A peasant family, driven by the drought, walks to exhaustion through an arid land. As they shelter at a deserted ranch, the drought is broken and they linger, tending cattle for the absentee ranch owner, until the onset of another drought forces them to move on, homeless wanderers again. Yet, like the desert plants that defeat all rigors of wind and weather, the family maintains its will to survive in the harsh and solitary land. Intimately acquainted with the region of which he writes and keenly appreciative of the character of its inhabitants, into whose minds he has penetrated as few before him, Graciliano Ramos depicts them in a style whose austerity well becomes the spareness of the subject, creating a gallery of figures that rank as classic in contemporary Brazilian literature.
Under a provision in the Brazilian constitution, rural black communities identified as the modern descendants of quilombos—runaway slave communities—are promised land rights as a form of reparations for the historic exclusion of blacks from land ownership. The quilombo provision has been hailed as a success for black rights; however, rights for quilombolas are highly controversial and, in many cases, have led to violent land conflicts. Although thousands of rural black communities have been legally recognized, only a handful have received the rights they were promised. Conflict over quilombola rights is widespread and carries important consequences for race relations and political representations of blackness in twenty-first century Brazil.
Drawing on a year of field research in a quilombola community, Elizabeth Farfán-Santos explores how quilombo recognition has significantly affected the everyday lives of those who experience the often-complicated political process. Questions of identity, race, and entitlement play out against a community’s struggle to prove its historical authenticity—and to gain the land and rights they need to survive. This work not only demonstrates the lived experience of a new, particular form of blackness in Brazil, but also shows how blackness is being mobilized and reimagined to gain social rights and political recognition. Black Bodies, Black Rights thus represents an important contribution to the rapidly growing interdisciplinary field of Afro-Latino studies.
The Black Butterfly focuses on the slavery writings of three of Brazil’s literary giants—Machado de Assis, Castro Alves, and Euclides da Cunha. These authors wrote in the late nineteenth and early twentieth centuries, as Brazil moved into and then through the 1888 abolition of slavery. Assis was Brazil’s most experimental novelist; Alves was a Romantic poet with passionate liberationist politics, popularly known as “the poet of the slaves”; and da Cunha is known for the masterpiece Os Sertões (The Backlands), a work of genius that remains strangely neglected in the scholarship of transatlantic slavery.
Wood finds that all three writers responded to the memory of slavery in ways that departed from their counterparts in Europe and North America, where emancipation has typically been depicted as a moment of closure. He ends by setting up a wider literary context for his core authors by introducing a comparative study of their great literary abolitionist predecessors Luís Gonzaga Pinto da Gama and Joaquim Nabuco. The Black Butterfly is a revolutionary text that insists Brazilian culture has always refused a clean break between slavery and its aftermath. Brazilian slavery thus emerges as a living legacy subject to continual renegotiation and reinvention.
For much of the twentieth century Brazil enjoyed an international reputation as a “racial democracy,” but that image has been largely undermined in recent decades by research suggesting the existence of widespread racial inequality. George Reid Andrews provides the first thoroughly documented history of Brazilian racial inequality from the abolition of slavery in 1888 up to the late 1980s, showing how economic, social, and political changes in Brazil during the last one hundred years have shaped race relations.
No laws of segregation or apartheid exist in Brazil, but by looking carefully at government policies, data on employment, mainstream and Afro-Brazilian newspapers, and a variety of other sources, Andrews traces pervasive discrimination against Afro-Brazilians over time. He draws his evidence from the country’s largest and most economically important state, São Paulo, showing how race relations were affected by its transformation from a plantation-based economy to South America’s most urban, industrialized society.
The book focuses first on Afro-Brazilians' entry into the agricultural and urban working class after the abolition of slavery. This transition, Andrews argues, was seriously hampered by state policies giving the many European immigrants of the period preference over black workers. As immigration declined and these policies were overturned in the late 1920s, black laborers began to be employed in agriculture and industry on nearly equal terms with whites. Andrews then surveys efforts of blacks to move into the middle class during the 1900s. He finds that informal racial solidarity among middle-class whites has tended to exclude Afro-Brazilians from the professions and other white-collar jobs.
Andrews traces how discrimination throughout the century led Afro-Brazilians to mobilize, first through the antislavery movement of the 1880s, then through such social and political organizations of the 1920s and 1930s as the Brazilian Black Front, and finally through the anti-racism movements of the 1970s and 1980s. These recent movements have provoked much debate among Brazilians over their national image as a racial democracy. It remains to be seen, Andrews concludes, whether that debate will result in increased opportunities for black Brazilians.
Winner of the 1993 Arthur P. Whitaker Prize
Portugal extracted wealth from its Brazilian colony. Slaves--first indigenous peoples, later Africans--mined its ore and cut its sugarcane. From the customs of the colonists and the aspirations of the enslaved rose Brazil. Bosi scrutinizes signal points in the creation of Brazilian culture--the plays and poetry, the sermons of missionaries and Jesuit priests, the Indian novels of José de Alencar and the Voices of Africa of poet Castro Alves. His portrait of the country's response to the pressures of colonial conformity offers a groundbreaking appraisal of Brazilian culture as it emerged from the tensions between imposed colonial control and the African and Amerindian cults--including the Catholic-influenced ones--that resisted it.
When the Brazilian military overthrew President João Goulart in 1964, American diplomats characterized the coup as a "100 percent Brazilian movement." It has since become apparent, largely through government documents declassified during the course of research for this book, that the United States had an invisible but pervasive part in the coup.
Relying principally on documents from the Johnson and Kennedy presidential libraries, Phyllis Parker unravels the events of the coup in fascinating detail. The evidence she presents is corroborated by interviews with key participants.
U.S. interference in the Goulart regime began when normal diplomatic pressure failed to produce the desired enthusiasm from him for the Alliance of Progress. Political and economic manipulations also proving ineffective, the United States stood ready to back a military takeover of Brazil's constitutional democracy.
U.S. operation "Brother Sam" involved shipments of petroleum, a naval task force, and tons of arms and ammunition in preparation for intervention during the 1964 coup. When the Brazilian military gained control without calling on the ready assistance, U.S. policy makers immediately accorded recognition to the new government and set in motion plans for economic support.
Between 1918 and 1961, Brazil and the USSR maintained formal diplomatic ties for only thirty-one months, at the end of World War II. Yet, despite the official distance, the USSR is the only external actor whose behavior, real or imagined, influenced the structure of the Brazilian state in the twentieth century. In Brazil and the Soviet Challenge, 1917–1947, Stanley Hilton provides the first analysis in any language of Brazilian policy toward the Soviet Union during this period.
Drawing on American, British, and German diplomatic archives and unprecedented access to official and private Brazilian records, Hilton elucidates the connection between the Brazilian elite’s perception of a communist threat and the creation of the authoritarian Estado Novo (1937–1945), the forerunner of the post-1964 national security state. He shows how the 1935 communist revolt, prepared by Comintern agents, was a pivotal event in Brazilian history, making prophets of conservative alarmists and generating irresistible pressure for an authoritarian government to contain the Soviet threat. He details the Brazilian government’s secret cooperation with the Gestapo during the 1930s and its concomitant efforts to forge an anti-Soviet front in the Southern Cone. And he uncovers an unexplored aspect of Brazil’s national security policy, namely, the attempt to build counterintelligence capabilities not only within Brazil but also in neighboring countries.
While the history of the Brazilian communist movement has been extensively studied, this is the first work to explore how images of the Soviet Union and its policies influenced the Brazilian foreign policy elite. It will be important reading for all students of twentieth-century political history.
Has the world economy shaped and defined Brazil’s economic and political history and, if so, to what extent? Is Brazil’s past to be explained principally by its insertion in a single world capitalist system? The authors of the three essays in this volume reflect critically on these questions along with the following: Should the determining factors be understood as sociological-cultural (as in a heritage of patrimonial rule) or were they based on material reality? What was the connection between the presence of slavery in the Americas and the emergence of capitalism in Europe? What accounts for Brazil’s centuries-long reliance on exports and the slow development of its industry?
The chapters in this book draw contrasting judgments on virtually every major issue in Brazilian history because they begin from divergent premises. In arguing their cause, noted scholars John R. Hall, Fernando A. Novais, and Luís Carlos Soares provide a formidable intellectual point and counterpoint whose theoretical assumptions bear heavily on all social scientists engaged in exploring colonialism, imperialism, capitalism, dependency, and relative international poverty.
Brazil and the World System provides provocative insights not only about Brazil but also about the nature of colonialism in general and its relationship to the rise of capitalism in Europe. It should appeal to Latin Americanists of all disciplinary persuasions as well as to general readers curious about great patterns of change in history. Stuart Schwartz, director of the Center for Early Modern History at the University of Minnesota, says, “ . . . an excellent collection . . . North American scholarship will find these essays an eye-opener.
The first comprehensive cultural history of Brazil to be written in English, Brazil Imagined: 1500 to the Present captures the role of the artistic imaginary in shaping Brazil's national identity. Analyzing representations of Brazil throughout the world, this ambitious survey demonstrates the ways in which life in one of the world's largest nations has been conceived and revised in visual arts, literature, film, and a variety of other media.
Beginning with the first explorations of Brazil by the Portuguese, Darlene J. Sadlier incorporates extensive source material, including paintings, historiographies, letters, poetry, novels, architecture, and mass media to trace the nation's shifting sense of its own history. Topics include the oscillating themes of Edenic and cannibal encounters, Dutch representations of Brazil, regal constructs, the literary imaginary, Modernist utopias, "good neighbor" protocols, and filmmakers' revolutionary and dystopian images of Brazil. A magnificent panoramic study of race, imperialism, natural resources, and other themes in the Brazilian experience, this landmark work is a boon to the field.
Complementing traditional views with fresh ones, The Brazil Reader’s historical selections range from early colonization to the present day, with sections on imperial and republican Brazil, the days of slavery, the Vargas years, and the more recent return to democracy. They include letters, photographs, interviews, legal documents, visual art, music, poetry, fiction, reminiscences, and scholarly analyses. They also include observations by ordinary residents, both urban and rural, as well as foreign visitors and experts on Brazil. Probing beneath the surface of Brazilian reality—past and present—The Reader looks at social behavior, women’s lives, architecture, literature, sexuality, popular culture, and strategies for coping with the travails of life in a country where the affluent live in walled compounds to separate themselves from the millions of Brazilians hard-pressed to find food and shelter. Contributing to a full geographic account—from the Amazon to the Northeast and the Central-South—of this country’s singular multiplicity, many pieces have been written expressly for this volume or were translated for it, having never previously been published in English.
This second book in The Latin America Readers series will interest students, specialists, travelers for both business and leisure, and those desiring an in-depth introduction to Brazilian life and culture.
In 1865, twenty-three-year-old William James began his studies at the Harvard Medical School. When he learned that one of his most esteemed professors, Louis Agassiz, then director of the recently established Museum of Comparative Zoology, was preparing a research expedition to Brazil, James offered his services as a voluntary collector. Over the course of a year, James kept a diary, wrote letters to his family, and sketched the plants, animals, and people he observed. During this journey, James spent time primarily in Rio de Janeiro, Belem, and Manaus, and along the rivers and tributaries of the Amazon Basin.
This volume is a critical, bilingual (English–Portuguese) edition of William James’s diaries and letters and also includes reproductions of his drawings. This original material belongs to the Houghton Archives at Harvard University and is of great interest to both William James scholars and Brazilian studies experts.
The Brazilian Communist Party was one of the largest Communist parties in Latin America until its split and dissolution in the 1990s. Although not granted legal status as a political party of Brazil until 1985, the Partido Comunista Brasileiro (PCB) has been tolerated by that country's regime.
Such governmental tolerance of the PCB was not always the case. In the past, the regime of Getúlio Vargas practiced savage forms of repression against Brazilian leftists, whose "Red extremism" was cited by both government leaders and the press as sufficient cause for Vargas' adoption of the most extreme measures.
Brazilian Communism, 1935–1945 is an objective and remarkably comprehensive account of the Brazilian Communist Party's struggle to survive those days of repression.
From his prison cell, PCB leader Luís Carlos Prestes guided the Party's quarreling factions. All who were associated with the Left shared a common enemy: the police, who used the most brutal forms of torture to extract information about leftist activities. Young Elza Fernandes, companion of the PCB's secretary general, was one whom the police interrogated. Suspecting that she had betrayed them, the Party itself arranged her murder.
Dulles' vivid account of this violent chapter in Latin American history is based on exclusive interviews with leading activists of the period and exhaustive research in the archives of both the PCB and the Brazilian police. The results make fascinating reading for Latin Americanists, historians of World War II, and students of international Communism alike.
Genevieve Naylor began her career as a photojournalist with Time, Fortune, and the Associated Press before being sent to Brazil. In 1943, upon her return, she became only the second woman to be the subject of a one-woman show at New York’s Museum of Modern Art. She served as Eleanor Roosevelt’s personal photographer and, in the 1950s and 1960s became well known for her work in Harper’s Bazaar, primarily as a fashion photographer and portraitist. She died in 1989.
Contributors. Idelber Avelar, Christopher Dunn, João Freire Filho, Goli Guerreiro, Micael Herschmann, Ari Lima, Aaron Lorenz, Shanna Lorenz, Angélica Madeira, Malcolm K. McNee, Frederick Moehn, Flávio Oliveira, Adalberto Paranhos, Derek Pardue, Marco Aurélio Paz Tella, Osmundo Pinho, Carlos Sandroni, Daniel Sharp, Hermano Vianna, Wivian Weller
Here is an illustrated guide to the rich music of Brazil—its history, styles, performers, instruments, and impact on musicians around the globe. From the boisterous rhythms of samba to the cool elegance of bossa nova to the hot percussion of Bahian axé music, The Brazilian Sound celebrates a world music phenomenon. This revised and expanded edition includes discussions of developments in samba and other key genres, the rise of female singer-songwriters in recent years, new works by established artists like Milton Nascimento and Marisa Monte, and the mixing of bossa with electronica. This clearly written and lavishly illustrated encyclopedic survey features new entries and photographs, an extensive glossary of Brazilian music terms and more.
This edition of The Brazilian Sound contains new discussions of:
· música sertaneja and música caipira
· Brazilian funk, rap/hip-hop, and electronic dance music
· important new samba and MPB artists
· Plus! An updated bibliography and glossary, and a list of Web resources
At most recent count, there are no fewer than forty-five women in Brazil directing or codirecting feature-length fiction or documentary films. In the early 1990s, women filmmakers in Brazil were credited for being at the forefront of the rebirth of filmmaking, or retomada, after the abolition of the state film agency and subsequent standstill of film production. Despite their numbers and success, films by Brazilian women directors are generally absent from discussions of Latin American film and published scholarly works.
Doing business internationally requires understanding not only other languages, but even more so the business practices and cultures of other countries. In the case of Brazilians working with Americans, a fundamental difference for all parties to understand is that Brazilian business culture is based on developing personal relationships between business partners, while American businesspeople often prefer to get down to hard "facts and figures" quickly, with fewer personal preliminaries. Negotiating such differences is crucial to creating successful business relationships between the two countries, and this book is designed to help businesspeople do just that.
Brazilians Working With Americans presents ten short case studies that effectively illustrate many of the cultural factors that come into play when North American business professionals work in Brazil. The authors summarize each case and the aspects of culture it involves, and American and Brazilian executives comment on the cultural differences highlighted by that case. A list of topics and questions for discussion also help draw out the lessons of each business situation. To make the book equally useful to Brazilians and Americans (whether businesspeople or language students), the entire text is presented in both English and Portuguese. In addition, Apple QuickTime movies of the executives' comments, which allow viewers to see and hear native speakers of both languages, are available on the Internet at www.laits.utexas.edu/orkelm/casos/intro.html.
An ethnography and media analysis of LGBT+ activism in São Paulo during Brazil’s conservative turn from 2010 to 2018.
For decades, LGBT+ activists across the globe have secured victories by persuasively articulating rights to sexual autonomy. Brazilian activists, some of the world’s most energetic, have kept pace. But since 2010, a backlash has set in, as defenders of “tradition” and “family” have countered LGBT+ rights discourses using a rights-based language of their own.
To understand this shifting ground, Joseph Jay Sosa collaborated with Brazilian LGBT+ activists, who use the language of rights while knowing that rights are not what they seem. Drawing on the symbolic and affective qualities of rights, activists mobilize slogans, bodies, and media to articulate an alternative democratic sensorium. Beyond conventional notions of rights as tools for managing the obligations of states vis-à-vis citizens, activists show how rights operate aesthetically—enjoining the public to see and feel as activists do. Sosa tracks the fate of LGBT+ rights in a growing authoritarian climate that demands “human rights for the right humans.” Interpreting conflicts between advocates and opponents over LGBT+ autonomy as not just an ideological struggle but an aesthetic one, Brazil’s Sex Wars rethinks a style of politics that seems both utterly familiar and counterintuitive.
A literary study of three important black women writers, this book examines the "inter-American" characteristics in the work of Marshall, Morrison, and Jones, including detailed discussions of Morrison's Song of Solomon and Tar Baby, Jones's Corregidora and Song of Anninho, and Marshall's The Chose Place, The Timeless People.
Coser defines the inter-American characteristics in these authors' novels as a connection based on a common African heritage and a shared legacy of colonialism and racism. These three authors redefine the boundaries between the Americas, bridging the "extended Caribbean" that stretches from the U.S. Atlantic coast to Brazil. Their work reinterprets ethnic and sexual identity. Issues of race, class, and nationality overlap. History and identity are reinvented.
To explore the collective forms of resistance and cultural processes in Brazil, the Caribbean, and the United States, Coser also makes provocative connections between the visibility of black women writers and the popularity of male Latin American novelists like Carlos Fuentes and Gabriel Garcia Marquéz.
"In the rain forests of the western Amazon," writes author Andrew Revkin, "the threat of violent death hangs in the air like mist after a tropical rain. It is simply a part of the ecosystem, just like the scorpions and snakes cached in the leafy canopy that floats over the forest floor like a seamless green circus tent."
Violent death came to Chico Mendes in the Amazon rain forest on December 22, 1988. A labor and environmental activist, Mendes was gunned down by powerful ranchers for organizing resistance to the wholesale burning of the forest. He was a target because he had convinced the government to take back land ranchers had stolen at gunpoint or through graft and then to transform it into "extractive reserves," set aside for the sustainable production of rubber, nuts, and other goods harvested from the living forest.
This was not just a local land battle on a remote frontier. Mendes had invented a kind of reverse globalization, creating alliances between his grassroots campaign and the global environmental movement. Some 500 similar killings had gone unprosecuted, but this case would be different. Under international pressure, for the first time Brazilian officials were forced to seek, capture, and try not only an Amazon gunman but the person who ordered the killing.
In this reissue of the environmental classic The Burning Season, with a new introduction by the author, Andrew Revkin artfully interweaves the moving story of Mendes's struggle with the broader natural and human history of the world's largest tropical rain forest. "It became clear," writes Revkin, acclaimed science reporter for The New York Times, "that the murder was a microcosm of the larger crime: the unbridled destruction of the last great reservoir of biological diversity on Earth." In his life and untimely death, Mendes forever altered the course of development in the Amazon, and he has since become a model for environmental campaigners everywhere.
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