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Imperial Creatures
Humans and Other Animals in Colonial Singapore, 1819-1942
Timothy P. Barnard
National University of Singapore Press, 2019
One of the areas of fastest-growing interest in the humanities and social sciences in recent years has been the history of animals. Imperial Creatures fills a gap in that field by looking across species at animals in a urban colonial setting. If imperialism is a series of power relationships, Timothy P. Barnard argues, then it necessarily involves not only the subjugation of human communities, but also of animals. What was the relationship between those two processes in colonial Singapore? How did interactions with animals enable changes in interactions between people?

Through a multidisciplinary consideration of fauna, Imperial Creatures weaves together a series of tales to document how animals were cherished, monitored, employed, and slaughtered in a colonial society. All animals, including humans, Barnard shows, have been creatures of imperialism in Singapore. Their stories teach us lessons about the structures that upheld such a society and how it developed over time, lessons of relevance to animal historians, to historians of Singapore, and to urban historians and imperial historians with an interest in environmental themes.
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An Indonesian History
Personalised Politics in Makassar and South Sulawesi, c.1600–2018
Heather Sutherland
National University of Singapore Press, 2024
A history of regionalism in Indonesia.

Indonesia, the world’s fourth most populous country, is a vast archipelago with a relatively short history of unified rule. The devolution of power to the provinces after 1998 has meant that regional social traditions and historical legacies are powerful forces in contemporary politics. South Sulawesi (Southwest Celebes), a crucial and understudied region of Indonesia, is no exception.

Starting in 1669, tensions between the Dutch East India Company’s cosmopolitan port town of Makassar and the aggressive, competitive dynasties of the interior began to shape peninsula politics. A strong ethnic Chinese community embodied the town’s wide horizons, while in the countryside, the nobility’s engagement with Islam ranged from symbiotic co-optation to hostility. Religion, rather than politics, framed the main challenges to authority. Finally integrated in 1965, the city and province remain among the most clientelist in the country, their politics personalized and transactional. Nevertheless, the large city of Makassar is booming. Dutch indirect rule and neocolonial strategies entrenched the power of local elites, who resisted changes imposed by Batavia or, after 1950, by Jakarta. 

In this history, Heather Sutherland’s long-term perspective avoids dichotomies like continuity and change or autonomy and dependence, recognizing that trade-offs have always been fundamental to interaction within and between town and country and between the province and distant capitals.
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Indonesian Women and Local Politics
Islam, Gender and Networks in Post-Suharto Indonesia
Kurniawati Hastuti Dewi
National University of Singapore Press, 2015
In an important social change, female Muslim political leaders in Java have enjoyed considerable success in direct local elections following the fall of Suharto in Indonesia. Indonesian Women and Local Politics shows that Islam, gender, and social networks have been decisive in their political victories. Islamic ideas concerning female leadership provide a strong religious foundation for their political campaigns. However, their approach to women's issues shows that female leaders do not necessarily adopt a woman's perspectives when formulating policies. This new trend of Muslim women in politics will continue to shape the growth and direction of democratization in local politics in post-Suharto Indonesia and will color future discourse on gender, politics, and Islam in contemporary Southeast Asia.
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Industrialization in Late-Developing ASEAN Countries
Cambodia, Laos, Myanmar and Vietnam
Naoko Amakawa
National University of Singapore Press, 2010
Late industrializing countries are able to pick strategies for economic development based on the experiences of countries that preceded them. Cambodia, Laos, Myanmar and Vietnam (the CLMV countries) were closed off from the international community for many years, and they began to embrace a market economy at around the same time. Each bypassed the import-substitution strategy adopted by other Southeast Asian countries and began industrialization efforts with export growth funded by Foreign Direct Investment.



The outcomes differed significantly owing to geographical location, government policies, and internal economic conditions. Industrialization in Late-Developing ASEAN Countries explores these differences through case studies based on an extended research program conducted by the Institute of Developing Economies in Tokyo, which offered insights into models of economic growth, and into the trajectories followed by the four countries examined.
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Innovation, Style and Spectacle in Wayang
Purbo Asmoro and the Evolution of an Indonesian Performing Art
Kathryn Emerson
National University of Singapore Press, 2022
A richly illustrated study of wayang, the traditional puppet theater form of Java, based on unprecedented decades-long participatory research.
 
Wayang, the traditional puppet theater form of Java, fascinates and endures thanks to the many ways it works as a medium—bearing the weight of Javanese culture and tradition as a key component of rites of passage, as a medium of ritual and spiritual practice, as public spectacle, and as entertainment of the broadest sort, performed live, broadcast, or streamed. Over the past forty years, the form has been subject to a great deal of experimentation and innovation, pulled in many directions within an ever-changing media landscape. In this book, Kathryn Anne Emerson outlines both significant contributions by a number of key figures and the social and political influences propelling such innovations. She also describes deeper and more lasting changes in wayang, based on what the art form's most accomplished practitioners have to say about it. At the core of the book is one pivotal figure, Purbo Asmoro of the Indonesian Institute of the Arts in Surakarta, who, Emerson argues, has taken the individual and singular innovations of the era and integrated them into a new system of performance practice, one that has shaped the key Surakarta school of performance. Grounded in an unprecedented, decades-long participatory research project involving hundreds of interlocutors, the book is beautifully illustrated and will be of considerable interest in Indonesian studies.
 
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