A SCHOLARLY BOOK REPOSITORY71 have author last names that start with B have author last names that start with B
Race Patriotism: Protest and Print Culture in the A.M.E. Church examines important nineteenth-century social issues through the lens of the AME Church and its publications. This book explores the ways in which leaders and laity constructed historical narratives around varied locations to sway public opinion of the day. Drawing on the official church newspaper, the Christian Recorder, and other denominational and rare major primary sources, Bailey goes beyond previously published works that focus solely on the founding era of the tradition or the eastern seaboard or post-bellum South to produce a work than breaks new historiographical ground by spanning the entirety of the nineteenth century and exploring new geographical terrain such as the American West.
Through careful analysis of AME print culture, Bailey demonstrates that far from focusing solely on the “politics of uplift” and seeking to instill bourgeois social values in black society as other studies have suggested, black authors, intellectuals, and editors used institutional histories and other writings for activist purposes and reframed protest in new ways in the postbellum period.
Adding significantly to the literature on the history of the book and reading in the nineteenth century, Bailey examines AME print culture as a key to understanding African American social reform recovering the voices of black religious leaders and writers to provide a more comprehensive and nuanced portrayal of the central debates and issues facing African Americans in the nineteenth century such as migration westward, selecting the appropriate referent for the race, Social Darwinism, and the viability of emigration to Africa. Scholars and students of religious studies, African American studies, American studies, history, and journalism will welcome this pioneering new study.
Julius H. Bailey is the author of Around the Family Altar: Domesticity in the African Methodist Episcopal Church, 1865–1900. He is an associate professor in the Religious Studies Department at the University of Redlands in Redlands, California.
In this captivating collection of twelve essays, a testament to a lifetime’s fascination with the outdoors and its myriad wonders, naturalist Stephen Lyn Bales examines a variety of flora and fauna that in one way or another can be described as “ephemeral”—that is, fleeting, short-lived, or transient.
Focusing on his native East Tennessee, Bales introduces us to several oddities, including the ghost plant, a wispy vascular plant that resembles a rooster’s tail and grows mainly in areas devoid of sunlight; the Appalachian panda, an ancestor of today’s red panda that wandered the region millions of years ago and whose fossil remains have only recently been discovered; and the freshwater jellyfish, a tiny organism that is virtually invisible except for those hot summer days when clusters of them bloom into shimmering “medusae,” sometimes by the thousands. Other essays consider such topics as the plight of the monarch butterfly, a gorgeous insect whose populations have dropped by 90 percent in only the last two decades; the reintroduction of the lake sturgeon, one of nature’s most primitive and seldom-seen fish, into the waters of the Tennessee Valley; and the surprising emergence of coyote-wolf and coyote-dog hybrids in the eastern states.
Written with insight, humor, and heart, Ephemeral by Nature is as entertaining as it is instructive. Along with a wealth of biological details—and his own handsome pen-and-ink drawings—Bales fills the book with delightful anecdotes of field trips, species-protection efforts, and those thrilling occasions when some elusive member of the natural order shows itself to us, if only for a brief moment.
Stephen Lyn Bales, senior naturalist at Ijams Nature Center in Knoxville, is the author of Natural Histories: Stories from the Tennessee Valley and Ghost Birds: Jim Tanner and the Quest for the Ivory-billed Woodpecker, 1935–1941, both published by the University of Tennessee Press.
Accompanied by the author's striking line drawings, each chapter in Natural Histories showcases a particular animal or plant and each narrative begins or ends in, or passes through the Tennessee Valley. Along the way, historical episodes both familiar and obscure-the de Soto explorations, the saga of the Lost State of Franklin, the devastation of the Trail of Tears, and the planting of a “Moon Tree” at Sycamore Shoals in Elizabethton-are brought vividly to life. Bales also highlights the work of present-day environmentalists and scientists such as the dedicated staffers of the Tennessee-based American Eagle Foundation, whose efforts have helped save the endangered raptors and reintroduce them to the wild.
Arranged according to the seasonal cycles of the valley, Bales's essays reveal the balance that nature has achieved over millions of years, contrasting it with the messier business of human endeavor, especially the desire to turn nature into a commodity, something to be subdued and harvested. Filled with delightful twists and turns, Natural Histories is also a book brimming with important lessons for us all.
This catalog documents a 2022 exhibition of original editorial illustrations commissioned by the University of Tennessee Libraries to complement the Chimney Tops 2 Wildfires Oral History Project. The four illustrators showcased here have strong ties to East Tennessee. Paige Braddock, author of the Eisner-nominated comic strip Jane’s World and Chief Creative Officer at Charles M. Schulz Creative Associates, is an ’85 UT alumna; Charlie Daniel, beloved Knoxville News Sentinel editorial illustrator, has been a Knoxville resident since 1958; Marshall Ramsey, syndicated editorial illustrator and Pulitzer nominee, is a ’91 UT alumnus; and professional illustrator Danny Wilson has been a visible part of Knoxville’s graphic landscape since graduating from UT in 1984. The artists were given access to the project’s digital archive of oral interviews—to date, 139 have been recorded—and were asked to respond creatively to what they heard and read.
The result is Rising from the Ashes, a candid and deeply felt collection of illustrations encapsulating accounts of the merciless firestorm that enveloped Sevier County in November 2016. The flexible medium of the editorial illustration shows itself capable of extended narrative, disquieting detail, and poignant synthesis, as well as moments of beauty, hope, horror, and even humor as it ushers viewers into the recollections of wrestling and sorrow that animate the project’s still expanding archive. Bales writes, “Ultimately, the multiple fires destroyed or damaged 2,500 homes and buildings, killed 14 trapped people, injured another 200 or more, and burned over 17,000 acres of mostly woodlands that were a powder keg of dried leaves, all in a matter of three hours.” Years later, the ramifications of this event are still being felt in the community and region. Rising from the Ashes is a tribute to a people who suffered, lost, banded together, and rebuilt; and no less important, it is an expression of solidarity, recognizing how much remains to be done.
“Everyone who is interested in the ivory-billed woodpecker will want to read this book—from scientists who wish to examine the data from all the places Tanner explored to the average person who just wants to read a compelling story.”
—Tim Gallagher, author of The Grail Bird: The Rediscovery of the Ivory-billed Woodpecker
In 1935 naturalist James T. Tanner was a twenty-one-year-old graduate student when he saw his first ivory-billed woodpecker, one of America’s Istudent when he saw his first ivory-billed woodpecker, one of America’s rarest birds, in a remote swamp in northern Louisiana. At the time, he rarest birds, in a remote swamp in northern Louisiana. At the time, he was part of an ambitious expedition traveling across the country to record and photograph as many avian species as possible, a trip organized by Dr. Arthur Allen, founder of the famed Cornell Lab of Ornithology. Two years later, Tanner hit the road again, this time by himself and in search of only one species—that ever-elusive ivory-bill. Sponsored by Cornell and the Audubon Society, Jim Tanner’s work would result in some of the most extensive field research ever conducted on the magnificent woodpecker.
Drawing on Tanner’s personal journals and written with the cooperation of his widow, Nancy, Ghost Birds recounts, in fascinating detail, the scientist’s
dogged quest for the ivory-bill as he chased down leads in eight southern states. With Stephen Lyn Bales as our guide, we experience the same awe and excitement that Tanner felt when he returned to the Louisiana wetland he had visited earlier and was able to observe and document several of the “ghost birds”—including a nestling that he handled, banded, and photographed at close range. Investigating the ivory-bill was particularly urgent because it was a fast-vanishing species, the victim of indiscriminant specimen hunting and widespread logging that was destroying its habitat. As sightings became rarer and rarer in the decades following Tanner’s remarkable research, the bird was feared to have become extinct. Since 2005, reports of sightings in Arkansas and Florida made headlines and have given new hope to ornithologists and bird lovers, although extensive subsequent investigations have yet to produce definitive confirmation.
Before he died in 1991, Jim Tanner himself had come to believe that the majestic woodpeckers were probably gone forever, but he remained hopeful
that someone would prove him wrong. This book fully captures Tanner’s determined spirit as he tracked down what was then, as now, one of ornithology’s true Holy Grails.
STEPHEN LYN BALES is a naturalist at the Ijams Nature Center in Knoxville,
Tennessee. He is the author of Natural Histories, published by UT Press in 2007.
“A singular achievement. Mark Banker reveals an almost paradoxical Appalachia that trumps all the stereotypes. Interweaving his family history with the region’s latest scholarship, Banker uncovers deep psychological and economic interconnections between East Tennessee’s ‘three Appalachias’—its tourist-laden Smokies, its urbanized Valley, and its strip-mined Plateau.”
—Paul Salstrom, author of Appalachia’s Path to Dependency
"Banker weaves a story of Appalachia that is at once a national and regional history, a family saga, and a personal odyssey. This book reads like a conversation with a good friend who is well-read and well-informed, thoughtful, wise, and passionate about his subject. He brings new insights to those who know the region well, but, more importantly, he will introduce the region's complexities to a wider audience."
—Jean Haskell, coeditor, <i>Encyclopedia of Appalachia</i>
Appalachians All intertwines the histories of three communities—Knoxville with its urban life, Cades Cove with its farming, logging, and tourism legacies, and the Clearfork Valley with its coal production—to tell a larger story of East Tennessee and its inhabitants. Combining a perceptive account of how industrialization shaped developments in these communities since the Civil War with a heartfelt reflection on Appalachian identity, Mark Banker provides a significant new regional history with implications that extend well beyond East Tennessee’s boundaries.
Writing with the keen eye of a native son who left the area only to return years later, Banker uses elements of his own autobiography to underscore the ways in which East Tennesseans, particularly “successful” urban dwellers, often distance themselves from an Appalachian identity. This understandable albeit regrettable response, Banker suggests, diminishes and demeans both the individual and region, making stereotypically “Appalachian” conditions self-perpetuating. Whether exploring grassroots activism in the Clearfork Valley, the agrarian traditions and subsequent displacement of Cades Cove residents, or Knoxvillians’ efforts to promote trade, tourism, and industry, Banker’s detailed historical excursions reveal not only a profound richness and complexity in the East Tennessee experience but also a profound interconnectedness.
Synthesizing the extensive research and revisionist interpretations of Appalachia that have emerged over the last thirty years, Banker offers a new lens for constructively viewing East Tennessee and its past. He challenges readers to reconsider ideas that have long diminished the region and to re-imagine Appalachia. And ultimately, while Appalachians All speaks most directly to East Tennesseans and other Appalachian residents, it also carries important lessons for any reader seeking to understand the crucial connections between history, self, and place.
Mark T. Banker, a history teacher at Webb School of Knoxville, resides on the farm where he was raised in nearby Roane County. He earned his PhD at the University of New Mexico and is the author of Presbyterian Missions and Cultural Interaction in the Far Southwest, 1850–1950. His articles have appeared in the Journal of Presbyterian History, Journal of the West, OAH Magazine of History, and Appalachian Journal.
Appalachians have always honored craft. Showoff quilts, complicated whittlings, "face jugs," intricate woven coverlets, and the work of famous basketmakers constituted the art of early Appalachia, the life and color of its remote mountain households. By the 1920s, however, the craft tradition was quickly vanishing. This lively, highly personal book recounts the "missionary" effort that preserved the traditional Appalachian craft culture and traces the organization, politics, and economics of later handcraft revival organizations in Southern Appalachia.
Deeply involved in many of the events he describes, Garry Barker has worked in the Appalachian crafts world since the early 1960s. He draws on memories of the leading craftspeople of a bygone era, LBJ's War on Poverty, mushrooming markets for craft products, and the rise of academic crafts training. The Handcraft Revival in Southern Appalachia represents the thoughtful winnowing of Barker's decades of serendipitous experience and disciplined observation, casual conversation and formal interviews, research and collecting, teaching and writing.
The book is the only history of the Appalachian craft movement between 1930 and 1990. As such it will become an essential resource for craftspeople, scholars, and all interested in the Southern Appalachian region. In addition, it constitutes a crucial chapter in the newly emerging history of American craft.
Joe Wilson (1938-2015), a native of rural East Tennessee, was a civil rights activist, self-educated scholar, founder/administrator of nationally important roots music enterprises, and was legendary for his colorful writing and opinions. Lucky Joe’s Namesake, a companion to Roots Music in America: Collected Writings of Joe Wilson (also published by the University of Tennessee Press), brings us Wilson’s life and observations, mostly in his own words.
From humble mountain beginnings, Wilson’s career progressed through Nashville, Tennessee; Birmingham, Alabama; and New York City, before settling him for twenty-eight years near the seats of power in Washington, D.C. as the executive director of the National Council for the Traditional Arts. In that role, he developed a national model for folk festival presentations, stalked the halls of federal representatives seeking support for traditional artists, and filled concert venues throughout the world with audiences eager to experience the work of master folk musicians. A powerful advocate on behalf of agrarian values, social justice, artistic authenticity, and cultural democracy, Joe wrote in an engaging, humorous, and memorable style.
This eclectic anthology is filled with Joe Wilson’s brilliant published writing for magazines, books, and newspapers as well as privately circulated unpublished works, including an extended autobiographical essay. Readers are sure to benefit from Wilson’s lessons and artful ruminations culled from a lifetime of devotion to music and cultural and social activism.
Joe Wilson served for twenty-eight years as executive director of the National Folk Festival and National Council for Traditional Arts. Throughout his impressive career, Wilson wrote extensively and colorfully about many facets of vernacular music in North America, including works on major folk instruments, as well as on characteristic musical styles, especially old-time, bluegrass, modern country, blues, cowboy, a cappella gospel, and others. This volume, a companion to Lucky Joe’s Namesake: The Extraordinary Life and Observations of Joe Wilson, compiles Wilson’s best writings on musical topics, including some previously unpublished works.
With wry humor, Wilson covers the origins of roots music in eighteenth-century America and its subsequent dispersion through races, classes, ethnic groups, and newly settled regions. Wilson knew, worked with, and wrote about many iconic artists of the twentieth century, including Willie Nelson, Doc Watson, Clarence Ashley, the Stanley Brothers, Kenny Baker, Cephas & Wiggins, John Jackson, and members of the Hill Billies—the band whose name came to signify an entire genre of the earliest recorded roots music. This carefully curated volume is comprised of works previously scattered in liner notes, small-circulation magazines, tour booklets, and unpublished manuscripts, all collected here and organized by theme.
The writings of this legendary, internationally recognized figure will be indispensable to roots music fans and will delight readers and students interested in the traditional arts and dedicated to preserving historic folkways.
In Mainstreaming Fundamentalism: John R. Rice and Fundamentalism’s Public Reemergence, Keith Bates embarks on a thematic and chronological exploration of twentieth-century Baptist fundamentalism in postwar America, sharing the story of a man whose career intersected with many other leading fundamentalists of the twentieth century, such as J. Frank Norris, Bob Jones Sr., Bob Jones Jr., and Jerry Falwell.
Unique among histories of American fundamentalism, this book explores the theme of Southern fundamentalism’s reemergence through a biographical lens. John R. Rice’s mission to inspire a broad cultural activism within fundamentalism—particularly by opposing those who fostered an isolationist climate—would give direction and impetus to the movement for the rest of the twentieth century. To support this claim, Bates presents chapters on Rice’s background and education, personal and ecclesiastical separatism, and fundamentalism and political action, tracing his rise to leadership during a critical phase of fundamentalism’s development until his death in 1980.
Bates draws heavily upon primary source texts that include writings from Rice’s fundamentalist contemporaries, his own The Sword of the Lord articles, and his private papers—particularly correspondence with many nationally known preachers, local pastors, and laypeople over more than fifty years of Rice’s ministry. The incorporation of these writings, combined with Bates’s own conversations with Rice’s family, facilitate a deeply detailed, engaging examination that fills a significant gap in fundamentalist history studies.
Mainstreaming Fundamentalism: John R. Rice and Fundamentalism’s Public Reemergence provides a nuanced and insightful study that will serve as a helpful resource to scholars and students of postwar American fundamentalism, Southern fundamentalism, and Rice’s contemporaries.
Anne Wetzell Armstrong adored her adopted hometown. Born in Grand Rapids, Michigan, she moved with her family to the “West End” (Fort Sanders) area of Knoxville, Tennessee, in the 1880s, a pivotal decade for a city just getting past the trauma of the Civil War and becoming an economically diverse and culturally cosmopolitan center. Author of The Seas of God (1915), set in a thinly disguised Knoxville (called “Kingsville”), Armstrong was privileged, unconventional, and modern. She was divorced (she later married an Armstrong of Knoxville’s Bleak House), a single mother, and worked—not only as a teacher at Knoxville Girls High School but also in personnel with National City Company of New York and in industrial relations at Eastman Kodak. Her second novel, This Day and Time (1930), is regarded as the first fictional work to treat Appalachia realistically.
Journalist John Gunther’s 1946 description of Knoxville as the “ugliest city I ever saw in America” served as the impetus for Armstrong to pen a memoir of a city she remembered quite differently. Sophisticated and witty, Of Time and Knoxville provides lively, sometimes scandalous sketches of such well-known Knoxville figures as Lizzie Crozier French, Armstrong’s mentor and a leader in the woman’s suffrage movement; Perez Dickinson, businessman and owner of the socially popular Island Home farm (and cousin of Emily Dickinson); and Mary Boyce Temple, clubwoman, philanthropist, and socialite, whose home is preserved as the last extant single-family residence in downtown Knoxville. Complemented by Linda Behrend’s excellent introduction and meticulous annotations, this distinctive memoir also delivers an unusual picture of Knoxville’s beloved Market Square and vividly depicts fin de siècle Knoxville, with its great food at hotel restaurants and lively events at dance halls. Armstrong also details the tragic Flat Creek train wreck of 1889, which seriously injured her own father and led to his death five years later. Of Time and Knoxville is a must-read for lovers of Knoxville, Victorian America, women’s history, and memoir.
What can a cemetery tell us about the social and cultural dynamics of a place and time? Anthropologist Alison Bell suggests that cemeteries participate in the grassroots cultural work of crafting social connections, even as they test the transcendental durability of the deceased person and provide a measure of a culture’s values. In The Vital Dead, Bell applies this framework to the communities of Virginia’s Shenandoah Valley and the cemeteries that have both claimed them and, paradoxically, sustained them.
Bell surveys objects left on graves, images and epitaphs on grave markers, and other artifacts of material culture to suggest a landscape of symbols maintaining relationships across the threshold of death. She explores cemetery practice and its transformation over time and largely presents her interpretations as a struggle against alienation. Rich in evocative examples both contemporary and historical, Bell’s analysis stems from fieldwork interviews, archival sources, and recent anthropological theory. The book’s chapters range across cemetery types, focusing on African American burials, the grave sites of institutionalized individuals, and modern community memorials. Ultimately, The Vital Dead is an account of how lives, both famous and forgotten, become transformed and energized through the communities and things they leave behind to produce profound and unexpected narratives of mortality. Bell’s deft storytelling coupled with skill for scholarly analysis make for a fascinating and emotionally moving read.
Groundbreaking in its approach, The Vital Dead makes important contributions to cemetery and material culture studies, as well as the fields of anthropology, archaeology, history, geography, and folklore.
The stories Augusta Bell recounts take us from Oliver Springs—which had its origins in the grist mill Moses Winters built in 1799 and which later became a “boom town” with a fashionable resort hotel—to places like New River Valley, Graves Gap, and Duncan Flats. She depicts the everyday lives of the mountain people as well as the extraordinary events that sometimes shattered those lives—such as the Coal Creek War of 1891–93, in which miners squared off against state militia, and the two mine explosions that came a few years later, sealing up 268 men deep inside the mountain. Bell also tells of happier times, as when the famous Windrock Mine opened above Oliver Springs in 1909.
Tapping a rich lode of folklore and oral tradition, along with other historical sources, Circling Windrock Mountain offers a view of Appalachian life that defies old stereotypes. Far from being static, the communities described here saw an amazing variety of changes to which they adapted with resilience and ingenuity.
The Author: Augusta Grove Bell, a writer who now lives in Charlotte, North Carolina, has been a newspaper reporter and teacher. From 1958 to 1970, she lived in Anderson County, Tennessee, where she worked for the Oak Ridger and wrote feature stories that form much of the basis for this book.
Few figures in American political history are as reviled as Andrew Johnson, the seventeenth president of the United States. Taking office after the assassination of Abraham Lincoln, he clashed constantly with Congress during the tumultuous early years of Reconstruction. He opposed federally-mandated black suffrage and the Fourteenth Amendment and vetoed the Freedmen’s Bureau and Civil Rights bills.
In this new book, Paul H. Bergeron, a respected Johnson scholar, brings a new perspective on this often vilified figure. Previous books have judged Johnson out of the context of his times or through a partisan lens. But this volume—based on Bergeron’s work as the editor of The Papers of Andrew Johnson—takes a more balanced approach to Johnson and his career.
Admiring Johnson's unswerving devotion to the Union, Lincoln appointed him as military governor of Tennessee, a post, Bergeron argues, that enhanced Johnson's executive experience and his national stature. While governor, Johnson implemented the emancipation of slaves in the state and laid the foundation for a new civilian government. Bergeron also notes that Johnson developed a close connection with the president which eventually resulted in his vice-presidential candidacy. In many respects, therefore, Johnson's Civil War years served as preparation for his presidency. Bergeron moves beyond simplistic arguments based on Johnson’s racism to place his presidency within the politics of the day. Putting aside earlier analyses of the conflict between Johnson and the Republican Radicals as ideological disputes, Bergeron discusses these battles as a political power struggle. In doing so, he does not deny Johnson’s racism but provides a more nuanced and effective perspective on the issues as Johnson tried to pursue the “politics of the possible.”
Bergeron interprets Johnson as a strong-willed, decisive, fearless, authoritarian leader in the tradition of Andrew Jackson. While never excusing Johnson’s inflexibility and extreme racism, Bergeron makes the case that, in proper context, Johnson can be seen at times as a surprisingly effective commander-in-chief—one whose approach to the problems of reestablishing the Union was defensible and consistent.
With its fresh insight on the man and his times, Andrew Johnson’s Civil War and Reconstruction is indispensable reading for students and scholars of the U.S. presidency and the Civil War and Reconstruction periods.
This new book presents a synthesis of Tennessee history from earliest times to the present. Striking a balance of social, economic, and political perspectives, it moves from frontier times to early statehood, antebellum society through the Civil War to Reconstruction, then establishes Tennessee's place in the New South and in modern times. Full coverage is devoted to the Civil Rights era and to events in the later years of this century, including environmental issues. The text deals honestly with slavery and segregation and also corrects shortcomings of previous works by placing the state's history in the context of national issues and events within the South.
The authors introduce readers to famous personages like Andrew Jackson and Austin Peay, often using quotations to give them voice. They also tell stories of ordinary people and their lives to show how they are an integral part of history. Sidebars throughout the text highlight stories of particular interest, and reading lists at the end of chapters further enhance the text's utility.
Tennesseans and Their History was written for students needing a basic introduction to state history and to general readers looking for a lively introduction to Tennessee's past. Written to be entertaining as well as instructive, it makes the state's
history relevant to a new generation of Tennesseans.
The Authors: Paul H. Bergerson is professor of history at the University of Tennessee and the editor of The Papers of Andrew Johnson.
Stephen V. Ash is associate professor of history at the University of Tennessee and author of Middle Tennessee Transformed, 1860-1870: War and Peace in the Upper South.
Jeanette Keith is associate professor of history at Bloomsburg University and the author of Country People in the New South: Tennessee's Upper Cumberland.
As Kenneth J. Bindas points out, the FMP leadership was more conservative than that of the sister projects in art, theater, and writing. Its stated aim of "raising" the taste of musicians and citizens alike created a particular problem. Although many unemployed musicians came from the sphere of popular music, such as jazz and Tin Pan Alley, the FMP chose to emphasize "cultured" music, particularly the orchestral works of composers in the European classical tradition. Inevitably, this created tension within the project, as those musicians deemed "popular" received second-class treatment and, in the case of racial and ethnic minorities, were segregated and stereotyped. Despite these troubles, Bindas demonstrates, the FMP succeeded in bringing music to millions of listeners across the country.
“On the day that Archduke Franz Ferdinand, heir to the Austrian throne, was assassinated, Tennesseans worried about the weather,” Carole Bucy writes. Indeed, the war that began in Europe in 1914 was unimaginably remote from Tennessee—until it wasn’t.
Drawing on a depth of research into a wide array of topics, this vanguard collection of essays aims to conceptualize World War I through the lens of Tennessee. The book begins by situating life in Tennessee within the greater context of the war in Europe, recounting America’s growing involvement in the Great War. As the volume unfolds, editor Michael E. Birdwell and the contributors weave together soldier narratives, politics and agribusiness, African American history, and present-day recollections to paint a picture of Tennessee’s Great War experience that is both informative and gripping.
An essential addition to the broader historiography of the American experience during World War I, this collection of essays presents Tennessee stories that are close to home in more than just geography and lineage. By relating international conflict through the eyes of Tennessee’s own, editor Michael E. Birdwell and the contributing authors provide new opportunities for academics and general readers alike to engage with the Great War from a unique and—until now—untold perspective.
Randall D. Williams’s essay on the relatively unknown history of American Indians in the region opens the collection, followed by Michael Allen’s history of boating and river professions on the Cumberland River. Al Cross and David Cross illuminate the Republican politics of the Kentucky section of the Upper Cumberland, while Mark Dudney provides a first-of-its-kind look at the early careers of distinguished Tennesseans Cordell Hull and John Gore. Equally fresh is Mary A. Evins’s examination of the career of Congressman Joe L. Evins, and coeditor Michael E. Birdwell and John B. Nisbet III contribute an in-depth piece on John Catron, the Upper Cumberland’s first Supreme Court justice. Troy D. Smith’s essay on Champ Ferguson sheds new light on the Confederate guerilla. Birdwell’s second contribution, an exploration of the history of moonshine, provides insight into a venerable Cumberland tradition. Pairing well with Walker’s essay, Janey Dudney and coeditor W. Calvin Dickinson discuss the superstitions faced by early Upper Cumberland medical professionals. Closing out the grouping of medical articles is Dickinson’s second chapter, which tells the story of Dr. May Cravath Wharton and her contribution to the region’s health care. Laura Clemons explores the relationship between composer Charles Faulkner Bryan and his gifted African American pupil J. Robert Bradley during the Jim Crow era. Birdwell’s third chapter and the collection’s final essay examines race relations in the Upper Cumberland.
Offering a broad look at one of the most understudied regions of the Volunteer State, this significant addition to Tennessee history will prove insightful for students and academics with interdisciplinary and cross-historical interests.
In 1920, with their acquisition of Babe Ruth, the Yankees rose to prominence. With his power-hitting style attracting legions of new fans, the “Great Bambino” became a national hero of the Roaring Twenties. In contrast to Ruth’s flamboyance, his less flashy successors Lou Gehrig and Joe DiMaggio captured the spirit of striving and courage that carried America through the Depression and WWII years. The Pride of the Yankees, a popular movie celebrating Gehrig’s career, and the Hemingway novella The Old Man and the Sea, whose protagonist reveres DiMaggio, typified the trend.
Mirroring the nation’s postwar swagger and confidence, the club of the Mickey Mantle–era remained hugely popular, but “Yankee hating” set in as well. Novels like Mark Harris’s The Southpaw and Douglass Wallop’s The Year the Yankees Lost the Pennant signified a widespread resentment of the team’s outsized dominance. Amid the national turmoil of the 1960s, the Yankees also went into decline. In the following decades, as player salaries soared and team infighting grabbed headlines, the once-glowing portrayals of the team gave way to tell-all books like Ball Four and The Bronx Zoo. Yet, as this informative and entertaining book amply shows, the Yankees have, through all their ups and downs, retained a hold on the American imagination unmatched by any other sports franchise.
To help athletes in transition, Blackburn identifies “Three Pillars of the Cliff”—Mental Health, Physical Health, and Athlete Identity—and describes the issues that athletes have in each of these areas after they retire. After training, sacrificing, and devoting years, even decades, to a sport, athletes at every level will struggle within these three pillars. Blackburn believes that athletes must evolve from a competition mindset to a wellness mindset and match their new lifestyles in order to soften this transition into the real world. Fortunately, the “Inner Athlete” honed over many years of training and competition can show up as a “Parachute” as athletics recede, and other priorities rise to the forefront of their new life.
Ultimately, Blackburn proposes cycling as a foundation and universal tool to help retired athletes resolve a lingering loss of identity, mental health issues, such as anxiety and depression, and complications due to unchanged diet and exercise habits when they transition out of a performance-purposed existence. She advocates for fun community bike rides adjacent to sporting events and franchises to bring sports communities together around this critical yet overlooked topic for all athletes: life after competitive sports.
By examining the connection between authors and trends in child psychology, author Holly Blackford explains why many modern novels began to focus on child cognition as a site for intellectual and artistic exploration. In each chapter of this book, select novels of the late-nineteenth or twentieth century are paired with a specific moment or movement from the history of developmental psychology. Novels such as Mark Twain’s Huckleberry Finn and Henry James’s What Maisie Knew, or Radclyffe Hall’s less-canonical The Well of Loneliness and even Mark Haddon’s The Curious Incident of the Dog in the Night-Time, showcase major questions about human epistemology through their child characters. From Lewis Carroll’s Alice and her looking-glass to Richard Wright’s Bigger Thomas and the murder of Mary Dalton to the chaotic Neverland—symbolizing the unmappable child’s brain—a literary tradition of child consciousness has emerged as an experimental site for the unstable concepts of evolution, civilization, and development.
By situating literature about children within concurrent psychological discourses, Blackford demonstrates how the modern novel contributed to the world’s understanding of the boundless wonders and discernible limits of child consciousness.
How often does a novel earn its author both the Presidential Medal of Freedom, awarded to Harper Lee by George W. Bush in 2007, and a spot on a list of “100 best gay and lesbian novels”? Clearly, To Kill a Mockingbird, Lee’s Pulitzer Prize–winning tale of race relations and coming of age in Depression-era Alabama, means many different things to many different people. In Mockingbird Passing, Holly Blackford invites the reader to view Lee’s beloved novel in parallel with works by other iconic American writers—from Emerson, Whitman, Stowe, and Twain to James, Wharton, McCullers, Capote, and others. In the process, she locates the book amid contesting literary traditions while simultaneously exploring the rich ambiguities that define its characters.
Blackford finds the basis of Mockingbird’s broad appeal in its ability to embody the mainstream culture of romantics like Emerson and social reform writers like Stowe, even as alternative canons—southern gothic, deadpan humor, queer literatures, regional women’s novels—lurk in its subtexts. Central to her argument is the notion of “passing”: establishing an identity that conceals the inner self so that one can function within a closed social order. For example, the novel’s narrator, Scout, must suppress her natural tomboyishness to become a “lady.” Meanwhile, Scout’s father, Atticus Finch, must contend with competing demands of thoughtfulness, self-reliance, and masculinity that ultimately stunt his effectiveness within an unjust society. Blackford charts the identity dilemmas of other key characters—the mysterious Boo Radley, the young outsider Dill (modeled on Lee’s lifelong friend Truman Capote), the oppressed victim Tom Robinson—
in similarly intriguing ways. Queer characters cannot pass unless, like the narrator, Miss Maudie, and Cal, they split into the “modest double life.”
In uncovering To Kill a Mockingbird’s lively conversation with a diversity of nineteenth- and twentieth-century writers and tracing the equally diverse journeys of its characters, Blackford offers a myriad of fresh insights into why the novel has retained its appeal for so many readers for over fifty years. At once Victorian, modern, and postmodern, Mockingbird passes in many canons.
Holly Blackford, an associate professor of English at Rutgers University–Camden, has published extensively in the fields of American literature and children’s literature.
Decisions at Franklin explores the critical decisions made by Confederate and Union commanders during the battle and how these decisions shaped its outcome. Rather than offering a history of the battle, Andrew Bledsoe hones in on a sequence of critical decisions made by commanders on both sides of the contest to provide a blueprint of the Battle of Franklin at its tactical core. Identifying and exploring the critical decisions in this way allows students of the battle to progress from a knowledge of what happened to a deep understanding of why events
happened.
Complete with maps and a driving tour, Decisions at Franklin is an indispensable primer, and readers looking for a concise introduction to the battle can tour this sacred ground—or read about it at their leisure—with key insights into the campaign and a greater understanding of the Civil War itself.
Decisions at Franklin is the fifteenth in a series of books that will explore the critical decisions of major campaigns and battles of the Civil War.
The impact of St. Mark’s Community Center and United Methodist Church on the city of New Orleans is immense. Their stories are dramatic reflections of the times. But these stories are more than mere reflections because St. Mark’s changed the picture, leading the way into different understandings of what urban diversity could and should mean. This book looks at the contributions of St. Mark’s, in particular the important role played by women (especially deaconesses) as the church confronted social issues through the rise of the social gospel movement and into the modern civil rights era.
Ellen Blue uses St. Mark’s as a microcosm to tell a larger, overlooked story about women in the Methodist Church and the sources of reform. One of the few volumes on women’s history within the church, this book challenges the dominant narrative of the social gospel movement and its past.
St. Mark’s and the Social Gospel begins by examining the period between 1895 and World War I, chronicling the center’s development from its early beginnings as a settlement house that served immigrants and documenting the early social gospel activities of Methodist women in New Orleans. Part II explores the efforts of subsequent generations of women to further gender and racial equality between the 1920s and 1960. Major topics addressed in this section include an examination of the deaconesses’ training in Christian Socialist economic theory and the church’s response to the Brown decision. The third part focuses on the church’s direct involvement in the school desegregation crisis of 1960 , including an account of the pastor who broke the white boycott of a desegregated elementary school by taking his daughter back to class there. Part IV offers a brief look at the history of St. Mark’s since 1965.
Shedding new light on an often neglected subject, St. Mark’s and the Social Gospel will be welcomed by scholars of religious history, local history, social history, and women’s studies.
Winner of the 2022 North American Society for Sport History Book Award!
The early history of soccer in the United States has received relatively little scholarly attention. While the sport’s failure to make cultural inroads has been the source of much reflection and retrospection, other pastimes such as baseball, basketball, and American football have been covered far more extensively. Soccer Frontiers helps to fill this gap and correct the widespread notion that soccer was unfamiliar in the United States before thelate twentieth century.
Editors Chris Bolsmann and George N. Kioussis’s collection sheds light on America’s little-known soccer history by focusing on the game’s presence in major American cities between 1863 and 1913. As waves of immigrants arrived and American cities began to industrialize and become sizable cultural hubs, soccer, too, began to flourish. With essays focused on the years between the Civil War and World War I—a period which saw the creation of both the English Football Association and the US Soccer Federation—this volume also offers diverse regional representation, moving from New England to the South to the West Coast.
Soccer Frontiers seeks to identify the distinctive yet understudied traits of American soccer, thereby contributing an important missing piece to the broader puzzle of American sport history.
CHRIS BOLSMANN is a professor in the Department of Kinesiology at California State University, Northridge. He is coauthor, with Dilwyn Porter, English Gentlemen and World Soccer: Corinthians, Amateurism and the Global Game and coeditor of two books with Peter Alegi: Africa’s World Cup: Critical Reflections on Play, Patriotism, Spectatorship, and Space and South Africa and the Global Game: Football, Apartheid and Beyond.
GEORGE N. KIOUSSIS is an assistant professor in the Department of Kinesiology at California State University, Northridge. His work has appeared in the Journal of Sport History, Sport in History, the International Review for the Sociology of Sport, and Soccer & Society. He currently serves as an editor for Sport in History.
Winner of the 2021 John Lyman Book Award from the North American Society for Oceanic History!
Swashbuckling stories of the Union naval blockade of the Southern states and the blockade runners who smuggled goods to the Confederacy have long been a part of the romanticized image of the Civil War. Throughout the war, Lincoln’s blockade and attempts to breach it touched nearly every aspect of the war effort. The Union prevented crucial material from reaching Confederate forces, while blockade runners smuggled hundreds of thousands of guns to rebel armies. No other military campaign lasted as long or had as many long-term consequences on the outcome of the Civil War.
Covering more than three thousand miles of Southern coastline and employing the services of 100,000 sailors, the blockade was a massive undertaking largely dictated by two Atlantic powers: Great Britain and the United States. Michael Bonner and Peter McCord build on the extensive scholarship of the blockade and incorporate previously unexamined British primary sources to deliver a fresh analysis of the Union blockade, blockade-running, and a reassessment of the blockade’s effectiveness. Their multifaceted study reassesses several key aspects of a “critical component of Union strategy,” including diplomatic and legal issues and the significance of the Confederacy’s reliance on European supplies to sustain the war effort.
The authors present statistics showing that the blockade was not nearly as effective as is commonly believed; moreover, its successes against steam-powered blockade runners actually decreased as the war went on. The diversity and comprehensiveness of coverage makes The Union Blockade in the American Civil War an essential work for Civil War historians and students.
“Bowen has probed the working of Andrew Johnson’s mind. His analysis illuminates the character of East Tennessee’s tailor president and the contradictions—as well as the consistency—of his policies toward slavery and toward blacks.”— LaWanda Cox, author of Lincoln and Black Freedom: A Study in Presidential Leadership
Andrew Johnson, who was thrust into the office of presidency by Lincoln’s assassination, described himself as a “friend of the colored man.” Twentieth century historians have assessed Johnson’s racial attitudes differently.
In his revisionist study, David Bowen explores Johnson’s racist bias more deeply than other historians to date, and maintains that racism was, in fact, a prime motivator of his policies as a public official. A slave owner who defended the institution until the Civil War, Jonson accepted emancipation. Once Johnson became president, however, his racial prejudice reasserted itself as a significant influence on his Reconstruction policies.
Bowen’s study deftly analyzes the difficult personality of the seventeenth president and the political influences that molded him. This portrait of a man who, despite his many egalitarian notions, practiced racism, will intrigue historians and readers interested in Civil War and Reconstruction history alike.
The Author: David Warren Bowen, formerly on the staff of The Papers of Andrew Johnson, teaches history at Livingston University
This book presents archaeology addressing all periods in the Native Southeast as a tribute to the career of Jefferson Chapman, longtime director of the Frank H. McClung Museum of Natural History and Culture at the University of Tennessee, Knoxville. Written by Chapman’s colleagues and former students, the chapters add to our current understanding of early native southeastern peoples as well as Chapman’s original work and legacy to the field of archaeology. Some chapters review, reevaluate, and reinterpret archaeological evidence using new data, contemporary methods, or alternative theoretical perspectives— something that Chapman, too, fostered throughout his career. Others address the history and significance of archaeological collections curated at the Frank H. McClung Museum of Natural History and Culture, where Chapman was the director for nearly thirty years. The essays cover a broad range of archaeological material studies and methods and in doing so carry forth Chapman’s legacy.
In 1954, Anne and Carl Braden bought a house in an all-white neighborhood in Louisville, Kentucky, on behalf of a black couple, Andrew and Charlotte Wade. The Wall Between is Anne Braden's account of what resulted from this act of friendship: mob violence against the Wades, the bombing of the house, and imprisonment for her husband on charges of sedition.
A nonfiction finalist for the 1958 National Book Award, The Wall Between is one of only a few first-person accounts from civil rights movement activists—even rarer for its author being white. Offering an insider's view of movement history, it is as readable for its drama as for its sociological importance. It contains no heroes or villains, according to Braden—only people urged on by forces of history that they often did not understand.
In an epilogue written for this edition, the author traces the lives of the Bradens and Wades subsequent to events in the original book and reports on her and her husband's continuing activities in the Civil Rights movement, including reminiscences of their friendship with Martin Luther King. Looking back on that history, she warns readers that the entire nation still must do what white Southerners did in the 1950s to ensure equal rights: turn its values, assumptions, and policies upside down.
In his foreword to this edition, Julian Bond reflects on the significance of the events Anne describes and the importance of the work the Bradens and others like them undertook. What's missing today, he observes, is not Wades who want a home but Bradens who will help them fight for one. Anne and Carl Braden showed that integrated groups fight best for an integrated world, and The Wall Between is a lasting testament to that dedication.
The Author: Ann Braden was born in Louisville, Kentucky, and worked as a newspaper reporter and a public relations agent for trade unions. She served as a delegate to the 1984 and 1988 Democratic National Conventions and has been a visiting professor at Northern Kentucky University, where she teaches civil rights history. She continues to work with the Kentucky Alliance against Racial and Political Repression.
[Gene: edit for book cover by deleting last sentences of second and third paragraphs, last two of fourth.
The Bond foreword isn't exactly bristling with quotes. The only drawback to the one I selected is that the reference to 1999 might tend to date the book if you use it on the back cover. Do you think you could legitimately edit it to read "even more today"?]
The Tullahoma Campaign took place in Middle Tennessee, setting Union General William S. Rosecrans’s Army of the Cumberland against Confederate General Braxton Bragg’s Army of Tennessee. Rosecrans’s objective was to force the Confederate Army to vacate Middle Tennessee and put pressure on Chattanooga. Through a series of maneuvers, rather than battles, he achieved his goal; however, Union victories at Vicksburg and Gettysburg would overshadow his success.
Decisions of the Tullahoma Campaign introduces readers to critical decisions made by Confederate and Union commanders throughout that eventful summer of 1863. Rather than offering a history of the Tullahoma Campaign, Michael R. Bradley hones in on a sequence of critical decisions confronting commanders on both sides of the clash to provide a blueprint of the campaign at its tactical core. Identifying and exploring the critical decisions in this way allows students of the campaign to progress from a rudimentary sense of the what of warfare, to a mature grasp of why.
Complete with maps and a driving tour, Decisions of the Tullahoma Campaign is an indispensable primer, and readers looking for a concise introduction to the Tullahoma Campaign can tour this sacred ground—or read about it at their leisure—with key insights into the campaign and a deeper understanding of the Civil War itself.
Decisions of the Tullahoma Campaign is the eighth in a series of books that will explore the critical decisions of major campaigns and battles of the Civil War.
Brady doesn't resort to dissecting poems here, though poems-his own and those of many of his masters, from Yeats to Tu Fu-do appear. Instead, the poetic language of his observations seems to fulfill a greater purpose: “Voiced, the poem is transfigured from a printed glyph to sensory language: ephemeral, but with a tensile strength derived from the collective memory that births it. Critics may feel differently, but what matters to a poem is not how many times it is reprinted, but how deeply it penetrates the heart.”
These essays are meditations grounded in the author's life as a poet, teacher, publisher, musician, traveler, and organizer. In one, readers encounter non-traditional students who attend class after work and whose lives are already shaped by burden. Brady recognizes the tension between reading poetry as an academic exercise and reading it for its power to endow all people with a broader sense of the self that is informed by both the dead and the living. He celebrates the challenges that his students bring to the classroom by forging headlong into discussions that other instructors would cringe at-as when a student declares that he doesn't like reading old poetry but instead likes greeting-card poems. Brady masterfully turns this potentially deflating moment into one that is both validating and deeply inspiring-for student and reader.
In June of 1863, Col. William P. Sanders led a cavalry raid of 1,300 men from the Union Army of the Ohio through Confederate-held East Tennessee. The raid severed the Confederate rail supply line from Virginia to the Western Theater and made national headlines. Until now, this incredible feat has been relegated to a footnote in the voluminous history of the American Civil War.
In Yankee Commandos, Stuart Brandes presents readers with the most complete account of the Sanders raid to date by using newly discovered and under-explored materials, such as Sanders’s official reports and East Tennessee diaries and memoirs in which Sanders is chronicled. The book presents important details of a cavalry raid through East Tennessee that further turned the tide of war for the Union in the Western Theater. It also sheds light on the raid’s effect on the divided civilian population of East Tennessee, where, unlike the largely pro-secession populations of Middle and West Tennessee, the fraction of enlisted men to the Union cause rose to nearly a quarter.
Colonel Sanders remains an enigma of the American Civil War. (He was a cousin of Confederate president Jefferson Davis, and his father and three brothers donned Confederate gray at the outbreak of the war.) By studying the legend of Sanders and his raid, Brandes fills an important gap in Civil War scholarship and in the story of Unionism in a mostly Confederate-sympathizing state.
From 1863 through 1868, Fauconnet maintained a copybook of his official correspondence with the French Ministry of State. These confidential dispatches, collected for the first time in this valuable volume, provide not only a panoramic view of the Civil War and Reconstruction on the Gulf Coast but also new and important information on the transnational aspects of America’s Civil War.
Eager to explain complicated issues to a French government concerned over the fate of one of its former territories, Fauconnet painstakingly laid out what was happening in New Orleans by drawing on war news, newspaper columns, and summaries of speeches and promises of Union commanding officers. His commentary peeled away the layers of contradiction and moral dilemmas that confronted citizens of Southern, Northern, and French heritages during the war years and early postwar period. Among the topics he considered were whether emancipated slaves deserved the same rights as naturalized citizens, the state of the cotton market, and the harassment of French-speaking immigrants by both Union and Confederate authorities. Informative and detailed, Fauconnet’s communications became increasingly acerbic and uneasy as he documented and explained the Civil War to officials in his faraway homeland.
Breathtaking in its geographic scope and topical breadth, thanks in part to the acute observational and reporting skills of its author, Fauconnet’s correspondence offers a unique and thoroughly fascinating francophone perspective on New Orleans during some of the most tumultuous years in U.S. history.
CARL BRASSEAUX is the author of over thirty books related to the French presence in the Gulf Coast, including Refuge for All Ages: Immigration in Louisiana History; French Cajun, Creole, Houma: A Primer on Francophone Louisiana; and Stir the Pot: The History of Cajun Cuisine. Until his recent retirement, he was director of the Center for Louisiana Studies and professor of history at the University of Louisiana at Lafayette.
KATHERINE CARMINES MOONEY, a Ph.D. candidate at Yale University, is a specialist in nineteenth-century history. Her research includes the history of thoroughbred horse-racing culture from 1820 to 1910.
“Want to know what wilderness means to people who live it for over two thousand miles? Then read this extremely interesting, informative, intelligent, and thoughtful book.” —Roger S. Gottlieb, author of Engaging Voices: Tales of Morality and Meaning in an Age of Global Warming
“There is no doubt that Bratton’s book will be of value to students and scholars of leisure studies, recreation, and religion. Those who are familiar with the Appalachian Trail sense intuitively that a journey along its length kindles spiritual awakening; this book provides the hard data to prove it’s true.” —David Brill, author of As Far as the Eye Can See: Reflections of an Appalachian Trail Hiker
The Appalachian Trail covers 2,180 miles, passing through fourteen states from Georgia to Maine. Each year, an estimated 2–3 million people visit the trail, and almost two thousand attempt a “thru-hike,” walking the entire distance of the path. For many, the journey transcends a mere walk in the woods and becomes a modern-day pilgrimage.
In The Spirit of the Appalachian Trail: Community, Environment, and Belief, Susan Power Bratton addresses the spiritual dimensions of hiking the Appalachian Trail (AT). Hikers often comment on how their experience as thru-hikers changes them spiritually forever, but this is the first study to evaluate these religious or quasireligious claims critically. Rather than ask if wilderness and outdoor recreation have benefits for the soul, this volume investigates specifically how long-distance walking might enhance both body and mind.
Most who are familiar with the AT sense intuitively that a trek along its length kindles spiritual awakening. Using both a quantitative and qualitative approach, this book provides the hard data to support this notion. Bratton bases her work on five sources: an exhaustive survey of long-distance AT hikers, published trail diaries and memoirs, hikers? own logs and postings, her own personal observations from many years on the trail, and conversations with numerous members of the AT community, including the “trail angels,” residents of small towns along the path who attend to hikers? need for food, shelter, or medical attention.
The abundant photographs reinforce the text and enable visualization of the cultural and natural context. This volume is fully indexed with extensive reference and notes sections and detailed appendixes. Written in an engaging and accessible style, The Spirit of the Appalachian Trail presents a full picture of the spirituality of the AT.
Susan Power Bratton is professor of environmental studies. She is the author of Six Billion and More: Human Population Regulation and Christian Ethics, Environmental Values in Christian Art, and Christianity, Wilderness, and Wildlife: The Original Desert Solitaire.
“Want to know what wilderness means to people who live it for over two thousand miles? Then read this extremely interesting, informative, intelligent, and thoughtful book.” —Roger S. Gottlieb, author of Engaging Voices: Tales of Morality and Meaning in an Age of Global Warming
“There is no doubt that Bratton’s book will be of value to students and scholars of leisure studies, recreation, and religion. Those who are familiar with the Appalachian Trail sense intuitively that a journey along its length kindles spiritual awakening; this book provides the hard data to prove it’s true.” —David Brill, author of As Far as the Eye Can See: Reflections of an Appalachian Trail Hiker
The Appalachian Trail covers 2,180 miles, passing through fourteen states from Georgia to Maine. Each year, an estimated 2–3 million people visit the trail, and almost two thousand attempt a “thru-hike,” walking the entire distance of the path. For many, the journey transcends a mere walk in the woods and becomes a modern-day pilgrimage.
In The Spirit of the Appalachian Trail: Community, Environment, and Belief, Susan Power Bratton addresses the spiritual dimensions of hiking the Appalachian Trail (AT). Hikers often comment on how their experience as thru-hikers changes them spiritually forever, but this is the first study to evaluate these religious or quasireligious claims critically. Rather than ask if wilderness and outdoor recreation have benefits for the soul, this volume investigates specifically how long-distance walking might enhance both body and mind.
Most who are familiar with the AT sense intuitively that a trek along its length kindles spiritual awakening. Using both a quantitative and qualitative approach, this book provides the hard data to support this notion. Bratton bases her work on five sources: an exhaustive survey of long-distance AT hikers, published trail diaries and memoirs, hikers? own logs and postings, her own personal observations from many years on the trail, and conversations with numerous members of the AT community, including the “trail angels,” residents of small towns along the path who attend to hikers? need for food, shelter, or medical attention.
The abundant photographs reinforce the text and enable visualization of the cultural and natural context. This volume is fully indexed with extensive reference and notes sections and detailed appendixes. Written in an engaging and accessible style, The Spirit of the Appalachian Trail presents a full picture of the spirituality of the AT.
Susan Power Bratton is professor of environmental studies. She is the author of Six Billion and More: Human Population Regulation and Christian Ethics, Environmental Values in Christian Art, and Christianity, Wilderness, and Wildlife: The Original Desert Solitaire.
Woolson grew up in Cleveland, Ohio, and began her career writing regional travel stories about the closing of the American frontier in the old Northwest Territories (now known as the Great Lakes region). During the Civil War, she worked for a variety of Union causes and in 1873 moved to St. Augustine, Florida. Traveling throughout the South, she wrote stories and travel narratives that highlighted the wholesale changes facing Americans after the Civil War.
In 1879, Woolson left the United States for Europe. There, she engaged her passion for nature and exercised her gift for social satire. In her European writings, she deplored the Americans’ slavish devotion to the ubiquitous guidebooks of the nineteenth century, and she chose instead to spend long periods of time in one place in order to better learn about it. Throughout her time in Europe (including visits to North Africa), Woolson often commented that she could not describe landscapes, only experience them. By the time of her death in Venice at age fifty-three, she had become convinced that the colonial agendas of the United States and Europe would transform landscapes and peoples in far-reaching and ultimately dangerous ways.
This collection features selections from each of the three distinct periods of Woolson’s career and includes a chronology of her life and travels. Focusing primarily on Woolson’s short stories, editors Victoria Brehm and Sharon L. Dean also include a representative letter, poem, and travel sketch for each section.
Victoria Brehm is associate professor of English at Grand Valley State University. She is editor of three anthologies, including “A Fully Accredited Ocean”: Essays on the Great Lakes and Sweetwater, Storms, and Spirits: Stories of the Great Lakes.
Sharon L. Dean is professor of English at Rivier College and is author of Constance Fenimore Woolson: Homeward Bound and Constance Fenimore Woolson and Edith Wharton: Perspectives on Landscape and Art.
“Carson Brewer at his absolute best.” – Sam Venable
Carson Brewer on…
Mountain places
Snow was nice and crunchy underfoot. Not crunchy like peanuts or cornflakes. Rather, it was a silky whispery crunchy.
Mountain plants
You can bury your nose deep in the cool violet bed and smell the mix of life and death while pondering the unceasing cycle of each into the other.
Mountain People
Lem Ownby…has plowed oxen, mules, and horses on the forty-four acre farm on Jakes Creek. But he has never owned or driven an automobile.
The Author: Carson Brewer was a reporter and columnist for more than forty years. His columns on conservation issues and on the Great Smoky Mountains earned him the E.J. Meeman Conservation Award (twice) from the Scripps-Howard Foundation, the Golden Press Card award from the Society of Professional Journalists (which also named a scholarship in his honor in 1984), and the inaugural Lifetime Achievement Award from the Knoxville Writers Guild. He died on January 15, 2003.
Starting with the de Soto map of 1544, the earliest document that purports to describe anything about the Great Smoky Mountains, and continuing through 1934 with the establishment of the Great Smoky Mountains National Park—today the most visited national park in the United States—this volume catalogs books, periodical and journal articles, selected newspaper reports, government publications, dissertations, and theses published during that period.
This bibliography treats the Great Smoky Mountain Region in western North Carolina and east Tennessee systematically and extensively in its full historic and social context. Prefatory material includes a timeline of the Great Smoky Mountains and a list of suggested readings on the era covered. The book is divided into thirteen thematic chapters, each featuring an introductory essay that discusses the nature and value of the materials in that section. Following each overview is an annotated bibliography that includes full citation information and a bibliographic description of each entry.
Chapters cover the history of the area; the Cherokee in the Great Smoky Mountains; the national forest movement and the formation of the national park; life in the locality; Horace Kephart, perhaps the most important chronicler to document the mountains and their inhabitants; natural resources; early travel; music; literature; early exploration and science; maps; and recreation and tourism. Sure to become a standard resource on this rich and vital region, Terra Incognita is an essential acquisition for all academic and public libraries and a boundless resource for researchers and students of the region.
Based on years of research, the diaries, memoirs, literature, and journalism collected here shed light on various historical and cultural aspects of the Great Smokies, from Smoky Mountain folkways and religion, to the Civil War era and the Cherokee Indians. All together, the writings pay tribute to the diverse inhabitants of the Great Smoky Mountains.
Each section gathers writings under a single topic heading and progresses chronologically. The readings can thus be taken to document the slow progression of change up until the eve of the large-scale disruptions that would be wrought by the establishment of the Great Smoky Mountains National Park in 1934. This reader represents a significant contribution to scholarship on the Smokies and the region at large.
In Searching for Woody Guthrie, Ron Briley embarks on a chronological exploration of Guthrie’s music in the vein of American radicalism and civil rights. Briley begins this journey with an overview of five key periods in Guthrie’s life and, in the chapters that follow, analyzes his political ideas through primary and secondary source materials.
While numerous biographies on Woody Guthrie exist—including Guthrie’s own 1943 autobiography—this book takes a different approach. Less biographical and more thematic in nature, Searching for Woody Guthrie centers around Guthrie’s faith in the common working people of America, bringing together People’s Daily World “Woody Sez” newspaper columns, Guthrie centennial secondary source texts, research in the Woody Guthrie Archives, and Briley’s own personal reflections to present a narrative that is at once personal to the author and relatable to America’s rural working class.
Interlacing Guthrie’s music with his own geographic and economic background, Briley presents an original and eloquent chronology of Guthrie’s life and work in what amounts to a compelling new case for why that work, more than fifty years after Guthrie’s death, continues to leave its mark.
As Far as the Eye Can See: Reflections of an Appalachian Trail Hiker, now in its fifth (thirtieth-anniversary) edition and eighth printing, was recently released by the University of Tennessee Press. The new edition features a new preface on Brill’s 2019 40th-anniversary reunion in Maine with his AT buddies, as well as prefaces to earlier editions and three bonus chapters that bring Brill’s continuing connection with the trail to near the present.
In the years following release of As Far as the Eye Can See, first-person accounts of hiking the trail burgeoned into a literary genre, but Brill’s book was among the first to capture the physical and spiritual aspects of the long journey across fourteen states.
Brill and his fellow hikers, who are all portrayed in the book, were relatively early devotees on a pilgrimage that, within a few decades, would become a popular rite of passage. Indeed, by the end of 1979, a mere 837 people had reported finishing the entire AT route over the trail’s then 42-year history. The total now easily exceeds 20,000.
Brill credits his trail experiences with inspiring his career as a magazine journalist and book author and providing the theme for much of his subsequent writing on nature and adventure travel. The trail also did much to shape his enduring values and beliefs.
“Though it took me a while to realize it, the trail had shaped me, had given me a philosophy, had toughened me in some ways, had softened me in others, and taught me lessons I will never forget: lessons on survival, kindness, strength, friendship, courage, perseverance, and the ways of nature,” Brill writes in the book’s final chapter, “Coming Home.” “Those lessons have affected everything I’ve done since.”
Readers find that Brill’s experiences and observations on the healing power of nature from forty years ago are equally relevant in today’s world.
The book’s first edition received widespread critical acclaim. The San Francisco Book Reader wrote: “Evocatively written gems of observation full of native wisdom brimming over with thoughts and exploits…. You read and read again, this book is that rich.” Many other reviewers have commended the book on its honest portrayal of the trail experience and the literary quality of its prose. In its review, The Roanoke Times effused “Thoreau lives!”
“It is a seminal work and is ‘must reading’ for anyone seriously interested in the early interpretation of the Great Smoky Mountains.”—Arthur McDade, author of The Natural Arches of the Big South Fork
First published in a limited edition in 1975 by the author’s widow and now available in paperback for the first time, Out Under the Sky of the Great Smokies brings together the personal journals of a great environmentalist and nature writer.
The book combines descriptions of Broome’s innumerable hikes in the Great Smoky Mountains with extended meditations on the meaning of the mountains to the region as a whole. It is at once a historical document, preserving a perspective on the Smokies before full-scale development of the national park, and a work whose message about the importance of the environment is even more timely today than when it first appeared.
In a foreword written especially for this edition, the noted environmental writer Michael Frome describes the book as “a timeless work,” adding, “Here we find Harvey, the wilderness apostle on his home turf. He reveals himself exactly as I knew and loved him: a gentle spirit, sensitive to the needs of nature and humankind, always with tolerance and good humor.”
The Author: Harvey Broome (1902–1968) was born in Knoxville, Tennessee, and discovered the Great Smoky Mountain at an early age. An attorney, he helped found the Wilderness Society and served as president of the Smoky Mountains Hiking Club. He was the author of two other posthumously published books, Faces of the Wilderness and Harvey Broome: Earth Man.
These works encompass a variety of themes that, collectively, capture the essence of Appalachia: love of the land, family ties, and the struggle to blend progress with heritage. Readers will enjoy this book not just for the innate value of good literature but also for the insights it provides into this fascinating area. This book of fiction is an enlightening companion to non-fiction overviews of the region, including the Encyclopedia of Appalachia and A Handbook to Appalachia: An Introduction to the Region, both published by the University of Tennessee Press in 2006. In fact the five sections of this book are the same as those of the Encyclopedia.
Educators and students will find this book especially appropriate for courses in creative writing, Appalachian studies and Appalachian literature. Editor George Brosi’s foreword presents an historical overview of Appalachian Literature, while Kate Egerton and Morgan Cottrell’s afterword offers a helpful guide for studying Appalachian literature in a classroom setting.
Kate Egerton is an associate professor of English at Berea College. She has taught Appalachian literature and published scholarship in that field as well as in modern drama.
Samantha Cole majored in Appalachian Studies and worked for Appalachian Heritage while a student at Berea College. Morgan Cottrell is a West Virginia native who took Kate Egerton's Appalachian literature class at Berea College.
Before the Civil War, Germantown had become a thriving cultural, commercial, and political center. Its elite and middle-class White families had full access to the cultural and social life of Memphis, as well as local private academies and collegiate institutions that hosted enriching events. Its appealing inns, taverns, and mineral springs allowed for festive social mixing of all classes. As an emerging industrial and commercial center of a rich cotton-growing district in the 1850s, Germantown’s decline after the war would have been unimaginable before the war. Thus, this monograph paints a picture of a vibrant community whose brilliancy was extinguished and almost entirely forgotten.
Yet, Germantown’s economic and political decline, caused by a number of factors, is not the most interesting part of its story. Meticulously documented and richly illustrated with maps and data, this book reveals the impacts of surviving a theater of guerrilla war, of emancipation, of social and political Reconstruction, and a disastrous Yellow Fever epidemic on all of Germantown’s people—psychologically, socially, and culturally. The damage struck far deeper than economic destruction and loss of life. A peaceful and harmonious society crumbled. Germantown during the Civil War Era is sure to be of interest not just to Shelby County residents, or students of the Civil War, but also to anyone interested in the racial and social history of the Volunteer state.
Drawing on previous research and her own original fieldwork, the author develops a definition of the tall tale as a genre of folklore, and she then explores how tall tale methods and meanings have been translated into literary humor.
The work moves from the Crockett Almanacs, sketches, newspaper hoaxes, and frontier frame tales to present new readings of such standard works as George Washington Harris’ Sut Lovingood and Mark Twain’s Autobiography.
Brown views the tall tale as a challenge and an entertainment as well as a story that identifies and binds a folk group and helps people to cope with a stressful world.
—Joanne Wagner, Anthropological Quarterly
How do customs surrounding the preparation and consumption of food define minorities within a population? The question receives fascinating and multifaceted answers in this book, which considers a smorgasbord of dishes that sustain group identity and often help to bridge inter-group barriers.
The essays explore the symbolic meaning of shared foodways in interpreting inter- and intra-group behavior, with attention to theoretical problems and the implications of foodways research for public policy. Topics receiving rewarding analysis in this volume include food festivals, modes of food preparation, meal cycles, seasonal celebrations, nutrition education, and the government's inattention to ethnic customs in forumlating its food policies.
One of the most gifted of America’s writers, James Rufus Agee (1909–1955), spent a third of his short life in Tennessee, yet no biographical treatment until this one has so fully explored his roots in the state. In Rufus, Paul F. Brown draws deeply on a trove of journals, letters, interviews, and contemporaneous newspaper accounts, to produce a captivating portrait of Agee’s boyhood.
Brown meticulously delineates Agee’s family history, his earliest years as a sensitive child growing up in Knoxville’s Fort Sanders neighborhood, and the traumatic event that marked his sixth year: his father’s death in an automobile accident. Young Rufus—as his family always called him—revered his father and would use his memories of the tragedy to create his most enduring work of fiction, the Pulitzer Prize–winning A Death in the Family. Just a few years after his father was killed, Agee’s mother placed him in the St. Andrew’s School for Mountain Boys near Sewanee, Tennessee, where he would meet his mentor and lifelong friend, Father James Flye; these experiences would inspire Agee’s poignant novella, The Morning Watch. Another year in Knoxville followed, and then his mother, newly remarried, whisked him away to New England, where he would complete his education at Phillips Exeter Academy and Harvard.
Brown’s account deftly reconstructs various settings the young Agee encountered—including not only turn-of-the-century Knoxville and St. Andrew’s but also the mountain hamlet of LaFollette, his father’s hometown—and the complex family relationships that swirled around the young writer-to-be. Brown also explores Knoxville’s belated discovery of its famous son, initiated when Hollywood came to town in 1962 to film All the Way Home, an adaptation of A Death in the Family. Notable commemorations—including academic seminars, a public park, and a street named in Agee’s honor—would come later as the writer’s posthumous reputation bloomed. And now, with Rufus, we have the definitive account of how it all began.
The Escape centers on the attempted sexual violation of a slave and involves many characters of mixed race, through which Brown commented on such themes as moral decay, white racism, and black self-determination. Rich in action and faithful in dialect, it raises issues relating not only to race but also to gender by including concepts of black and white masculinity and the culture of southern white and enslaved women. It portrays a world in which slavery provided a convenient means of distinguishing between the white North and the white South, allowing northerners to express moral sentiments without recognizing or addressing the racial prejudice pervasive among whites in both regions.
John Ernest’s introductory essay balances the play's historical and literary contexts, including information on Brown and his career, as well as on slavery, abolitionism, and sectional politics. It also discusses the legends and realities of the Underground Railroad, examines the role of antebellum performance art—including blackface minstrelsy and stage versions of Uncle Tom's Cabin—in the construction of race and national identity, and provides an introduction to theories of identity as performance.
A century and a half after its initial appearance, The Escape remains essential reading for students of African American literature. Ernest's keen analysis of this classic play will enrich readers’ appreciation of both the drama itself and the era in which it appeared.
World War II shaped the United States in profound ways, and this new book--the first in the Legacies of War series--explores one of the most significant changes it fostered: a dramatic increase in ethnic and religious tolerance. A Nation Forged in War is the first full-length study of how large-scale mobilization during the Second World War helped to dissolve long-standing differences among white soldiers of widely divergent backgrounds.
Never before or since have so many Americans served in the armed forces at one time: more than 15 million donned uniforms in the period from 1941 to 1945. Thomas Bruscino explores how these soldiers' shared experiences--enduring basic training, living far from home, engaging in combat--transformed their views of other ethnic groups and religious traditions. He further examines how specific military policies and practices worked to counteract old prejudices, and he makes a persuasive case that throwing together men of different regions, ethnicities, religions, and classes not only fostered a greater sense of tolerance but also forged a new American identity. When soldiers returned home after the war with these new attitudes, they helped reorder what it meant to be white in America.
Using the presidential campaigns of Al Smith in 1928 and John F. Kennedy in 1960 as bookend events, Bruscino notes a key change in religious bias. Smith's defeat came at the end of a campaign rife with anti-Catholic sentiment; Kennedy's victory some three decades later proved that such religious bigotry was no longer an insurmountable obstacle. Despite such advances, Bruscino notes that the growing broad-mindedness produced by the war had limits: it did not extend to African Americans, whose own struggle for equality would dramatically mark the postwar decades.
Extensively documented, A Nation Forged in War is one of the few books on the social and cultural impact of the World War II years. Scholars and students of military, ethnic, social, and religious history will be fascinated by this groundbreaking new volume.
produced three major death camps—Belzec, Treblinka, and Sobibor—which claimed the
lives of 1.8 million Jews. In the 1960s, a small measure of justice came for those victims
when a score of defendants who had been officers and guards at the camps were convicted
of war crimes in West German courts. The conviction rates varied, however. While all but
one of fourteen Treblinka defendants were convicted, half of the twelve Sobibor defendants
escaped punishment, and only one of eight Belzec defendants was convicted. Also,
despite the enormity of the crimes, the sentences were light in many cases, amounting to
only a few years in prison.
In this meticulous history of the Operation Reinhard trials, Michael S. Bryant examines
a disturbing question: Did compromised jurists engineer acquittals or lenient punishments
for proven killers? Drawing on rarely studied archival sources, Bryant concludes
that the trial judges acted in good faith within the bounds of West German law. The key
to successful prosecutions was eyewitness testimony. At Belzec, the near-total efficiency
of the Nazi death machine meant that only one survivor could be found to testify. At Treblinka
and Sobibor, however, prisoner revolts had resulted in a number of survivors who
could give firsthand accounts of specific atrocities and identify participants. The courts,
Bryant finds, treated these witnesses with respect and even made allowances for conflicting
testimony. And when handing down sentences, the judges acted in accordance with
strict legal definitions of perpetration, complicity, and action under duress.
Yet, despite these findings, Bryant also shows that West German legal culture was
hardly blameless during the postwar era. Though ready to convict the mostly workingclass
personnel of the death camps, the Federal Republic followed policies that insulated
the judicial elite from accountability for its own role in the Final Solution. While trial
records show that the “bias” of West German jurists was neither direct nor personal, the
structure of the system ensured that lawyers and judges themselves avoided judgment.
Born in Civil War–era Cincinnati in 1857, William Howard Taft rose rapidly through legal, judicial, and political ranks, graduating from Yale and becoming a judge while still in his twenties. In 1900, President William McKinley appointed Taft to head a commission charged with preparing the Philippines for US-led civil government, setting the stage for Taft’s involvement in US-Philippine relations and the development of his imperial vision across two decades. While biographies of Taft and histories of US-Philippine relations are easy to find, few works focus on Taft’s vision for the Philippines that, despite a twenty-year crusade, would eventually fail. William Howard Taft and the Philippines fills this void in the scholarship, taking up Taft’s vantage point on America’s imperialist venture in the Philippine Islands between 1900 and 1921.
Adam D. Burns traces Taft’s course through six chapters, beginning with his years in the islands and then following it through his tenure as President Roosevelt’s secretary of war, his term as president of the United States, and his life after departing the White House. Across these years Taft continued his efforts to forge a lasting imperial bond and prevent Philippine independence.
Grounded in extensive primary source research, William Howard Taft and the Philippines is an engaging work that will interest scholars of Philippine history, American foreign policy, imperialism, the American presidency, the Progressive Era, and more.
“A snake handler convicted of the attempted murder of his wife by means of serpent bite is serving ninety-nine years in prison. The reader is gradually pulled into an increasingly complex story as Thomas Burton allows the many individuals involved in this event to tell their stories. Readers are less likely to find themselves concerned with what “really” happened than with larger issues they too will become involved in. this is more than a story about the headline ‘preacher tries to murder wife – with rattlesnakes!” it is a story of individuals struggling with their faith and their fate under the steady gaze of their God.” —Ralph W. Hood Jr., winner of the American Psychological Association’s William James Award in the psychology of religion
In this comprehensive, multilayered set of narratives, the story of Glenn Summerford’s fall from grace is told by its participants, through interviews, court documents, and other primary sources. Free of either prejudice against or romanticizing about the snake-handling Holiness religion, this book presents an absorbing story of a fascinating group of people, while allowing the reader to draw his or her own conclusions about Summerford’s guilt or innocence. The Serpent and the Spirit is a startling commentary on truth and its representation, religion and its expression, humanity and its flaws.
Thomas Burton is professor emeritus of English at East Tennessee State University. He is the winner of the Appalachian Consortium Laurel Leaves Award.
In some remote churches in East Tennessee and nearby states, Jesus’ words in the sixteenth chapter of Saint Mark are taken literally: “and they shall take up serpents; and if they drink any deadly thing, it shall not hurt them.”Members of these churches describe themselves as Pentecostal-Holiness, autonomous groups of Christians with strong traditional religious views and a fundamentalist approach to biblical interpretation. Their strong faith is based largely on personal experience. Handling serpents and fire, laying on the hands of healing, speaking in tongues, and drinking poison are seen as acts of Christian obedience that demonstrate the power of the Holy Spirit.
In the past these very religious people have often been distorted by the media as members of a “snake religion” or a “snake cult” because of their unorthodox beliefs and practices. Thomas Burton seeks to present a more balanced view of this generally misunderstood group in this in-depth study of serpent handlers and their religious culture. Using both oral history and scholarly research, Burton traces the evolution of Christian serpent handling from its apparent beginning in East Tennessee and explores legal and ethical issues associated with this and other unorthodox practices, allowing participants to speak for themselves through personal interviews. The result is both a dramatic presentation, through vivid photography, and a thorough analytical insight into the serpent handlers’ culture.
A powerful counter-narrative to the current conversation, Voices Worth the Listening presents three real stories of Appalachian people that are unvarnished and more than simply anecdotal. Race, class, drug culture, education, and socioeconomic mobility are all addressed in some way by these narratives. While the themes that emerge in these stories are by no means unique to Appalachia—indeed, they resonate in some ways with the experiences of disadvantaged and marginalized people in other regions of the country—these three women have lived much of their lives outside of the mainstream and their narrated experiences become a meaningful signpost for the people of Appalachia.
Dorie's story begins with her childhood on an isolated mountain farm, where we see first hand how her parents combined back-breaking labor with intense personal pride to produce everything their family needed—from food and clothing to tools and toys—from the land. Lumber companies began to invade the mountains, and Dorie's family took advantage of the financial opportunities offered by the lumber industry, not realizing that in giving up their lands they were also letting go of a way of life. Along with their machinery, the lumber companies brought in many young men, one of whom, Fred Cope, became Dorie's husband. After the lumber companies stripped the mountains of their timber, outsiders set the area aside as a national park, requiring Dorie, now married with a family of her own, to move outside of her beloved mountains.
Through Dorie's eyes, we see how the mountain farmers were forced to abandon their beloved rural life-style and customs and assimilate into cities like Knoxville, Tennessee. Her experiences were shared by hundreds of Appalachians during the early twentieth century. However, Dorie's perseverance, strength of character, and deep love of the Smokies make this a unique and moving narrative.
The Author: Florence Cope Bush is a former newspaper reporter and freelance writer in Knoxville, Tennessee. She is the author of Ocona Lufte Baptist—Pioneer Church of the Smokies, and a regular contributor to Smoky Mountain Historical Society publications.
Durwood Dunn is professor history at Tennessee Wesleyan College. He is author of Cades Cove: The Life and Death of a Southern Appalachian Community, 1818-1937.
The Last Billion Years: A Geologic History of Tennessee is the first general overview in more than thirty years to interpret the state’s geological record. With minimal jargon, numerous illustrations and photographs, and a glossary of scientific terms, this volume provides the tools necessary for readers with little or no background in the subject to learn about the geologic formation of Tennessee, making it an excellent resource for high school students, college students, and interested general readers. Yet, because of the depth of its scholarship, the book is also an invaluable reference for professional geologists.
Recognizing that every reader is familiar with the roles of wind, water, gravity, and organisms in their everyday environment, author Don Byerly employs the Earth Systems Science approach, showing how the five interacting parts of the Earth—the geosphere, hydrosphere, atmosphere, biosphere, and cryosphere—have worked together for eons to generate the rock compositions that make up Tennessee’s geologic past.
All regions of the state are covered. Featuring a unique time chart that illustrates the state’s geologic history from east to west, The Last Billion Years shows that while the geologic aspects of the state’s three grand divisions are related in many ways, each division has a distinctly different background. The organization of the book further enhances its usability, allowing the reader to see and compare what was happening contemporaneously across the state during the key sequences of its geologic history. Written in a clear and engaging style, The Last Billion Years will have broad appeal to students, lay readers, and professionals.
A. Martin Byers, now retired, was a research associate in the Department of Anthropology at McGill University in Montreal.
This deeply researched book breaks new ground in an important and compelling area of study. Thomas Bynum carefully examines the activism of the NAACP youth and effectively refutes the perception of the NAACP as working strictly through the courts. His research illuminates the many direct-action activities undertaken by the young people of the NAACP — activities that helped precipitate the breakdown of racial discrimination and segregation in America. Beginning with the formal organization of the NAACP youth movement under Juanita Jackson, the author traces the group’s activities from their early anti-lynching demonstrations through their post–World War II “withholding patronage” campaigns to their participation in the sit-in protests of the 1960s. He also explores the evolution of the youth councils and college chapters, including their sometime rocky relationship with the national office, and shows how these groups actually provided a framework for the emergence of youth activism within CORE and SNCC.
The author provides a comprehensive account of the generational struggle for racial equality, capturing the successes, failures, and challenges the NAACP youth groups experienced at the national, state, and local levels. He firmly establishes the vital role they played in the history of the civil rights movement in the United States and in the burgeoning tradition of youth activism in the postwar decades.
Labor strife in piedmont mills had left eight dead in the summer of 1929, prompting the AFL–affiliated United Textile Workers of America (UTW) to strike an uneasy deal with the North Carolina governor. Their mutual goal was to root out and destroy the efforts of a rival communist organization, the National Textile Workers Union (NTWU), and thus erase Bolshevism in Dixie. The stage was set for a new round of conflict that would unfold over the next half-decade, not only in North Carolina but in several surrounding states.
In this follow-up to Unraveled, his account of the 1929 events, Travis Sutton Byrd deftly explores a complex story of labor relations, political transitions, and emergent class consciousness in the industrial South. He seeks to answer why, with the coming of the Depression and New Deal initiatives to combat it, the region proved to be such a vexing battleground for labor organizers, whether mainstream or radical. This book examines the initiation and failure of the AFL/UTW’s “Organize the South Campaign” and the attendant rise and demise of “Coalitionism”—a fusion between organized labor, progressive Republicans, and disaffected Democrats. It also documents the evolution of contradictory impulses—trade unionism and collective bargaining versus individualism and “right-to-work” doctrine—and pays special attention to the now-forgotten High Point, North Carolina, hosiery strike of 1932, which achieved its goals in remarkable fashion even though it never regularized under either the UTW or the NTWU. The story culminates in 1934, when a general strike swept the country in a desperate effort to force the reform promised by the National Recovery Act.
Drawing especially on regional newspaper accounts to show how the key actors— millhands, owners, organizers, and politicians—understood the events, Tangled is a thoroughly engrossing chronicle that carries vital lessons for today’s labor leaders and policymakers.
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