BiblioVault - Books by Justin

Taking It to the Streets

The Social Protest Theater of Luis Valdez and Amiri Baraka

Harry J. Elam, Jr.

University of Michigan Press, 2001

The performances of Luis Valdez's El Teatro Campesino, the farmworkers' theater, and Amiri Baraka's (LeRoi Jones's) Black Revolutionary Theater (BRT) during the 1960s and 1970s, offer preeminent examples of social protest theater during a momentous and tumultuous historical juncture. The performances of these groups linked the political, the cultural, and the spiritual, while agitating against the dominant power structure and for the transformation of social and theatrical practices in the U.S. Founded during the Delano Grape Pickers' Strike and Black Power rebellions of the mid-1960s, both El Teatro and the BRT professed cultural pride and group unity as critical corollaries to self-determination and revolutionary social action.
Taking It to the Streets compares the performance methodologies, theories, and practices of the two groups, highlighting their cross-cultural commonalties, and providing insights into the complex genre of social protest performance and its interchange with its audience. It examines the ways in which ritual can be seen to operate within the productions of El Teatro and the BRT, uniting audience and performers in subversive, celebratory protest by transforming spectators into active participants within the theater walls --and into revolutionary activists outside. During this critical historical period, these performances not only encouraged community empowerment, but they inculcated a spirit of collective faith and revolutionary optimism. Elam's critical reexamination and recontextualization of the ideologies and practices of El Teatro and the BRT aid in our understanding of contemporary manipulations of identity politics, as well as current strategies for racial representation and cultural resistance.
"A major contribution to our understanding of how social protest came to be so strong and how Black and Chicano theatre contributed to the synergy of those times." --Janelle Reinelt, University of California, Davis
Harry J. Elam, Jr., is Associate Professor of Drama and Director of the Committee on Black Performing Arts, Stanford University.

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Technocratic Visions

Engineers, Technology, and Society in Mexico

J. Justin Castro and James A. Garza

University of Pittsburgh Press, 2022

Technocratic Visions examines the context and societal consequences of technologies, technocratic governance, and development in Mexico, home of the first professional engineering school in the Americas. Contributors focus on the influential role of engineers, especially civil engineers, but also mining engineers, military engineers, architects, and other infrastructural and mechanical technicians. During the mid-nineteenth century, a period of immense upheaval and change domestically and globally, troubled governments attempted to expand and modernize Mexico’s engineering programs while resisting foreign invasion and adapting new Western technologies to existing precolonial and colonial foundations. The Mexican Revolution in 1910 greatly expanded technocratic practices as state agents attempted to control popular unrest and unify disparate communities via science, education, and infrastructure. Within this backdrop of political unrest, Technocratic Visions describes engineering sites as places both praised and protested, where personal, local, national, and global interests combined into new forms of societal creation; and as places that became centers of contests over representation, health, identity, and power. With an eye on contextualizing current problems stemming from Mexico’s historical development, this volume reveals how these transformations were uniquely Mexican and thoroughly global.

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Tenahaha and the Wari State

A View of the Middle Horizon from the Cotahuasi Valley

Edited by Justin Jennings and Willy Yépez Álvarez

University of Alabama Press, 2015

The Middle Horizon period (A.D. 600–1000) was a time of sweeping cultural change in the Andes. Archaeologists have long associated this period with the expansion of the Wari (Huari) and Tiwanaku (Tiahuanaco) states in the south-central Andes and the Pacific coasts of contemporary Peru and Chile.

Tenahaha and the Wari State contains a series of essays that challenge current beliefs about the Wari state and suggest a reassessment of this pivotal era in Andean history. In this collection, a picture emerges of Wari power projected across the region’s rugged and formidable topography less as a conquering empire than as a source of ideas, styles, and material culture voluntarily adopted by neighboring peoples.

Much of the previous fieldwork on Wari history took place in the Wari heartland and in Wari strongholds, not areas where Wari power and influence were equivocal. In Tenahaha and the Wari State, editors Justin Jennings and Willy Yépez Álvarez set out to test whether current theories of the Wari state as a cohesive empire were accurate or simply reflective of the bias inherent in studying Wari culture in its most concentrated centers. The essays in this collection examine instead life in the Cotahuasi Valley, an area into which Wari influence expanded during the Middle Horizon period.

Drawing on ten years of exhaustive field work both at the ceremonial site of Tenahaha and in the surrounding valley, Jennings and Yépez Álvarez posit that Cotahuasinos at Tenahaha had little contact with the Wari state. Their excavations and survey in the area tell the story of a region in flux rather than of a people conquered by Wari. In a time of uncertainty, they adopted Wari ideas and culture as ways to cope with change.

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Theatre Symposium, Vol. 21

Ritual, Religion, and Theatre

Edited by E. Bert Wallace

University of Alabama Press, 2013

Volume 21 of Theatre Symposium presents essays that explore the intricate and vital relationships between theatre, religion, and ritual.

Whether or not theatre arose from ritual and/or religion, from prehistory to the present there have been clear and vital connections among the three. Ritual, Religion, and Theatre, volume 21 of the annual journal Theatre Symposium, presents a series of essays that explore the intricate and vital relationships that exist, historically and today, between these various modes of expression and performance.

The essays in this volume discuss the stage presence of the spiritual meme; ritual performance and spirituality in The Living Theatre; theatricality, themes, and theology in James Weldon Johnson’s God’s Trombones; Jordan Harrison’s Act a Lady and the ritual of queerness; Gerpla and national identity in Iceland; confession in Hamlet and Measure for Measure; Christian liturgical drama; Muslim theatre and performance; cave rituals and the Brain’s Theatre; and other, more general issues.

Edited by E. Bert Wallace, this latest publication by the largest regional theatre organization in the United States collects the most current scholarship on theatre history and theory.

CONTRIBUTORS
Cohen Ambrose / David Callaghan / Gregory S. Carr
Matt DiCintio / William Doan / Tom F. Driver / Steve Earnest
Jennifer Flaherty / Charles A. Gillespie / Thomas L. King
Justin Kosec / Mark Pizzato / Kate Stratton

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Transforming Contagion

Risky Contacts among Bodies, Disciplines, and Nations

Fahs, Breanne

Rutgers University Press, 2018

2019 Choice Outstanding Academic Title

Moving from viruses, vaccines, and copycat murder to gay panics, xenophobia, and psychopaths, Transforming Contagion energetically fuses critical humanities and social science perspectives into a boundary-smashing interdisciplinary collection on contagion. The contributors provocatively suggest contagion to be as full of possibilities for revolution and resistance as it is for the descent into madness, malice, and extensive state control. The infectious practices rooted in politics, film, psychological exchanges, social movements, the classroom, and the circulation of a literary text or meme on social media compellingly reveal patterns that emerge in those attempts to re-route, quarantine, define, or even exacerbate various contagions.

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Trying Home

The Rise and Fall of an Anarchist Utopia on Puget Sound

Justin Wadland

Oregon State University Press, 2014

The true story of an anarchist colony on a remote Puget Sound peninsula, Trying Home traces the history of Home, Washington, from its founding in 1896 to its dissolution amid bitter infighting in 1921.

As a practical experiment in anarchism, Home offered its participants a rare degree of freedom and tolerance in the Gilded Age, but the community also became notorious to the outside world for its open rejection of contemporary values. Using a series of linked narratives, Trying Home reveals the stories of the iconoclastic individuals who lived in Home, among them Lois Waisbrooker, an advocate of women’s rights and free love, who was arrested for her writings after the assassination of President McKinley; Jay Fox, editor of The Agitator, who defended his right to free speech all the way to the Supreme Court; and Donald Vose, a young man who grew up in Home and turned spy for a detective agency.

Justin Wadland weaves his own discovery of Home—and his own reflections on the concept of home—into the story, setting the book apart from a conventional history. After discovering the newspapers published in the colony, Wadland ventures beyond the documents to explore the landscape, travelling by boat along the steamer route most visitors once took to the settlement. He visits Home to talk with people who live there now.

Meticulously researched and engagingly written, Trying Home will fascinate scholars and general readers alike, especially those interested in the history of the Pacific Northwest, utopian communities, and anarchism.

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The Turk in America

The Creation of an Enduring Prejudice

Justin McCarthy

University of Utah Press, 2010

Utah Series in Middle East Studies

In The Turk in America, historian Justin McCarthy seeks to explain the historical basis for American prejudice towards Turks in the nineteenth and early twentieth centuries. The volume focuses on fraudulent characterizations of Turks, mostly stemming from an antipathy in Europe and America toward non-Christians, and especially Muslims. Spanning one hundred and fifty years, this history explores the misinformation largely responsible for the negative stereotypes of Turks during this period.

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