanwhile, the passages from primary sources allow the reader to see key events as the actual participants saw them. The book also brims with information
about the various artillery pieces used by both sides, from howitzers to Parrott rifles and Napoleon field guns, and the critical role they played over the course of the battle, right up its outcome.
Summer Thunder devotes a chapter to each of the three days of the historic devotes a chapter to each of the three days of the historic Summer Thunder engagement between the Army of the Potomac and the Army of Northern Virginia. One can follow the battle chronologically in its entirety from Stop 1 to Stop 35, or concentrate on a specific day or a specific area. In fact, the maps and orientation
information are of such detail that the book can be used even without being on the battlefield, making it an invaluable reference work for expert and novice alike.
--Edwin Bearss, former chief historian of the National Park Service
In this guide, Matt Spruill recounts the story of the November 1863 battle of Chattanooga using official reports and observations by commanding officers in their own words. The book is organized in the format still used by the military on staff rides, allowing the reader to understand how the battle was fought and why leaders made the decisions they did.
Unlike other books on the battle of Chattanooga, this work guides the reader through the battlefield, allowing both visitor and armchair traveler to see the battle through the eyes of its participants. Numerous tour “stops” take the reader through the battles for Chattanooga: Wauhatchie, Lookout mountain, Orchard Knob, Missionary Ridge, and Ringgold Gap. With easy-to-follow instructions, extensive tactical maps, eyewitness accounts, and editorial analyses, the reader is transported to the center of the action. Storming the heights offers new insights and covers key ground rarely seen by visitors to Chattanooga.
In this newly revised second edition of his classic guidebook, Matt Spruill revisits his standard-setting tours of the Chattanooga National Military Park, providing updates and new directions after twenty years of park improvements. He recounts the story of the November 1863 battle of Chattanooga using official reports and observations by commanding officers in their own words. The book is organized in a format still used by the military on staff rides, allowing the reader to understand how the battle was fought and why leaders made the decisions they did.
Unlike other books on the battle of Chattanooga, this work guides the reader through the battlefield, allowing both visitor and armchair traveler alike to see the battle through the eyes of its participants. Numerous tour “stops” take the reader through the battles for Chattanooga, Wauhatchie, Lookout Mountain, Orchard Knob, Missionary Ridge, and Ringgold Gap. With easy-to-follow instructions, extensive and updated tactical maps, eyewitness accounts, and editorial analyses, the reader is transported to the center of the action. With this second edition, Storming the Heights will continue to be the go-to guide for Civil War enthusiasts interested in touring this sacred ground.
From December 31, 1862, to January 2, 1863, the Army of the Cumberland and Army of Tennessee fought a bloody battle along Stones River. Led by Major General William S. Rosecrans, Union forces would eventually emerge victorious. Coming at the end of a series of Union defeats, this victory would give Lincoln and the Northern population a bright ray of hope during a fall and winter of reversals.
Decisions at Stones River introduces readers to critical decisions made by Confederate and Union commanders. Matt Spruill and Lee Spruill examine the decisions that shaped the way the campaign and battle unfolded. Rather than offering a history of the Battle of Stones River, the Spruills focus on the critical decisions, those decisions that had a major impact on both Federal and Confederate forces in shaping the progression of the battle as we know it today. This account is designed to present the reader with a coherent and manageable blueprint of the battle’s development. Exploring and studying the critical decisions allows the reader to progress from an understanding of “what happened” to “why events happened” as they did.
Complete with maps and a guided tour, Decisions at Stones River is an indispensable primer, and readers looking for a digestible introduction to the Battle of Stones River can tour this sacred ground—or read about it at their leisure—with key insights into why events unfolded as they did and a deeper understanding of the Civil War itself.
Decisions at Stones River is the first in a series of books that will explore the critical decisions of major campaigns and battles of the Civil War
Summer Lightning is a battlefield guide that sequentially follows the fighting from Brawner’s Farm on August 28 to the final Confederate attacks against Union positions at Henry Hill on August 30. Summer Lightning uses a series of twenty “stops” with multiple positions to guide the reader through the battlefield and to positions and routes used by both armies, thus providing a “you are there” view of the engagement.
With easy-to-follow directions, detailed tactical maps, extensive eyewitness accounts, and editorial analysis, the reader is transported to the center of the action. A detailed order of battle for both armies is provided, as well as information on important sites away from the main battlefield.
From its inception in the nineteenth century, the Wesleyan/Holiness religious tradition has offered an alternative construction of gender and supported the equality of the sexes. In Holy Boldness, Susie C. Stanley provides a comprehensive analysis of spiritual autobiographies by thirty-four American Wesleyan/Holiness women preachers, published between the mid-nineteenth and mid-twentieth centuries. While a few of these women, primarily African Americans, have been added to the canon of American women’s autobiography, Stanley argues for the expansion of the canon to incorporate the majority of the women in her study. She reveals how these empowered women carried out public ministries on behalf of evangelism and social justice.
The defining doctrine of the Wesleyan/Holiness tradition is the belief in sanctification, or experiencing a state of holiness. Stanley's analysis illuminates how the concept of the sanctified self inspired women to break out of the narrow confines of the traditional “women's sphere” and engage in public ministries, from preaching at camp meetings and revivals to ministering in prisons and tenements. Moreover, as a result of the Wesleyan/Holiness emphasis on experience as a valid source of theology, many women preachers turned to autobiography as a way to share their spiritual quest and religiously motivated activities with others.
In such writings, these preachers focused on the events that shaped their spiritual growth and their calling to ministry, often giving only the barest details of their personal lives. Thus, Holy Boldness is not a collective biography of these women but rather an exploration of how sanctification influenced their evangelistic and social ministries. Using the tools of feminist theory and autobiographical analysis in addition to historical and theological interpretation, Stanley traces a trajectory of Christian women’s autobiographies and introduces many previously unknown spiritual autobiographies that will expand our understanding of Christian spirituality in nineteenth- and twentieth-century America.
The Author: Susie C. Stanley is professor of historical theology at Messiah College. She is the author of Feminist Pillar of Fire: The Life of Alma White.
In Ballplayers on Stage, Travis Stern explores the relationship between professional baseball and professional theater in the late nineteenth and early twentieth centuries. In particular, he argues that examining theater from this era helps us better understand baseball’s development and its transformation from a strictly working-class attraction to an entertainment that attracted interest from America’s emerging middle class. Baseball players’ theatrical productions drew audiences from the baseball world, and in turn their performances on the diamond began to attract middle-class crowds. But how did the on-field persona of those players as heroes or villains contribute to their image in the theater, and vice versa?
To explore these questions, Stern examines case studies of five representative players from baseball’s pre–Babe Ruth “deadball” era: Cap Anson, Mike “King” Kelly, Christy Mathewson, Ty Cobb, and Rube Waddell, with a concluding study of Babe Ruth himself. While one draw of theatrical performance was the additional profit it promised the players during the off-season, the stage also offered these men an opportunity to take a more active role in shaping their public image. Thus, Ballplayers on Stage not only offers a historical study of baseball, theater, and the relationship between the two; it also shares insight into the creation of celebrity in early twentieth-century America. This unique book will interest American history scholars, baseball fans, and theater enthusiasts alike.
Inspired by the failed Young Ireland insurrection of 1848 and other nationalist movements on the European continent, the Fenian Brotherhood and the IRB (collectively known as the Fenians) surmised that insurrection was the only path to Irish freedom. By 1865, the Fenians had filled their ranks with battle-tested Irish expatriate veterans of the
Union and Confederate armies who were anxious to liberate Ireland. Lofty Fenian ambitions were ultimately compromised by several factors including United States government opposition and the resolution of volunteer Canadian militias who repelled multiple Fenian incursions into New Brunswick, Quebec, Ontario, and Manitoba. The Fenian legacy is thus multi-faceted. It was a mildly-threatening source of nationalist pride for discouraged Irish expatriates until the organization fulfilled its pledge to violently attack British soldiers and subjects. It also encouraged the confederation of Canadian provinces under the 1867 Dominion Act.
In this book, Patrick Steward and Bryan McGovern present the first holistic, multi-national study of the Fenian movement. While utilizing a vast array of previously untapped primary sources, the authors uncover the socio-economic roots of Irish nationalist behavior at the height of the Victorian Period. Concurrently, they trace the progression of Fenian ideals in the grassroots of Young Ireland to its de facto collapse in 1870s. In doing so, the authors change the perception of the Fenians from fanatics who aimlessly attempted to free their homeland to idealists who believed in their cause and fought with a physical and rhetorical force that was not nonsensical and hopeless as some previous accounts have suggested.
PATRICK STEWARD works in the Mayo Clinic Development Office in Rochester, Minnesota. He obtained a Ph.D. in Irish History at University of Missouri under the direction of Kerby Miller. Patrick additionally holds two degrees from Tufts University and he was a strategic intelligence analyst at the Drug Enforcement Administration in Washington, D.C. early in his professional career.
BRYAN MCGOVERN is an associate professor of history at Kennesaw State University in Kennesaw, Georgia. He is author of the widely praised 2009 book John Mitchel, Irish Nationalist, Southern Secessionist and has written various articles, chapters, and book reviews on Irish and Irish-American nationalism.
A mid-level Confederate official and lawyer in secessionist North Carolina, David Schenck (1835–1902) penned extensive diaries that have long been a wellspring of information for historians. In the midst of the secession crisis, Schenck overcame long-established social barriers and reshaped antebellum notions of manhood, religion, and respectability into the image of a Confederate nationalist. He helped found the revolutionary States’ Rights Party and relentlessly pursued his vision of an idealized Southern society even after the collapse of the Confederacy. In the first biography of this complicated figure, Rodney Steward opens a window into the heart and soul of the Confederate South’s burgeoning professional middle class and reveals the complex set of desires, aspirations, and motivations that inspired men like Schenck to cast for themselves a Confederate identity that would endure the trials of war, the hardship of Reconstruction, and the birth of a New South.
After secession, Schenck remained on the home front as a receiver under the Act of Sequestration, enriching himself on the confiscated property of those he accused of disloyalty. After the war, his position as a leader in the Ku Klux Klan and his resistance to Radical Reconstruction policies won him a seat on the superior court bench, but scathing newspaper articles about his past upended a bid for chief justice of the North Carolina Supreme Court, a compelling fall from grace that reveals much about the shifting currents in North Carolina society and politics in the years after Reconstruction. During the last twenty years of his life, spent in Greensboro, Schenck created the Guilford Battleground Company in an effort to redeem the honor of the Tar Heels who fought there and his own honor as well.
Schenck’s life story provides a powerful new lens to examine and challenge widely held interpretations of secessionists, Confederate identity, Civil War economics, and home-front policies. Far more than a standard biography, this compelling volume challenges the historiography of the Confederacy at many levels and offers a sophisticated analysis of the evolution of a Confederate identity over a half century.
Rodney Steward is an assistant professor of history at the University of South Carolina, Salkehatchie. His works have appeared in the Virginia Magazine of History and Biography, Encyclopedia of North Carolina, and North Carolina Historical Review.
Although the women’s suffrage movement was sixty-five years old by 1913, the belief that women should vote was still controversial. Reactions to the march—a dazzling spectacle involving between five thousand and eight thousand participants—ranged from bemusement to resistance to violence. The lack of cooperation from the Washington police force exacerbated conflicts along the route and, ultimately, approximately one hundred marchers and participants were injured. Although suffrage leaders publicly expressed disgust at the conduct of the crowd and police, privately they were delighted with the turn of events, taking full advantage of the increased media coverage by repeatedly tying the unruly mob and the actions of the police to those who opposed votes for women.
The 1913 procession stands as one of the first political events in American history staged in great part for visual purposes. This revealing work recounts the march from the planning stages to the struggle up Pennsylvania Avenue and showcases the most interesting and informative photographs of that day. Although supporters needed seven more frustrating years to ratify the Nineteenth Amendment, the Washington Suffrage Parade of 1913 can, as this book demonstrates, rightly be seen as the moment that forced the public to take seriously the effort to secure the vote for women.
In her warm and witty new memoir, Stella Suberman charms readers with her personal perspective as she recalls the original 1940s GI Bill. As she writes of the bill and the epic events that spawned it, she manages, in her crisp way, to personalize and humanizes them in order to entertain and to educate. Although her story is in essence that of two Jewish families, it echoes the story of thousands of Americans of that period.
Her narrative begins with her Southern family and her future husband’s Northern one – she designates herself and her husband as “Depression kids” – as they struggle through the Great Depression. In her characteristically lively style, she recounts the major happenings of the era: the Bonus March of World War I veterans; the attack on Pearl Harbor; the Roosevelt/New Deal years; the rise of Hitler’s Nazi party and the Holocaust; the second World War; and the post-war period when veterans returned home to a collapsed and jobless economy. She then takes the reader to the moment when the GI Bill appeared, the glorious moment, as she writes, when returning veterans realized they had been given a future.
As her husband begins work on his Ph.D., she focuses on the GI men and their wives as college life consumed them. It is the time also of Senator Joseph McCarthy and the “Red Scare,” of the creation of an Israeli state, of the Korean War, and of other important issues, and she discusses them forthrightly. Throughout this section she writes of how the GI’s doggedly studied, engaged in critical thinking (perhaps for the first time), discovered their voices. As she suggests, it was not the 1930’s anymore, and the GI Bill boys were poised to give America an authentic and robust middle class.
Stella Suberman is the author of two popular and well-reviewed titles: The Jew Store and When It Was OurWar. In its starred review, Booklist called The Jew Store “an absolute pleasure,” and The Atlanta Journal-Constitution wrote that it was “valuable history as well as a moving story.” When It Was Our War received a starred review from Publishers Weekly, and in another starred review, Kirkus Reviews described it as “Engaging . . . A remarkable story that resonates with intelligence and insight.” Mrs. Suberman lives with her husband, Jack, in Chapel Hill, North Carolina.
In her warm and witty new memoir, Stella Suberman charms readers with her personal perspective as she recalls the original 1940s GI Bill. As she writes of the bill and the epic events that spawned it, she manages, in her crisp way, to personalize and humanizes them in order to entertain and to educate. Although her story is in essence that of two Jewish families, it echoes the story of thousands of Americans of that period.
Her narrative begins with her Southern family and her future husband’s Northern one – she designates herself and her husband as “Depression kids” – as they struggle through the Great Depression. In her characteristically lively style, she recounts the major happenings of the era: the Bonus March of World War I veterans; the attack on Pearl Harbor; the Roosevelt/New Deal years; the rise of Hitler’s Nazi party and the Holocaust; the second World War; and the post-war period when veterans returned home to a collapsed and jobless economy. She then takes the reader to the moment when the GI Bill appeared, the glorious moment, as she writes, when returning veterans realized they had been given a future.
As her husband begins work on his Ph.D., she focuses on the GI men and their wives as college life consumed them. It is the time also of Senator Joseph McCarthy and the “Red Scare,” of the creation of an Israeli state, of the Korean War, and of other important issues, and she discusses them forthrightly. Throughout this section she writes of how the GI’s doggedly studied, engaged in critical thinking (perhaps for the first time), discovered their voices. As she suggests, it was not the 1930’s anymore, and the GI Bill boys were poised to give America an authentic and robust middle class.
Stella Suberman is the author of two popular and well-reviewed titles: The Jew Store and When It Was Our War. In its starred review, Booklist called The Jew Store “an absolute pleasure,” and The Atlanta Journal-Constitution wrote that it was “valuable history as well as a moving story.” When It Was Our War received a starred review from Publishers Weekly, and in another starred review, Kirkus Reviews described it as “Engaging . . . A remarkable story that resonates with intelligence and insight.” Mrs. Suberman lives with her husband, Jack, in Chapel Hill, North Carolina.
A member of a middle-class family that had moved to Knoxville in 1860 from Georgia, Ellen House became, like her parents and siblings, a fervent Confederate—or, as she called herself, “a very violent Rebel.” When the city fell to Federal forces in September 1863, Ellen’s resentments ran deep, and she filled her diary with scornful words for the occupying Yankees. She eagerly followed the news of military actions that might mean the recapture of the city and became an eyewitness to the war’s dangers when Confederate General James Longstreet launched an ill-fated attack on Knoxville late in 1863. Despite her own privations, Ellen gave much of her time to providing relief to Confederate prisoners of war in the city. Since she made no secret of where her sympathies lay, Federal military authorities eventually suspected her of spying and expelled her to Georgia, where she continued to record her impressions and observations.
Only recently brought to light by the diarist’s descendants, this compelling personal record has been meticulously edited and annotated by Daniel Sutherland. The resulting volume adds a spirited and articulate voice to the chorus of available firsthand testimony on America’s bloodiest conflict.
The New Harp of Columbia, originally published in Knoxville in 1867, was a shape-note tunebook used in East Tennessee singing schools. It was based on an even earlier publication, The Harp of Columbia (1848). In 1978, the University of Tennessee Press published a facsimile edition of The New Harp with an introduction by Dorothy D. Horn, Ron Petersen, and Candra Phillips that detailed the history of shape-note singing as well as the story of the tunebook itself and its original compilers, W. H. Swan and M. L. Swan. That edition went out of print in 1999. Now, for this “restored edition” of the tunebook, the Press has reprinted not only the full text of its 1978 facsimile edition but has included additional tunes that were part of the original 1848 Harp of Columbia. A few verses to some songs favored by contemporary singers have also been added, and a new foreword by Larry Olszewski and Bruce Wheeler brings the story of the tunebook and its users up to date.
Included in the book are old psalm and hymn tunes, anthems, fuguing pieces, and folk hymns—a total of more than two hundred pieces that represent a fascinating slice of Americana. As a reviewer for the Journal of Church Music noted of the 1978 facsimile: “[The book is] a worthwhile addition to any church musician’s library, especially those interested in the development of American sacred music over the past two centuries.” This publication marks a significant new step in preserving an important musical tradition.
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