During the COVID-19 pandemic, thousands of workers lost their jobs in sectors from hospitality to transportation, while healthcare and frontline service workers faced a new world of brutal hours in unsafe and even deadly conditions. Yet, as the US economy reopened, workers experienced a rare moment of leverage as demand for labor and government support powered a surge of collective action that allowed working people to seek rights, respect, and power on the job through resignations, walkouts, strikes, and union organizing. The lessons and legacies of this upsurge in organizing continue to shape work, activism, and politics across the nation today.

Nick Juravich and Steve Striffler edit a collection that examines the effects of the pandemic on workers. Sections of the book focus on specific impacts and government efforts to restructure the economy; the dramatic effect of the pandemic on the hospitality industry; educators’ response on behalf of themselves and their students; frontline healthcare workers; and the innovative forms of labor organizing that emerged during and after COVID.

Contributors: Carlos Aramayo, Kathleen Brown, Sandrine Etienne, Ismael García-Colón, Puya Gerami, Maura Hagan, Connor Harney, Devan Hawkins, Leigh Howard, Marian Moser Jones, Doris Joy, Nick Juravich, Eric Larson, Kathryn M. Meyer, Samir Sonti, Steve Striffler, Lia Warner, Andrew B. Wolf, and Jennifer Zelnick

Paraprofessional educators entered US schools amidst the struggles of the late 1960s. Immersed in the crisis of care in public education, paras improved systems of education and social welfare despite low pay and second-rate status.

Understanding paras as key players in Black and Latino struggles for jobs and freedom, Nick Juravich details how the first generation of paras in New York City transformed work in public schools and the relationships between schools and the communities they served. Paraprofessional programs created hundreds of thousands of jobs in working-class Black and Latino neighborhoods. These programs became an important pipeline for the training of Black and Latino teachers in the1970s and early 1980s while paras’ organizing helped drive the expansion and integration of public sector unions.

An engaging portrait of an invisible profession, Para Power examines the lives and practices of the first generation of paraprofessional educators against the backdrop of struggles for justice, equality, and self-determination.

A generation of scholar-teacher-activists have moved beyond collaborating in theory to embodying, engaging in, and sharing how they practice their pedagogy. Isis Nusair and Barbara L. Shaw edit essays that link feminist, queer, anti-racist, decolonial, and disability theory and practice while using intersectional, transnational, and interdisciplinary approaches to explore how the personal remains political.

The contributors describe ways of building communities within and beyond academic programs and examine what it means to engage in community-building work and action across institutional boundaries. In Part One, the essayists focus on the centrality of community building and reinterpreting bodies of knowledge with students, staff, faculty, and community members. Part Two looks at bringing transnational approaches to feminist collaborations in ways that challenge the classroom’s central place in knowledge production. Part Three explores organic collaborations in and beyond the classroom.

A practical and much-needed resource, Pedagogies of Interconnectedness offers cutting-edge ideas for collaboration in pedagogy, education justice, community-based activities, and liberatory worldmaking.

Contributors: Jordyn Alderman, Leen Al-Fatafta, Meryl Altman, María Claudia André, Andrea N. Baldwin, Carolyn Beer, Luisa Bieri, Rebecca Dawson, Misty De Berry, Danielle M. DeMuth, Emily Fairchild, Sara Youngblood Gregory, Letizia Guglielmo, Jeremy Hall, K. Melchor Hall, Linh U. Hua, Christine Keating, Charlotte Meehan, Brayden Milam, Isis Nusair, Montserrat Pérez-Toribio, Andrea Putala, Ariella Rotramel, Ann Russo, Kimberly Sanchez, Barbara L. Shaw, M. Gabriela Torres, Ayana K. Weekley, and Sharon R. Wesoky

The metaphor “beyond the pale” refers to something that’s unacceptable and, as James M. Harding argues in this book, “almost always refers to something—an activity, an action, or an act—that is performed.” In this book, Harding recalls that historically the pale marked contested political boundaries and that what lay beyond the pale was considered to be a dangerous frontier. Siding with seemingly excessive and unreasonable acts and with the artists and activists who produce them, Harding brings together a series of ideas and performances that operate beyond the pale and asks readers to examine them on their own terms.

Drawing on political science, critical theory, and philosophy, Harding investigates instances of self-immolation, life-threatening journeys across deserts and seas, radical political hoaxes, extreme speech acts, and anti-police activism. The book’s five chapters consist of a series of meditations, each with an easily identifiable scholarly logic and clear argument, though the connections between the meditations are left up to the reader. Together these meditations urge readers to understand that “beyond the pale” acts are frequently the product of a sense of urgency that preempts the dictates of accepted reason, conventional logic, and safety.

Offering a nuanced understanding of the performing arts’ relationship to politics

 

Through careful readings of key political performances in Chile's transition from military dictatorship to neoliberal democracy, Jennifer Joan Thompson examines how the production and aesthetics of theater are intertwined in processes of democratization, enactments of citizenship, and the development of cultural policy. Performing Citizenship in Postdictatorship Chile: Cultural Policy and the Making of Political Dramaturgies reveals how artists performed changing models of democratic citizenship. Thompson traces the ways artists confronted and resisted the military dictatorship of Augusto Pinochet, how they then reimagined the body politic during the early transitional period and challenged official constructions of history and memory as the transition to democracy progressed, how they critiqued Chile’s neoliberal economic model and its violence, and, finally, how they have made claims for feminist and Indigenous citizen subjectivities throughout Chile’s current social crisis. Incorporating archival and ethnographic research alongside readings of theatrical and political performances, this study offers a nuanced understanding of the performing arts’ relationship to politics, one that accounts for the ways artists and the state collaborate in the production of the political imagination.

An in-depth look at how Latina/x artists transform art into activism and reclaim space in the Twin Cities

In Place-Keepers, Jessica Lopez Lyman examines how Latina/x artists in the Twin Cities navigate and challenge the region’s deep-seated racial injustices. Using “Inter-Latina movidas”—subtle yet strategic actions through which Latina/x artists forge solidarities, mobilize for justice, and reclaim space—these artists respond to systemic oppression through public performances and behind-the-scenes negotiations with the state, nonprofits, and other institutions.

Centering Latina/x women and gender nonconforming artists from Chicana/Mexicana, U.S. Central American, and Caribbean backgrounds, Place-Keepers confronts reductionist theories of Latinidad that flatten ethnic and racial identities. It demonstrates how the creative and activist practices of these cultural organizers address urgent social struggles from resisting gentrification and environmental destruction to opposing police violence. Lopez Lyman situates these efforts within the broader history of racial justice organizing in Minnesota, tracing a lineage of resistance that long precedes the 2020 Minneapolis uprising following the murder of George Floyd.

Through firsthand accounts and revealing case studies, Place-Keepers charts how these artists harness aesthetics as a tool for movement-building, strategically redistributing resources and transforming policy. Expanding the foundational concept of “movidas” in Chicana/o/x and Latina/o/x studies by highlighting maneuvers of infiltration, improvisation, individual ritual, and interdependence, Lopez Lyman establishes a crucial framework for understanding art as activism.

Pleasure-based politics in Puerto Rican and Cuban pop culture

Joy is a politicized form of pleasure that goes beyond gratification to challenge norms of gender, sexuality, race, and class. Kristie Soares focuses on the diasporic media of Puerto Rico and Cuba to examine how music, public activist demonstrations, social media, sitcoms, and other areas of culture resist the dominant stories told about Latinx joy. As she shows, Latinx creators compose versions of joy central to social and political struggle and at odds with colonialist and imperialist narratives that equate joy with political docility and a lack of intelligence. Soares builds her analysis around chapters that delve into gozando in salsa music, precise joy among the New Young Lords Party, choteo in the comedy ¿Qué Pasa U.S.A.?, azúcar in the life and death of Celia Cruz, dale as Pitbull’s signature affect, and Alexandria Ocasio-Cortez’s use of silliness to take seriously political violence.

Daring and original, Playful Protest examines how Latinx creators resist the idea that joy only exists outside politics and activist struggle.

Robyn Maynard’s bestselling Policing Black Lives offers a comprehensive account of the state-sanctioned surveillance, criminalization, and punishment of Black lives in Canada. In this revised and expanded edition, Maynard exposes Canada’s veneer of multiculturalism and tolerance to document how half a century of police reforms have expanded the scope and scale of policing and undermined Black freedom struggles in the wake of global Black uprisings in 2020. She traces the afterlives of slavery across multiple institutions and illuminates the state’s role in perpetuating colonial dispossession, racial profiling, police killings, incarceration, immigration detention, deportation, exploitative migrant labor practices, and the school-to-prison pipeline. At the same time, Maynard foregrounds the ubiquity of Black resistance while offering new insights on how to build liveable futures without policing. Advancing a compelling vision for making policing obsolete and building new forms of safety, Policing Black Lives is an essential text that will guide and inspire activists, students, scholars, and all those working toward Black futures beyond surveillance and confinement.

A revelatory look at how the NYPD has resisted change through strategic and selective community engagement.
 
The past few years have seen Americans express passionate demands for police transformation. But even as discussion of no-knock warrants, chokeholds, and body cameras has exploded, any changes to police procedures have only led to the same outcomes. Despite calls for increased accountability, police departments have successfully stonewalled change.  
 
In The Policing Machine, Tony Cheng reveals the stages of that resistance, offering a close look at the deep engagement strategies that NYPD precincts have developed with only subsets of the community in order to counter any truly meaningful, democratic oversight. Cheng spent nearly two years in an unprecedented effort to understand the who and how of police-community relationship building in New York City, documenting the many ways the police strategically distributed power and privilege within the community to increase their own public legitimacy without sacrificing their organizational independence. By setting up community councils that are conveniently run by police allies, handing out favors to local churches that will promote the police to their parishioners, and offering additional support to institutions friendly to the police, the NYPD, like police departments all over the country, cultivates political capital through a strategic politics that involves distributing public resources, offering regulatory leniency, and deploying coercive force. The fundamental challenge with police-community relationships, Cheng shows, is not to build them. It is that they already exist and are motivated by a machinery designed to stymie reform.
 

This is an auto-narrated audiobook version of this book.

A revelatory look at how the NYPD has resisted change through strategic and selective community engagement.
 
The past few years have seen Americans express passionate demands for police transformation. But even as discussion of no-knock warrants, chokeholds, and body cameras has exploded, any changes to police procedures have only led to the same outcomes. Despite calls for increased accountability, police departments have successfully stonewalled change.  
 
In The Policing Machine, Tony Cheng reveals the stages of that resistance, offering a close look at the deep engagement strategies that NYPD precincts have developed with only subsets of the community in order to counter any truly meaningful, democratic oversight. Cheng spent nearly two years in an unprecedented effort to understand the who and how of police-community relationship building in New York City, documenting the many ways the police strategically distributed power and privilege within the community to increase their own public legitimacy without sacrificing their organizational independence. By setting up community councils that are conveniently run by police allies, handing out favors to local churches that will promote the police to their parishioners, and offering additional support to institutions friendly to the police, the NYPD, like police departments all over the country, cultivates political capital through a strategic politics that involves distributing public resources, offering regulatory leniency, and deploying coercive force. The fundamental challenge with police-community relationships, Cheng shows, is not to build them. It is that they already exist and are motivated by a machinery designed to stymie reform.
 

Inside the Sioux Nation's pursuit of recognition and justice

This book is the powerful story of the ongoing struggle of indigenous Americans in the twentieth century United States and of its shift in focus from traditional battlefield and massacre sites to federal courtrooms and the halls of Congress.

The Politics of Hallowed Ground includes excerpts from the diary kept by Mario Gonzalez, the attorney for the Sioux Nation in its struggle for recognition of the Wounded Knee Massacre site as a national monument. Gonzalez's personal record of the struggle is coupled with commentary by Elizabeth Cook-Lynn, a Native American writer who places the work in its historical context. Together, the two voices will draw the reader into far more than the continuing struggle of the Sioux people to achieve justice.

The book covers Sioux history from before the Wounded Knee tragedy to modern times, through the Sioux Nation's long and often rancorous dialogue with the U.S. government over control of South Dakota's Black Hills, traditional Sioux lands recognized by treaty in 1877 and never forfeited or sold. After reading a 13-year-old survivor's narrative of what happened at Wounded Knee and the list of the dead and wounded, readers will find it difficult not to share the Sioux perspective.

Christian Right organizations have darkened America’s political soul by strategically constructing a theological justification for hate. Angelia Wilson supports this claim in The Politics of Hate by detailing how Christian Right organizations have pushed voters toward polarization and primed religious conservatives to support Donald Trump.

Based on original research, participant observation at events, and data collection, Wilson follows the money to provide a meticulous analysis of how Christian Right political elites operate. She traces the evolutionary development of the Christian Right’s political professionalism and their allegiance to a grand vision that articulates a grammar of war to fulfill their Biblical worldview.

The Politics of Hate demonstrates how Christian Right organizations educate and train networks of soldiers to tactically engage the enemy in local, state, and national legal and political battles. Wilson carefully documents their history of co-belligerency, their strategies of political warfare, and, importantly, the impact of this war that has, over the past fifty years, forever changed American politics.

The first critical edition of the writings of the prolific radical workers’ newspaper columnist and musician who rode the rails during the Great Depression

The Popular Wobbly brings together a wide selection of writings by T-Bone Slim, the most popular and talented writer belonging to the Industrial Workers of the World (IWW). Slim wrote humorous, polemical pieces, engaging with topics like labor and class injustice, which were mostly published in IWW publications from 1920 until his death in 1942. Although relatively little is known about Slim, editors Owen Clayton and Iain McIntyre coalesce the latest research on this enigmatic character to create a vivid portrait that adds valuable context for the array of writings assembled here.

Known as “the laureate of the logging camps,” Slim also composed numerous songs that have been performed and recorded by Pete Seeger, Utah Phillips, and Candie Carawan, who in 1960 updated Slim’s song “The Popular Wobbly” with Civil Rights–era lyrics. Slim’s witticisms, sayings, and exhortations (“Wherever you find injustice, the proper form of politeness is attack”; “Only the poor break laws—the rich evade them”) were widely discussed among fellow hobos across the “jungle” campfires that dotted the railways, and some even transcribed his commentary on boxcars that traveled the country. Yet despite Slim’s importance and fame during his lifetime, his work disappeared from public view almost immediately after his death.

The Popular Wobbly is the first critical edition of Slim’s work and also a significant contribution to literature about working-class writers, the radical labor movement, and the history and culture of nomadism and precarity. With this publication, Slim’s rediscovered writings can once again inspire artists and activists to march and agitate for a more just and equitable world.

An exploration of how the Iranian people have renewed their longtime struggle for freedom

The Woman, Life, Freedom uprising is only the latest manifestation of a century-long struggle for liberation in Iran. This ongoing movement for justice has encompassed two revolutions against domestic dictatorship and foreign imperialism, as well as a series of uprisings since the 1979 Iranian Revolution, which was followed by a new era of repression. Post/Revolutionary Conditions: Renewed Visions of the Iranian Freedom Struggle offers an intersectional analysis of how progressive and radical movement builders have reenvisioned liberation in the post-’79 era, despite new forms of oppression under the Islamic Republic and from US and other foreign imperial powers. Bringing together a diverse array of sources, including oral histories with Iranian labor, student, and gender justice organizers, as well as resistance literature and art, Alborz Ghandehari challenges narratives that treat working-class, feminist, queer, and oppressed ethnic minorities’ movements as separate from one another. Post/Revolutionary Conditions demonstrates how such potent reimaginings of collective liberation and a radically democratic future have been shaped by multiple generations of protest and kindred struggles globally.

There is a long history of sororities such as Alpha Kappa Alpha (AKA) and Delta Sigma Theta (Delta) participating in activism and social justice efforts—from the Civil Rights Movement in the 1960s to Kamala Harris’s recent political campaigns. But radical movements like Black Lives Matter have posed more challenging questions for these organizations.

In The Power We Need Right Now, Aisha Upton Azzam investigates the legacies of AKA and Delta to understand the considerations that weigh on their engagement with present day Black movements. These organizations wield a significant amount of political power to mobilize in support of their causes. The response each sorority has had to movements fifty years apart is strikingly similar—even if their approaches are quite different.

Using a Black feminist theoretical framework, Upton Azzam brings context and meaning to the interactions of these sororities with Black radical movements. She highlights the costs communities bear from sororities’ adherence to respectability and racial uplift ideologies by tracing each sorority’s history and response to emerging Black feminist and Black Power movements during the tumultuous 1970s.

The Power We Need Right Now emphasizes that Black communities still have the ability to wield their political power and influence to further the struggle for Black liberation.

Energy serves as the lifeblood of our daily experiences. It permeates virtually every aspect of our existence, facilitating nourishment, safety, and productivity. When affordability threatens energy’s availability, a family’s living situation can become untenable—too cold, too hot, too dark, and too often, unhealthy and unsafe. In Powerless, sociologists Diana Hernández and Jennifer Laird reveal the hidden hardship of “energy insecurity” – the inability to adequately meet household energy needs.

Approximately one in ten households in the U.S. are energy insecure and four in ten are at risk for energy insecurity. These statistics alone do not convey the acute pain of utility shutoffs, or the relentless toll of chronic energy hardships marked by difficult choices and harsh living conditions. Drawing on survey data and interviews with one hundred energy-insecure individuals and families, Hernández and Laird detail the experience of energy insecurity. Individuals and families suffering from energy insecurity endure economic hardships, such as difficulty paying utility bills, utility debt, and disconnection from utility services. They also struggle with physical challenges, such as poor housing conditions and poor or dysfunctional heating and cooling systems. They are often forced to make difficult choices about what bills to pay. These decisions are sometimes referred to as “heat or eat?” choices, as families cannot afford to pay for heating and food at the same time. Energy insecure individuals and families employ a variety of strategies to keep energy costs down to avoid having to make these hard choices. This includes deliberate underconsumption of energy, enduring physical discomfort, and using dangerous alternatives such as open flames, ovens, or space heaters to try to maintain a comfortable temperature in their home. To be energy insecure is to suffer. Despite the heavy toll of energy insecurity, most people confront these difficulties behind closed doors, believing it is a private matter. Thus, the enormous social crisis of energy insecurity goes unnoticed.

Hernández and Laird argue that household energy is a basic human right and detail policies and practices that would expand access to consistent, safe, clean, and affordable energy. Their proposals include improving the current energy safety net, which is limited and often does not serve the most energy insecure due to stringent program requirements and administrative burdens. They also suggest redesigning rates to accommodate income, promoting enrollment and expansion of discount programs, reforming utility disconnection policies, improving energy literacy, and ensuring an equitable shift to renewable energy resources.

Powerless creates a comprehensive picture of the complex social and environmental issue of energy insecurity and shows how energy equity is not just an aspiration but an achievable reality.

From Johnny Cash to Jay-Z, musicians have long used their voices to challenge the injustices of the prison system. Prison Song: Music and Incarceration in the United States reveals how musicians have confronted the prison system by telling the life stories of imprisoned individuals, creating empathetic bonds between listeners and those individuals, and critiquing the racial and social inequalities that incarceration preys upon. Prison Song takes a broad, interdisciplinary approach to explore how artists across genres—hip hop, country, blues, folk, rock, jazz, and classical—have protested the prison system. David Metzer examines the works of incarcerated, formerly incarcerated, and non-incarcerated musicians from diverse racial and ethnic backgrounds. Drawing on a wide range of sources, including prison records, government reports, legislation, court decisions, and scholarship from carceral studies, each chapter reveals how musicians responded to developments in the prison system at particular historical moments and how their works have shaped public understanding of the prison system in the United States.

Renovation, an urban renewal plan in Moscow that was announced in the spring of 2017, proposed to demolish thousands of socialist-era apartment buildings. In a country where it is rare under an authoritarian government, residents supported or opposed the redevelopment by mobilizing and organizing into local alliances. They were often shocked by their neighbors who were excited about the new housing or those suspicious of being displaced.
 
Private Life, Public Action traces how residents impacted by the relocation plan became activists despite having little to no experience organizing or even forming political affiliations and opinions. Author Anna Zhelnina details the ways in which neighbors engaged in collective action, as well as the individual and structural changes these interactions caused.

Zhelnina develops the concept of “housing strategies” to explain how residents’ debates with their neighbors about housing were shaped by their private life strategies. She applies her findings about housing in Moscow to ongoing questions about political mobilization, demonstrating how public engagement is shaped by historical and social contexts.

Examining the intersection of housing, politics, and citizenship in contemporary Russia, Private Life, Public Action offers a new way to look at urban change.

In the series Politics, History, and Social Change

In the months leading up to the 2020 presidential election, Portland made national news with nightly social justice protests, often met with violent response by counter protestors and law enforcement. Though frequently regarded as a progressive hub, Portland has a long history of racial inequality and oppression, and the city’s entrenched divisions gained new attention during the Trump years. The photos in Protest City present a visceral visual record of this significant moment in Portland’s history.  

Rian Dundon, who has been photographing the rise of extreme politics on the West Coast since 2016, lived only a short walk from the protests that erupted after the murder of George Floyd. For one hundred days, Dundon enmeshed himself in the demonstrations with an unobtrusive point-and-shoot camera. The result is a graphic portrayal of how social movements become politicized, how spectacle serves as a subtext to change in the digital age, and how modern protests blur distinctions among performance, ritual, and surveillance. As he follows the progress of Portland’s conflicts, Dundon draws connections to Oregon’s legacy as a stronghold of white supremacist extremism and interrogates the role of whiteness in racial justice movements.  

Most of the photographs in the book were taken between May and October 2020, but the collection also includes photos from protests in late 2020 and 2021 around various related issues, including the Red House eviction blockade, rightwing demonstrations on January 6 and 17, and the one-year anniversary of George Floyd’s murder. Dundon’s striking photos recreate the immediacy and impact of the protests, while essays by historian Carmen Thompson and journalist Donnell Alexander contextualize the uprising’s sociopolitical background. A chronology and author’s note are also featured.  

The publisher and author would like to thank the Magnum Foundation, Documentary Arts, and the Economic Hardship Reporting Project for their generous support of this publication. Additional funding has been provided by Furthermore: a program of the J. M. Kaplan Fund.