Edited by Susan M. Alt
Foundations of Archaeological Inquiry
Jim Skibo, Series Editor
Anthropology and Archaeology
Many archaeologists have long been frustrated with the traditional, reductionist representation of complexity. Yet, even after years of debate, there seem to be never ending disagreements over the complexity of places like Chaco Canyon, Cahokia, and Poverty Point. This matters, because there are political and scholarly implications to calling any place or people more or less complex. In North America especially, given historical biases and the mound-builder myth, archaeologists need to rethink complexity as they seek to explain the past.
Based on a Society of American Archaeology symposium, Ancient Complexities offers a current overview of what is meant by cultural complexity and how archaeologists study the development of complex societies in North America. Taking a critical look at how accepted definitions of complexity have bounded our thinking about ancient societies, this volume presents new theoretical perspectives and states a case for the need for different definitions in order to move this discussion ahead.
This collection by scholars of North American archaeology is a must read for anyone wishing to be abreast of the most current dialogue on complexity taking place in modern archaeology.
A timely, comprehensive reevaluation of the Southeastern Ceremonial Complex.
One of the most venerable concepts in Southeastern archaeology is that of the Southern Cult. The idea has its roots in the intensely productive decade (archaeologically) of the 1930s and is fundamentally tied to yet another venerable concept—Mississippian culture. The last comprehensive study of the melding of these two concepts into the term Southeastern Ceremonial Complex (SECC) is more than two decades old, yet our understanding of the objects, themes, and artistic styles associated with the SECC have changed a great deal. New primary data have come to light that bear directly on the complex, requiring a thorough reanalysis of both concepts and dating. Recent publications have ignited many debates about the dating and the nature of the SECC.
This work presents new data and new ideas on the temporal and social contexts, artistic styles, and symbolic themes included in the complex. It also demonstrates that engraved shell gorgets, along with other SECC materials, were
produced before A.D. 1400.
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