From Berlin to the Bering Strait, the business of banking has sprung to life. This analysis considers the impact of banking reform on macroeconomic stabilization and the suitability of universal banks, the role of banking regulation and the advantages of 'narrow banks' during transition, the cleaning up of bad debts, and the reform of the payments system.

The book assesses the lessons which can be drawn from reforms in Central Europe for the later reformers in the former Soviet Union and the Balkans. It considers the impact of banking reform on macroeconomic stabilization and the suitability of German-type universal banks; the role of banking regulation and the advantages of 'narrow banks' during transition; the cleaning-up of bad debts; bank privatization and reform of the payments system. Five chapters follow which review the experience of some of the 'second-wave' countries: Estonia, Georgia, Romania, Russia and Ukraine.

The tenth anniversary of the collapse of communism in Central and Eastern Europe is the basis for this text which reflects upon the past ten years and what lies ahead for the future. An international group of academics and public intellectuals, including former dissidents and active politicians, engage in an exchange on the antecedents, causes, contexts, meanings and legacies of the 1989 revolutions. The contributors address various issues including liberal democracy and its enemies; modernity and discontent; economic reforms and their social impact; ethnicity; nationalism and religion; geopolitics; electoral systems and political power; European integration; and the demise of Yugoslavia.

This Biographical Dictionary describes the lives, works and aspirations of more than 150 women and men who were active in, or part of, women’s movements and feminisms in Central, Eastern and South Eastern Europe. Thus, it challenges the widely held belief that there was no historical feminism in this part of Europe. These innovative and often moving biographical portraits not only show that feminists existed here, but also that they were widespread and diverse, and included Romanian princesses, Serbian philosophers and peasants, Latvian and Slovakian novelists, Albanian teachers, Hungarian Christian social workers and activists of the Catholic women’s movement, Austrian factory workers, Bulgarian feminist scientists and socialist feminists, Russian radicals, philanthropists, militant suffragists and Bolshevik activists, prominent writers and philosophers of the Ottoman era, as well as Turkish republican leftist political activists and nationalists, internationally recognized Greek feminist leaders, Estonian pharmacologists and science historians, Slovenian ‘literary feminists,’ Czech avant-garde painters, Ukrainian feminist scholars, Polish and Czech Senate Members, and many more. Their stories together constitute a rich tapestry of feminist activity and redress a serious imbalance in the historiography of women’s movements and feminisms.

Stanislaw Baranczak, a Polish writer in exile, turns to his colleagues and their plights, in Poland, Czechoslovakia, Hungary, and the Soviet Union, to explain why oppressive regimes could not succeed in their attempts to transform the Eastern European into Homo sovieticus.

These superb essays focus on the role that culture, and particularly literature, has played in keeping the spirit of intellectual independence alive in Eastern and Central Europe. Exploring a variety of issues from censorship to underground poetry, Baranczak shows why, in societies where people struggle to survive under totalitarian rule, art is believed to have the power to make things happen.

He brings into sharp relief the works and personalities of many legendary figures of recent Eastern European political and cultural history from Lech Walesa and Pope John Paul II to Václav Havel and Adam Michnik to Czeslaw Milosz, Witold Gombrowicz, Bruno Schulz, and Joseph Brodsky--and makes vivid the context from which they spring. Some of the essays probe the sense of inarticulateness experienced by writers in exile; many represent the literary essay at its best; all reveal that Baranczak is a sophisticated, often savagely funny writer on whom nothing is lost.

This refreshing and provocative book guides us toward a clearer understanding of what has led to the present moment, in which the nations of Eastern and Central Europe, tired of striving to "breathe under water," are finally "coming up for air." It is rewarding reading for anyone interested in art's confrontation with an intractable political reality--wherever it occurs in the world.