Since its publication in 1981, this book has established itself as the major new interpretation of the historical concept of Ibn Khaldûn, the great figure of Arab-Islamic letters and of historical thought overall--a figure generally thought to be on a par with Thucydides, Vico, Herder and others of similar stature.
The author has eschewed the ahistorical interpretations to which Ibn Khaldûn has normally been subjected, both by authors who have sought unduly to modernise his thought, and by those who sought to freeze it in stereotypical models of Islamic philosophy.
Ibn Khaldûn is not only a true historical source of his time; he is also taken as the unchallenged sociological and cultural interpreter of medieval North Africa and much of medieval and modern Arab-Islamic culture as well. The validity of his discourse is considered to be so universal as to confer upon his ideas the status of progenitor--or, at least, anticipator--of a great variety of modern ideas.
By the mid-twentieth century, Eastern European Jews had become one of Argentina's largest minorities. Some represented a wave of immigration begun two generations before; many settled in the province of Entre Ríos and founded an agricultural colony. Taking its title from the resulting hybrid of acculturation, The Invention of the Jewish Gaucho examines the lives of these settlers, who represented a merger between native cowboy identities and homeland memories.
The arrival of these immigrants in what would be the village of Villa Clara coincided with the nation's new sense of liberated nationhood. In a meticulous rendition of Villa Clara's social history, Judith Freidenberg interweaves ethnographic and historical information to understand the saga of European immigrants drawn by Argentine open-door policies in the nineteenth century and its impact on the current transformation of immigration into multicultural discourses in the twenty-first century. Using Villa Clara as a case study, Freidenberg demonstrates the broad power of political processes in the construction of ethnic, class, and national identities. The Invention of the Jewish Gaucho draws on life histories, archives, material culture, and performances of heritage to enhance our understanding of a singular population—and to transform our approach to social memory itself.
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