A SCHOLARLY BOOK REPOSITORY
9644 scholarly books by University of Chicago Press and 861
9644 scholarly books by University of Chicago Press
861 start with S start with S
861 start with S start with S
The Sexual Politics of Jean-Jacques Rousseau
Joel Schwartz
University of Chicago Press, 1984
Joel Schwartz presents the first systematic treatment of Rousseau's understanding of the political importance of women, sexuality, and the family. Using both Rousseau's lesser-known literary works and such major writings as Emile, Julie, and The Second Discourse, he offers an original and provocative presentation of Rousseau's argument. To read Rousseau, Schwartz believes, is to enter into a profound discourse about the meaning of sexual equality and the opportunities, pitfalls, costs, and benefits that sexual relationships bestow and impose on us all. His own thoughtful reading of Rousseau opens up fresh perspectives on political philosophy and the history of sexual, masculine, and feminine psychology.
[more]
Sexual Politics, Sexual Communities
Second Edition
John D'Emilio
University of Chicago Press, 1998
With thorough documentation of the oppression of homosexuals and biographical sketches of the lesbian and gay heroes who helped the contemporary gay culture to emerge, Sexual Politics, Sexual Communities supplies the definitive analysis of the homophile movement in the U.S. from 1940 to 1970. John D'Emilio's new preface and afterword examine the conditions that shaped the book and the growth of gay and lesbian historical literature.
"How many students of American political culture know that during the McCarthy era more people lost their jobs for being alleged homosexuals than for being Communists? . . . These facts are part of the heretofore obscure history of homosexuality in America—a history that John D'Emilio thoroughly documents in this important book."—George DeStefano, Nation
"John D'Emilio provides homosexual political struggles with something that every movement requires—a sympathetic history rendered in a dispassionate voice."—New York Times Book Review
"A milestone in the history of the American gay movement."—Rudy Kikel, Boston Globe
"How many students of American political culture know that during the McCarthy era more people lost their jobs for being alleged homosexuals than for being Communists? . . . These facts are part of the heretofore obscure history of homosexuality in America—a history that John D'Emilio thoroughly documents in this important book."—George DeStefano, Nation
"John D'Emilio provides homosexual political struggles with something that every movement requires—a sympathetic history rendered in a dispassionate voice."—New York Times Book Review
"A milestone in the history of the American gay movement."—Rudy Kikel, Boston Globe
[more]
Sexuality across the Life Course
Edited by Alice S. Rossi
University of Chicago Press, 1994
How does sexual behavior change over one's life-span? How does sexual satisfaction affect the quality and stability of marriage? How has the AIDS epidemic affected sexual attitudes in America over the past three decades?
In this wide-reaching volume, distinguished sociologist Alice S. Rossi addresses these questions and others through fourteen diverse essays on sexual behavior, covering adolescence through old age and studying such groups as singles, married couples, and homosexuals. This extensive study also explores the effects of chronic disease and medication on sexual functioning, recent developments in psychotherapy for sexual problems, and sexual abuse of children, incest, and rape.
"The interdisciplinary nature of the project has resulted in a text that is accessible to anyone with a behavioral science background. Well written, well edited, and well received by this reviewer."—Joan C. Chrisler, Journal of Sex & Marital Therapy
"This is a book that needs to be on the bookshelf of any AIDS researcher."—AIDS Book Review Journal
In this wide-reaching volume, distinguished sociologist Alice S. Rossi addresses these questions and others through fourteen diverse essays on sexual behavior, covering adolescence through old age and studying such groups as singles, married couples, and homosexuals. This extensive study also explores the effects of chronic disease and medication on sexual functioning, recent developments in psychotherapy for sexual problems, and sexual abuse of children, incest, and rape.
"The interdisciplinary nature of the project has resulted in a text that is accessible to anyone with a behavioral science background. Well written, well edited, and well received by this reviewer."—Joan C. Chrisler, Journal of Sex & Marital Therapy
"This is a book that needs to be on the bookshelf of any AIDS researcher."—AIDS Book Review Journal
[more]
Sexuality and Form
Caravaggio, Marlowe, and Bacon
Graham Hammill
University of Chicago Press, 2000
This ambitious, wide-ranging study of sexuality, aesthetics, and epistemology covers everything from the aesthetics of war to the works of Caravaggio, Michaelangelo, Christopher Marlowe, and Francis Bacon, synthesizing queer theory and psychoanalysis and demonstrating the role of the body and the flesh as both a problem and a promise within the narrative arts.
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The Sexuality of Christ in Renaissance Art and in Modern Oblivion
Leo Steinberg
University of Chicago Press, 1996
Originally published in 1983, Leo Steinberg's classic work has changed the viewing habits of a generation. After centuries of repression and censorship, the sexual component in thousands of revered icons of Christ is restored to visibility. Steinberg's evidence resides in the imagery of the overtly sexed Christ, in Infancy and again after death. Steinberg argues that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition. Christ's lifelong virginity, understood as potency under check, and the first offer of blood in the circumcision, both required acknowledgment of the genital organ. More than exercises in realism, these unabashed images underscore the crucial theological import of the Incarnation.
This revised and greatly expanded edition not only adduces new visual evidence, but deepens the theological argument and engages the controversy aroused by the book's first publication.
This revised and greatly expanded edition not only adduces new visual evidence, but deepens the theological argument and engages the controversy aroused by the book's first publication.
[more]
The Sexuality of History
Modernity and the Sapphic, 1565-1830
Susan S. Lanser
University of Chicago Press, 2014
The period of reform, revolution, and reaction that characterized seventeenth- and eighteenth-century Europe also witnessed an intensified interest in lesbians. In scientific treatises and orientalist travelogues, in French court gossip and Dutch court records, in passionate verse, in the rising novel, and in cross-dressed flirtations on the English and Spanish stage, poets, playwrights, philosophers, and physicians were placing sapphic relations before the public eye.
In The Sexuality of History, Susan S. Lanser shows how intimacies between women became harbingers of the modern, bringing the sapphic into the mainstream of some of the most significant events in Western Europe. Ideas about female same-sex relations became a focal point for intellectual and cultural contests between authority and liberty, power and difference, desire and duty, mobility and change, order and governance. Lanser explores the ways in which a historically specific interest in lesbians intersected with, and stimulated, systemic concerns that would seem to have little to do with sexuality. Departing from the prevailing trend of queer reading whereby scholars ferret out hidden content in “closeted” texts, Lanser situates overtly erotic representations within wider spheres of interest. The Sexuality of History shows that just as we can understand sexuality by studying the past, so too can we understand the past by studying sexuality.
In The Sexuality of History, Susan S. Lanser shows how intimacies between women became harbingers of the modern, bringing the sapphic into the mainstream of some of the most significant events in Western Europe. Ideas about female same-sex relations became a focal point for intellectual and cultural contests between authority and liberty, power and difference, desire and duty, mobility and change, order and governance. Lanser explores the ways in which a historically specific interest in lesbians intersected with, and stimulated, systemic concerns that would seem to have little to do with sexuality. Departing from the prevailing trend of queer reading whereby scholars ferret out hidden content in “closeted” texts, Lanser situates overtly erotic representations within wider spheres of interest. The Sexuality of History shows that just as we can understand sexuality by studying the past, so too can we understand the past by studying sexuality.
[more]
Sexualizing Cancer
HPV and the Politics of Cancer Prevention
Laura Mamo
University of Chicago Press, 2023
The virus that changed how we think about cancer and its culprits—and the vaccine that changed how we talk about sex and its risks.
Starting in 2005, people in the US and Europe were inundated with media coverage announcing the link between cervical cancer and the sexually transmitted virus HPV. Within a year, product ads promoted a vaccine targeting cancer’s viral cause, and girls and women became early consumers of this new cancer vaccine. An understanding of HPV’s broadening association with other cancers led to the identification of new at-risk populations—namely boys and men—and ignited a plethora of gender and sexual issues related to cancer prevention.
Sexualizing Cancer is the first book dedicated to the emergence and proliferation of the HPV vaccine along with the medical capacity to screen for HPV—crucial landmarks in the cancer prevention arsenal based on a novel connection between sex and chronic disease. Interweaving accounts from the realms of biomedical science, public health, and social justice, Laura Mamo chronicles cervical cancer’s journey out of exam rooms and into public discourse. She shows how the late twentieth-century scientific breakthrough that identified the human papilloma virus as having a causative role in the onset of human cancer galvanized sexual politics, struggles for inclusion, new at-risk populations, and, ultimately, a new regime of cancer prevention. Mamo reveals how gender and other equity arguments from within scientific, medical, and advocate communities shaped vaccine guidelines, clinical trial funding, research practices, and clinical programs, with consequences that reverberate today. This is a must-read history of medical expansion—from a “woman’s disease” to a set of cancers that affect all genders—and of lingering sexualization, with specific gendered, racialized, and other contours along the way.
Starting in 2005, people in the US and Europe were inundated with media coverage announcing the link between cervical cancer and the sexually transmitted virus HPV. Within a year, product ads promoted a vaccine targeting cancer’s viral cause, and girls and women became early consumers of this new cancer vaccine. An understanding of HPV’s broadening association with other cancers led to the identification of new at-risk populations—namely boys and men—and ignited a plethora of gender and sexual issues related to cancer prevention.
Sexualizing Cancer is the first book dedicated to the emergence and proliferation of the HPV vaccine along with the medical capacity to screen for HPV—crucial landmarks in the cancer prevention arsenal based on a novel connection between sex and chronic disease. Interweaving accounts from the realms of biomedical science, public health, and social justice, Laura Mamo chronicles cervical cancer’s journey out of exam rooms and into public discourse. She shows how the late twentieth-century scientific breakthrough that identified the human papilloma virus as having a causative role in the onset of human cancer galvanized sexual politics, struggles for inclusion, new at-risk populations, and, ultimately, a new regime of cancer prevention. Mamo reveals how gender and other equity arguments from within scientific, medical, and advocate communities shaped vaccine guidelines, clinical trial funding, research practices, and clinical programs, with consequences that reverberate today. This is a must-read history of medical expansion—from a “woman’s disease” to a set of cancers that affect all genders—and of lingering sexualization, with specific gendered, racialized, and other contours along the way.
[more]
Sexy Orchids Make Lousy Lovers
& Other Unusual Relationships
Marty Crump
University of Chicago Press, 2009
Vampire bats that regurgitate blood for roosting buddies. Mosquitoes that filch honeydew droplets from ants. Reptiles that enforce chastity on their lovers with copulatory plugs. Capuchin monkeys that use millipede secretions as mosquito repellent. The natural world is full of unusual relationships, and negotiation between life-forms striving to survive is evolution at its most diverse, entertaining, and awe-inspiring.
Picking up where her highly popular Headless Males Make Great Lovers left off, tropical field biologist Marty Crump takes us on another voyage of discovery into the world of unusual natural histories, this time focusing on extraordinary interactions involving animals, plants, fungi, and bacteria. Sexy Orchids Make Lousy Lovers& Other Unusual Relationships illuminates the ceaseless give-and-take between species. Occasionally, both interacting parties benefit, like when hornbills and dwarf mongooses hunt together for food. Other times, like when mites ride in hummingbirds’ nostrils to reach their next meal of nectar, one individual benefits and the other is neither helped nor harmed. But sometimes one individual benefits at the expense of the other; you need only recall your last sinus infection to understand how that works.
Throughout, Crump brings her trademark spunk and zest to these stories of intimate exchange. She introduces readers to penguins that babysit, pseudoscorpions that ride and mate under the wings of giant harlequin beetles, and parasitic fungi that bend insects to their will. A lively companion to Crump’s earlier work, Sexy Orchids Make Lousy Lovers& Other Unusual Relationships captures the bizarre and befuddling aspects of the behavior of animals, plants, and microbes. After this entertaining romp through the world of natural relationships, you’ll never look at an orchid the same way again.
[more]
Shadow and Sound
The Historical Thought of a Sumatran People
James Siegel
University of Chicago Press, 1979
Atjeh was a kingdom in northern Sumatra which had a long history of rebellion and unrest. As a Mulim Sultanate from the sixteenth to the nineteenth century, Atjeh engaged in internal political struggle. Since the nineteenth century, Atjeh has been under Dutch, Japanese, or Indonesian control - domination to which the Atjeh never passively yielded. In Shadow and Sound James Siegel arges that the Atjehnese view of history, as expressed in the language of their epic poetry, is based not on the fixing of historical fact, but on a flow of words that is actually immune to the past.
Siegel traces the Atjehnese treatment of history through two epics and a folktale. In his interpretation he goes beyond the idea tht texts such as these are semi-accurate historical documents to show tht tempo, rhythm, rhyme, and melody replace the significance of the content. Furthermore, he uncovers which Atjehnese frameworks - native genres ranging from dream interpretation to conventions of braggadocio
- illuminate their own sense of history.
Siegel first translates one of the important remaining epics on a historical topic, the Hikajat Potjoet Moehamat, and provides an analysis based on the narratve, prosodic structure and his observation of the recitation of epics. He then translates and analyzes two other pieces: a tale entitled Si Meuseukin's Wedding and another epic, the last popular one, Hikajat Prang Sabil. Finally he indicates how a similar treatment of history continues in present-day Atjeh. The analyses demonstrate that in the context of centuries of violence and disruption the Atjehnese have maintained an ability to speak of the past in such ways that it is turned into triumph, not by dwelling on heroic victories but by controlling language.
Siegel's way of looking at the relationship between history and literature will be valuable not only in anthropology but in literary history and comparative studies in literature and politics as well.
Siegel traces the Atjehnese treatment of history through two epics and a folktale. In his interpretation he goes beyond the idea tht texts such as these are semi-accurate historical documents to show tht tempo, rhythm, rhyme, and melody replace the significance of the content. Furthermore, he uncovers which Atjehnese frameworks - native genres ranging from dream interpretation to conventions of braggadocio
- illuminate their own sense of history.
Siegel first translates one of the important remaining epics on a historical topic, the Hikajat Potjoet Moehamat, and provides an analysis based on the narratve, prosodic structure and his observation of the recitation of epics. He then translates and analyzes two other pieces: a tale entitled Si Meuseukin's Wedding and another epic, the last popular one, Hikajat Prang Sabil. Finally he indicates how a similar treatment of history continues in present-day Atjeh. The analyses demonstrate that in the context of centuries of violence and disruption the Atjehnese have maintained an ability to speak of the past in such ways that it is turned into triumph, not by dwelling on heroic victories but by controlling language.
Siegel's way of looking at the relationship between history and literature will be valuable not only in anthropology but in literary history and comparative studies in literature and politics as well.
[more]
The Shadow and the Act
Black Intellectual Practice, Jazz Improvisation, and Philosophical Pragmatism
Walton M. Muyumba
University of Chicago Press, 2009
Though often thought of as rivals, Ralph Ellison, James Baldwin, and Amiri Baraka shared a range of interests, especially a passion for music. Jazz, in particular, was a decisive influence on their thinking, and, as The Shadow and the Act reveals, they drew on their insights into the creative process of improvisation to analyze race and politics in the civil rights era. In this inspired study, Walton M. Muyumba situates them as a jazz trio, demonstrating how Ellison, Baraka, and Baldwin’s individual works form a series of calls and responses with each other.
Muyumba connects their writings on jazz to the philosophical tradition of pragmatism, particularly its support for more freedom for individuals and more democratic societies. He examines the way they responded to and elaborated on that lineage, showing how they significantly broadened it by addressing the African American experience, especially its aesthetics. Ultimately, Muyumba contends, the trio enacted pragmatist principles by effectively communicating the social and political benefits of African Americans fully entering society, thereby compelling America to move closer to its democratic ideals.
[more]
Shadow of a Cloud but No Cloud
Killarney Clary
University of Chicago Press, 2014
Shadow of a Cloud but No Cloud, the latest collection from enigmatic prose poet Killarney Clary, is a book-length sequence of unnumbered, untitled poems, each evoking a clear moment in time. The details on which Clary chooses to focus suggest a narrative that will not resolve. The unnamed people with whom she interacts offer exchanges she is desperate to prolong, and in attempts to understand her place, she reaches beneath the fragile armor of those loved, especially those who can no longer answer her. This quietly haunting book, remarkable for its subtlety and delicacy, is Clary’s strongest, most engaging work to date and amply shows her to be a master of this lyric genre.
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The Shadow of God and the Hidden Imam
Religion, Political Order, and Societal Change in Shi'ite Iran from the Beginning to 1890
Said Amir Arjomand
University of Chicago Press, 1984
Dismissing oversimplified and politically charged views of the politics of Shi'ite Islam, Said Amir Arjomand offers a richly researched sociological and historical study of Shi'ism and the political order of premodern Iran that exposes the roots of what became Khomeini's theocracy.
[more]
Shadow of the Hunter
Richard K. Nelson
University of Chicago Press, 1983
Shadow of the Hunter is a collection of stories based upon Richard Nelson's experiences in an Eskimo village of the Tareogmiut, or "people of the sea." The stories follow a group of hunters and their families through the cycle of an arctic year. Each chapter takes the reader into a different realm of the Eskimo world—from the quiet moments of families in far-flung camps to the intensity and passion of the hunt; from the times of fear and danger to those of security, triumph, and celebration.
[more]
Shaggy Muses
The Dogs who Inspired Virginia Woolf, Emily Dickinson, Elizabeth Barrett Browning, Edith Wharton, and Emily Brontë
Maureen Adams
University of Chicago Press, 2011
“You’ll call this sentimental—perhaps—but then a dog somehow represents the private side of life, the play side,” Virginia Woolf confessed to a friend. In this charming and engaging book, Maureen Adams celebrates this private, playful side telling readers about the relationships between five remarkable women writers and their dogs.
In Shaggy Muses, Adams explores the work and lives of these authors through the various roles played by their most devoted companions. Elizabeth Barrett Browning was rescued from a life of passivity and illness by Flush, a lively, possessive (and frequently dog-napped!) golden Cocker Spaniel. Emily Brontë’s fierce Mastiff mix, Keeper, provided a safe and loving outlet for the writer’s equally fierce spirit. Emily Dickinson found companionship with Carlo, the gentle, giant Newfoundland who soothed her emotional terrors. A troop of ever-faithful Pekingese warmed Edith Wharton’s lonely heart during her restless travels among Europe and America’s social and intellectual elite. And Virginia Woolf developed a deep attachment to Pinka, a black Cocker Spaniel who was both gift from her lover, Vita Sackville-West, and a link to her husband Leonard.
Based on diaries, letters, and other contemporary accounts—and featuring many illustrations of the writers and their dogs—these five miniature biographies allow unparalleled intimacy with women of genius in their hours of domestic ease and inner vulnerability.
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Shakespeare and the Law
A Conversation among Disciplines and Professions
Edited by Bradin Cormack, Martha C. Nussbaum, and Richard Strier
University of Chicago Press, 2013
William Shakespeare is inextricably linked with the law. Legal documents make up most of the records we have of his life, and trials, lawsuits, and legal terms permeate his plays. Gathering an extraordinary team of literary and legal scholars, philosophers, and even sitting judges, Shakespeare and the Law demonstrates that Shakespeare’s thinking about legal concepts and legal practice points to a deep and sometimes vexed engagement with the law’s technical workings, its underlying premises, and its social effects.
The book’s opening essays offer perspectives on law and literature that emphasize both the continuities and contrasts between the two fields. The second section considers Shakespeare’s awareness of common law thinking and common law practice, while the third inquires into Shakespeare’s general attitudes toward legal systems. The fourth part of the book looks at how law enters into conversation with issues of politics and community, whether in the plays, in Shakespeare’s world, or in our own world. Finally, a colloquy among Supreme Court Justice Stephen Breyer, Judge Richard Posner, Martha C. Nussbaum, and Richard Strier covers everything from the ghost in Hamlet to the nature of judicial discretion.
The book’s opening essays offer perspectives on law and literature that emphasize both the continuities and contrasts between the two fields. The second section considers Shakespeare’s awareness of common law thinking and common law practice, while the third inquires into Shakespeare’s general attitudes toward legal systems. The fourth part of the book looks at how law enters into conversation with issues of politics and community, whether in the plays, in Shakespeare’s world, or in our own world. Finally, a colloquy among Supreme Court Justice Stephen Breyer, Judge Richard Posner, Martha C. Nussbaum, and Richard Strier covers everything from the ghost in Hamlet to the nature of judicial discretion.
[more]
Shakespeare and the Problem of Meaning
Norman Rabkin
University of Chicago Press, 1981
"Rabkin selects The Merchant of Venice, Henry V, Antony and Cleopatra, Julius Caesar, Richard III, Macbeth, Coriolanus, The Winter's Tale, and The Tempest as the plays on which to build his argument, and he teaches us a great deal about these plays. . . . To convince the unbelievingthat that the plays do mean, but that the meaning is coterminous with the experience of the plays themselves, Rabkin finds a strategy more subtle than thesis and rational argument, a strategy designed to make us see for ourselves why thematic descriptions are inadequate, see for ourselves tath the plays mean more than and statement about them can ever suggest." –Barbara A. Mowat, Auburn University
"Norman Rabkin's new book is a very different kind of good book. Elegantly spare, sharp, undogmatic. . . . The relationship between the perception of unity and the perception of artistic achievement is a basic conundrum, and it is one that Mr. Rabkin has courageously placed at the center of his discussion." –G. K. Hunter, Sewanee Review
"Rabkin's book is brilliant, taut, concise, beautifully argued, and sensitively responsive to the individuality of particular Shakespeare plays." –Anne Barton, New York Review of Books
"Norman Rabkin's new book is a very different kind of good book. Elegantly spare, sharp, undogmatic. . . . The relationship between the perception of unity and the perception of artistic achievement is a basic conundrum, and it is one that Mr. Rabkin has courageously placed at the center of his discussion." –G. K. Hunter, Sewanee Review
"Rabkin's book is brilliant, taut, concise, beautifully argued, and sensitively responsive to the individuality of particular Shakespeare plays." –Anne Barton, New York Review of Books
[more]
Shakespeare Dwelling
Designs for the Theater of Life
Julia Reinhard Lupton
University of Chicago Press, 2018
Great halls and hovels, dove-houses and sheepcotes, mountain cells and seaside shelters—these are some of the spaces in which Shakespearean characters gather to dwell, and to test their connections with one another and their worlds. Julia Reinhard Lupton enters Shakespeare’s dwelling places in search of insights into the most fundamental human problems.
Focusing on five works (Romeo and Juliet, Macbeth, Pericles, Cymbeline, and The Winter’s Tale), Lupton remakes the concept of dwelling by drawing on a variety of sources, including modern design theory, Renaissance treatises on husbandry and housekeeping, and the philosophies of Hannah Arendt and Martin Heidegger. The resulting synthesis not only offers a new entry point into the contemporary study of environments; it also shows how Shakespeare’s works help us continue to make sense of our primal creaturely need for shelter.
Focusing on five works (Romeo and Juliet, Macbeth, Pericles, Cymbeline, and The Winter’s Tale), Lupton remakes the concept of dwelling by drawing on a variety of sources, including modern design theory, Renaissance treatises on husbandry and housekeeping, and the philosophies of Hannah Arendt and Martin Heidegger. The resulting synthesis not only offers a new entry point into the contemporary study of environments; it also shows how Shakespeare’s works help us continue to make sense of our primal creaturely need for shelter.
[more]
Shakespeare from the Margins
Language, Culture, Context
Patricia Parker
University of Chicago Press, 1996
In the interpretation of Shakespeare, wordplay has often been considered inconsequential, frequently reduced to a decorative "quibble." But in Shakespeare from the Margins: Language, Culture, Context, Patricia Parker, one of the most original interpreters of Shakespeare, argues that attention to Shakespearean wordplay reveals unexpected linkages, not only within and between plays but also between the plays and their contemporary culture.
Combining feminist and historical approaches with attention to the "matter" of language as well as of race and gender, Parker's brilliant "edification from the margins" illuminates much that has been overlooked, both in Shakespeare and in early modern culture. This book, a reexamination of popular and less familiar texts, will be indispensable to all students of Shakespeare and the early modern period.
Combining feminist and historical approaches with attention to the "matter" of language as well as of race and gender, Parker's brilliant "edification from the margins" illuminates much that has been overlooked, both in Shakespeare and in early modern culture. This book, a reexamination of popular and less familiar texts, will be indispensable to all students of Shakespeare and the early modern period.
[more]
Shakespeare on Love and Friendship
Allan Bloom
University of Chicago Press, 2000
"No one can make us love love as much as Shakespeare, and no one can make us despair of it as effectively as he does." William Shakespeare is the only classical author to remain widely popular—not only in America but throughout the world—and Allan Bloom argues that this is because no other writer holds up a truer mirror to human nature. Unlike the Romantics and other moderns, Shakespeare has no project for the betterment or salvation of mankind—his poetry simply gives us eyes to see what is there. In particular, we see the full variety of erotic connections, from the "star-crossed" devotions of Romeo and Juliet to the failed romance of Troilus and Cressida to the problematic friendship of Falstaff and Hal.
This volume includes essays on five plays, Romeo and Juliet, Anthony and Cleopatra, Measure for Measure, Troilus and Cressida, and The Winter's Tale, and within these Bloom meditates on Shakespeare's work as a whole. He also draws on his formidable knowledge of Plato, Rousseau, and others to bring both ancients and moderns into the conversation. The result is a truly synoptic treatment of eros—not only a philosophical reflection on Shakespeare, but a survey of the human spirit and its tendency to seek what Bloom calls the "connectedness" of love and friendship.
These highly original interpretations of the plays convey a deep respect for their author and a deep conviction that we still have much to learn from him. In Bloom's view, we live in a love-impoverished age; he asks us to turn once more to Shakespeare because the playwright gives us a rich version of what is permanent in human nature without sharing our contemporary assumptions about erotic love.
"Provocative and illuminating." —Michiko Kakutani, New York Times
"A brilliant analysis of the erotic ugliness and the balancing erotic grace of The Winter's Tale . . . and Bloom makes more sense of [Measure for Measure] than anyone else I have read." —A. S. Byatt, Washington Post Book World
At his death in 1992, Allan Bloom was the John U. Nef Distinguished Service Professor in the Committee on Social Thought at the University of Chicago. He is the author of several books, including Shakespeare's Politics (with Harry V. Jaffa) and The Closing of the American Mind.
This volume includes essays on five plays, Romeo and Juliet, Anthony and Cleopatra, Measure for Measure, Troilus and Cressida, and The Winter's Tale, and within these Bloom meditates on Shakespeare's work as a whole. He also draws on his formidable knowledge of Plato, Rousseau, and others to bring both ancients and moderns into the conversation. The result is a truly synoptic treatment of eros—not only a philosophical reflection on Shakespeare, but a survey of the human spirit and its tendency to seek what Bloom calls the "connectedness" of love and friendship.
These highly original interpretations of the plays convey a deep respect for their author and a deep conviction that we still have much to learn from him. In Bloom's view, we live in a love-impoverished age; he asks us to turn once more to Shakespeare because the playwright gives us a rich version of what is permanent in human nature without sharing our contemporary assumptions about erotic love.
"Provocative and illuminating." —Michiko Kakutani, New York Times
"A brilliant analysis of the erotic ugliness and the balancing erotic grace of The Winter's Tale . . . and Bloom makes more sense of [Measure for Measure] than anyone else I have read." —A. S. Byatt, Washington Post Book World
At his death in 1992, Allan Bloom was the John U. Nef Distinguished Service Professor in the Committee on Social Thought at the University of Chicago. He is the author of several books, including Shakespeare's Politics (with Harry V. Jaffa) and The Closing of the American Mind.
[more]
Shakespeare Only
Jeffrey Knapp
University of Chicago Press, 2009
Three decades of controversy in Shakespeare studies can be summed up in a single question: Was Shakespeare one of a kind? On one side of the debate are the Shakespeare lovers, the bardolatrists, who insist on Shakespeare’s timeless preeminence as an author. On the other side are the theater historians who view modern claims of Shakespeare’s uniqueness as a distortion of his real professional life.
In Shakespeare Only, Knapp draws on an extraordinary array of historical evidence to reconstruct Shakespeare’s authorial identity as Shakespeare and his contemporaries actually understood it. He argues that Shakespeare tried to adapt his own singular talent and ambition to the collaborative enterprise of drama by imagining himself as uniquely embodying the diverse, fractious energies of the popular theater. Rewriting our current histories of authorship as well as Renaissance drama, Shakespeare Only recaptures a sense of the creative force that mass entertainment exerted on Shakespeare and that Shakespeare exerted on mass entertainment.
[more]
Shakespeare the Actor and the Purposes of Playing
Meredith Anne Skura
University of Chicago Press, 1993
For the Renaissance, all the world may have been a stage and all its people players, but Shakespeare was also an actor on the literal stage. Meredith Anne Skura asks what it meant to be an actor in Shakespeare's England and shows why a knowledge of actual theatrical practices is essential for understanding both Shakespeare's plays and the theatricality of everyday life in early modern England.
Despite the obvious differences between our theater and Shakespeare's, sixteenth-century testimony suggests that the experience of acting has not changed much over the centuries. Beginning with a psychoanalytically informed account of acting today, Skura shows how this intense and ambivalent experience appears not only in literal references to acting in Shakespearean drama but also in recurring narrative concerns, details of language, and dramatic strategies used to engage the audience. Looking at the plays in the context of both public and private worlds outside the theater, Skura rereads the canon to identify new configurations in the plays and new ways of understanding theatrical self-consciousness in Renaissance England. Rich in theatrical, psychoanalytic, biographical, and historical insight, this book will be invaluable to students of Shakespeare and instructive to all readers interested in the dynamics of performance.
Despite the obvious differences between our theater and Shakespeare's, sixteenth-century testimony suggests that the experience of acting has not changed much over the centuries. Beginning with a psychoanalytically informed account of acting today, Skura shows how this intense and ambivalent experience appears not only in literal references to acting in Shakespearean drama but also in recurring narrative concerns, details of language, and dramatic strategies used to engage the audience. Looking at the plays in the context of both public and private worlds outside the theater, Skura rereads the canon to identify new configurations in the plays and new ways of understanding theatrical self-consciousness in Renaissance England. Rich in theatrical, psychoanalytic, biographical, and historical insight, this book will be invaluable to students of Shakespeare and instructive to all readers interested in the dynamics of performance.
[more]
Shakespearean Pragmatism
Market of His Time
Lars Engle
University of Chicago Press, 1993
Just as Shakespeare's theater was an economic gamble, subject to the workings of a market, so the plays themselves submit actions, persons, and motives to an audience's judgment. Such a theatrical economy, Lars Engle suggests, provides a model for the way in which truth is determined and assessed in the world at large—a model much like that offered by contemporary pragmatism.
To Engle, the problems of worth, price, and value that appear so frequently in Shakespeare's works reveal a playwright dramatizing the negotiable nature of perception and belief—in short, the nature of his audience's purchase on reality. This innovative argument is the first to view Shakespeare in the context of contemporary pragmatism and to show that Shakespeare in many ways anticipated pragmatism as it has been developed in the thought of Richard Rorty, Barbara Herrnstein Smith, and others. With detailed reference to the sonnets and plays, Engle explores Shakespeare's tendency to treat knowledge, truth, and certainty as relatively stable goods within a theatrical economy of social interaction. He shows the playwright recasting kingship, aristocracy, and poetic immortality in pragmatic terms.
As attentive to history as it is to contemporary theory, this book mediates between current and traditional accounts of Shakespeare. In doing so, it offers a sweeping new account of Shakespeare's enterprise that will interest philosophers, literary theorists, and Shakespeare scholars alike.
To Engle, the problems of worth, price, and value that appear so frequently in Shakespeare's works reveal a playwright dramatizing the negotiable nature of perception and belief—in short, the nature of his audience's purchase on reality. This innovative argument is the first to view Shakespeare in the context of contemporary pragmatism and to show that Shakespeare in many ways anticipated pragmatism as it has been developed in the thought of Richard Rorty, Barbara Herrnstein Smith, and others. With detailed reference to the sonnets and plays, Engle explores Shakespeare's tendency to treat knowledge, truth, and certainty as relatively stable goods within a theatrical economy of social interaction. He shows the playwright recasting kingship, aristocracy, and poetic immortality in pragmatic terms.
As attentive to history as it is to contemporary theory, this book mediates between current and traditional accounts of Shakespeare. In doing so, it offers a sweeping new account of Shakespeare's enterprise that will interest philosophers, literary theorists, and Shakespeare scholars alike.
[more]
Shakespearean Territories
Stuart Elden
University of Chicago Press, 2018
Shakespeare was an astute observer of contemporary life, culture, and politics. The emerging practice of territory as a political concept and technology did not elude his attention. In Shakespearean Territories, Stuart Elden reveals just how much Shakespeare’s unique historical position and political understanding can teach us about territory. Shakespeare dramatized a world of technological advances in measuring, navigation, cartography, and surveying, and his plays open up important ways of thinking about strategy, economy, the law, and colonialism, providing critical insight into a significant juncture in history. Shakespeare’s plays explore many territorial themes: from the division of the kingdom in King Lear, to the relations among Denmark, Norway, and Poland in Hamlet, to questions of disputed land and the politics of banishment in Richard II. Elden traces how Shakespeare developed a nuanced understanding of the complicated concept and practice of territory and, more broadly, the political-geographical relations between people, power, and place. A meticulously researched study of over a dozen classic plays, Shakespearean Territories will provide new insights for geographers, political theorists, and Shakespearean scholars alike.
[more]
Shakespeare's Freedom
Stephen Greenblatt
University of Chicago Press, 2010
Shakespeare lived in a world of absolutes—of claims for the absolute authority of scripture, monarch, and God, and the authority of fathers over wives and children, the old over the young, and the gentle over the baseborn. With the elegance and verve for which he is well known, Stephen Greenblatt, author of the best-selling Will in the World, shows that Shakespeare was strikingly averse to such absolutes and constantly probed the possibility of freedom from them. Again and again, Shakespeare confounds the designs and pretensions of kings, generals, and churchmen. His aversion to absolutes even leads him to probe the exalted and seemingly limitless passions of his lovers.
Greenblatt explores this rich theme by addressing four of Shakespeare’s preoccupations across all the genres in which he worked. He first considers the idea of beauty in Shakespeare’s works, specifically his challenge to the cult of featureless perfection and his interest in distinguishing marks. He then turns to Shakespeare’s interest in murderous hatred, most famously embodied in Shylock but seen also in the character Bernardine in Measure for Measure. Next Greenblatt considers the idea of Shakespearean authority—that is, Shakespeare’s deep sense of the ethical ambiguity of power, including his own. Ultimately, Greenblatt takes up Shakespearean autonomy, in particular the freedom of artists, guided by distinctive forms of perception, to live by their own laws and to claim that their creations are singularly unconstrained.
A book that could only have been written by Stephen Greenblatt, Shakespeare’s Freedom is a wholly original and eloquent meditation by the most acclaimed and influential Shakespearean of our time.
[more]
Shakespeare's Lyric Stage
Myth, Music, and Poetry in the Last Plays
Seth Lerer
University of Chicago Press, 2018
What does it mean to have an emotional response to poetry and music? And, just as important but considered less often, what does it mean not to have such a response? What happens when lyric utterances—which should invite consolation, revelation, and connection—somehow fall short of the listener’s expectations?
As Seth Lerer shows in this pioneering book, Shakespeare’s late plays invite us to contemplate that very question, offering up lyric as a displaced and sometimes desperate antidote to situations of duress or powerlessness. Lerer argues that the theme of lyric misalignment running throughout The Tempest, The Winter’s Tale, Henry VIII, and Cymbeline serves a political purpose, a last-ditch effort at transformation for characters and audiences who had lived through witch-hunting, plague, regime change, political conspiracies, and public executions.
A deep dive into the relationship between aesthetics and politics, this book also explores what Shakespearean lyric is able to recuperate for these “victims of history” by virtue of its disjointed utterances. To this end, Lerer establishes the concept of mythic lyricism: an estranging use of songs and poetry that functions to recreate the past as present, to empower the mythic dead, and to restore a bit of magic to the commonplaces and commodities of Jacobean England. Reading against the devotion to form and prosody common in Shakespeare scholarship, Lerer’s account of lyric utterance’s vexed role in his late works offers new ways to understand generational distance and cultural change throughout the playwright’s oeuvre.
As Seth Lerer shows in this pioneering book, Shakespeare’s late plays invite us to contemplate that very question, offering up lyric as a displaced and sometimes desperate antidote to situations of duress or powerlessness. Lerer argues that the theme of lyric misalignment running throughout The Tempest, The Winter’s Tale, Henry VIII, and Cymbeline serves a political purpose, a last-ditch effort at transformation for characters and audiences who had lived through witch-hunting, plague, regime change, political conspiracies, and public executions.
A deep dive into the relationship between aesthetics and politics, this book also explores what Shakespearean lyric is able to recuperate for these “victims of history” by virtue of its disjointed utterances. To this end, Lerer establishes the concept of mythic lyricism: an estranging use of songs and poetry that functions to recreate the past as present, to empower the mythic dead, and to restore a bit of magic to the commonplaces and commodities of Jacobean England. Reading against the devotion to form and prosody common in Shakespeare scholarship, Lerer’s account of lyric utterance’s vexed role in his late works offers new ways to understand generational distance and cultural change throughout the playwright’s oeuvre.
[more]
Shakespeare's Noise
Kenneth Gross
University of Chicago Press, 2001
"You common cry of curs! whose breath I hate / As reek o'th'rotten fens, whose loves I prize / As the dead carcasses of unburied men / That do corrupt my air: I banish you!" (from Coriolanus)
Kenneth Gross explores Shakespeare's deep fascination with dangerous and disorderly forms of speaking—especially rumor, slander, insult, vituperation, and curse—and through them offers a vision of the work of words in his plays. Coriolanus's taunts or Lear's curses force us to think not just about how Shakespeare's characters speak, but also about how they hear, overhear, and mishear what is spoken, how rumor becomes tragic knowledge for Hamlet, or opens Othello to fantastic jealousies. Gross also shows how Shakespeare's preoccupation with "noisy" speech echoed and transformed a broader cultural obsession with the perils of rumor, slander, and libel in Renaissance England.
Elegantly written and passionately argued, Shakespeare's Noise will challenge and delight anyone who loves his plays, from scholars to general readers, actors, and directors.
Kenneth Gross explores Shakespeare's deep fascination with dangerous and disorderly forms of speaking—especially rumor, slander, insult, vituperation, and curse—and through them offers a vision of the work of words in his plays. Coriolanus's taunts or Lear's curses force us to think not just about how Shakespeare's characters speak, but also about how they hear, overhear, and mishear what is spoken, how rumor becomes tragic knowledge for Hamlet, or opens Othello to fantastic jealousies. Gross also shows how Shakespeare's preoccupation with "noisy" speech echoed and transformed a broader cultural obsession with the perils of rumor, slander, and libel in Renaissance England.
Elegantly written and passionately argued, Shakespeare's Noise will challenge and delight anyone who loves his plays, from scholars to general readers, actors, and directors.
[more]
Shakespeare's Once and Future Child
Speculations on Sovereignty
Joseph Campana
University of Chicago Press, 2024
A study of Shakespeare’s child figures in relation to their own political moment, as well as our own.
Politicians are fond of saying that “children are the future.” How did the child become a figure for our political hopes? Joseph Campana’s book locates the source of this idea in transformations of childhood and political sovereignty during the age of Shakespeare, changes spectacularly dramatized by the playwright himself. Shakespeare’s works feature far more child figures—and more politically entangled children—than other literary or theatrical works of the era. Campana delves into this rich corpus to show how children and childhood expose assumptions about the shape of an ideal polity, the nature of citizenship, the growing importance of population and demographics, and the question of what is or is not human. As our ability to imagine viable futures on our planet feels ever more limited, and as children take up legal proceedings to sue on behalf of the future, it behooves us to understand the way past child figures haunt our conversations about intergenerational justice. Shakespeare offers critical precedents for questions we still struggle to answer.
Politicians are fond of saying that “children are the future.” How did the child become a figure for our political hopes? Joseph Campana’s book locates the source of this idea in transformations of childhood and political sovereignty during the age of Shakespeare, changes spectacularly dramatized by the playwright himself. Shakespeare’s works feature far more child figures—and more politically entangled children—than other literary or theatrical works of the era. Campana delves into this rich corpus to show how children and childhood expose assumptions about the shape of an ideal polity, the nature of citizenship, the growing importance of population and demographics, and the question of what is or is not human. As our ability to imagine viable futures on our planet feels ever more limited, and as children take up legal proceedings to sue on behalf of the future, it behooves us to understand the way past child figures haunt our conversations about intergenerational justice. Shakespeare offers critical precedents for questions we still struggle to answer.
[more]
Shakespeare's Politics
Allan Bloom
University of Chicago Press, 1981
Taking the classical view that the political shapes man's consciousness, Allan Bloom considers Shakespeare as a profoundly political Renaissance dramatist. He aims to recover Shakespeare's ideas and beliefs and to make his work once again a recognized source for the serious study of moral and political problems.
In essays looking at Julius Caesar, Othello, and The Merchant of Venice, Bloom shows how Shakespeare presents a picture of man that does not assume privileged access for only literary criticism. With this claim, he argues that political philosophy offers a comprehensive framework within which the problems of the Shakespearean heroes can be viewed. In short, he argues that Shakespeare was an eminently political author. Also included is an essay by Harry V. Jaffa on the limits of politics in King Lear.
"A very good book indeed . . . one which can be recommended to all who are interested in Shakespeare." —G. P. V. Akrigg
"This series of essays reminded me of the scope and depth of Shakespeare's original vision. One is left with the impression that Shakespeare really had figured out the answers to some important questions many of us no longer even know to ask."-Peter A. Thiel, CEO, PayPal, Wall Street Journal
Allan Bloom was the John U. Nef Distinguished Service Professor on the Committee on Social Thought and the co-director of the John M. Olin Center for Inquiry into the Theory and Practice of Democracy at the University of Chicago. Harry V. Jaffa is professor emeritus at Claremont McKenna College and Claremont Graduate School.
In essays looking at Julius Caesar, Othello, and The Merchant of Venice, Bloom shows how Shakespeare presents a picture of man that does not assume privileged access for only literary criticism. With this claim, he argues that political philosophy offers a comprehensive framework within which the problems of the Shakespearean heroes can be viewed. In short, he argues that Shakespeare was an eminently political author. Also included is an essay by Harry V. Jaffa on the limits of politics in King Lear.
"A very good book indeed . . . one which can be recommended to all who are interested in Shakespeare." —G. P. V. Akrigg
"This series of essays reminded me of the scope and depth of Shakespeare's original vision. One is left with the impression that Shakespeare really had figured out the answers to some important questions many of us no longer even know to ask."-Peter A. Thiel, CEO, PayPal, Wall Street Journal
Allan Bloom was the John U. Nef Distinguished Service Professor on the Committee on Social Thought and the co-director of the John M. Olin Center for Inquiry into the Theory and Practice of Democracy at the University of Chicago. Harry V. Jaffa is professor emeritus at Claremont McKenna College and Claremont Graduate School.
[more]
Shakespeare's Reparative Comedies
A Psychoanalytic View of the Middle Ages
Joseph Westlund
University of Chicago Press, 1984
Joseph Westlund brings recent developments in psychoanalytic thought to his elegant and sensitive readings of Shakespeare's Merchant of Venice, Much Ado About Nothing, As You Like It, Twelfth Night, All's Well That Ends Well, and Measure for Measure. Westlund departs from the usual preoccupation in psychoanalytic criticism with conflict and guilt to rely instead on Melanie Klein's theory of reparation, which emphasizes the impulse in life to resolve and transcend conflict. Through interpretations that are new and convincing, Westlund views the interactions of characters in the six comedies as attempts to work through anger and guilt to effect reparations for themselves and for us.
[more]
Shakespeare's Roman Trilogy
The Twilight of the Ancient World
Paul A. Cantor
University of Chicago Press, 2017
Paul A. Cantor first probed Shakespeare’s Roman plays—Coriolanus, Julius Caeser, and Antony and Cleopatra—in his landmark Shakespeare’s Rome (1976). With Shakespeare’s Roman Trilogy, he now argues that these plays form an integrated trilogy that portrays the tragedy not simply of their protagonists but of an entire political community.
Cantor analyzes the way Shakespeare chronicles the rise and fall of the Roman Republic and the emergence of the Roman Empire. The transformation of the ancient city into a cosmopolitan empire marks the end of the era of civic virtue in antiquity, but it also opens up new spiritual possibilities that Shakespeare correlates with the rise of Christianity and thus the first stirrings of the medieval and the modern worlds.
More broadly, Cantor places Shakespeare’s plays in a long tradition of philosophical speculation about Rome, with special emphasis on Machiavelli and Nietzsche, two thinkers who provide important clues on how to read Shakespeare’s works. In a pathbreaking chapter, he undertakes the first systematic comparison of Shakespeare and Nietzsche on Rome, exploring their central point of contention: Did Christianity corrupt the Roman Empire or was the corruption of the Empire the precondition of the rise of Christianity? Bringing Shakespeare into dialogue with other major thinkers about Rome, Shakespeare’s Roman Trilogy reveals the true profundity of the Roman Plays.
Cantor analyzes the way Shakespeare chronicles the rise and fall of the Roman Republic and the emergence of the Roman Empire. The transformation of the ancient city into a cosmopolitan empire marks the end of the era of civic virtue in antiquity, but it also opens up new spiritual possibilities that Shakespeare correlates with the rise of Christianity and thus the first stirrings of the medieval and the modern worlds.
More broadly, Cantor places Shakespeare’s plays in a long tradition of philosophical speculation about Rome, with special emphasis on Machiavelli and Nietzsche, two thinkers who provide important clues on how to read Shakespeare’s works. In a pathbreaking chapter, he undertakes the first systematic comparison of Shakespeare and Nietzsche on Rome, exploring their central point of contention: Did Christianity corrupt the Roman Empire or was the corruption of the Empire the precondition of the rise of Christianity? Bringing Shakespeare into dialogue with other major thinkers about Rome, Shakespeare’s Roman Trilogy reveals the true profundity of the Roman Plays.
[more]
Shakespeare's Rome
Republic and Empire
Paul A. Cantor
University of Chicago Press, 2017
For more than forty years, Paul Cantor’s Shakespeare’s Rome has been a foundational work in the field of politics and literature. While many critics assumed that the Roman plays do not reflect any special knowledge of Rome, Cantor was one of the first to argue that they are grounded in a profound understanding of the Roman regime and its changes over time. Taking Shakespeare seriously as a political thinker, Cantor suggests that his Roman plays can be profitably studied in the context of the classical republican tradition in political philosophy.
In Shakespeare’s Rome, Cantor examines the political settings of Shakespeare’s Roman plays, Coriolanus and Antony and Cleopatra, with references as well to Julius Caesar. Cantor shows that Shakespeare presents a convincing portrait of Rome in different eras of its history, contrasting the austere republic of Coriolanus, with its narrow horizons and martial virtues, and the cosmopolitan empire of Antony and Cleopatra, with its “immortal longings” and sophistication bordering on decadence.
In Shakespeare’s Rome, Cantor examines the political settings of Shakespeare’s Roman plays, Coriolanus and Antony and Cleopatra, with references as well to Julius Caesar. Cantor shows that Shakespeare presents a convincing portrait of Rome in different eras of its history, contrasting the austere republic of Coriolanus, with its narrow horizons and martial virtues, and the cosmopolitan empire of Antony and Cleopatra, with its “immortal longings” and sophistication bordering on decadence.
[more]
Shakespeare's Tribe
Church, Nation, and Theater in Renaissance England
Jeffrey Knapp
University of Chicago Press, 2004
Most contemporary critics characterize Shakespeare and his tribe of fellow playwrights and players as resolutely secular, interested in religion only as a matter of politics or as a rival source of popular entertainment. Yet as Jeffrey Knapp demonstrates in this radical new reading, a surprising number of writers throughout the English Renaissance, including Shakespeare himself, represented plays as supporting the cause of true religion.
To be sure, Renaissance playwrights rarely sermonized in their plays, which seemed preoccupied with sex, violence, and crime. During a time when acting was regarded as a kind of vice, many theater professionals used their apparent godlessness to advantage, claiming that it enabled them to save wayward souls the church could not otherwise reach. The stage, they argued, made possible an ecumenical ministry, which would help transform Reformation England into a more inclusive Christian society.
Drawing on a variety of little-known as well as celebrated plays, along with a host of other documents from the English Renaissance, Shakespeare's Tribe changes the way we think about Shakespeare and the culture that produced him.
Winner of the Best Book in Literature and Language from the Association of American Publishers' Professional/Scholarly division, the Conference on Christianity and Literature Book Award, and the Roland H. Bainton Prize for Literature from the Sixteenth Century Society and Conference.
To be sure, Renaissance playwrights rarely sermonized in their plays, which seemed preoccupied with sex, violence, and crime. During a time when acting was regarded as a kind of vice, many theater professionals used their apparent godlessness to advantage, claiming that it enabled them to save wayward souls the church could not otherwise reach. The stage, they argued, made possible an ecumenical ministry, which would help transform Reformation England into a more inclusive Christian society.
Drawing on a variety of little-known as well as celebrated plays, along with a host of other documents from the English Renaissance, Shakespeare's Tribe changes the way we think about Shakespeare and the culture that produced him.
Winner of the Best Book in Literature and Language from the Association of American Publishers' Professional/Scholarly division, the Conference on Christianity and Literature Book Award, and the Roland H. Bainton Prize for Literature from the Sixteenth Century Society and Conference.
[more]
Shaking the Tree
Readings from Nature in the History of Life
Edited by Henry Gee
University of Chicago Press, 2000
Nature has published news about the history of life ever since its first issue in 1869, in which T. H. Huxley ("Darwin's bulldog") wrote about Triassic dinosaurs. In recent years, the field has enjoyed a tremendous flowering due to new investigative techniques drawn from cladistics (a revolutionary method for charting evolutionary relationships) and molecular biology.
Shaking the Tree brings together nineteen review articles written for Nature over the past decade by many of the major figures in paleontology and evolution, from Stephen Jay Gould to Simon Conway Morris. Each article is brief, accessible, and opinionated, providing "shoot from the hip" accounts of the latest news and debates. Topics covered include major extinction events, homeotic genes and body plans, the origin and evolution of the primates, and reconstructions of phylogenetic trees for a wide variety of groups. The editor, Henry Gee, gives new commentary and updated references.
Shaking the Tree is a one-stop resource for engaging overviews of the latest research in the history of life on Earth.
Shaking the Tree brings together nineteen review articles written for Nature over the past decade by many of the major figures in paleontology and evolution, from Stephen Jay Gould to Simon Conway Morris. Each article is brief, accessible, and opinionated, providing "shoot from the hip" accounts of the latest news and debates. Topics covered include major extinction events, homeotic genes and body plans, the origin and evolution of the primates, and reconstructions of phylogenetic trees for a wide variety of groups. The editor, Henry Gee, gives new commentary and updated references.
Shaking the Tree is a one-stop resource for engaging overviews of the latest research in the history of life on Earth.
[more]
Shaking the World for Jesus
Media and Conservative Evangelical Culture
Heather Hendershot
University of Chicago Press, 2004
In 1999, the Reverend Jerry Falwell outed Tinky-Winky, the purple character from TV's Teletubbies. Events such as this reinforced in many quarters the common idea that evangelicals are reactionary, out of touch, and just plain paranoid. But reducing evangelicals to such caricatures does not help us understand their true spiritual and political agendas and the means they use to advance them. Shaking the World for Jesus moves beyond sensationalism to consider how the evangelical movement has effectively targeted Americans—as both converts and consumers—since the 1970s.
Thousands of products promoting the Christian faith are sold to millions of consumers each year through the Web, mail order catalogs, and even national chains such as Kmart and Wal-Mart. Heather Hendershot explores in this book the vast industry of film, video, magazines, and kitsch that evangelicals use to spread their message. Focusing on the center of conservative evangelical culture—the white, middle-class Americans who can afford to buy "Christian lifestyle" products—she examines the industrial history of evangelist media, the curious subtleties of the products themselves, and their success in the religious and secular marketplace.
To garner a wider audience, Hendershot argues, evangelicals have had to carefully temper their message. But in so doing, they have painted themselves into a corner. In the postwar years, evangelical media wore the message of salvation on its sleeve, but as the evangelical media industry has grown, many of its most popular products have been those with heavily diluted Christian messages. In the eyes of many followers, the evangelicals who purvey such products are sellouts—hucksters more interested in making money than spreading the word of God.
Working to understand evangelicalism rather than pass judgment on it, Shaking the World for Jesus offers a penetrating glimpse into a thriving religious phenomenon.
Thousands of products promoting the Christian faith are sold to millions of consumers each year through the Web, mail order catalogs, and even national chains such as Kmart and Wal-Mart. Heather Hendershot explores in this book the vast industry of film, video, magazines, and kitsch that evangelicals use to spread their message. Focusing on the center of conservative evangelical culture—the white, middle-class Americans who can afford to buy "Christian lifestyle" products—she examines the industrial history of evangelist media, the curious subtleties of the products themselves, and their success in the religious and secular marketplace.
To garner a wider audience, Hendershot argues, evangelicals have had to carefully temper their message. But in so doing, they have painted themselves into a corner. In the postwar years, evangelical media wore the message of salvation on its sleeve, but as the evangelical media industry has grown, many of its most popular products have been those with heavily diluted Christian messages. In the eyes of many followers, the evangelicals who purvey such products are sellouts—hucksters more interested in making money than spreading the word of God.
Working to understand evangelicalism rather than pass judgment on it, Shaking the World for Jesus offers a penetrating glimpse into a thriving religious phenomenon.
[more]
The Shaky Game
Arthur Fine
University of Chicago Press, 1996
In this new edition, Arthur Fine looks at Einstein's philosophy of science and develops his own views on realism. A new Afterword discusses the reaction to Fine's own theory.
"What really led Einstein . . . to renounce the new quantum order? For those interested in this question, this book is compulsory reading."—Harvey R. Brown, American Journal of Physics
"Fine has successfully combined a historical account of Einstein's philosophical views on quantum mechanics and a discussion of some of the philosophical problems associated with the interpretation of quantum theory with a discussion of some of the contemporary questions concerning realism and antirealism. . . . Clear, thoughtful, [and] well-written."—Allan Franklin, Annals of Science
"Attempts, from Einstein's published works and unpublished correspondence, to piece together a coherent picture of 'Einstein realism.' Especially illuminating are the letters between Einstein and fellow realist Schrödinger, as the latter was composing his famous 'Schrödinger-Cat' paper."—Nick Herbert, New Scientist
"Beautifully clear. . . . Fine's analysis is penetrating, his own results original and important. . . . The book is a splendid combination of new ways to think about quantum mechanics, about realism, and about Einstein's views of both."—Nancy Cartwright, Isis
"What really led Einstein . . . to renounce the new quantum order? For those interested in this question, this book is compulsory reading."—Harvey R. Brown, American Journal of Physics
"Fine has successfully combined a historical account of Einstein's philosophical views on quantum mechanics and a discussion of some of the philosophical problems associated with the interpretation of quantum theory with a discussion of some of the contemporary questions concerning realism and antirealism. . . . Clear, thoughtful, [and] well-written."—Allan Franklin, Annals of Science
"Attempts, from Einstein's published works and unpublished correspondence, to piece together a coherent picture of 'Einstein realism.' Especially illuminating are the letters between Einstein and fellow realist Schrödinger, as the latter was composing his famous 'Schrödinger-Cat' paper."—Nick Herbert, New Scientist
"Beautifully clear. . . . Fine's analysis is penetrating, his own results original and important. . . . The book is a splendid combination of new ways to think about quantum mechanics, about realism, and about Einstein's views of both."—Nancy Cartwright, Isis
[more]
Shamanic Trance in Modern Kabbalah
Jonathan Garb
University of Chicago Press, 2011
Bringing to light a hidden chapter in the history of modern Judaism, Shamanic Trance in Modern Kabbalah explores the shamanic dimensions of Jewish mysticism. Jonathan Garb integrates methods and models from the social sciences, comparative religion, and Jewish studies to offer a fresh view of the early modern kabbalists and their social and psychological contexts.
Through close readings of numerous texts—some translated here for the first time—Garb draws a more complete picture of the kabbalists than previous depictions, revealing them to be as concerned with deeper states of consciousness as they were with study and ritual. Garb discovers that they developed physical and mental methods to induce trance states, visions of heavenly mountains, and transformations into animals or bodies of light. To gain a deeper understanding of the kabbalists’ shamanic practices, Garb compares their experiences with those of mystics from other traditions as well as with those recorded by psychologists such as Milton Erickson and Carl Jung. Finally, Garb examines the kabbalists’ relations with the wider Jewish community, uncovering the role of kabbalistic shamanism in the renewal of Jewish tradition as it contended with modernity.
[more]
Shamanism, Colonialism, and the Wild Man
A Study in Terror and Healing
Michael Taussig
University of Chicago Press, 1987
Working with the image of the Indian shaman as Wild Man, Taussig reveals not the magic of the shaman but that of the politicizing fictions creating the effect of the real.
"This extraordinary book . . . will encourage ever more critical and creative explorations."—Fernando Coronil, [I]American Journal of Sociology[/I]
"Taussig has brought a formidable collection of data from arcane literary, journalistic, and biographical sources to bear on . . . questions of evil, torture, and politically institutionalized hatred and terror. His intent is laudable, and much of the book is brilliant, both in its discovery of how particular people perpetrated evil and others interpreted it."—Stehen G. Bunker, Social Science Quarterly
"This extraordinary book . . . will encourage ever more critical and creative explorations."—Fernando Coronil, [I]American Journal of Sociology[/I]
"Taussig has brought a formidable collection of data from arcane literary, journalistic, and biographical sources to bear on . . . questions of evil, torture, and politically institutionalized hatred and terror. His intent is laudable, and much of the book is brilliant, both in its discovery of how particular people perpetrated evil and others interpreted it."—Stehen G. Bunker, Social Science Quarterly
[more]
Shamans, Mystics and Doctors
A Psychological Inquiry into India and its Healing Traditions
Sudhir Kakar
University of Chicago Press, 1990
Sudhir Kakar, a psychoanalyst and scholar, brilliantly illuminates the ancient healing traditions of India embodied in the rituals of shamans, the teachings of gurus, and the precepts of the school of medicine known as Ayurveda.
"With extraordinary sympathy, open-mindedness, and insight Sudhir Kakar has drawn from both his Eastern and Western backgrounds to show how the gulf that divides native healer from Western psychiatrist can be spanned."—Rosemary Dinnage, New York Review of Books
"Each chapter describes the geographical and cultural context within which the healers work, their unique approach to healing mental illness, and . . . the philosophical and religious underpinnings of their theories compared with psychoanalytical theory."—Choice
"With extraordinary sympathy, open-mindedness, and insight Sudhir Kakar has drawn from both his Eastern and Western backgrounds to show how the gulf that divides native healer from Western psychiatrist can be spanned."—Rosemary Dinnage, New York Review of Books
"Each chapter describes the geographical and cultural context within which the healers work, their unique approach to healing mental illness, and . . . the philosophical and religious underpinnings of their theories compared with psychoanalytical theory."—Choice
[more]
Shanghai Nightscapes
A Nocturnal Biography of a Global City
James Farrer and Andrew David Field
University of Chicago Press, 2015
The pulsing beat of its nightlife has long drawn travelers to the streets of Shanghai, where the night scene is a crucial component of the city’s image as a global metropolis. In Shanghai Nightscapes, sociologist James Farrer and historian Andrew David Field examine the cosmopolitan nightlife culture that first arose in Shanghai in the 1920s and that has been experiencing a revival since the 1980s. Drawing on over twenty years of fieldwork and hundreds of interviews, the authors spotlight a largely hidden world of nighttime pleasures—the dancing, drinking, and socializing going on in dance clubs and bars that have flourished in Shanghai over the last century.
The book begins by examining the history of the jazz-age dance scenes that arose in the ballrooms and nightclubs of Shanghai’s foreign settlements. During its heyday in the 1930s, Shanghai was known worldwide for its jazz cabarets that fused Chinese and Western cultures. The 1990s have seen the proliferation of a drinking, music, and sexual culture collectively constructed to create new contact zones between the local and tourist populations. Today’s Shanghai night scenes are simultaneously spaces of inequality and friction, where men and women from many different walks of life compete for status and attention, and spaces of sociability, in which intercultural communities are formed. Shanghai Nightscapes highlights the continuities in the city’s nightlife across a turbulent century, as well as the importance of the multicultural agents of nightlife in shaping cosmopolitan urban culture in China’s greatest global city.
To listen to an audio diary of a night out in Shanghai with Farrer and Field, click here: http://n.pr/1VsIKAw.
The book begins by examining the history of the jazz-age dance scenes that arose in the ballrooms and nightclubs of Shanghai’s foreign settlements. During its heyday in the 1930s, Shanghai was known worldwide for its jazz cabarets that fused Chinese and Western cultures. The 1990s have seen the proliferation of a drinking, music, and sexual culture collectively constructed to create new contact zones between the local and tourist populations. Today’s Shanghai night scenes are simultaneously spaces of inequality and friction, where men and women from many different walks of life compete for status and attention, and spaces of sociability, in which intercultural communities are formed. Shanghai Nightscapes highlights the continuities in the city’s nightlife across a turbulent century, as well as the importance of the multicultural agents of nightlife in shaping cosmopolitan urban culture in China’s greatest global city.
To listen to an audio diary of a night out in Shanghai with Farrer and Field, click here: http://n.pr/1VsIKAw.
[more]
The Shape of Life
Genes, Development, and the Evolution of Animal Form
Rudolf A. Raff
University of Chicago Press, 1996
Rudolf Raff is recognized as a pioneer in evolutionary developmental biology. In their 1983 book, Embryos, Genes, and Evolution, Raff and co-author Thomas Kaufman proposed a synthesis of developmental and evolutionary biology. In The Shape of Life, Raff analyzes the rise of this new experimental discipline and lays out new research questions, hypotheses, and approaches to guide its development.
Raff uses the evolution of animal body plans to exemplify the interplay between developmental mechanisms and evolutionary patterns. Animal body plans emerged half a billion years ago. Evolution within these body plans during this span of time has resulted in the tremendous diversity of living animal forms.
Raff argues for an integrated approach to the study of the intertwined roles of development and evolution involving phylogenetic, comparative, and functional biology. This new synthesis will interest not only scientists working in these areas, but also paleontologists, zoologists, morphologists, molecular biologists, and geneticists.
Raff uses the evolution of animal body plans to exemplify the interplay between developmental mechanisms and evolutionary patterns. Animal body plans emerged half a billion years ago. Evolution within these body plans during this span of time has resulted in the tremendous diversity of living animal forms.
Raff argues for an integrated approach to the study of the intertwined roles of development and evolution involving phylogenetic, comparative, and functional biology. This new synthesis will interest not only scientists working in these areas, but also paleontologists, zoologists, morphologists, molecular biologists, and geneticists.
[more]
Shaped by the State
Toward a New Political History of the Twentieth Century
Edited by Brent Cebul, Lily Geismer, and Mason B. Williams
University of Chicago Press, 2019
American political history has been built around narratives of crisis, in which what “counts” are the moments when seemingly stable political orders collapse and new ones rise from the ashes. But while crisis-centered frameworks can make sense of certain dimensions of political culture, partisan change, and governance, they also often steal attention from the production of categories like race, gender, and citizenship status that transcend the usual break points in American history.
Brent Cebul, Lily Geismer, and Mason B. Williams have brought together first-rate scholars from a wide range of subfields who are making structures of state power—not moments of crisis or partisan realignment—integral to their analyses. All of the contributors see political history as defined less by elite subjects than by tensions between state and economy, state and society, and state and subject—tensions that reveal continuities as much as disjunctures. This broader definition incorporates investigations of the crosscurrents of power, race, and identity; the recent turns toward the history of capitalism and transnational history; and an evolving understanding of American political development that cuts across eras of seeming liberal, conservative, or neoliberal ascendance. The result is a rich revelation of what political history is today.
Brent Cebul, Lily Geismer, and Mason B. Williams have brought together first-rate scholars from a wide range of subfields who are making structures of state power—not moments of crisis or partisan realignment—integral to their analyses. All of the contributors see political history as defined less by elite subjects than by tensions between state and economy, state and society, and state and subject—tensions that reveal continuities as much as disjunctures. This broader definition incorporates investigations of the crosscurrents of power, race, and identity; the recent turns toward the history of capitalism and transnational history; and an evolving understanding of American political development that cuts across eras of seeming liberal, conservative, or neoliberal ascendance. The result is a rich revelation of what political history is today.
[more]
The Shaping of American Liberalism
The Debates over Ratification, Nullification, and Slavery
David F. Ericson
University of Chicago Press, 1993
In The Liberal Tradition in America (1955), Louis Hartz first put forth his thesis that the American political tradition derives essentially from consensual liberal principles. The many detractors to this theory include Bernard Bailyn, who argued that preliberal, republican values initially held sway in eighteenth-century American politics. In The Shaping of American Liberalism, David Ericson offers an innovative reinterpretation of both positions by redefining the terms of the argument.
Focusing on three critical debates in American history—the debate between Anti-Federalists and Federalists over the ratification of the Constitution; the debate between the national republicans and the states-rights republicans over the nullification of the tariff; and the Lincoln-Douglas debates over slavery and pluralist democracy—Ericson shows that republicanism, rather than being opposed to liberalism, is in fact an offshoot of it. His descriptions of republicanism and pluralism represent the poles of an evolving tradition of liberal ideas in America: the former championing the claims of the public sphere, general welfare, and civic virtue; the latter protecting the rights of the individual to liberty, property, and privacy.
Republicanism and pluralism are therefore more properly understood as two sets of competing ideas that evolved from common roots. Ericson concludes that although republican themes persist in American politics, the profound transformations brought about by the Civil War made the ascendancy of pluralism virtually inevitable.
This highly original discussion of the relation between liberalism and republicanism—the central concern of much of the recent scholarship in American political thought—will be important reading for those interested in American politics, history, and culture.
Focusing on three critical debates in American history—the debate between Anti-Federalists and Federalists over the ratification of the Constitution; the debate between the national republicans and the states-rights republicans over the nullification of the tariff; and the Lincoln-Douglas debates over slavery and pluralist democracy—Ericson shows that republicanism, rather than being opposed to liberalism, is in fact an offshoot of it. His descriptions of republicanism and pluralism represent the poles of an evolving tradition of liberal ideas in America: the former championing the claims of the public sphere, general welfare, and civic virtue; the latter protecting the rights of the individual to liberty, property, and privacy.
Republicanism and pluralism are therefore more properly understood as two sets of competing ideas that evolved from common roots. Ericson concludes that although republican themes persist in American politics, the profound transformations brought about by the Civil War made the ascendancy of pluralism virtually inevitable.
This highly original discussion of the relation between liberalism and republicanism—the central concern of much of the recent scholarship in American political thought—will be important reading for those interested in American politics, history, and culture.
[more]
Shaping Phonology
Edited by Diane Brentari and Jackson L. Lee
University of Chicago Press, 2018
Within the past forty years, the field of phonology—a branch of linguistics that explores both the sound structures of spoken language and the analogous phonemes of sign language, as well as how these features of language are used to convey meaning—has undergone several important shifts in theory that are now part of standard practice. Drawing together contributors from a diverse array of subfields within the discipline, and honoring the pioneering work of linguist John Goldsmith, this book reflects on these shifting dynamics and their implications for future phonological work.
Divided into two parts, Shaping Phonology first explores the elaboration of abstract domains (or units of analysis) that fall under the purview of phonology. These chapters reveal the increasing multidimensionality of phonological representation through such analytical approaches as autosegmental phonology and feature geometry. The second part looks at how the advent of machine learning and computational technologies has allowed for the analysis of larger and larger phonological data sets, prompting a shift from using key examples to demonstrate that a particular generalization is universal to striving for statistical generalizations across large corpora of relevant data. Now fundamental components of the phonologist’s tool kit, these two shifts have inspired a rethinking of just what it means to do linguistics.
Divided into two parts, Shaping Phonology first explores the elaboration of abstract domains (or units of analysis) that fall under the purview of phonology. These chapters reveal the increasing multidimensionality of phonological representation through such analytical approaches as autosegmental phonology and feature geometry. The second part looks at how the advent of machine learning and computational technologies has allowed for the analysis of larger and larger phonological data sets, prompting a shift from using key examples to demonstrate that a particular generalization is universal to striving for statistical generalizations across large corpora of relevant data. Now fundamental components of the phonologist’s tool kit, these two shifts have inspired a rethinking of just what it means to do linguistics.
[more]
Shaping Science
Organizations, Decisions, and Culture on NASA’s Teams
Janet Vertesi
University of Chicago Press, 2020
Drawing on a decade of immersive ethnography with NASA’s robotic spacecraft teams to create a comparative account of two great space missions of the early 2000s, Janet Vertesi uncovers how the social organization of a scientific team affects their scientific practices and results.
In Shaping Science, Janet Vertesi draws on a decade of immersive ethnography with NASA’s robotic spacecraft teams to create a comparative account of two great space missions of the early 2000s. Although these missions featured robotic explorers on the frontiers of the solar system bravely investigating new worlds, their commands were issued from millions of miles away by a very human team. By examining the two teams’ formal structures, decision-making techniques, and informal work practices in the day-to-day process of mission planning, Vertesi shows just how deeply entangled a team’s local organizational context is with the knowledge they produce about other worlds.
Using extensive, embedded experiences on two NASA spacecraft teams, this is the first book to apply organizational studies of work to the laboratory environment in order to analyze the production of scientific knowledge itself. Engaging and deeply researched, Shaping Science demonstrates the significant influence that the social organization of a scientific team can have on the practices of that team and the results they yield.
In Shaping Science, Janet Vertesi draws on a decade of immersive ethnography with NASA’s robotic spacecraft teams to create a comparative account of two great space missions of the early 2000s. Although these missions featured robotic explorers on the frontiers of the solar system bravely investigating new worlds, their commands were issued from millions of miles away by a very human team. By examining the two teams’ formal structures, decision-making techniques, and informal work practices in the day-to-day process of mission planning, Vertesi shows just how deeply entangled a team’s local organizational context is with the knowledge they produce about other worlds.
Using extensive, embedded experiences on two NASA spacecraft teams, this is the first book to apply organizational studies of work to the laboratory environment in order to analyze the production of scientific knowledge itself. Engaging and deeply researched, Shaping Science demonstrates the significant influence that the social organization of a scientific team can have on the practices of that team and the results they yield.
[more]
Shaping Science with Rhetoric
The Cases of Dobzhansky, Schrodinger, and Wilson
Leah Ceccarelli
University of Chicago Press, 2001
How do scientists persuade colleagues from diverse fields to cross the disciplinary divide, risking their careers in new interdisciplinary research programs? Why do some attempts to inspire such research win widespread acclaim and support, while others do not?
In Shaping Science with Rhetoric, Leah Ceccarelli addresses such questions through close readings of three scientific monographs in their historical contexts—Theodosius Dobzhansky's Genetics and the Origin of Species (1937), which inspired the "modern synthesis" of evolutionary biology; Erwin Schrödinger's What Is Life? (1944), which catalyzed the field of molecular biology; and Edward O. Wilson's Consilience (1998), a so far not entirely successful attempt to unite the social and biological sciences. She examines the rhetorical strategies used in each book and evaluates which worked best, based on the reviews and scientific papers that followed in their wake.
Ceccarelli's work will be important for anyone interested in how interdisciplinary fields are formed, from historians and rhetoricians of science to scientists themselves.
In Shaping Science with Rhetoric, Leah Ceccarelli addresses such questions through close readings of three scientific monographs in their historical contexts—Theodosius Dobzhansky's Genetics and the Origin of Species (1937), which inspired the "modern synthesis" of evolutionary biology; Erwin Schrödinger's What Is Life? (1944), which catalyzed the field of molecular biology; and Edward O. Wilson's Consilience (1998), a so far not entirely successful attempt to unite the social and biological sciences. She examines the rhetorical strategies used in each book and evaluates which worked best, based on the reviews and scientific papers that followed in their wake.
Ceccarelli's work will be important for anyone interested in how interdisciplinary fields are formed, from historians and rhetoricians of science to scientists themselves.
[more]
Shaping Society through Dance
Mestizo Ritual Performance in the Peruvian Andes
Zoila S. Mendoza
University of Chicago Press, 2000
During the patron saint fiesta in the Andean town of San Jerónimo, Peru, crowds gather at sunset in the town square, eagerly awaiting the entrance of the colorful dance troupes, or comparsas. With their masks, music, and surprising interpretations of contemporary events, the comparsas of the Cusco region are the focus of this multifaceted work. At the crossroads of folklore and ritual, mass media and local preferences, and regional and national identity, the comparsas—recorded here on VHS, DVD, and compact disc—have become a powerful way for the local people to make sense of their place in Peru and in the world. As Zoila Mendoza shows, they do more than reflect societal changes, they actively transform society.
In this fluid world, she argues, racial and ethnic identities are shaped more by notions of what is decent, elegant, and modern rather than by skin color or status. As the different troupes vie for the townspeople's recognition as the most "authentic" group, these notions are challenged and reworked. A fascinating look at a rich tradition, this innovative work is also a compelling example of the critical anthropology of performance.
In this fluid world, she argues, racial and ethnic identities are shaped more by notions of what is decent, elegant, and modern rather than by skin color or status. As the different troupes vie for the townspeople's recognition as the most "authentic" group, these notions are challenged and reworked. A fascinating look at a rich tradition, this innovative work is also a compelling example of the critical anthropology of performance.
[more]
Shaping the Netherlandish Canon
Karel Van Mander's Schilder-Boeck
Walter S. Melion
University of Chicago Press, 1992
A treatise on Dutch art on par with Vasari's critical history
of Italian art, Karel van Mander's Schilder-Boeck (or
Book on Picturing) has long been recognized for its critical
and historical influence—and yet, until now, no
comprehensive account of the book's conception, aims, and
impact has been available. In this in-depth analysis of the
content and context of Van Mander's work, Walter S. Melion
reveals the Schilder-Boeck's central importance to an
understanding of northern Renaissance and Baroque art.
By interpreting the terminology employed in the
Schilder-Boeck, Melion establishes the text's
relationship to past and contemporary art theory. Van Mander
is seen here developing his critical categories and then
applying them to Ancient, Italian, and Netherlandish artists
in order to mark changes within a culture and to characterize
excellence for each region. Thus Melion demonstrates how Van
Mander revised both the structure and critical language of
Vasari's Lives to refute the Italian's claims for the
superiority of the Tuscan style, and to clarify northern
artistic traditions and the concerns of Netherlandish
artists. A much needed corrective to the view that Dutch art
of the period was lacking in theory, Melion's work offers a
compelling account of a sixteenth- and seventeenth-century
theoretical and critical perspective and shows how this
perspective suggests a rereading of northern art.
Walter S. Melion is assistant professor of art history
at The Johns Hopkins University.
of Italian art, Karel van Mander's Schilder-Boeck (or
Book on Picturing) has long been recognized for its critical
and historical influence—and yet, until now, no
comprehensive account of the book's conception, aims, and
impact has been available. In this in-depth analysis of the
content and context of Van Mander's work, Walter S. Melion
reveals the Schilder-Boeck's central importance to an
understanding of northern Renaissance and Baroque art.
By interpreting the terminology employed in the
Schilder-Boeck, Melion establishes the text's
relationship to past and contemporary art theory. Van Mander
is seen here developing his critical categories and then
applying them to Ancient, Italian, and Netherlandish artists
in order to mark changes within a culture and to characterize
excellence for each region. Thus Melion demonstrates how Van
Mander revised both the structure and critical language of
Vasari's Lives to refute the Italian's claims for the
superiority of the Tuscan style, and to clarify northern
artistic traditions and the concerns of Netherlandish
artists. A much needed corrective to the view that Dutch art
of the period was lacking in theory, Melion's work offers a
compelling account of a sixteenth- and seventeenth-century
theoretical and critical perspective and shows how this
perspective suggests a rereading of northern art.
Walter S. Melion is assistant professor of art history
at The Johns Hopkins University.
[more]
Shared Capitalism at Work
Employee Ownership, Profit and Gain Sharing, and Broad-Based Stock Options
Edited by Douglas L. Kruse, Richard B. Freeman, and Joseph R. Blasi
University of Chicago Press, 2010
The historical relationship between capital and labor has evolved in the past few decades. One particularly noteworthy development is the rise of shared capitalism, a system in which workers have become partial owners of their firms and thus, in effect, both employees and stockholders. Profit sharing arrangements and gain-sharing bonuses, which tie compensation directly to a firm’s performance, also reflect this new attitude toward labor.
Shared Capitalism at Work analyzes the effects of this trend on workers and firms. The contributors focus on four main areas: the fraction of firms that participate in shared capitalism programs in the United States and abroad, the factors that enable these firms to overcome classic free rider and risk problems, the effect of shared capitalism on firm performance, and the impact of shared capitalism on worker well-being. This volume provides essential studies for understanding the increasingly important role of shared capitalism in the modern workplace.
[more]
Shared Fantasy
Role Playing Games as Social Worlds
Gary Alan Fine
University of Chicago Press, 1983
This classic study still provides one of the most acute descriptions available of an often misunderstood subculture: that of fantasy role playing games like Dungeons & Dragons. Gary Alan Fine immerses himself in several different gaming systems, offering insightful details on the nature of the games and the patterns of interaction among players—as well as their reasons for playing.
[more]
A Shared Future
Faith-Based Organizing for Racial Equity and Ethical Democracy
Richard L. Wood and Brad R. Fulton
University of Chicago Press, 2015
Faith-based community organizers have spent decades working for greater equality in American society, and more recently have become significant players in shaping health care, finance, and immigration reform at the highest levels of government.
In A Shared Future, Richard L. Wood and Brad R. Fulton draw on a new national study of community organizing coalitions and in-depth interviews of key leaders in this field to show how faith-based organizing is creatively navigating the competing aspirations of America’s universalist and multiculturalist democratic ideals, even as it confronts three demons bedeviling American politics: economic inequality, federal policy paralysis, and racial inequity. With a broad view of the entire field and a distinct empirical focus on the PICO National Network, Wood and Fulton’s analysis illuminates the tensions, struggles, and deep rewards that come with pursuing racial equity within a social change organization and in society. Ultimately, A Shared Future offers a vision for how we might build a future that embodies the ethical democracy of the best American dreams.
An interview of the authors on the subject of faith leaders organizing for justice (Peace Talks Radio, copyright Good Radio Shows, Inc.) can be heard at this link: https://beta.prx.org/stories/190030
In A Shared Future, Richard L. Wood and Brad R. Fulton draw on a new national study of community organizing coalitions and in-depth interviews of key leaders in this field to show how faith-based organizing is creatively navigating the competing aspirations of America’s universalist and multiculturalist democratic ideals, even as it confronts three demons bedeviling American politics: economic inequality, federal policy paralysis, and racial inequity. With a broad view of the entire field and a distinct empirical focus on the PICO National Network, Wood and Fulton’s analysis illuminates the tensions, struggles, and deep rewards that come with pursuing racial equity within a social change organization and in society. Ultimately, A Shared Future offers a vision for how we might build a future that embodies the ethical democracy of the best American dreams.
An interview of the authors on the subject of faith leaders organizing for justice (Peace Talks Radio, copyright Good Radio Shows, Inc.) can be heard at this link: https://beta.prx.org/stories/190030
[more]
Shareholder Democracies?
Corporate Governance in Britain and Ireland before 1850
Mark Freeman, Robin Pearson, and James Taylor
University of Chicago Press, 2011
Understanding the challenges of corporate governance is central to our comprehension of the economic dynamics driving corporations today. Among the most important institutions in capitalism today, corporations and joint-stock companies had their origins in Europe during the seventeenth and eighteenth centuries. And as they became more prevalent, the issue of internal governance became more pressing. At stake—and very much contested—was the allocation of rights and obligations among shareholders, directors, and managers.
This comprehensive account of the development of corporate governance in Britain and Ireland during its earliest stages highlights the role of political factors in shaping the evolution of corporate governance as well as the important debates that arose about the division of authority and responsibility. Political and economic institutions confronted similar issues, including the need for transparency and accountability in decision making and the roles of electors and the elected, and this book emphasizes how political institutions—from election procedures to assemblies to annual reporting—therefore provided apt models upon which companies drew readily. Filling a gap in the literature on early corporate economy, this book provides insight into the origins of many ongoing modern debates.
[more]
Sharing Responsibility
Larry May
University of Chicago Press, 1992
Are individuals responsible for the consequences of actions taken by their community? What about their community's inaction or its attitudes? In this innovative book, Larry May departs from the traditional Western view that moral responsibility is limited to the consequences of overt individual action. Drawing on the insights of Arendt, Jaspers, and Sartre, he argues that even when individuals are not direct participants, they share responsibility for various harms perpetrated by their communities.
[more]
Sharks and People
Exploring Our Relationship with the Most Feared Fish in the Sea
Thomas P. Peschak
University of Chicago Press, 2008
At once feared and revered, sharks have captivated people since our earliest human encounters. Children and adults alike stand awed before aquarium shark tanks, fascinated by the giant teeth and unnerving eyes. And no swim in the ocean is undertaken without a slight shiver of anxiety about the very real—and very cinematic—dangers of shark bites. But our interactions with sharks are not entirely one-sided: the threats we pose to sharks through fisheries, organized hunts, and gill nets on coastlines are more deadly and far-reaching than any bite. In Sharks and People acclaimed wildlife photographer Thomas Peschak presents stunning photographs that capture the relationship between people and sharks around the globe.
A contributing photographer to National Geographic, Peschak is best known for his unusual photographs of sharks—his iconic image of a great white shark following a researcher in a small yellow kayak is one of the most recognizable shark photographs in the world. The other images gathered here are no less riveting, bringing us as close as possible to sharks in the wild. Alongside the photographs, Sharks and People tells the compelling story of the natural history of sharks. Sharks have roamed the oceans for more than four hundred million years, and in this time they have never stopped adapting to the ever-changing world—their unique cartilage skeletons and array of super-senses mark them as one of the most evolved groups of animals. Scientists have recently discovered that sharks play an important role in balancing the ocean, including maintaining the health of coral reefs. Yet, tens of millions of sharks are killed every year just to fill the demand for shark fin soup alone. Today more than sixty species of sharks, including hammerhead, mako, and oceanic white-tip sharks, are listed as vulnerable or in danger of extinction.
The need to understand the significant part sharks play in the oceanic ecosystem has never been so urgent, and Peschak’s photographs bear witness to the thrilling strength and unique attraction of sharks. They are certain to enthrall and inspire.
[more]
Sheer Misery
Soldiers in Battle in WWII
Mary Louise Roberts
University of Chicago Press, 2021
Marching across occupied France in 1944, American GI Leroy Stewart had neither death nor glory on his mind: he was worried about his underwear, which was engaged in a relentless crawl of its own. Similar complaints of physical discomfort pervade infantrymen’s memories of the European theater, whether the soldiers were British, American, German, or French. Wet, freezing misery with no end in sight—this was life for millions of enlisted men during World War II.
Sheer Misery trains a humane and unsparing eye on the corporeal experiences of the soldiers who fought in Belgium, France, and Italy during the last two years of the war. In the horrendously unhygienic and often lethal conditions of the front line, their bodies broke down, stubbornly declaring their needs for warmth, rest, and good nutrition. Feet became too swollen to march, fingers too frozen to pull triggers; stomachs cramped, and diarrhea stained underwear and pants. Turning away from the accounts of high-level military strategy that dominate many WWII chronicles, acclaimed historian Mary Louise Roberts instead relies on diaries and letters to bring to life visceral sense memories like the moans of the “screaming meemies,” the acrid smell of cordite, and the shockingly mundane sight of rotting corpses. As Roberts writes, “For soldiers who fought, the war was above all about their bodies.”
Sheer Misery trains a humane and unsparing eye on the corporeal experiences of the soldiers who fought in Belgium, France, and Italy during the last two years of the war. In the horrendously unhygienic and often lethal conditions of the front line, their bodies broke down, stubbornly declaring their needs for warmth, rest, and good nutrition. Feet became too swollen to march, fingers too frozen to pull triggers; stomachs cramped, and diarrhea stained underwear and pants. Turning away from the accounts of high-level military strategy that dominate many WWII chronicles, acclaimed historian Mary Louise Roberts instead relies on diaries and letters to bring to life visceral sense memories like the moans of the “screaming meemies,” the acrid smell of cordite, and the shockingly mundane sight of rotting corpses. As Roberts writes, “For soldiers who fought, the war was above all about their bodies.”
[more]
The Shell and the Kernel
Renewals of Psychoanalysis, Volume 1
Nicolas Abraham and Maria Torok
University of Chicago Press, 1994
This volume is a superb introduction to the richness and originality of Abraham and Torok's approach to psychoanalysis and their psychoanalytic approach to literature. Abraham and Torok advocate a form of psychoanalysis that insists on the particularity of any individual's life story, the specificity of texts, and the singularity of historical situations. In what is both a critique and an extension of Freud, they develop interpretive strategies with powerful implications for clinicians, literary theorists, feminists, philosophers, and all others interested in the uses and limits of psychoanalysis.
Central to their approach is a general theory of psychic concealment, a poetics of hiding. Whether in a clinical setting or a literary text, they search out the unspeakable secret as a symptom of devastating trauma revealed only in linguistic or behavioral encodings. Their view of trauma provides the linchpin for new psychic and linguistic structures such as the "transgenerational phantom," an undisclosed family secret handed down to an unwitting descendant, and the intra-psychic secret or "crypt," which entombs an unspeakable but consummated desire. Throughout, Abraham and Torok seek to restore communication with those intimate recesses of the mind which are, for one reason or another, denied expression.
Classics of French theory and practice, the essays in volume one include four previously uncollected works by Maria Torok. Nicholas Rand supplies a substantial introductory essay and commentary throughout. Abraham and Torok's theories of fractured meaning and their search for coherence in the face of discontinuity and disruption have the potential to reshape not only psychoanalysis but all disciplines concerned with issues of textual, oral, or visual interpretation.
Central to their approach is a general theory of psychic concealment, a poetics of hiding. Whether in a clinical setting or a literary text, they search out the unspeakable secret as a symptom of devastating trauma revealed only in linguistic or behavioral encodings. Their view of trauma provides the linchpin for new psychic and linguistic structures such as the "transgenerational phantom," an undisclosed family secret handed down to an unwitting descendant, and the intra-psychic secret or "crypt," which entombs an unspeakable but consummated desire. Throughout, Abraham and Torok seek to restore communication with those intimate recesses of the mind which are, for one reason or another, denied expression.
Classics of French theory and practice, the essays in volume one include four previously uncollected works by Maria Torok. Nicholas Rand supplies a substantial introductory essay and commentary throughout. Abraham and Torok's theories of fractured meaning and their search for coherence in the face of discontinuity and disruption have the potential to reshape not only psychoanalysis but all disciplines concerned with issues of textual, oral, or visual interpretation.
[more]
Shift
Jeredith Merrin
University of Chicago Press, 1996
Shift traces the love between two women over several years and explores the intricacies of family relationships. Jeredith Merrin's poems, moving from ecstatic love lyrics to poems of familial affection and damage, to grave, more mature love poems, are psychologically loaded and technically sophisticated. These poems convey a wonderful sense of the sexual and social complexity of human relationships.
[more]
Shifting the Burden
The Struggle over Growth and Corporate Taxation
Cathie J. Martin
University of Chicago Press, 1991
Since World War II, the corporate tax burden has, overall, decreased enormously as a percentage of the government's total revenue. Until now, however, no explanation of this phenomenon has accounted for the periodic reforms—such as the dramatic 1986 Tax Reform Act—which significantly increase some corporate taxes.
Remarkably accessible and rich in historical evidence, Shifting the Burden is the most compelling explanation to date of how our nation's tax policy is formulated. Cathie J. Martin shows how presidents' cultivation of allies within the business community and struggles within that community itself combine to shape tax policy.
Remarkably accessible and rich in historical evidence, Shifting the Burden is the most compelling explanation to date of how our nation's tax policy is formulated. Cathie J. Martin shows how presidents' cultivation of allies within the business community and struggles within that community itself combine to shape tax policy.
[more]
The Shiga Hero
William F. Sibley
University of Chicago Press, 1979
Shiga Naoya (1883-1971), one of Japan's foremost modern writers, is known primarily for his spare, intense short stories. Highly subjective, Shiga's work belongs to the genre of "personal" or "psychological" fiction; much of his raw material is rooted in his own inner experience. His incisive style and disregard of the formal aspects of fiction present a vision of the world that is at times "primitive" and archetypal. Shiga relentlessly explores the vision through the viewpoint of a single central character who appears in almost all his works.
Sibley unifies Shiga's sparse, fragmented narratives by reconstructing the cyclical biography of this imaginary hero. Through an analysis of Shiga's psychoanalytic and mythopoetic approach to fiction, Sibley develops a useful model for the study of personal writers.
In recreating the life of Shiga's hero, Sibley uncovers a close link between the fictional hero and Shiga himself. Sibley finds an important part of Shiga's purpose as a writer was to "psychoanalyze" himself by projecting various personal problems onto this fictional alter ego.
Ten newly translated stories complement Sibley's analysis of Shiga's work. In this second part of the book, one encounters Shiga's hero at various stages of development: as a child facing the early loss of his mother and an uneasy relationship with his cold, distant father; as an adolescent encountering death and punishment; and as an adult searching for solace in solitary contemplation of life. Shiga renders these experiences through a highly textured prose and symbolic vocabulary. Sibley's integral text makes this major Japanese writer accessible to readers of English for the first time in a fascinating and original way.
Sibley unifies Shiga's sparse, fragmented narratives by reconstructing the cyclical biography of this imaginary hero. Through an analysis of Shiga's psychoanalytic and mythopoetic approach to fiction, Sibley develops a useful model for the study of personal writers.
In recreating the life of Shiga's hero, Sibley uncovers a close link between the fictional hero and Shiga himself. Sibley finds an important part of Shiga's purpose as a writer was to "psychoanalyze" himself by projecting various personal problems onto this fictional alter ego.
Ten newly translated stories complement Sibley's analysis of Shiga's work. In this second part of the book, one encounters Shiga's hero at various stages of development: as a child facing the early loss of his mother and an uneasy relationship with his cold, distant father; as an adolescent encountering death and punishment; and as an adult searching for solace in solitary contemplation of life. Shiga renders these experiences through a highly textured prose and symbolic vocabulary. Sibley's integral text makes this major Japanese writer accessible to readers of English for the first time in a fascinating and original way.
[more]
Shock Cities
The Environmental Transformation and Reform of Manchester and Chicago
Harold L. Platt
University of Chicago Press, 2005
Shock Cities is environmental history of the highest order. This searching work is the first trans-Atlantic study to examine the industrial city in holistic terms, looking at the transformation of its land, water, and air. Harold L. Platt demonstrates how the creation of industrial ecologies spurred the reorganization of urban areas into separate spheres, unhealthy slums in the center and garden estates in the suburbs. By comparing Chicago and Manchester, Platt also shows how the ruling classes managed the political creation of urban space to ensure financial gain—often to the environmental detriment of both regions.
Shock Cities also recasts the age of industry within a larger frame of nature. Frightening epidemics and unnatural "natural disasters" forced the city dwellers onto the path of environmental reform. Crusaders for social justice such as Chicago's Jane Addams and Manchester's Charles Rowley led class-bridging campaigns to clean up the slums. Women activists and other "municipal housekeepers" promoted regulations to reduce air pollution. Public health experts directed efforts to improve sanitation.
Out of these reform movements, the Progressives formulated new concepts of environmental conservation and regional planning. Comparing the two cities, Platt highlights the ways in which political culture and institutions act to turn social geography into physical shapes on the ground. This focus on the political formation of urban space helps illuminate questions of social and environmental justice. Shock Cities will be of enormous value to students of ecology, technology, urban planning, and public health in the Western world.
Shock Cities also recasts the age of industry within a larger frame of nature. Frightening epidemics and unnatural "natural disasters" forced the city dwellers onto the path of environmental reform. Crusaders for social justice such as Chicago's Jane Addams and Manchester's Charles Rowley led class-bridging campaigns to clean up the slums. Women activists and other "municipal housekeepers" promoted regulations to reduce air pollution. Public health experts directed efforts to improve sanitation.
Out of these reform movements, the Progressives formulated new concepts of environmental conservation and regional planning. Comparing the two cities, Platt highlights the ways in which political culture and institutions act to turn social geography into physical shapes on the ground. This focus on the political formation of urban space helps illuminate questions of social and environmental justice. Shock Cities will be of enormous value to students of ecology, technology, urban planning, and public health in the Western world.
[more]
The Shock of the Ancient
Literature and History in Early Modern France
Larry F. Norman
University of Chicago Press, 2011
The cultural battle known as the Quarrel of the Ancients and Moderns served as a sly cover for more deeply opposed views about the value of literature and the arts. One of the most public controversies of early modern Europe, the Quarrel has most often been depicted as pitting antiquarian conservatives against the insurgent critics of established authority. The Shock of the Ancient turns the canonical vision of those events on its head by demonstrating how the defenders of Greek literature—rather than clinging to an outmoded tradition—celebrated the radically different practices of the ancient world.
At a time when the constraints of decorum and the politics of French absolutism quashed the expression of cultural differences, the ancient world presented a disturbing face of otherness. Larry F. Norman explores how the authoritative status of ancient Greek texts allowed them to justify literary depictions of the scandalous. The Shock of the Ancient surveys the diverse array of aesthetic models presented in these ancient works and considers how they both helped to undermine the rigid codes of neoclassicism and paved the way for the innovative philosophies of the Enlightenment. Broadly appealing to students of European literature, art history, and philosophy, this book is an important contribution to early modern literary and cultural debates.
[more]
Shock Values
Prices and Inflation in American Democracy
Carola Binder
University of Chicago Press, 2024
How inflation and deflation fears shape American democracy.
Many foundational moments in American economic history—the establishment of paper money, wartime price controls, the rise of the modern Federal Reserve—occurred during financial panics as prices either inflated or deflated sharply. The government’s decisions in these moments, intended to control price fluctuations, have produced both lasting effects and some of the most contentious debates in the nation’s history.
A sweeping history of the United States’ economy and politics, Shock Values reveals how the American state has been shaped by a massive, ever-evolving effort to insulate its economy from the real and perceived dangers of price fluctuations. Carola Binder narrates how the pains of rising and falling prices have brought lasting changes for every generation of Americans. And with each brush with price instability, the United States has been reinvented—not as a more perfect union, but as a reflection of its most recent failures.
Shock Values tells the untold story of prices and price stabilization in the United States. Expansive and enlightening, Binder recounts the interest-group politics, legal battles, and economic ideas that have shaped a nation from the dawn of the republic to the present.
[more]
Shoddy
From Devil’s Dust to the Renaissance of Rags
Hanna Rose Shell
University of Chicago Press, 2020
The history of modern-day old clothes recycling begins with a thing called shoddy. Starting in the early 1800s, shoddy was the name given to a new material made from reclaimed wool, and to one of the earliest forms of industrial recycling. Old rags and leftover fabric clippings were ground to bits by a machine known as “the devil” and then re-used. Usually undisclosed, shoddy–also known as reworked wool–became suit jackets, army blankets, mattress stuffing, and much more. Shoddy is the afterlife of rags. And Shoddy, the book, reveals hidden worlds of textile intrigue.
In Shoddy: From Devil’s Dust to the Renaissance of Rags, Hanna Rose Shell takes readers on a journey to discover shoddy, from Haiti to the “shoddy towns” of West Yorkshire in England, to the United States, back in time to the British cholera epidemics and the American Civil War, and into agricultural fields, textile labs, and rag-shredding factories. Shell’s narrative is both literary and historical, drawing on an extraordinary range of sources, from court cases to military uniforms, mattress labels to medical textbooks, political cartoons to high art. Shoddy moves between genres, bringing richly drawn characters and unexpected objects to life. Along the way, shoddy becomes equally an evocative object and a portal into another world.
Almost since the time it first appeared, shoddy was both ubiquitous and controversial. In part because it was often so hard to detect, it was inherently suspicious. Public health experts worried about sanitation and disease—how could old clothes be disinfected? As well, the idea of wearing someone else’s old clothes so close to your own skin was discomforting in and of itself. Could you sleep peacefully knowing that your mattress was very likely to be stuffed with dead soldiers’ overcoats? The use of the term “virgin” wool, the idea of virginity in relation to clothes, in fact emerged as an effort by the wool industry to counter shoddy’s appeal: to make shoddy seem shoddy. Over time, shoddy would capture a host of personal, ethical, commercial, and societal failings. And yet, there was always, within shoddy, the alluring concept of regeneration, of what we today think of as conscious clothing, eco-fashion, sustainable textiles.
Shell exposes an interwoven tale of industrial espionage, political infighting, scientific inquiry, ethnic prejudices, and war profiteering. Discarded clothes may make many journeys over the course of several lifetimes. Not only in your garments, but under your rug, in your mattress pads, piano blankets, in the peculiar confetti-like stuffing in your mailing envelopes, even in the insulation in your walls. Though it began with wool, over the past century the shredding “devil” has turned to synthetics from nylon stockings to Kevlar. Shoddy is likely connected to something you are wearing right now. After reading, you will never use the word shoddy or think about your clothes, the environment, sustainability, or the intermingled world around you the same way again.
In Shoddy: From Devil’s Dust to the Renaissance of Rags, Hanna Rose Shell takes readers on a journey to discover shoddy, from Haiti to the “shoddy towns” of West Yorkshire in England, to the United States, back in time to the British cholera epidemics and the American Civil War, and into agricultural fields, textile labs, and rag-shredding factories. Shell’s narrative is both literary and historical, drawing on an extraordinary range of sources, from court cases to military uniforms, mattress labels to medical textbooks, political cartoons to high art. Shoddy moves between genres, bringing richly drawn characters and unexpected objects to life. Along the way, shoddy becomes equally an evocative object and a portal into another world.
Almost since the time it first appeared, shoddy was both ubiquitous and controversial. In part because it was often so hard to detect, it was inherently suspicious. Public health experts worried about sanitation and disease—how could old clothes be disinfected? As well, the idea of wearing someone else’s old clothes so close to your own skin was discomforting in and of itself. Could you sleep peacefully knowing that your mattress was very likely to be stuffed with dead soldiers’ overcoats? The use of the term “virgin” wool, the idea of virginity in relation to clothes, in fact emerged as an effort by the wool industry to counter shoddy’s appeal: to make shoddy seem shoddy. Over time, shoddy would capture a host of personal, ethical, commercial, and societal failings. And yet, there was always, within shoddy, the alluring concept of regeneration, of what we today think of as conscious clothing, eco-fashion, sustainable textiles.
Shell exposes an interwoven tale of industrial espionage, political infighting, scientific inquiry, ethnic prejudices, and war profiteering. Discarded clothes may make many journeys over the course of several lifetimes. Not only in your garments, but under your rug, in your mattress pads, piano blankets, in the peculiar confetti-like stuffing in your mailing envelopes, even in the insulation in your walls. Though it began with wool, over the past century the shredding “devil” has turned to synthetics from nylon stockings to Kevlar. Shoddy is likely connected to something you are wearing right now. After reading, you will never use the word shoddy or think about your clothes, the environment, sustainability, or the intermingled world around you the same way again.
[more]
Shoot!
The Notebooks of Serafino Gubbio, Cinematograph Operator
Luigi Pirandello
University of Chicago Press, 2005
Originally published in Italian in 1915, Shoot! is one of the first novels to take as its subject the heady world of early motion pictures. Based on the absurdist journals of fictional Italian camera operator Serafino Gubbio, Shoot! documents the infancy of film in Europe—complete with proto-divas, laughable production schedules, and cost-cutting measures with priceless effects-—and offers a glimpse of the modern world through the camera's lens.
Shoot!, presented here in its 1927 English translation, is a classic example of Nobel Prize-winning Sicilian playwright Luigi Pirandello's (1867-1936) literary talent and genius for blurring the line between art and reality. From the film studio Kosmograph, Pirandello's Gubbio steadily winds the crank of his camera by day and scribbles with his pen by night, revealing the world both mundane and melodramatic that unfolds in front of his camera. Through Gubbio's narrative—saturated with fantasy and folly—Pirandello grapples with the philosophical implications of modernity. Like much of Pirandello's work, Shoot! parodies human weaknesses, drawing attention to the themes of isolation and madness as emerging tendencies in the modern world.
Enhanced by new critical commentaries, Shoot! is an entertaining caricature, capturing early twentieth-century Italian filmmaking and revealing its truths as only a parody can.
Shoot!, presented here in its 1927 English translation, is a classic example of Nobel Prize-winning Sicilian playwright Luigi Pirandello's (1867-1936) literary talent and genius for blurring the line between art and reality. From the film studio Kosmograph, Pirandello's Gubbio steadily winds the crank of his camera by day and scribbles with his pen by night, revealing the world both mundane and melodramatic that unfolds in front of his camera. Through Gubbio's narrative—saturated with fantasy and folly—Pirandello grapples with the philosophical implications of modernity. Like much of Pirandello's work, Shoot! parodies human weaknesses, drawing attention to the themes of isolation and madness as emerging tendencies in the modern world.
Enhanced by new critical commentaries, Shoot! is an entertaining caricature, capturing early twentieth-century Italian filmmaking and revealing its truths as only a parody can.
[more]
The Short Chronicle
A Poor Clare's Account of the Reformation of Geneva
Jeanne de Jussie
University of Chicago Press, 2006
Jeanne de Jussie (1503–61) experienced the Protestant Reformation from within the walls of the Convent of Saint Clare in Geneva. In her impassioned and engaging Short Chronicle, she offers a singular account of the Reformation, reporting not only on the larger clashes between Protestants and Catholics but also on events in her convent—devious city councilmen who lied to trusting nuns, lecherous soldiers who tried to kiss them, and iconoclastic intruders who smashed statues and burned paintings. Throughout her tale, Jussie highlights women’s roles on both sides of the conflict, from the Reformed women who came to her convent in an attempt to convert the nuns to the Catholic women who ransacked the shop of a Reformed apothecary. Above all, she stresses the Poor Clares’ faithfulness and the good men and women who came to them in their time of need, ending her story with the nuns’ arduous journey by foot from Reformed Geneva to Catholic Annecy.
First published in French in 1611, Jussie’s Short Chronicle is translated here for an English-speaking audience for the first time, providing a fresh perspective on struggles for religious and political power in sixteenth-century Geneva and a rare glimpse at early modern monastic life.
First published in French in 1611, Jussie’s Short Chronicle is translated here for an English-speaking audience for the first time, providing a fresh perspective on struggles for religious and political power in sixteenth-century Geneva and a rare glimpse at early modern monastic life.
[more]
A Short Commentary on Kant's Critique of Pure Reason
A. C. Ewing
University of Chicago Press, 1967
This concise volume is at once an excellent introduction to Kant's Critique of Pure Reason and an original analysis of Kant's ideas. Intended to be read in conjunction with Kant's text, Ewing's commentary systematically examines the Critique chapter by chapter. It offers valuable guidance to new students of Kant and thought-provoking discussion to advanced scholars.
A. C. Ewing (1899-1973) was a member of the Faculty of Moral Science at Cambridge University and a Fellow of the British Academy. He taught at several universities in the United States including Princeton University and Northwestern University. His many books include and The Fundamental Questions of Philosophy and The Definition of Good.
A. C. Ewing (1899-1973) was a member of the Faculty of Moral Science at Cambridge University and a Fellow of the British Academy. He taught at several universities in the United States including Princeton University and Northwestern University. His many books include and The Fundamental Questions of Philosophy and The Definition of Good.
[more]
A Short History of Greek Literature
Jacqueline de Romilly
University of Chicago Press, 1985
A Short History of the Future
W. Warren Wagar
University of Chicago Press, 1999
W. Warren Wagar's A Short History of the Future is a memoir of postmodern times, cast as a history. This powerful and visionary book is narrated by a far-future historian, Peter Jensen, who leaves this account of the world from the 1990s to the opening of the twenty-third century as a gift to his granddaughter. A combination of fiction and scholarship, this third edition of Wagar's speculative history of the future alternates between descriptions of world events and intimate glimpses of his fictive historian's family into the first centuries of the new millennium.
"Thanks to Wagar's magisterial command of futurist information and theory, his extrapolated near-term future is an incisive, dynamic vision of where we may indeed be heading."—H. Bruce Franklin, Washington Post
"A comprehensive, massively detailed script of a possible near future. . . . Intriguing."—San Francisco Chronicle
"A Short History of the Future reads with ease, raises provocative possibilities and presents challenging occasions for thought and argument."—Chicago Tribune
"A breathtaking future history in the manner of Wells and Stapledon, unnerving in its mixture of fact, fiction, and personal perspectives."—George Zebrowski, New York Review of Science Fiction
"Thanks to Wagar's magisterial command of futurist information and theory, his extrapolated near-term future is an incisive, dynamic vision of where we may indeed be heading."—H. Bruce Franklin, Washington Post
"A comprehensive, massively detailed script of a possible near future. . . . Intriguing."—San Francisco Chronicle
"A Short History of the Future reads with ease, raises provocative possibilities and presents challenging occasions for thought and argument."—Chicago Tribune
"A breathtaking future history in the manner of Wells and Stapledon, unnerving in its mixture of fact, fiction, and personal perspectives."—George Zebrowski, New York Review of Science Fiction
[more]
A Short History of the Future
W. Warren Wagar
University of Chicago Press, 1989
In the tradition of H. G. Wells's The Shape of Things to Come, W. Warren Wagar's A Short History of the Future is a memoir of postmodern times. Cast in the form of a history book, the narrative voice of the book's powerful vision is that of a far-future historian, Peter Jensen, who leaves this account of the world from the 1990s to the opening of the twenty-third century as a gift to his granddaughter. A dazzling and imaginative combination of fiction and scholarship, Wagar's speculative history of the future alternates between descriptions of world events and intimate glimpses of his fictive historian's family through the ages.
Jensen's tale traces the flow of the future from the early twenty-first-century reign of a megacorporate global economy, to its sudden collapse in 2044, when nuclear catastrophe envelops the world. In the traumatic aftermath, a socialist world commonwealth comes into being in the year 2062, followed by a lengthy transition to a decentralized order of technologically mature autonomous societies, many located in outer space. The riveting literary interludes that follow each chapter take the form of letters and documents from the history of Jensen's family, evoking the everyday lives of people in the midst of these global-historical events. Here we meet a woman in Brazil whose son is dying from a new immuno-deficiency disease, two brothers comparing life on earth with life in a space colony, and many more.
Neither fiction nor nonfiction, Wagar's brilliantly creative work is not meant to forecast the future, but rather to draw attention to possibilities and alternatives for humankind and planet Earth. In doing so, it also serves as an unforgettable reminder that the future is being made now.
Jensen's tale traces the flow of the future from the early twenty-first-century reign of a megacorporate global economy, to its sudden collapse in 2044, when nuclear catastrophe envelops the world. In the traumatic aftermath, a socialist world commonwealth comes into being in the year 2062, followed by a lengthy transition to a decentralized order of technologically mature autonomous societies, many located in outer space. The riveting literary interludes that follow each chapter take the form of letters and documents from the history of Jensen's family, evoking the everyday lives of people in the midst of these global-historical events. Here we meet a woman in Brazil whose son is dying from a new immuno-deficiency disease, two brothers comparing life on earth with life in a space colony, and many more.
Neither fiction nor nonfiction, Wagar's brilliantly creative work is not meant to forecast the future, but rather to draw attention to possibilities and alternatives for humankind and planet Earth. In doing so, it also serves as an unforgettable reminder that the future is being made now.
[more]
A Short Introduction to the Ancient Greek Theater
Revised Edition
Graham Ley
University of Chicago Press, 2007
Contemporary productions on stage and film, and the development of theater studies, continue to draw new audiences to ancient Greek drama. With observations on all aspects of performance, this volume fills their need for a clear, concise account of what is known about the original conditions of such productions in the age of Pericles.
Reexamining the surviving plays of Aeschylus, Sophocles, Euripides, and Aristophanes, Graham Ley here discusses acting technique, scenery, the power and range of the chorus, the use of theatrical space, and parody in their plays. In addition to photos of scenes from Greek vases that document theatrical performance, this new edition includes notes on ancient mime and puppetry and how to read Greek playtexts as scripts, as well as an updated bibliography. An ideal companion to The Complete Greek Tragedies, also published by the University of Chicago Press, Ley’s work is a concise and informative introduction to one of the great periods of world drama.
"Anyone faced with Athenian tragedy or comedy for the first time, in or out of the classroom, would do well to start with A Short Introduction to Ancient Greek Theater."—Didaskalia
Reexamining the surviving plays of Aeschylus, Sophocles, Euripides, and Aristophanes, Graham Ley here discusses acting technique, scenery, the power and range of the chorus, the use of theatrical space, and parody in their plays. In addition to photos of scenes from Greek vases that document theatrical performance, this new edition includes notes on ancient mime and puppetry and how to read Greek playtexts as scripts, as well as an updated bibliography. An ideal companion to The Complete Greek Tragedies, also published by the University of Chicago Press, Ley’s work is a concise and informative introduction to one of the great periods of world drama.
"Anyone faced with Athenian tragedy or comedy for the first time, in or out of the classroom, would do well to start with A Short Introduction to Ancient Greek Theater."—Didaskalia
[more]
Short Stories
Five Decades
Irwin Shaw
University of Chicago Press, 2000
Featuring sixty-three stories spanning five decades, this superb collection-including "Girls in Their Summer Dresses," "Sailor Off the Bremen," and "The Eighty-Yard Run"-clearly illustrates why Shaw is considered one of America's finest short-story writers.
[more]
The Short-Tailed Fruit Bat
A Study in Plant-Animal Interactions
Theodore H. Fleming
University of Chicago Press, 1988
As dusk settles over the Costa Rican forest, the short-tailed fruit bat, Carollia perspicillata, stirs from its cave roost. Flying out to search for ripe fruit, Carollia returns to a night roost in the forest vegetation to eat. After a few such flights Carollia rests, and the fruits pass through its short digestive tract. The seeds are excreted onto the ground, to be eaten in turn by mice and insects, but a few are pushed into crevices where they await the necessary conditions for germination.
In The Short-tailed Fruit Bat, Theodore Fleming examines Carollia's role in the ecology of tropical forests. Based on more than ten years' research, this study provides the most detailed ecological and evolutionary account to date of the life history of a Neotropical mammal and includes striking photographs of the bats in flight.
In The Short-tailed Fruit Bat, Theodore Fleming examines Carollia's role in the ecology of tropical forests. Based on more than ten years' research, this study provides the most detailed ecological and evolutionary account to date of the life history of a Neotropical mammal and includes striking photographs of the bats in flight.
[more]
Shots in the Dark
Japan, Zen, and the West
Shoji Yamada
University of Chicago Press, 2009
In the years after World War II, Westerners and Japanese alike elevated Zen to the quintessence of spirituality in Japan. Pursuing the sources of Zen as a Japanese ideal, Shoji Yamada uncovers the surprising role of two cultural touchstones: Eugen Herrigel’s Zen in the Art of Archery and the Ryoanji dry-landscape rock garden. Yamada shows how both became facile conduits for exporting and importing Japanese culture.
First published in German in 1948 and translated into Japanese in 1956, Herrigel’s book popularized ideas of Zen both in the West and in Japan. Yamada traces the prewar history of Japanese archery, reveals how Herrigel mistakenly came to understand it as a traditional practice, and explains why the Japanese themselves embraced his interpretation as spiritual discipline. Turning to Ryoanji, Yamada argues that this epitome of Zen in fact bears little relation to Buddhism and is best understood in relation to Chinese myth. For much of its modern history, Ryoanji was a weedy, neglected plot; only after its allegorical role in a 1949 Ozu film was it popularly linked to Zen. Westerners have had a part in redefining Ryoanji, but as in the case of archery, Yamada’s interest is primarily in how the Japanese themselves have invested this cultural site with new value through a spurious association with Zen.
[more]
Show Me the Bone
Reconstructing Prehistoric Monsters in Nineteenth-Century Britain and America
Gowan Dawson
University of Chicago Press, 2016
Nineteenth-century paleontologists boasted that, shown a single bone, they could identify or even reconstruct the extinct creature it came from with infallible certainty—“Show me the bone, and I will describe the animal!” Paleontologists such as Georges Cuvier and Richard Owen were heralded as scientific virtuosos, sometimes even veritable wizards, capable of resurrecting the denizens of an ancient past from a mere glance at a fragmentary bone. Such extraordinary feats of predictive reasoning relied on the law of correlation, which proposed that each element of an animal corresponds mutually with each of the others, so that a carnivorous tooth must be accompanied by a certain kind of jawbone, neck, stomach, limbs, and feet.
Show Me the Bone tells the story of the rise and fall of this famous claim, tracing its fortunes from Europe to America and showing how it persisted in popular science and literature and shaped the practices of paleontologists long after the method on which it was based had been refuted. In so doing, Gowan Dawson reveals how decisively the practices of the scientific elite were—and still are—shaped by their interactions with the general public.
Show Me the Bone tells the story of the rise and fall of this famous claim, tracing its fortunes from Europe to America and showing how it persisted in popular science and literature and shaped the practices of paleontologists long after the method on which it was based had been refuted. In so doing, Gowan Dawson reveals how decisively the practices of the scientific elite were—and still are—shaped by their interactions with the general public.
[more]
Shylock Is Shakespeare
Kenneth Gross
University of Chicago Press, 2006
Shylock, the Jewish moneylender in The Merchant of Venice who famously demands a pound of flesh as security for a loan to his antisemitic tormentors, is one of Shakespeare’s most complex and idiosyncratic characters. With his unsettling eloquence and his varying voices of protest, play, rage, and refusal, Shylock remains a source of perennial fascination. What explains the strange and enduring force of this character, so unlike that of any other in Shakespeare’s plays? Kenneth Gross posits that the figure of Shylock is so powerful because he is the voice of Shakespeare himself.
Marvelously speculative and articulate, Gross’s book argues that Shylock is a breakthrough for Shakespeare the playwright, an early realization of the Bard’s power to create dramatic voices that speak for hidden, unconscious, even inhuman impulses—characters larger than the plays that contain them and ready to escape the author’s control. Shylock is also a mask for Shakespeare’s own need, rage, vulnerability, and generosity, giving form to Shakespeare’s ambition as an author and his uncertain bond with the audience. Gross’s vision of Shylock as Shakespeare’s covert double leads to a probing analysis of the character’s peculiar isolation, ambivalence, opacity, and dark humor. Addressing the broader resonance of Shylock, both historical and artistic, Gross examines the character’s hold on later readers and writers, including Heinrich Heine and Philip Roth, suggesting that Shylock mirrors the ambiguous states of Jewishness in modernity.
A bravura critical performance, Shylock Is Shakespeare will fascinate readers with its range of reference, its union of rigor and play, and its conjectural—even fictive—means of coming to terms with the question of Shylock, ultimately taking readers to the very heart of Shakespeare’s humanizing genius.
Marvelously speculative and articulate, Gross’s book argues that Shylock is a breakthrough for Shakespeare the playwright, an early realization of the Bard’s power to create dramatic voices that speak for hidden, unconscious, even inhuman impulses—characters larger than the plays that contain them and ready to escape the author’s control. Shylock is also a mask for Shakespeare’s own need, rage, vulnerability, and generosity, giving form to Shakespeare’s ambition as an author and his uncertain bond with the audience. Gross’s vision of Shylock as Shakespeare’s covert double leads to a probing analysis of the character’s peculiar isolation, ambivalence, opacity, and dark humor. Addressing the broader resonance of Shylock, both historical and artistic, Gross examines the character’s hold on later readers and writers, including Heinrich Heine and Philip Roth, suggesting that Shylock mirrors the ambiguous states of Jewishness in modernity.
A bravura critical performance, Shylock Is Shakespeare will fascinate readers with its range of reference, its union of rigor and play, and its conjectural—even fictive—means of coming to terms with the question of Shylock, ultimately taking readers to the very heart of Shakespeare’s humanizing genius.
[more]
Shylock on Trial
The Appellate Briefs
Richard A. Posner and Charles Fried
University of Chicago Press, 2013
William Shakespeare is inextricably linked with the law, his plays rich in its terms, settings, and thought processes. In Shylock on Trial: The Appellate Briefs, the Hon. Richard A. Posner and Charles Fried rule on Shakespeare’s classic drama The Merchant of Venice. Framed as a decision argued by two appellate judges of the period in a trial following Shylock’s sentencing by the Duke of Venice, these essays playfully walk the line between law and culture, dissecting the alleged legal inconsistencies of Shylock’s trial while engaging in an artful reading of the play itself. The resultant opinions shed fresh light on the relationship between literary and legal scholarship, demonstrating how Shakespeare’s thinking about legal concepts and legal practice points to a deep and sometimes vexed engagement with the law’s technical workings, its underlying premises, and its social effects.
[more]
Sibelius
A Composer's Life and the Awakening of Finland
Glenda Dawn Goss
University of Chicago Press, 2009
One of the twentieth century’s greatest composers, Jean Sibelius (1865–1957) virtually stopped writing music during the last thirty years of his life. Recasting his mysterious musical silence and his undeniably influential life against the backdrop of Finland’s national awakening, Sibelius will be the definitive biography of this creative legend for many years to come.
Glenda Dawn Goss begins her sweeping narrative in the Finland of Sibelius’s youth, which remained under Russian control for the first five decades of his life. Focusing on previously unexamined events, Goss explores the composer’s formative experiences as a Russian subject and a member of the Swedish-speaking Finnish minority. She goes on to trace Sibelius’s relationships with his creative contemporaries, with whom he worked to usher in a golden age of music and art that would endow Finns with a sense of pride in their heritage and encourage their hopes for the possibilities of nationhood. Skillfully evoking this artistic climate—in which Sibelius emerged as a leader—Goss creates a dazzling portrait of the painting, sculpture, literature, and music it inspired. To solve the deepest riddles of Sibelius’s life, work, and enigmatic silence, Goss contends, we must understand the awakening in which he played so great a role.
Situating this national creative tide in the context of Nordic and European cultural currents, Sibelius dramatically deepens our knowledge of a misunderstood musical giant and an important chapter in the intellectual history of Europe.
[more]
Side Effects and Complications
The Economic Consequences of Health-Care Reform
Casey B. Mulligan
University of Chicago Press, 2015
The Affordable Care Act will have a dangerous effect on the American economy. That may sound like a political stance, but it’s a conclusion directly borne out by economic forecasts. In Side Effects and Complications, preeminent labor economist Casey B. Mulligan brings to light the dire economic realities that have been lost in the ideological debate over the ACA, and he offers an eye-opening, accessible look at the price American citizens will pay because of it.
Looking specifically at the labor market, Mulligan reveals how the costs of health care under the ACA actually create implicit taxes on individuals, and how increased costs to employers will be passed on to their employees. Mulligan shows how, as a result, millions of workers will find themselves in a situation in which full-time work, adjusted for the expense of health care, will actually pay less than part-time work or even not working at all. Analyzing the incentives—or lack thereof—for people to earn more by working more, Mulligan offers projections on how many hours people will work and how productively they will work, as well as how much they will spend in general. Using the powerful tools of economics, he then illustrates the detrimental consequences on overall employment in the near future.
Drawing on extensive knowledge of the labor market and the economic theories at its foundation, Side Effects and Complications offers a crucial wake-up call about the risks the ACA poses for the economy. Plainly laying out the true costs of the ACA, Mulligan’s grounded and thorough predictions are something that workers and policy makers cannot afford to ignore.
Looking specifically at the labor market, Mulligan reveals how the costs of health care under the ACA actually create implicit taxes on individuals, and how increased costs to employers will be passed on to their employees. Mulligan shows how, as a result, millions of workers will find themselves in a situation in which full-time work, adjusted for the expense of health care, will actually pay less than part-time work or even not working at all. Analyzing the incentives—or lack thereof—for people to earn more by working more, Mulligan offers projections on how many hours people will work and how productively they will work, as well as how much they will spend in general. Using the powerful tools of economics, he then illustrates the detrimental consequences on overall employment in the near future.
Drawing on extensive knowledge of the labor market and the economic theories at its foundation, Side Effects and Complications offers a crucial wake-up call about the risks the ACA poses for the economy. Plainly laying out the true costs of the ACA, Mulligan’s grounded and thorough predictions are something that workers and policy makers cannot afford to ignore.
[more]
Sidereus Nuncius, or The Sidereal Messenger
Galileo Galilei
University of Chicago Press, 2015
Galileo Galilei’s Sidereus Nuncius is arguably the most dramatic scientific book ever published. It announced new and unexpected phenomena in the heavens, “unheard of through the ages,” revealed by a mysterious new instrument. Galileo had ingeniously improved the rudimentary “spyglasses” that appeared in Europe in 1608, and in the autumn of 1609 he pointed his new instrument at the sky, revealing astonishing sights: mountains on the moon, fixed stars invisible to the naked eye, individual stars in the Milky Way, and four moons around the planet Jupiter. These discoveries changed the terms of the debate between geocentric and heliocentric cosmology and helped ensure the eventual acceptance of the Copernican planetary system.
Albert Van Helden’s beautifully rendered and eminently readable translation is based on the Venice 1610 edition’s original Latin text. An introduction, conclusion, and copious notes place the book in its historical and intellectual context, and a new preface, written by Van Helden, highlights recent discoveries in the field, including the detection of a forged copy of Sidereus Nuncius, and new understandings about the political complexities of Galileo’s work.
Albert Van Helden’s beautifully rendered and eminently readable translation is based on the Venice 1610 edition’s original Latin text. An introduction, conclusion, and copious notes place the book in its historical and intellectual context, and a new preface, written by Van Helden, highlights recent discoveries in the field, including the detection of a forged copy of Sidereus Nuncius, and new understandings about the political complexities of Galileo’s work.
[more]
Sideshow U.S.A.
Freaks and the American Cultural Imagination
Rachel Adams
University of Chicago Press, 2001
A staple of American popular culture during the nineteenth and early twentieth centuries, the freak show seemed to vanish after the Second World War. But as Rachel Adams reveals in Sideshow U.S.A., images of the freak show, with its combination of the grotesque, the horrific, and the amusing, stubbornly reappeared in literature and the arts. Freak shows, she contends, have survived because of their capacity for reinvention. Empty of any inherent meaning, the freak's body becomes a stage for playing out some of the twentieth century's most pressing social and political concerns, from debates about race, empire, and immigration, to anxiety about gender, and controversies over taste and public standards of decency.
Sideshow U.S.A. begins by revisiting the terror and fascination the original freak shows provided for their audiences, as well as exploring the motivations of those who sought fame and profit in the business of human exhibition. With this history in mind, Adams turns from live entertainment to more mediated forms of cultural expression: the films of Tod Browning, the photography of Diane Arbus, the criticism of Leslie Fiedler, and the fiction Carson McCullers, Toni Morrison, and Katherine Dunn. Taken up in these works of art and literature, the freak serves as a metaphor for fundamental questions about self and other, identity and difference, and provides a window onto a once vital form of popular culture.
Adams's study concludes with a revealing look at the revival of the freak show as live performance in the late 1980s and the 1990s. Celebrated by some, the freak show's recent return is less welcome to those who have traditionally been its victims. At the beginning of a new century, Adams sees it as a form of living history, a testament to the vibrancy and inventiveness of American popular culture, as well as its capacity for cruelty and injustice.
"Because of its subject matter, this interesting and complex study is provocative, as well as thought-provoking."—Virginia Quarterly Review
Sideshow U.S.A. begins by revisiting the terror and fascination the original freak shows provided for their audiences, as well as exploring the motivations of those who sought fame and profit in the business of human exhibition. With this history in mind, Adams turns from live entertainment to more mediated forms of cultural expression: the films of Tod Browning, the photography of Diane Arbus, the criticism of Leslie Fiedler, and the fiction Carson McCullers, Toni Morrison, and Katherine Dunn. Taken up in these works of art and literature, the freak serves as a metaphor for fundamental questions about self and other, identity and difference, and provides a window onto a once vital form of popular culture.
Adams's study concludes with a revealing look at the revival of the freak show as live performance in the late 1980s and the 1990s. Celebrated by some, the freak show's recent return is less welcome to those who have traditionally been its victims. At the beginning of a new century, Adams sees it as a form of living history, a testament to the vibrancy and inventiveness of American popular culture, as well as its capacity for cruelty and injustice.
"Because of its subject matter, this interesting and complex study is provocative, as well as thought-provoking."—Virginia Quarterly Review
[more]
Sidewalk City
Remapping Public Space in Ho Chi Minh City
Annette Miae Kim
University of Chicago Press, 2015
For most, the term “public space” conjures up images of large, open areas: community centers for meetings and social events; the ancient Greek agora for political debates; green parks for festivals and recreation. In many of the world’s major cities, however, public spaces like these are not a part of the everyday lives of the public. Rather, business and social lives have always been conducted along main roads and sidewalks. With increasing urban growth and density, primarily from migration and immigration, rights to the sidewalk are being hotly contested among pedestrians, street vendors, property owners, tourists, and governments around the world.
With Sidewalk City, Annette Miae Kim provides the first multidisciplinary case study of sidewalks in a distinctive geographical area. She focuses on Ho Chi Minh City, Vietnam, a rapidly growing and evolving city that throughout its history, her multicultural residents have built up alternative legitimacies and norms about how the sidewalk should be used. Based on fieldwork over 15 years, Kim developed methods of spatial ethnography to overcome habitual seeing, and recorded both the spatial patterns and the social relations of how the city’s vibrant sidewalk life is practiced.
In Sidewalk City, she transforms this data into an imaginative array of maps, progressing through a primer of critical cartography, to unveil new insights about the importance and potential of this quotidian public space. This richly illustrated and fascinating study of Ho Chi Minh City’s sidewalks shows us that it is possible to have an aesthetic sidewalk life that is inclusive of multiple publics’ aspirations and livelihoods, particularly those of migrant vendors.
With Sidewalk City, Annette Miae Kim provides the first multidisciplinary case study of sidewalks in a distinctive geographical area. She focuses on Ho Chi Minh City, Vietnam, a rapidly growing and evolving city that throughout its history, her multicultural residents have built up alternative legitimacies and norms about how the sidewalk should be used. Based on fieldwork over 15 years, Kim developed methods of spatial ethnography to overcome habitual seeing, and recorded both the spatial patterns and the social relations of how the city’s vibrant sidewalk life is practiced.
In Sidewalk City, she transforms this data into an imaginative array of maps, progressing through a primer of critical cartography, to unveil new insights about the importance and potential of this quotidian public space. This richly illustrated and fascinating study of Ho Chi Minh City’s sidewalks shows us that it is possible to have an aesthetic sidewalk life that is inclusive of multiple publics’ aspirations and livelihoods, particularly those of migrant vendors.
[more]
Siege of the Spirits
Community and Polity in Bangkok
Michael Herzfeld
University of Chicago Press, 2016
What happens when three hundred alleged squatters go head-to-head with an enormous city government looking to develop the place where they live? As anthropologist Michael Herzfeld shows in this book, the answer can be surprising. He tells the story of Pom Mahakan, a tiny enclave in the heart of old Bangkok whose residents have resisted authorities’ demands to vacate their homes for a quarter of a century. It’s a story of community versus government, of old versus new, and of political will versus the law.
Herzfeld argues that even though the residents of Pom Mahakan have lost every legal battle the city government has dragged them into, they have won every public relations contest, highlighting their struggle as one against bureaucrats who do not respect the age-old values of Thai/Siamese social and cultural order. Such values include compassion for the poor and an understanding of urban space as deeply embedded in social and ritual relations. In a gripping account of their standoff, Herzfeld—who simultaneously argues for the importance of activism in scholarship—traces the agile political tactics and styles of the community’s leadership, using their struggle to illuminate the larger difficulties, tensions, and unresolved debates that continue to roil Thai society to this day.
Herzfeld argues that even though the residents of Pom Mahakan have lost every legal battle the city government has dragged them into, they have won every public relations contest, highlighting their struggle as one against bureaucrats who do not respect the age-old values of Thai/Siamese social and cultural order. Such values include compassion for the poor and an understanding of urban space as deeply embedded in social and ritual relations. In a gripping account of their standoff, Herzfeld—who simultaneously argues for the importance of activism in scholarship—traces the agile political tactics and styles of the community’s leadership, using their struggle to illuminate the larger difficulties, tensions, and unresolved debates that continue to roil Thai society to this day.
[more]
Siena
City of Secrets
Jane Tylus
University of Chicago Press, 2015
Jane Tylus’s Siena is a compelling and intimate portrait of this most secretive of cities, often overlooked by travelers to Italy. Cultural history, intellectual memoir, travelogue, and guidebook, it takes the reader on a quest of discovery through the well- and not-so-well-traveled roads and alleys of a town both medieval and modern.
As Tylus leads us through the city, she shares her passion for Siena in novelistic prose, while never losing sight of the historical complexities that have made Siena one of the most fascinating and beautiful towns in Europe. Today, Siena can appear on the surface standoffish and old-fashioned, especially when compared to its larger, flashier cousins Rome and Florence. But first impressions wear away as we learn from Tylus that Siena was an innovator among the cities of Italy: the first to legislate the building and maintenance of its streets, the first to publicly fund its university, the first to institute a municipal bank, and even the first to ban automobile traffic from its city center.
We learn about Siena’s great artistic and architectural past, hidden behind centuries of painting and rebuilding, and about the distinctive characters of its different neighborhoods, exemplified in the Palio, the highly competitive horserace that takes place twice a year in the city’s main piazza and that serves as both a dividing and a uniting force for the Sienese. Throughout we are guided by the assured voice of a seasoned scholar with a gift for spinning a good story and an eye for the telling detail, whether we are traveling Siena’s modern highways, exploring its underground tunnels, tracking the city’s financial history, or celebrating giants of painting like Simone Martini or giants of the arena, Siena’s former Serie A soccer team.
A practical and engaging guide for tourists and armchair travelers alike, Siena is a testament to the powers of community and resilience in a place that is not quite as timeless and serene as it may at first appear.
As Tylus leads us through the city, she shares her passion for Siena in novelistic prose, while never losing sight of the historical complexities that have made Siena one of the most fascinating and beautiful towns in Europe. Today, Siena can appear on the surface standoffish and old-fashioned, especially when compared to its larger, flashier cousins Rome and Florence. But first impressions wear away as we learn from Tylus that Siena was an innovator among the cities of Italy: the first to legislate the building and maintenance of its streets, the first to publicly fund its university, the first to institute a municipal bank, and even the first to ban automobile traffic from its city center.
We learn about Siena’s great artistic and architectural past, hidden behind centuries of painting and rebuilding, and about the distinctive characters of its different neighborhoods, exemplified in the Palio, the highly competitive horserace that takes place twice a year in the city’s main piazza and that serves as both a dividing and a uniting force for the Sienese. Throughout we are guided by the assured voice of a seasoned scholar with a gift for spinning a good story and an eye for the telling detail, whether we are traveling Siena’s modern highways, exploring its underground tunnels, tracking the city’s financial history, or celebrating giants of painting like Simone Martini or giants of the arena, Siena’s former Serie A soccer team.
A practical and engaging guide for tourists and armchair travelers alike, Siena is a testament to the powers of community and resilience in a place that is not quite as timeless and serene as it may at first appear.
[more]
Signature Derrida
Jacques Derrida
University of Chicago Press, 2013
Throughout his long career, Jacques Derrida had a close, collaborative relationship with Critical Inquiry and its editors. He saved some of his most important essays for the journal, and he relished the ensuing arguments and polemics that stemmed from the responses to his writing that Critical Inquiry encouraged. Collecting the best of Derrida’s work that was published in the journal between 1980 and 2002, Signature Derrida provides a remarkable introduction to the philosopher and the evolution of his thought.
These essays define three significant “periods” in Derrida’s writing: his early, seemingly revolutionary phase; a middle stage, often autobiographical, that included spirited defense of his work; and his late period, when his persona as a public intellectual was prominent, and he wrote on topics such as animals and religion. The first period is represented by essays like “The Law of Genre,” in which Derrida produces a kind of phenomenological narratology. Another essay, “The Linguistic Circle of Geneva,” embodies the second, presenting deconstructionism at its best: Derrida shows that what was imagined to be an epistemological break in the study of linguistics was actually a repetition of earlier concepts. The final period of Derrida’s writing includes the essays “Of Spirit” and “The Animal That Therefore I Am (More to Follow),” and three eulogies to the intellectual legacies of Michel Foucault, Louis Marin, and Emmanuel Lévinas, in which Derrida uses the ideas of each thinker to push forward the implications of their theories.
With an introduction by Francoise Meltzer that provides an overview of the oeuvre of this singular philosopher, Signature Derrida is the most wide-ranging, and thus most representative, anthology of Derrida’s work to date.
[more]
A Significant Life
Human Meaning in a Silent Universe
Todd May
University of Chicago Press, 2015
What makes for a good life, or a beautiful one, or, perhaps most important, a meaningful one? Throughout history most of us have looked to our faith, our relationships, or our deeds for the answer. But in A Significant Life, philosopher Todd May offers an exhilarating new way of thinking about these questions, one deeply attuned to life as it actually is: a work in progress, a journey—and often a narrative. Offering moving accounts of his own life and memories alongside rich engagements with philosophers from Aristotle to Heidegger, he shows us where to find the significance of our lives: in the way we live them.
May starts by looking at the fundamental fact that life unfolds over time, and as it does so, it begins to develop certain qualities, certain themes. Our lives can be marked by intensity, curiosity, perseverance, or many other qualities that become guiding narrative values. These values lend meanings to our lives that are distinct from—but also interact with—the universal values we are taught to cultivate, such as goodness or happiness. Offering a fascinating examination of a broad range of figures—from music icon Jimi Hendrix to civil rights leader Fannie Lou Hamer, from cyclist Lance Armstrong to The Portrait of a Lady’s Ralph Touchett to Claus von Stauffenberg, a German officer who tried to assassinate Hitler—May shows that narrative values offer a rich variety of criteria by which to assess a life, specific to each of us and yet widely available. They offer us a way of reading ourselves, who we are, and who we might like to be.
Clearly and eloquently written, A Significant Life is a recognition and a comfort, a celebration of the deeply human narrative impulse by which we make—even if we don’t realize it—meaning for ourselves. It offers a refreshing way to think of an age-old question, of quite simply, what makes a life worth living.
[more]
A Significant Life
Human Meaning in a Silent Universe
Todd May
University of Chicago Press, 2015
This is an auto-narrated audiobook edition of this book.
What makes for a good life, or a beautiful one, or, perhaps most important, a meaningful one? Throughout history most of us have looked to our faith, our relationships, or our deeds for the answer. But in A Significant Life, philosopher Todd May offers an exhilarating new way of thinking about these questions, one deeply attuned to life as it actually is: a work in progress, a journey—and often a narrative. Offering moving accounts of his own life and memories alongside rich engagements with philosophers from Aristotle to Heidegger, he shows us where to find the significance of our lives: in the way we live them.
May starts by looking at the fundamental fact that life unfolds over time, and as it does so, it begins to develop certain qualities, certain themes. Our lives can be marked by intensity, curiosity, perseverance, or many other qualities that become guiding narrative values. These values lend meanings to our lives that are distinct from—but also interact with—the universal values we are taught to cultivate, such as goodness or happiness. Offering a fascinating examination of a broad range of figures—from music icon Jimi Hendrix to civil rights leader Fannie Lou Hamer, from cyclist Lance Armstrong to The Portrait of a Lady’s Ralph Touchett to Claus von Stauffenberg, a German officer who tried to assassinate Hitler—May shows that narrative values offer a rich variety of criteria by which to assess a life, specific to each of us and yet widely available. They offer us a way of reading ourselves, who we are, and who we might like to be.
Clearly and eloquently written, A Significant Life is a recognition and a comfort, a celebration of the deeply human narrative impulse by which we make—even if we don’t realize it—meaning for ourselves. It offers a refreshing way to think of an age-old question, of quite simply, what makes a life worth living.
[more]
Signifying God
Social Relation and Symbolic Act in the York Corpus Christi Plays
Sarah Beckwith
University of Chicago Press, 2001
In Signifying God, Sarah Beckwith explores the most lavish, long-lasting, and complex form of collective theatrical enterprise in English history: the York Corpus Christi plays. First staged as early as 1376, the plays were performed annually until the late 1500s and involved as much as a tenth of the city in multiple performances at a dozen or more locations.
Introducing a radical new understanding of these plays as "sacramental theater," Beckwith shows how organizing the plays served as a political mechanism for regulating labor, and how theater and sacrament combined in them to do important theological work. She argues, for instance, that the theology of Corpus Christi in the resurrection plays can only be understood as a theatrical exploration of eucharistic absence and presence. Beckwith frames her study with discussions of twentieth-century manifestations of sacramental theater in Barry Unsworth's novel Morality Play and Denys Arcand's film Jesus of Montreal, and the connections between contemporary revivals of the York Corpus Christi plays and England's heritage culture.
Introducing a radical new understanding of these plays as "sacramental theater," Beckwith shows how organizing the plays served as a political mechanism for regulating labor, and how theater and sacrament combined in them to do important theological work. She argues, for instance, that the theology of Corpus Christi in the resurrection plays can only be understood as a theatrical exploration of eucharistic absence and presence. Beckwith frames her study with discussions of twentieth-century manifestations of sacramental theater in Barry Unsworth's novel Morality Play and Denys Arcand's film Jesus of Montreal, and the connections between contemporary revivals of the York Corpus Christi plays and England's heritage culture.
[more]
Signs and Cities
Black Literary Postmodernism
Madhu Dubey
University of Chicago Press, 2003
Signs and Cities is the first book to consider what it means to speak of a postmodern moment in African-American literature. Dubey argues that for African-American studies, postmodernity best names a period, beginning in the early 1970s, marked by acute disenchantment with the promises of urban modernity and of print literacy.
Dubey shows how black novelists from the last three decades have reconsidered the modern urban legacy and thus articulated a distinctly African-American strain of postmodernism. She argues that novelists such as Octavia Butler, Samuel Delany, Toni Morrison, Gloria Naylor, Ishmael Reed, Sapphire, and John Edgar Wideman probe the disillusionment of urban modernity through repeated recourse to tropes of the book and scenes of reading and writing. Ultimately, she demonstrates that these writers view the book with profound ambivalence, construing it as an urban medium that cannot recapture the face-to-face communities assumed by oral and folk forms of expression.
Dubey shows how black novelists from the last three decades have reconsidered the modern urban legacy and thus articulated a distinctly African-American strain of postmodernism. She argues that novelists such as Octavia Butler, Samuel Delany, Toni Morrison, Gloria Naylor, Ishmael Reed, Sapphire, and John Edgar Wideman probe the disillusionment of urban modernity through repeated recourse to tropes of the book and scenes of reading and writing. Ultimately, she demonstrates that these writers view the book with profound ambivalence, construing it as an urban medium that cannot recapture the face-to-face communities assumed by oral and folk forms of expression.
[more]
Signs of the Americas
A Poetics of Pictography, Hieroglyphs, and Khipu
Edgar Garcia
University of Chicago Press, 2020
Indigenous sign-systems, such as pictographs, petroglyphs, hieroglyphs, and khipu, are usually understood as relics from an inaccessible past. That is far from the truth, however, as Edgar Garcia makes clear in Signs of the Americas. Rather than being dead languages, these sign-systems have always been living, evolving signifiers, responsive to their circumstances and able to continuously redefine themselves and the nature of the world.
Garcia tells the story of the present life of these sign-systems, examining the contemporary impact they have had on poetry, prose, visual art, legal philosophy, political activism, and environmental thinking. In doing so, he brings together a wide range of indigenous and non-indigenous authors and artists of the Americas, from Aztec priests and Amazonian shamans to Simon Ortiz, Gerald Vizenor, Jaime de Angulo, Charles Olson, Cy Twombly, Gloria Anzaldúa, William Burroughs, Louise Erdrich, Cecilia Vicuña, and many others. From these sources, Garcia depicts the culture of a modern, interconnected hemisphere, revealing that while these “signs of the Americas” have suffered expropriation, misuse, and mistranslation, they have also created their own systems of knowing and being. These indigenous systems help us to rethink categories of race, gender, nationalism, and history. Producing a new way of thinking about our interconnected hemisphere, this ambitious, energizing book redefines what constitutes a “world” in world literature.
Garcia tells the story of the present life of these sign-systems, examining the contemporary impact they have had on poetry, prose, visual art, legal philosophy, political activism, and environmental thinking. In doing so, he brings together a wide range of indigenous and non-indigenous authors and artists of the Americas, from Aztec priests and Amazonian shamans to Simon Ortiz, Gerald Vizenor, Jaime de Angulo, Charles Olson, Cy Twombly, Gloria Anzaldúa, William Burroughs, Louise Erdrich, Cecilia Vicuña, and many others. From these sources, Garcia depicts the culture of a modern, interconnected hemisphere, revealing that while these “signs of the Americas” have suffered expropriation, misuse, and mistranslation, they have also created their own systems of knowing and being. These indigenous systems help us to rethink categories of race, gender, nationalism, and history. Producing a new way of thinking about our interconnected hemisphere, this ambitious, energizing book redefines what constitutes a “world” in world literature.
[more]
The Signs Reader
Women, Gender, and Scholarship
Edited by Elizabeth Abel and Emily K. Abel
University of Chicago Press, 1983
Selected from the first thirty issues of Signs: Journal of Women in Culture and Society, the thirteen articles in this volume indicate salient trends in feminist scholarship since 1975. Covering a wide variety of disciplines, this collection is representative of that scholarship, which has permanently altered accustomed patterns of thought by challenging basic theoretical frameworks in many academic disciplines. The contributors to this volume are Joan Kelly-Gadol, Carroll Smith-Rosenberg, Fatima Mernissi, Myra Jehlen, Elaine H. Pagels, Evelyn Fox Keller, Donna Haraway, Adrienne Rich, Diane K. Lewis, Heidi Hartmann, Catharine A. MacKinnon, Judith Herman, and Lisa Hirchman, and Helene Cixous.
[more]
The Silence of Sodom
Homosexuality in Modern Catholicism
Mark D. Jordan
University of Chicago Press, 2000
The past decade has seen homosexual scandals in the Catholic Church becoming ever more visible, and the Vatican's directives on homosexuality becoming ever more forceful, begging the question Mark Jordan tries to answer here: how can the Catholic Church be at once so homophobic and so homoerotic? His analysis is a keen and readable study of the tangled relationship between male homosexuality and modern Catholicism.
"[Jordan] has offered glimpses, anecdotal stories, and scholarly observations that are a whole greater than the sum of its parts. . . . If homosexuality is the guest that refuses to leave the table, Jordan has at least shed light on why that is and in the process made the whole issue, including a conflicted Catholic Church, a little more understandable."—Larry B. Stammer, Los Angeles Times
"[Jordan] knows how to present a case, and with apparently effortless clarity he demonstrates the church's double bind and how it affects Vatican rhetoric, the training of priests, and ecclesiastical protectiveness toward an army of closet cases. . . . [T]his book will interest readers of every faith."—Daniel Blue,
Lambda Book Report
A 2000 Lambda Literary Award Finalist
"[Jordan] has offered glimpses, anecdotal stories, and scholarly observations that are a whole greater than the sum of its parts. . . . If homosexuality is the guest that refuses to leave the table, Jordan has at least shed light on why that is and in the process made the whole issue, including a conflicted Catholic Church, a little more understandable."—Larry B. Stammer, Los Angeles Times
"[Jordan] knows how to present a case, and with apparently effortless clarity he demonstrates the church's double bind and how it affects Vatican rhetoric, the training of priests, and ecclesiastical protectiveness toward an army of closet cases. . . . [T]his book will interest readers of every faith."—Daniel Blue,
Lambda Book Report
A 2000 Lambda Literary Award Finalist
[more]
Silencing the Guns in Haiti
The Promise of Deliberative Democracy
Irwin P. Stotzky
University of Chicago Press, 1997
Silencing the Guns in Haiti traces Haiti's halting and uncertain quest for democracy from the perspective of someone who played a leading part in every stage of that process.
"A provocative study of the prospects for the rule of law in Haiti."—Marilyn Bowden, Miami Today
"[Stotzky] deepens insights into the contradictory obstacles to democratic governance in Haiti."—Library Journal
"Controversial and stimulating."—Choice
"Lucid and informative. . . . Stotzky gives readers a good foundation for understanding the pressures facing the impoverished but determined Caribbean island."—Islands
"A provocative study of the prospects for the rule of law in Haiti."—Marilyn Bowden, Miami Today
"[Stotzky] deepens insights into the contradictory obstacles to democratic governance in Haiti."—Library Journal
"Controversial and stimulating."—Choice
"Lucid and informative. . . . Stotzky gives readers a good foundation for understanding the pressures facing the impoverished but determined Caribbean island."—Islands
[more]
The Silent Deep
The Discovery, Ecology, and Conservation of the Deep Sea
Tony Koslow
University of Chicago Press, 2007
The Silent Deep tells the story of the exploration and discovery of the deep sea, the ecology of its diverse environments, and the impact of humans, highlighting the importance of global stewardship in keeping this delicate ecosystem alive and well. Written by world renowned deep-sea ecologist Tony Koslow, this book is a comprehensive and authoritative overview of the state of the deep sea today, accessible to anyone interested in ocean science, the story of scientific discovery, and conservation of the earth’s most threatened ecosystems.
“Koslow deals a decisive blow to the notion that the deep sea can ever be immune from unregulated human activities. . . . The historical review of deep-sea biology is the most comprehensive I have ever read.”—Adrian Glover, Times Literary Supplement
“Deeply informed by history and rendered in straightforward, careful prose.”—Anthony Doerr, Boston Globe
“This beautifully produced book tells an urgent story with clarity and grace.”—Choice
“Stands apart from other books about life in the abyss due to Tony Koslow’s thoughtful accounts. . . . [He] succeeds in painting a picture of the deep sea as an environment with inherent and threatened value.”—Science
“Textbook depth on all aspects of deep-sea science and conservation. . . . [An] exhaustively researched and referenced volume with a historical review stretching back to Socrates.”—Mark Schrope, Nature
“An important textbook and viewpoint that is highly recommended for anyone with a professional or personal interest in deep-sea ecosystems.”—Quarterly Review of Biology
[more]
The Silent Musician
Why Conducting Matters
Mark Wigglesworth
University of Chicago Press, 2019
The conductor—tuxedoed, imposingly poised above an orchestra, baton waving dramatically—is a familiar figure even for those who never set foot in an orchestral hall. As a veritable icon for classical music, the conductor has also been subjected to some ungenerous caricatures, presented variously as unhinged gesticulator, indulged megalomaniac, or even outright impostor. Consider, for example: Bugs Bunny as Leopold Stokowski, dramatically smashing his baton and then breaking into erratic poses with a forbidding intensity in his eyes, or Mickey Mouse in Fantasia, unwittingly conjuring dangerous magic with carefree gestures he doesn’t understand. As these clichés betray, there is an aura of mystery around what a conductor actually does, often coupled with disbelief that he or she really makes a difference to the performance we hear.
The Silent Musician deepens our understanding of what conductors do and why they matter. Neither an instruction manual for conductors, nor a history of conducting, the book instead explores the role of the conductor in noiselessly shaping the music that we hear. Writing in a clever, insightful, and often evocative style, world-renowned conductor Mark Wigglesworth deftly explores the philosophical underpinnings of conducting—from the conductor’s relationship with musicians and the music, to the public and personal responsibilities conductors face—and examines the subtler components of their silent art, which include precision, charisma, diplomacy, and passion. Ultimately, Wigglesworth shows how conductors—by simultaneously keeping time and allowing time to expand—manage to shape ensemble music into an immersive, transformative experience, without ever making a sound.
The Silent Musician deepens our understanding of what conductors do and why they matter. Neither an instruction manual for conductors, nor a history of conducting, the book instead explores the role of the conductor in noiselessly shaping the music that we hear. Writing in a clever, insightful, and often evocative style, world-renowned conductor Mark Wigglesworth deftly explores the philosophical underpinnings of conducting—from the conductor’s relationship with musicians and the music, to the public and personal responsibilities conductors face—and examines the subtler components of their silent art, which include precision, charisma, diplomacy, and passion. Ultimately, Wigglesworth shows how conductors—by simultaneously keeping time and allowing time to expand—manage to shape ensemble music into an immersive, transformative experience, without ever making a sound.
[more]
Silent Revolution
The Transformation of Divorce Law in the United States
Herbert Jacob
University of Chicago Press, 1988
Conflict and controversy usually accompany major social changes in America. Such issues as civil rights, abortion, and the proposed Equal Rights Amendment provoke strong and divisive reactions, attract extensive media coverage, and generate heated legislative debate. Some theorists even claim that only mobilization and publicity can stimulate significant legislative change. How is it possible, then, that a wholesale revamping of American divorce law occurred with scarcely a whisper of controversy and without any national debate? This is the central question posed—and authoritatively answered—in Herbert Jacob's Silent Revolution.
Since 1966, divorce laws in the United States have undergone a radical transformation. No-fault divorce is now universally available. Alimony functions simply as a brief transitional payment to help a dependent spouse become independent. Most states divide assets at divorce according to a community property scheme, and, whenever possible, many courts prefer to award custody of children to the mother and the father jointly.
These changes in policy represent a profound departure from traditional American values, and yet the legislation by which they were enacted was treated as a technical correction of minor problems. No-fault divorce, for example, was a response to the increasing number of fraudulent divorce petitions. Since couples were often forced to manufacture the evidence of guilt that many states required, and since judges frequently looked the other way, legal reformers sought no more than to bring divorce statutes into line with current practice.
On the basis of such observations, Jacob formulates a new theory of routine—as opposed to conflictual—policy-making processes. Many potentially controversial policies—divorce law reforms among them—pass unnoticed in America because legislators treat them as matters of routine. Jacob's is indeed the most plausible account of the enormous number and steady flow of policy decisions made by state legislatures. It also explains why no attention was paid to the effect divorce reform would have on divorced women and their children, a subject that has become increasingly controversial and that, consequently, is not likely to be handled by the routine policy-making process in the future.
Since 1966, divorce laws in the United States have undergone a radical transformation. No-fault divorce is now universally available. Alimony functions simply as a brief transitional payment to help a dependent spouse become independent. Most states divide assets at divorce according to a community property scheme, and, whenever possible, many courts prefer to award custody of children to the mother and the father jointly.
These changes in policy represent a profound departure from traditional American values, and yet the legislation by which they were enacted was treated as a technical correction of minor problems. No-fault divorce, for example, was a response to the increasing number of fraudulent divorce petitions. Since couples were often forced to manufacture the evidence of guilt that many states required, and since judges frequently looked the other way, legal reformers sought no more than to bring divorce statutes into line with current practice.
On the basis of such observations, Jacob formulates a new theory of routine—as opposed to conflictual—policy-making processes. Many potentially controversial policies—divorce law reforms among them—pass unnoticed in America because legislators treat them as matters of routine. Jacob's is indeed the most plausible account of the enormous number and steady flow of policy decisions made by state legislatures. It also explains why no attention was paid to the effect divorce reform would have on divorced women and their children, a subject that has become increasingly controversial and that, consequently, is not likely to be handled by the routine policy-making process in the future.
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The Simian Tongue
The Long Debate about Animal Language
Gregory Radick
University of Chicago Press, 2007
In the early 1890s the theory of evolution gained an unexpected ally: the Edison phonograph. An amateur scientist used the new machine—one of the technological wonders of the age—to record monkey calls, play them back to the monkeys, and watch their reactions. From these soon-famous experiments he judged that he had discovered “the simian tongue,” made up of words he was beginning to translate, and containing the rudiments from which human language evolved. Yet for most of the next century, the simian tongue and the means for its study existed at the scientific periphery. Both returned to great acclaim only in the early 1980s, after a team of ethologists announced that experimental playback showed certain African monkeys to have rudimentarily meaningful calls.
Drawing on newly discovered archival sources and interviews with key scientists, Gregory Radick here reconstructs the remarkable trajectory of a technique invented and reinvented to listen in on primate communication. Richly documented and powerfully argued, The Simian Tongue charts the scientific controversies over the evolution of language from Darwin’s day to our own, resurrecting the forgotten debts of psychology, anthropology, and other behavioral sciences to the Victorian debate about the animal roots of human language.
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Simone
A Novel
Eduardo Lalo
University of Chicago Press, 2015
Eduardo Lalo is one of the most vital and unique voices of Latin American literature, but his work is relatively little known in the English-speaking world. That changes now: this masterful translation of his most celebrated novel, Simone—which won the 2013 Rómulo Gallegos International Novel Prize—will introduce an English-language audience to this extraordinary literary talent.
A tale of alienation, love, suspense, imagination, and literature set on the streets of San Juan, Puerto Rico, Simone tells the story of a self-educated Chinese immigrant student courting (and stalking) a disillusioned, unnamed writer who is struggling to make a name for himself in a place that is not exactly a hotbed of literary fame. By turns solipsistic and political, romantic and dark, Simone begins with the writer’s frustrated, satiric observations on his native city and the banal life of the university where he teaches—forces utterly at odds with the sensuality of his writing. But, as mysterious messages and literary clues begin to appear—scrawled on sidewalks and walls, inside volumes set out in bookstores, left on his answering machine and under his windshield wiper—Simone progresses into a cat-and-mouse game between the writer and his mystery stalker. When the eponymous Simone’s identity is at last revealed, the writer finds in the life of this Chinese immigrant a plight not unlike his own. Traumatized and lonely, the pair moves towards bittersweet collaborations in passion, grief, and art.
A tale of alienation, love, suspense, imagination, and literature set on the streets of San Juan, Puerto Rico, Simone tells the story of a self-educated Chinese immigrant student courting (and stalking) a disillusioned, unnamed writer who is struggling to make a name for himself in a place that is not exactly a hotbed of literary fame. By turns solipsistic and political, romantic and dark, Simone begins with the writer’s frustrated, satiric observations on his native city and the banal life of the university where he teaches—forces utterly at odds with the sensuality of his writing. But, as mysterious messages and literary clues begin to appear—scrawled on sidewalks and walls, inside volumes set out in bookstores, left on his answering machine and under his windshield wiper—Simone progresses into a cat-and-mouse game between the writer and his mystery stalker. When the eponymous Simone’s identity is at last revealed, the writer finds in the life of this Chinese immigrant a plight not unlike his own. Traumatized and lonely, the pair moves towards bittersweet collaborations in passion, grief, and art.
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Simplicial Objects in Algebraic Topology
J. P. May
University of Chicago Press, 1967
Simplicial sets are discrete analogs of topological spaces. They have played a central role in algebraic topology ever since their introduction in the late 1940s, and they also play an important role in other areas such as geometric topology and algebraic geometry. On a formal level, the homotopy theory of simplicial sets is equivalent to the homotopy theory of topological spaces. In view of this equivalence, one can apply discrete, algebraic techniques to perform basic topological constructions. These techniques are particularly appropriate in the theory of localization and completion of topological spaces, which was developed in the early 1970s.
Since it was first published in 1967, Simplicial Objects in Algebraic Topology has been the standard reference for the theory of simplicial sets and their relationship to the homotopy theory of topological spaces. J. Peter May gives a lucid account of the basic homotopy theory of simplicial sets, together with the equivalence of homotopy theories alluded to above. The central theme is the simplicial approach to the theory of fibrations and bundles, and especially the algebraization of fibration and bundle theory in terms of "twisted Cartesian products." The Serre spectral sequence is described in terms of this algebraization. Other topics treated in detail include Eilenberg-MacLane complexes, Postnikov systems, simplicial groups, classifying complexes, simplicial Abelian groups, and acyclic models.
"Simplicial Objects in Algebraic Topology presents much of the elementary material of algebraic topology from the semi-simplicial viewpoint. It should prove very valuable to anyone wishing to learn semi-simplicial topology. [May] has included detailed proofs, and he has succeeded very well in the task of organizing a large body of previously scattered material."—Mathematical Review
Since it was first published in 1967, Simplicial Objects in Algebraic Topology has been the standard reference for the theory of simplicial sets and their relationship to the homotopy theory of topological spaces. J. Peter May gives a lucid account of the basic homotopy theory of simplicial sets, together with the equivalence of homotopy theories alluded to above. The central theme is the simplicial approach to the theory of fibrations and bundles, and especially the algebraization of fibration and bundle theory in terms of "twisted Cartesian products." The Serre spectral sequence is described in terms of this algebraization. Other topics treated in detail include Eilenberg-MacLane complexes, Postnikov systems, simplicial groups, classifying complexes, simplicial Abelian groups, and acyclic models.
"Simplicial Objects in Algebraic Topology presents much of the elementary material of algebraic topology from the semi-simplicial viewpoint. It should prove very valuable to anyone wishing to learn semi-simplicial topology. [May] has included detailed proofs, and he has succeeded very well in the task of organizing a large body of previously scattered material."—Mathematical Review
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Sincerely Held
American Secularism and Its Believers
Charles McCrary
University of Chicago Press, 2022
A novel account of the relationship between sincerity, religious freedom, and the secular in the United States.
“Sincerely held religious belief” is now a common phrase in discussions of American religious freedom, from opinions handed down by the US Supreme Court to local controversies. The “sincerity test” of religious belief has become a cornerstone of US jurisprudence, framing what counts as legitimate grounds for First Amendment claims in the eyes of the law. In Sincerely Held, Charles McCrary provides an original account of how sincerely held religious belief became the primary standard for determining what legally counts as authentic religion.
McCrary skillfully traces the interlocking histories of American sincerity, religion, and secularism starting in the mid-nineteenth century. He analyzes a diverse archive, including Herman Melville’s novel The Confidence-Man, vice-suppressing police, Spiritualist women accused of being fortune-tellers, eclectic conscientious objectors, secularization theorists, Black revolutionaries, and anti-LGBTQ litigants. Across this history, McCrary reveals how sincerity and sincerely held religious belief developed as technologies of secular governance, determining what does and doesn’t entitle a person to receive protections from the state.
This fresh analysis of secularism in the United States invites further reflection on the role of sincerity in public life and religious studies scholarship, asking why sincerity has come to matter so much in a supposedly “post-truth” era.
“Sincerely held religious belief” is now a common phrase in discussions of American religious freedom, from opinions handed down by the US Supreme Court to local controversies. The “sincerity test” of religious belief has become a cornerstone of US jurisprudence, framing what counts as legitimate grounds for First Amendment claims in the eyes of the law. In Sincerely Held, Charles McCrary provides an original account of how sincerely held religious belief became the primary standard for determining what legally counts as authentic religion.
McCrary skillfully traces the interlocking histories of American sincerity, religion, and secularism starting in the mid-nineteenth century. He analyzes a diverse archive, including Herman Melville’s novel The Confidence-Man, vice-suppressing police, Spiritualist women accused of being fortune-tellers, eclectic conscientious objectors, secularization theorists, Black revolutionaries, and anti-LGBTQ litigants. Across this history, McCrary reveals how sincerity and sincerely held religious belief developed as technologies of secular governance, determining what does and doesn’t entitle a person to receive protections from the state.
This fresh analysis of secularism in the United States invites further reflection on the role of sincerity in public life and religious studies scholarship, asking why sincerity has come to matter so much in a supposedly “post-truth” era.
[more]
Sing and Sing On
Sentinel Musicians and the Making of the Ethiopian American Diaspora
Kay Kaufman Shelemay
University of Chicago Press, 2022
A sweeping history of Ethiopian musicians during and following the 1974 Ethiopian revolution.
Sing and Sing On is the first study of the forced migration of musicians out of the Horn of Africa dating from the 1974 Ethiopian revolution, a political event that overthrew one of the world’s oldest monarchies and installed a brutal military regime. Musicians were among the first to depart the region, their lives shattered by revolutionary violence, curfews, and civil war. Reconstructing the memories of forced migration, Sing and Sing On traces the challenges musicians faced amidst revolutionary violence and the critical role they played in building communities abroad.
Drawing on the recollections of dozens of musicians, Sing and Sing On details personal, cultural, and economic hardships experienced by musicians who have resettled in new locales abroad. Kay Kaufman Shelemay highlights their many artistic and social initiatives and the ways they have offered inspiration and leadership within and beyond a rapidly growing Ethiopian American diaspora. While musicians held this role as sentinels in Ethiopian culture long before the revolution began, it has taken on new meanings and contours in the Ethiopian diaspora. The book details the ongoing creativity of these musicians while exploring the attraction of return to their Ethiopian homeland over the course of decades abroad. Ultimately, Shelemay shows that musicians are uniquely positioned to serve this sentinel role as both guardians and challengers of cultural heritage.
Sing and Sing On is the first study of the forced migration of musicians out of the Horn of Africa dating from the 1974 Ethiopian revolution, a political event that overthrew one of the world’s oldest monarchies and installed a brutal military regime. Musicians were among the first to depart the region, their lives shattered by revolutionary violence, curfews, and civil war. Reconstructing the memories of forced migration, Sing and Sing On traces the challenges musicians faced amidst revolutionary violence and the critical role they played in building communities abroad.
Drawing on the recollections of dozens of musicians, Sing and Sing On details personal, cultural, and economic hardships experienced by musicians who have resettled in new locales abroad. Kay Kaufman Shelemay highlights their many artistic and social initiatives and the ways they have offered inspiration and leadership within and beyond a rapidly growing Ethiopian American diaspora. While musicians held this role as sentinels in Ethiopian culture long before the revolution began, it has taken on new meanings and contours in the Ethiopian diaspora. The book details the ongoing creativity of these musicians while exploring the attraction of return to their Ethiopian homeland over the course of decades abroad. Ultimately, Shelemay shows that musicians are uniquely positioned to serve this sentinel role as both guardians and challengers of cultural heritage.
[more]
Sing the Rage
Listening to Anger after Mass Violence
Sonali Chakravarti
University of Chicago Press, 2014
What is the relationship between anger and justice, especially when so much of our moral education has taught us to value the impartial spectator, the cold distance of reason? In Sing the Rage, Sonali Chakravarti wrestles with this question through a careful look at the emotionally charged South African Truth and Reconciliation Commission, which from 1996 to 1998 saw, day after day, individuals taking the stand to speak—to cry, scream, and wail—about the atrocities of apartheid. Uncomfortable and surprising, these public emotional displays, she argues, proved to be of immense value, vital to the success of transitional justice and future political possibilities.
Chakravarti takes up the issue from Adam Smith and Hannah Arendt, who famously understood both the dangers of anger in politics and the costs of its exclusion. Building on their perspectives, she argues that the expression and reception of anger reveal truths otherwise unavailable to us about the emerging political order, the obstacles to full civic participation, and indeed the limits—the frontiers—of political life altogether. Most important, anger and the development of skills needed to truly listen to it foster trust among citizens and recognition of shared dignity and worth. An urgent work of political philosophy in an era of continued revolution, Sing the Rage offers a clear understanding of one of our most volatile—and important—political responses.
Chakravarti takes up the issue from Adam Smith and Hannah Arendt, who famously understood both the dangers of anger in politics and the costs of its exclusion. Building on their perspectives, she argues that the expression and reception of anger reveal truths otherwise unavailable to us about the emerging political order, the obstacles to full civic participation, and indeed the limits—the frontiers—of political life altogether. Most important, anger and the development of skills needed to truly listen to it foster trust among citizens and recognition of shared dignity and worth. An urgent work of political philosophy in an era of continued revolution, Sing the Rage offers a clear understanding of one of our most volatile—and important—political responses.
[more]
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