Scatterplot navigates a vast landscape of imagination through variations on being lost and found. David Koehn’s investigative journeys allow space for the failures of consciousness and gaps in the knowable as he traverses a sensory terrain through the shadow of natural history and the glow of the family room TV. In this wilderness is a father and son walking the sloughs of the California delta, searching through the mayhem of a world dismissive of, but also requiring, love.

Koehn diagrams connections from media, art, film, music, nature, history, and his own family into a web of coordinates that form constellations of beauty and tragedy. He moves from the music of the Bad Brains, to the grotesque lifecycle of the Tongue-Eating Louse, to the deconstruction of Mutant Mania toys, and on through the poems of David Antin and the suicide of Anthony Bourdain, building a fantastical world from the wild realities of the real one. In a universe so full of imperfection one can’t help but both laugh and cry, the poet embraces the present while taking responsibility for his own insufficiencies. Amounting to a mix of experiments—erasures, surreal narratives, collage, walking poems, and more—the delta between right now and forever feels both inescapably present and delightfully confused. Immense vulnerability, infinitely odd observations, and uninhibited daring populate the psychological terrain in the poems of Scatterplot as Koehn invites us to join his spiraling poetic exploration.
 

Stories that question our experience of time, truth, and memory.
 
Through the stories in Shadows and Clouds, Marcus Stewart invites us to consider how things are not always as they appear or as we remember them, instead locating reality in the imagination and the dream world. While animals understand the world without words, humans create our experiences as stories, translating past and future into tales told in the present. Stewart's stories take the notion of storytelling and expand to a consideration of how truth, misremembering, logic, lying, and uncertainty play together to affect our experience of reality. In an alternate reading of time, Stewart poses the suggestion that you may already have a future memory of reading this book, and reading the stories backward may bring us back to the present.

Shadows and Clouds is the winner of the 2021 Omnidawn Fabulist Fiction Chapbook / Novelette Contest, chosen by Theodora Ziolkowski.

With sharp focus and startling language, the poems in Maw Shein Win’s second book, Storage Unit for the Spirit House, look through physical objects to glimpse the ephemeral, the material, and the immaterial. Vinyl records, felt wolverines, a belt used to punish children, pain pills, and “show dogs with bejeweled collars” crowd into Win’s real and imagined storage units. Nats, Buddhist animist deities from her family’s homeland of Burma, haunt the book’s six sections. The nats, spirits believed to have the power to influence everyday lives, inhabit the storage units and hover around objects while forgotten children sleep under Mylar blankets and daughters try to see through the haze of a father’s cigarette smoke.

Assemblages of both earthly and noncorporeal possessions throughout the collection become resonant and alive, and Win must summon “a circle of drums and copper bells” to appease the nats who have moved into a long-ago family house. This careful curation of unlikely objects and images becomes an act of ritual collection that uses language to interrogate how pain in life can transform someone into a nat or a siren that lives on. Restrained lines request our imagination as we move with the poet through haunted spaces and the objects that inhabit them.

Poetry that explores wildness and composes a landscape of complex human emotions.
 
Drawing on a range of stylistic influences, the poetry of Sur takes on the essence of connection and the ways in which we continually develop meaning  about others and to the natural world. With this collection, David Koehn paints a landscape where wilderness intertwines with human emotions and grows between ill-fitting interpersonal connections. Sur invites readers to step back and look critically at their world while remaining intimately intertwined with it. Throughout, imagery of nature—like a snake drinking from a stream, or a mountain god—blends with the emotional landscape of tumultuous relationships, exploring themes of wildness and an inevitable unraveling of secrets.