front cover of The Aesthetics of Meaning and Thought
The Aesthetics of Meaning and Thought
The Bodily Roots of Philosophy, Science, Morality, and Art
Mark Johnson
University of Chicago Press, 2018
All too often, we think of our minds and bodies separately. The reality couldn’t be more different: the fundamental fact about our mind is that it is embodied. We have a deep visceral, emotional, and qualitative relationship to the world—and any scientifically and philosophically satisfactory view of the mind must take into account the ways that cognition, meaning, language, action, and values are grounded in and shaped by that embodiment.

This book gathers the best of philosopher Mark Johnson’s essays addressing questions of our embodiment as they deal with aesthetics—which, he argues, we need to rethink so that it takes into account the central role of body-based meaning. Viewed that way, the arts can give us profound insights into the processes of meaning making that underlie our conceptual systems and cultural practices. Johnson shows how our embodiment shapes our philosophy, science, morality, and art; what emerges is a view of humans as aesthetic, meaning-making creatures who draw on their deepest physical processes to make sense of the world around them.
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The Age of Experiences
Harnessing Happiness to Build a New Economy
Benjamin Kline Hunnicutt
Temple University Press, 2020

In The Age of Experiences, Benjamin Kline Hunnicutt examines how the advance of happiness science is impacting the economy, making possible new experience-products that really make people happy and help forward-looking businesses expand and develop new technologies. In today’s marketplace there is less interest in goods and services and more interest in buying and selling personal improvements and experiences. Hunnicutt traces how this historical shift in consumption to the “softer” technologies of happiness represents not only a change in the modern understanding of progress, but also a practical, economic transformation, profoundly shaping our work and the ordering of our life goals. 

Based on incisive historical research, Hunnicutt demonstrates that we have begun to turn from material wealth to focus on the enrichment of our personal and social lives.  The Age of Experiences shows how industry, technology, and the general public are just beginning to realize the potential of the new economy. Exploring the broader implications of this historical shift, Hunnicutt concludes that the new demand for experiences will result in the reduction of work time, the growth of jobs, and the regeneration of virtue—altogether an increasingly healthy public life.

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Ageing with Smartphones in Urban Chile
The Experience of Peruvian Migrants
Alfonso Otaegui
University College London, 2023
An anthropological account of the experience of aging among Peruvian migrants to Chile in the smartphone era.

What does it mean to be aging in Chile as a migrant? Drawing on extensive ethnographic fieldwork, Ageing with Smartphones in Urban Chile analyzes the experience of aging for Peruvian migrants aged around sixty who have lived in Chile for more than twenty years. Their lives, we discover, are informed by a series of experiences of being ‘in between’. They live between two countries, two generations, and two different stages in life, between giving care and not wanting care, and between a continuing legacy and not transmitting legacy. By focusing on the entanglement of aging, migration, and technology, this book is an ethnographic contribution to an unexplored subject in the vast literature on migration studies in Chile.
 
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Alma Mater
Design and Experience in the Women's Colleges from Their Nineteenth-Century Beginnings to the 1930s
Helen Lefkowitz Horowitz
University of Massachusetts Press, 1993
An examination of the founding and development of the Seven Sisters colleges--Mount Holyoke, Vassar, Wellesley, Smith, Radcliffe, Bryn Mawr, and Barnard--Alma Mater focuses on the ideas behind their establishment and the colleges' architectural, academic, and social histories, as well as those of their twentieth-century successors--Sarah Lawrence, Bennington, and Scripps.
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Anaesthetics of Existence
Essays on Experience at the Edge
Cressida J. Heyes
Duke University Press, 2020

“Experience” is a thoroughly political category, a social and historical product not authored by any individual. At the same time, “the personal is political,” and one's own lived experience is an important epistemic resource. In Anaesthetics of Existence Cressida J. Heyes reconciles these two positions, drawing on examples of things that happen to us but are nonetheless excluded from experience. If for Foucault an “aesthetics of existence” was a project of making one's life a work of art, Heyes's “anaesthetics of existence” describes antiprojects that are tacitly excluded from life—but should be brought back in. Drawing on critical phenomenology, genealogy, and feminist theory, Heyes shows how and why experience has edges, and she analyzes phenomena that press against those edges. Essays on sexual violence against unconscious victims, the temporality of drug use, and childbirth as a limit-experience build a politics of experience while showcasing Heyes's much-needed new philosophical method.

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And the Garden Is You
Essays on Fieldwork, Writingwork, and Readingwork
Michael Taussig
University of Chicago Press, 2024
A new collection of essays reflecting on the centrality of writing anthropological practice from one of the discipline’s most influential thinkers.
 
Michael Taussig’s work is known for its critical insights and bold, experimental style. In the eleven essays in this new collection, Taussig reflects on the act of writing itself, demonstrating its importance for anthropological practice and calling for the discipline to keep experiential knowledge from being extinguished as fieldnotes become scholarship.
 
Setting out to show how this can be done, And the Garden Is You exemplifies a form of exploratory writing that preserves the spontaneity of notes scribbled down in haste. In these essays, the author’s reflections take us from his childhood in Sydney to trips to Afghanistan, Colombia, Finland, Italy, Turkey, and Syria. Along the way, Taussig explores themes of fabulation and provocation that are central to his life’s work, in addition to the thinkers dearest to him—Bataille, Benjamin, Burroughs, and Nietzsche, among others. This collection is vintage Taussig, bound to interest longtime readers and newcomers alike.
 
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The Anthropology of Experience
Edited by Victor W. Turner and Edward M. Bruner
University of Illinois Press, 1986
Fourteen authors, including many of the best-known scholars in the field,
explore how people actually experience their culture and how those experiences are expressed in forms as varied as narrative, literary work, theater, carnival, ritual, reminiscence, and life review. Their studies will be
of special interest for anyone working in anthropological theory, symbolic
anthropology, and contemporary social and cultural anthropology, and useful as well for other social scientists, folklorists, literary theorists, and philosophers.
 
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Art in Context
Understanding Aesthetic Value
David E. W. Fenner
Ohio University Press, 2008
The various lenses—ethical, political, sexual, religious, and so forth—through which we may view art are often instrumental in giving us an appreciation of the work. In Art in Context: Understanding Aesthetic Value, philosopher David Fenner presents a straightforward, accessible overview of the arguments about the importance of considering the relevant context in determining the true merit of a work of art.

Art in Context is a systematic, historically situated, and historically evidenced attempt to demonstrate the importance of considering contexts that will, in the vast majority of cases, increase the aesthetic experience. While focusing on distance, detachment, aestheticism, art for art’s sake, and formalism can at times be instructive and interesting, such approaches risk missing the larger and often central issue of the piece.

Based on the findings of philosophers and critics, and on artwork throughout
history, Art in Context provides a solid foundation for understanding and valuing a work of art in perspective as well as within the particular world in which it exists.
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