In 1995, Nigeria’s dictatorial government executed nine Ogoni leaders fighting for civil rights and against Shell Oil’s depredations of Ogoni land. Domale Dube draws on interviews and participant observation to tell the long-ignored story of how women carved out a role in the Ogoni pursuit of justice.

Dube’s account examines and documents the issues that drew women into the movement, from concerns for themselves and their communities to grander visions for the Ogoni. As she shows, these issues not only influenced organizing in Nigeria but also the diaspora in general and the United States in particular. Ogoni women relied upon nonviolent protest to realize their aims. Dube looks at their campaigns and how their actions reflected their concerns, values, interests, and priorities. The result is a rare account of Black women and transnational organizing for women’s, climate, and environmental justice that merges a history of their involvement with an in-depth analysis of the racial, gender, and ethnic dimensions of the Ogoni Struggle.

Uncovering the Black Power movement’s contributions to theorizing the politics of automation​

 

On the Eve of the Cybercultural Revolution offers a comprehensive look at the Black Power movement’s theoretical work and insights into the entanglement of capitalism, technology, and racism. Drawing upon James and Grace Lee Boggs’s expanded notion of the cybercultural era, Brian Bartell demonstrates how a range of artists, writers, and activists from the 1960s prefigured the wider discourse around automation and made it a central concern of their politics.

 

Rather than reducing automation to an isolated technical phenomenon, theorists of the Black radical tradition identified its important historical antecedents in colonialism and plantation slavery, emphasizing how the emerging cyberculture joined with issues such as the reorganization of labor, ecological harm, and racial inequality. Examining the work of Martin Luther King Jr., Noah Purifoy, the Black Panthers, and others, On the Eve of the Cybercultural Revolution outlines the new forms of social reproduction conceived outside of the dominant structures of racial capitalism.

 

Bartell synthesizes a wide range of source texts, including political speeches, literature, and activist archives, to show how the Black Power movement sought to create a postscarcity, more-than-capitalist economy. By shedding light on the movement’s underexplored engagement with theories of technology, he provides a crucial key to understanding the historical dynamics responsible for our technocapitalist present.

 

 

Retail e-book files for this title are screen-reader friendly.

Defying the mafia with everyday acts of resistance

 

For more than 150 years, Italy has been home to a resilient and evolving resistance against the pervasive influence of mafias. While these criminal organizations are renowned for their vast international business enterprises, the collective actions taken to oppose them are less known. In Opposition by Imitation, Christina Jerne explores anti-mafia activism, revealing how ordinary people resist, counter, and prevent criminal economies from proliferating.

 

Drawing on ethnographic fieldwork among anti-mafia alliances in Campania, Sicily, and other parts of Italy, Jerne details a particular aspect of mafia activities: providing cash relief and other forms of patronage to individuals and groups. Her research shows how activism has evolved to imitate this sustaining role. Activists are increasingly challenging mafia control both by creating alternative economies—from producing food that interrupts mafia labor practices to organizing tourism that supports anti-mafia hospitality—and by subversively adopting business tactics similar to the mafia’s to compete with their social influence and legitimacy. Exposing the political implications of this mimetic opposition, Jerne points to its potential impact on crime prevention and criminalization, both in Italy and globally.

 

Opposition by Imitation shows how these modern-day Robin Hoods are redefining collective action, taking what was controlled by the mafias and returning it to the collective. This contentious economic turn, against the backdrop of broader social movements, reveals significant political possibilities afforded by imitative opposition.

 

 

Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

An original history of the popular movement against the War on Terror—the greatest case of “we told you so” in modern political history.
 
Just after 9/11, President George W. Bush climbed the rubble where the World Trade Center had stood. Surrounded by shouts of anger, he said, “The people who knocked these buildings down will hear all of us soon!” With these words, Bush ushered in the War on Terror. Quickly, a global protest movement mobilized against it, reshaping the political, moral, and media landscape.

Jeremy Varon’s Our Grief Is Not a Cry for War is the definitive history of that movement. Millions of Americans participated in thousands of acts of protest, from demonstrations to civil disobedience to peace encampments in Iraq. On February 15, 2003, up to 30 million people worldwide took to the streets in the largest protest in human history. But this enormous outcry was not enough to stop the US invasion of Iraq. Varon explores the limits to the movement’s power but also shows how it worked to make opposition to the Iraq War a part of public debate, hastening its end and limiting the broader War on Terror. In the book, you’ll meet the families of the 9/11 victims, Iraq War veterans, and Gold Star families who spoke out against war.

Written with a lively and revelatory voice, Our Grief Is Not a Cry for War illuminates the passion of the peace movement, the mark it made, and the enduring legacies of the War on Terror.

By analyzing how protest fused the politics of reading and writing in 1968 West Germany, author Peter Schweppe uncovers the vibrant history of alternative literary form during a watershed moment of social upheaval. Out of Line interlinks the politics of reading and writing with the verve of Global Sixties’ protest, where fringe books, underground newspapers, incendiary flyers, and furtive graffiti galvanized readers and writers alike. The phrase “out of line” scrutinizes the emerging performative relationship between visual and textual media in the late 1960s as it metamorphosed modes of West German literary production, channeled the agenda of the protest movement, and, in doing so, shaped new kinds of textual meaning. Through its engagement with theories of materiality and “things,” Out of Line interrogates the dynamic ways that protest readers and writers pushed and broke conventional boundaries. Schweppe’s exploration of form discloses how reading and writing out of line implicates a textual and material history of protest and the lessons it offers protest histories to come.