A SCHOLARLY BOOK REPOSITORY
Anthony Powell’s universally acclaimed epic A Dance to the Music of Time offers a matchless panorama of twentieth-century London. Now, for the first time in decades, readers in the United States can read the books of Dance as they were originally published—as twelve individual novels—but with a twenty-first-century twist: they’re available only as e-books.
In this penultimate volume, Temporary Kings (1973), Nick and his contemporaries are at the height of their various careers in the arts, business, and politics. X. Trapnel is dead, but his mystery continues to draw ghoulish interest from readers and academics alike—as well as from his lover, Pamela Widmerpool. Kenneth Widmerpool, meanwhile, is an MP with mysterious connections beyond the newly dropped Iron Curtain, but he continues to be tormented by Pamela; a spectacular explosion, Nick can’t help but realize, is imminent.
"Anthony Powell is the best living English novelist by far. His admirers are addicts, let us face it, held in thrall by a magician."--Chicago Tribune
"A book which creates a world and explores it in depth, which ponders changing relationships and values, which creates brilliantly living and diverse characters and then watches them grow and change in their milieu. . . . Powell's world is as large and as complex as Proust's."--Elizabeth Janeway, New York Times
"One of the most important works of fiction since the Second World War. . . . The novel looked, as it began, something like a comedy of manners; then, for a while, like a tragedy of manners; now like a vastly entertaining, deeply melancholy, yet somehow courageous statement about human experience."--Naomi Bliven, New Yorker
“The most brilliant and penetrating novelist we have.”--Kingsley Amis
In the title story, Rose Ammal, who married young and bore numerous children, survives her husband's betrayal and religious conversion by creating her own private redemptions and conversions. "The Next Corpse Collector" chronicles significant moments in the lives of two young brothers, Anwar and Amir, who seek to escape the destiny of corpse
collector, the job their father is determined to bequeath to them. "What the Watchman Saw" offers a glimpse into the life of Venkatesh, a longtime watchman who is faced with the dilemma of whether to report the theft of stolen antiquities from the house of his new neighbor.
"Esther" is a tale of the haunting, troubled spirit of Leeza's grandmother, who lingers in Leeza's childhood home and unexpectedly helps her during the summer her grandfather dies as she wakes to an adolescent infatuation with a neighbor boy. In "The Couple in the Park," a young middle-class wife, Laura, in a constrictive arranged marriage, finds comfort in watching a couple in the park who remind her of her own grandparents as she tips over the edge into schizophrenia. "The Man on the Veranda" traces a significant day in the life of retired government-worker Parameswaran—the day his wife finally leaves him.
Art has long played a key role in constructing how people understand and imagine America. Starting with contemporary controversies over public monuments in the United States, Rebecca Zorach carefully examines the place of art in the occupation of land and the upholding of White power in the US, arguing that it has been central to the design of America’s racial enterprise. Confronting closely held assumptions of art history, Zorach looks to the intersections of art, nature, race, and place, working through a series of symbolic spaces—the museum, the wild, islands, gardens, home, and walls and borders—to open and extend conversations on the political implications of art and design.
Against the backdrop of central moments in American art, from the founding of early museums to the ascendancy of abstract expressionism, Zorach shows how contemporary artists—including Dawoud Bey, Theaster Gates, Maria Gaspar, Kerry James Marshall, Alan Michelson, Dylan Miner, Postcommodity, Cauleen Smith, and Amanda Williams—have mined the relationship between environment and social justice, creating works that investigate and interrupt White supremacist, carceral, and environmentally toxic worlds. The book also draws on poetry, creative nonfiction, hip-hop videos, and Disney films to illuminate crucial topics in art history, from the racial politics of abstraction to the origins of museums and the formation of canons.
In Germany, the years immediately following World War II call forward images of obliterated cities, hungry refugees, and ghostly monuments to Nazi crimes. The temptation of despair was hard to resist, and to contemporary observers the road toward democracy in the Western zones of occupation seemed rather uncertain. Drawing on a vast array of American, German, and other sources—diaries, photographs, newspaper articles, government reports, essays, works of fiction, and film—Werner Sollors makes visceral the experiences of defeat and liberation, homelessness and repatriation, concentration camps and denazification.
These tales reveal writers, visual artists, and filmmakers as well as common people struggling to express the sheer magnitude of the human catastrophe they witnessed. Some relied on traditional images of suffering and death, on Biblical scenes of the Flood and the Apocalypse. Others shaped the mangled, nightmarish landscape through abstract or surreal forms of art. Still others turned to irony and black humor to cope with the incongruities around them. Questions about guilt and complicity in a totalitarian country were raised by awareness of the Holocaust, making “After Dachau” a new epoch in Western history.
The Temptation of Despair is a book about coming to terms with the mid-1940s, the contradictory emotions of a defeated people—sorrow and anger, guilt and pride, despondency and resilience—as well as the ambiguities and paradoxes of Allied victory and occupation.
Indeed, local tales and legends of witches, ghosts, one-eyed monsters, evil eyes, and wood fairies figure prominently in Redon's graphic works, which he called his noirs, or "blacks." After formal training at Bordeaux and Paris in the 1850s and 1860s, Redon began to chart his independent artistic course. Eisenman shows how, rejecting both naturalism and classicism, Redon, a prototypical Symbolist, found in grotesque and epic genres the expression of organic communities and precapitalist societies. He places Redon's desire for this imagined world of superstitious simplicity a desire manifest in his entire mature artistic practice in the context of contemporary avant-garde movements.
Redon's great noirs of the 1870s and 1880s, dreamlike configurations of seemingly irreconcilable elements from portraits, still lifes, and landscapes, show an increasingly subtle control of connotation and a complex indebtedness to caricature, allegory, and puns. Many of the noirs also visually interpret works by like-minded authors, including Baudelaire, Flaubert, Poe, and Mallarmé, one of Redon's close friends. Eisenman's analysis of the noirs underscores Redon's interest in creating an imaginative, even fantastic art, that could act directly on the human spirit. In addition to deepening our understanding of Redon and his art, The Temptation of Saint Redon exposes a link between place, politics, personal history, and the artistic imagination.
How did the apple, unmentioned by the Bible, become the dominant symbol of temptation, sin, and the Fall? Temptation Transformed pursues this mystery across art and religious history, uncovering where, when, and why the forbidden fruit became an apple.
Azzan Yadin-Israel reveals that Eden’s fruit, once thought to be a fig or a grape, first appears as an apple in twelfth-century French art. He then traces this image back to its source in medieval storytelling. Though scholars often blame theologians for the apple, accounts of the Fall written in commonly spoken languages—French, German, and English—influenced a broader audience than cloistered Latin commentators. Azzan Yadin-Israel shows that, over time, the words for “fruit” in these languages narrowed until an apple in the Garden became self-evident. A wide-ranging study of early Christian thought, Renaissance art, and medieval languages, Temptation Transformed offers an eye-opening revisionist history of a central religious icon.
America is the last remaining superpower. Yet what does this triumph mean when the challenges we face often defy military solutions? In Temptations of a Superpower, one of our most eloquent and incisive foreign policy analysts takes a hard look at this question, with all its implications for America's role in the post-Cold War world. Ronald Steel offers a devastating critique of a high-stakes game of foreign policy played by rules that no longer apply, and then proposes a more realistic--and pragmatic--view of the world and our place in it.
The Cold War imposed a certain order on the world, giving us a secure sense of our enemies and allies, our interests and our mission. Steel paints a disturbing picture of the world now deprived of its ordering principle, where ethnic conflicts and national rivalries once held in check erupt in violence, where the shifting allegiances and fevered ambitions flout familiar strategies for keeping peace, conducting trade, and protecting human rights. He explores the history of our present predicament and explains the dangers of adapting outmoded but habitual policies to a new world whose shape is fast evolving. What, for instance, is the future of America's military, deeply embedded as it is in our culture and economy? If Wilsonian idealism, with its vision of converting the world to democracy, replaces anti-communism as the guiding principle behind foreign policy, how far should it take us? What distinctions should we make between our nearest neighbors and distant nations? How are we to balance economic needs and ethical imperatives?
Analyzing the turmoil sweeping the world from China to Bosnia, Haiti to the Caucasus, Steel depicts the shattering dilemmas facing American policymakers. What concern should the United States have with many world quarrels? How can national interest be reconciled with strategic considerations and morality? When should domestic needs take precedence over foreign policy? The alternatives that Steel proposes to current policies defy much of the conventional wisdom and are certain to provoke controversy. He asks not only what America should do for the world, but what it must do for itself. Reminding us that foreign and domestic policy are inseparable, Steel argues that a renewed foreign policy must address not only changes in the world order, but the pressing, unmet needs within America itself.
Contributors. Tony Ballantyne, Elleke Boehmer, Catherine Hall, Isabel Hofmeyr, Aaron Kamugisha, Marilyn Lake, Charlotte Macdonald, Derek Peterson, Mrinalini Sinha, Tridip Suhrud, André du Toit
Swedish scientist and visionary Emanuel Swedenborg (1688–1772) writes that the Ten Commandments are the most important part of the Bible. They encapsulate what we need to do to grow as spiritual people, with a meaning that penetrates far beyond the surface level of words and deeds.
One of the fundamentals of Swedenborg’s theology is the concept that underlying the literal text of the Bible is an inner spiritual meaning. Using this method of interpretation, Swedenborg peels back the layers of the Ten Commandments to reveal a cohesive set of teachings with both practical applications and far-reaching spiritual implications.
Although Swedenborg discusses the Ten Commandments in many places throughout his writings, he wrote four extended commentaries on the subject in four separate volumes: Secrets of Heaven (volume 7, published in 1754), True Christianity (1771), the short work Life (1763), and the posthumously published Revelation Explained (1758–1759). Those four commentaries are now being combined in a single volume for the first time, allowing the reader to compare and contrast Swedenborg’s approach across a seventeen-year span.
This book offers new insights for spiritual seekers and students of Swedenborg alike, illuminating what is at once a familiar set of biblical teachings and one of the cornerstones of Swedenborg’s system of personal growth.
In Ten Is the Age of Darkness, Geta LeSeur explores how black authors of the United States and English- speaking Caribbean have taken a European literary tradition and adapted it to fit their own needs for self-expression. LeSeur begins by defining the structure and models of the European genre of the bildungsroman, then proceeds to show how the circumstances of colonialism, oppression, race, class, and gender make the maturing experiences of selected young black protagonists different from those of their white counterparts.
Examining the parallels and differences in attitudes toward childhood in the West Indies and the United States, as well as the writers' individual perspectives in each work of fiction, LeSeur reaches intriguing conclusions about family life, community participation in the nurturing of children, the timing and severity of the youngsters' confrontation of adult society, and the role played by race in the journey toward adulthood.
LeSeur's readings of African American novels provide new insights into the work of Langston Hughes, James Baldwin, Toni Morrison, Paule Marshall, and Richard Wright, among others. When read as examples of the bildungsroman rather than simply as chronicles of black experiences, these works reveal an even deeper significance and have a more powerful impact. LeSeur convincingly demonstrates that such African American novels as Baldwin's Go Tell It on the Mountain, Wright's Black Boy, and Morrison's The Bluest Eye concentrate to a large extent on protest, while such African West Indian works as George Lamming's In the Castle of My Skin, Austin Clarke's Amongst Thistles and Thorns, Jamaica Kincaid's Annie John, and Erna Brodber's Jane and Louisa Will Soon Come Home reflect a more naive, healthy re-creation of what childhood can and should be, despite economic and physical impoverishment. She also gives a special space within the genre to Paule Marshall's BrownGirl, Brownstones and Ntozake Shange's Betsey Brown and the importance of "woman time," "woman voice," and mothers.
While enlarging our understanding of both the similarities and the differences in the black experiences of the Carribean and American youngsters coming of age, Ten Is the Age of Darkness also suggests that children of color in similar spheres share many common experiences. LeSeur concludes that the bildungsromane by black writers provide uniquely revealing contributions to the Afro-World literary canon and point the way for others to examine literary pieces in Third World communities of color.
Former FBI agent Jim Fisher upends the genteel racket of fee-based literary agents and vanity publishers in this searing look at the rise and fall of one bogus entrepreneur who systematically swindled thousands of would-be writers out of millions of dollars with promises of having their work turned into salable books. In divulging the details of this colossal and shocking confidence game, Ten Percent of Nothing: The Case of the Literary Agent from Hell exposes a growing and serious crime against writers and a dark, ugly secret about the American publishing industry.
In 1989, Dorothy L. Deering, possessing a high school degree, a recent embezzlement conviction, and no experience as a professional writer, editor, or publisher, began operating a fee-based literary agency out of her garage in Nicholasville, Kentucky. Over the next ten years, she racked up a fortune in reading and marketing fees, learning the business of sham publishing as she went along. Later, as the owner of a vanity press, she bilked 1.5 million dollars out of her clients, masterfully manufacturing dreams of literary success until she was brought to justice by Fisher’s investigative journalism, an FBI probe, and the retaliation and testimonies of numerous victims.
Deering never sold a single manuscript to a major publisher. With the money in her pocket and her clients’ hopes and hard work wrapped up in fraudulent contracts, Deering produced a few copies of four cheaply printed, poorly edited paperbacks. These she used as bait to hoodwink more clients. She was abetted by her husband, Charles, a former car salesman; his son, Daniel, a drug user with a ninth-grade education; and her brother, Bill, a fugitive from the law at the time he headed her vanity press.
By successfully impersonating a literary agent for ten years, Deering operated one of the longest-running confidence games in American history. The financial loss for her clients was devastating, and the heartbreak was extreme. Drawing on victims’ experiences and documents recovered from the Deering venture, Fisher shows how Deering engineered and executed her scam, emphasizing the warning signs of sham agents, crook book doctors, and mendacious publishers.
Ten Percent of Nothing provides essential information for aspiring writers and publishing professionals. Fisher’s findings also prompt new inquiries into the potential licensing of literary agents and the prosecution of interstate scam artists. The volume’s gallery of illustrations includes reproductions of correspondence, newsletters, and advertisements used by the Deering operation.
Despite having survived for thousands of years, erosion, decay, and even vandalism are all threats to these important cultural sites. A field session involving documentation might be the only opportunity to record these unique and significant images. The ten steps laid out here by Loendorf and Stone offer a general overview of current best practices to maintain a scientific and professional documentation program.
Ten Theses for an Aesthetics of Politics is an invitation to culture makers, political thinkers of all kinds, and everyday spectators to reconsider their love of the world of appearances. Inspired by Jacques Rancière’s Ten Theses on Politics and work by Hannah Arendt, Stanley Cavell, and Roland Barthes, Davide Panagia offers conceptual provocations that emphasize the sense of conviction one has when facing the frictions of aesthetic experience. Rooted in varied and variable experiences of border crossings, Panagia invites readers to reflect on the relational practices that appearances engender.
Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
The essence of democracy is popular sovereignty. The people rule. In the United States, citizens exercise this right through elected officials who they believe will best represent their own values and interests. But are those interests and values always being followed? Authors Michael B. Berkman and Eric Plutzer provide the first systematic examination of the extent to which the governments closest to the American public—its 10,000-plus local school boards—respond to the wishes of the majority.
Ten Thousand Democracies begins with a look at educational reforms from the Progressive era in the late 19th and early 20th centuries through the civil rights movement and ending with Pennsylvania's 2004 tax relief measure. Berkman and Plutzer explore what factors determine education spending levels in school districts, including the effects of public opinion, the nature of local political institutions, and the roles played by special interests. The authors show how board members are selected, how well the boards represent minorities, whether the public can bypass the board through referenda, and how the schools are financed. By providing an innovative statistical portrait that combines public opinion data with Census data for these school districts, the authors answer questions central to democratic control of our schools: how responsive are school boards to their public and when? How powerful are such special interests such as teachers' unions and senior citizens? By using the lens of America's public school districts to examine the workings of democracy, Ten Thousand Democracies offers new insight not only into the forces shaping local education policy but also how democratic institutions may function throughout all levels of government.
The Northern Song (960–1126) was one of the most transformative periods in Chinese literary history, characterized by the emergence of printing and an ensuing proliferation of books. The poet Huang Tingjian (1045–1105), writing at the height of this period, both defined and was defined by these changes. The first focused study on the cultural consequences of printing in Northern Song China, this book examines how the nascent print culture shaped the poetic theory and practice of Huang Tingjian and the Jiangxi School of Poetry he founded.
Author Yugen Wang argues that at the core of Huang and the Jiangxi School’s search for poetic methods was their desire to find a new way of reading and writing that could effectively address the changed literary landscape of the eleventh century. Wang chronicles the historical and cultural negotiation Huang and his colleagues were conducting as they responded to the new book culture, and opens new ground for investigating the literary interpretive and hermeneutical effects of printing. This book should be of interest not only to scholars and readers of classical Chinese poetry but to anyone concerned with how the material interacts with the intellectual and how technology has influenced our conception and practice of reading and writing throughout history.
Ten Thousand Years of Inequality addresses these and other questions by presenting the first set of consistent quantitative measurements of ancient wealth inequality. The authors are archaeologists who have adapted the Gini index, a statistical measure of wealth distribution often used by economists to measure contemporary inequality, and applied it to house-size distributions over time and around the world. Clear descriptions of methods and assumptions serve as a model for other archaeologists and historians who want to document past patterns of wealth disparity.
The chapters cover a variety of ancient cases, including early hunter-gatherers, farmer villages, and agrarian states and empires. The final chapter synthesizes and compares the results. Among the new and notable outcomes, the authors report a systematic difference between higher levels of inequality in ancient Old World societies and lower levels in their New World counterparts.
For the first time, archaeology allows humanity’s deep past to provide an account of the early manifestations of wealth inequality around the world.
Contributors
Nicholas Ames
Alleen Betzenhauser
Amy Bogaard
Samuel Bowles
Meredith S. Chesson
Abhijit Dandekar
Timothy J. Dennehy
Robert D. Drennan
Laura J. Ellyson
Deniz Enverova
Ronald K. Faulseit
Gary M. Feinman
Mattia Fochesato
Thomas A. Foor
Vishwas D. Gogte
Timothy A. Kohler
Ian Kuijt
Chapurukha M. Kusimba
Mary-Margaret Murphy
Linda M. Nicholas
Rahul C. Oka
Matthew Pailes
Christian E. Peterson
Anna Marie Prentiss
Michael E. Smith
Elizabeth C. Stone
Amy Styring
Jade Whitlam
This volume, which examines the special contributions of a number of women mystery writers, sheds light on this significant example of common interests in recreational reading among women and men and the reasons behind the early and continuing uncharacteristic near-equality of both sexes in this field of endeavor.
The Tenacity of the Couple-Norm makes an important contribution to literature on citizenship, intimacy, family life, and social change in sociology, social policy, socio-legal studies, gender/sexuality/queer studies, and psychosocial studies.
Tenahaha and the Wari State contains a series of essays that challenge current beliefs about the Wari state and suggest a reassessment of this pivotal era in Andean history. In this collection, a picture emerges of Wari power projected across the region’s rugged and formidable topography less as a conquering empire than as a source of ideas, styles, and material culture voluntarily adopted by neighboring peoples.
Much of the previous fieldwork on Wari history took place in the Wari heartland and in Wari strongholds, not areas where Wari power and influence were equivocal. In Tenahaha and the Wari State, editors Justin Jennings and Willy Yépez Álvarez set out to test whether current theories of the Wari state as a cohesive empire were accurate or simply reflective of the bias inherent in studying Wari culture in its most concentrated centers. The essays in this collection examine instead life in the Cotahuasi Valley, an area into which Wari influence expanded during the Middle Horizon period.
Drawing on ten years of exhaustive field work both at the ceremonial site of Tenahaha and in the surrounding valley, Jennings and Yépez Álvarez posit that Cotahuasinos at Tenahaha had little contact with the Wari state. Their excavations and survey in the area tell the story of a region in flux rather than of a people conquered by Wari. In a time of uncertainty, they adopted Wari ideas and culture as ways to cope with change.
The Tenant of Fire is about Queens, NY—its history, public and personal, real and imagined. Many of the people who populate this book—Irish Catholics, Italian-Americans—were once considered ethnic but now fall wholly under the banner of white. And from their anxieties a man like Donald Trump emerges. Born and raised in Queens, Trump is both the product and purveyor of a localized nativist politic.
The young white speaker of these poems works to record his parents’ and neighbors’, both white and of color, and his own attempts at navigating a shifting landscape. In poems on the homecoming of Vietnam vets, or the aftermath of Hurricane Sandy, or the firebombing of Malcolm X’s house, The Tenant of Fire explores how and why the plurality of a place like Queens, where now nearly two hundred languages are spoken, is viewed as a threat to national security.
The essays range from Diderot, Oscar Wilde, and Henry James to queer kids and twelve-step programs; from "Jane Austen and the Masturbating Girl" to a performance piece on Divine written with Michael Moon; from political correctness and the poetics of spanking to the experience of breast cancer in a world ravaged and reshaped by AIDS. What unites Tendencies is a vision of a new queer politics and thought that, however demanding and dangerous, can also be intent, inclusive, writerly, physical, and sometimes giddily fun.
More than sixty years ago, McCarthyism silenced Hollywood. In the pages of Tender Comrades, those who were suppressed, whose lives and careers were ruined, finally have their say. A unique collection of profiles in cinematic courage, this extraordinary oral history brings to light the voices of thirty-six blacklist survivors (including two members of the Hollywood Ten), seminal directors of film noir and other genres, starring actresses and memorable supporting players, top screenwriters, and many less known to the public, who are rescued from obscurity by the stories they offer here that, beyond politics, open a rich window into moviemaking during the Golden Age of Hollywood.
Vladimir Nabokov (1899–1977), a writer of world renown, grew up in a culturally refined family with diverse interests. Nabokov’s father, Vladimir Dmitrievich (1870–1922), was a distinguished jurist and statesman at the turn of the twentieth century. He was also a great connoisseur and aficionado of literature, painting, theater, and music as well as a passionate butterfly collector, keen chess player, and avid athlete. This book, the first of its kind, examines Vladimir Nabokov’s life and works as impacted by his distinguished father. It demonstrates that V. D. Nabokov exerted the most fundamental influence on his son, making this examination pivotal to understanding the writer’s personality and his world perception, as well as his literary, scholarly, and athletic accomplishments. The book contains never heretofore published archival materials. It is appended with rare articles by Nabokov and his father and is accompanied by old photographs. In addition, the book constitutes a survey of sorts of Russian civilization at the turn of the twentieth century by providing a partial view of the multifaceted picture of Imperial Russia in its twilight hours. The book illumines the historical background, political struggle, juridical battles, and literary and artistic life as well as athletic activities during the epoch, rich in cultural events and fraught with sociopolitical upheavals.
Cover illustration: Vladimir Nabokov and his father, 1906. The Nabokov family photographs. Copyright © The Estate of Vladimir Nabokov, used by permission of The Wylie Agency, LLC; and of The Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, Astor, Lenox and Tilden Foundations.
In “Tender Is the Night” and F. Scott Fitzgerald’s Sentimental Identities, Messenger traces the roots of Fitzgerald’s writing career to the deaths of his two infant sisters a few months before his own birth. It was their loss, Fitzgerald wrote, that made him a writer. Messenger highlights how the loss of Fitzgerald’s siblings powerfully molded his relation to maternal nurturing and sympathy in Tender Is the Night as well as how it shaped the homosocial intimations of its care-giving protagonist, psychiatrist Dick Diver. A concomitant grief and mourning was fueled by Fitzgerald’s intimate and intense creative rivalry with his often-institutionalized wife, Zelda Sayre Fitzgerald.
While sentiment is a discredited strain in high modernism, Fitzgerald nevertheless embraced it in Tender Is the Night to fashion this most poignant and beautiful successor to The Great Gatsby. Fitzgerald’s aesthetic and emotional preoccupations came most vividly to life in this major novel. Messenger describes how Fitzgerald, creating his character Nicole Warren Diver as a victim of paternal incest, finally found the sentimental key to finishing his novel and uniting his vision of the two narratives of “saving” the two sisters and reimagining the agony of his wife and their marriage.
Fitzgerald’s productive quarrel with and through sentiment defines his career, and Messenger convincingly argues that Tender Is the Night should be placed alongside TheGreat Gatsby as a classic exemplar of the modern novel.
"Again and again in Christina Hutchins’s exquisite Tender the Maker, poems startle us into awareness of the overlooked, the nearly always invisible (such as a library’s unused dictionary), and the marvelous, those aspects of life that come under the rubric of ‘mystery,’ in all senses of the word. Hutchins combines a pitch-perfect and precise lyricism with a postmodern sensibility of language’s materiality.”
—Cynthia Hogue, judge for the 2015 May Swenson Poetry Award
"An elegantly crafted, dense work that invites readers to travel on spiritual, philosophical, and historical journeys."
—Kirkus Reviews
"Tender the Maker revisits the age-old comparison between poet and deity, highlighting its blind spots, namely the times when creating also means losing, destroying, forgetting. . . . Each poem becomes a map where time and space intersect and unearth connections that help us confront the weight of history, whether our own or that of others."
—Fjords Review
"[T]hroughout the book, Hutchins guides me into her patient, fragile, complex vision. . . . Both the depth and the precision of Hutchins’s work arise from her exact attention to the 'motion-in-relation' of herself as an artist, which is also attention to the tools of her work and to her imagination’s duty to honor the seen and the not seen."
—Beloit Poetry Journal
The May Swenson Poetry Award is an annual competition named for May Swenson, one of America’s most provocative and vital writers. During her long career, Swenson was loved and praised by writers from virtually every school of American poetry. She left a legacy of fifty years of writing when she died in 1989. She is buried in her hometown of Logan, Utah.
The wildfires that spread across Southern California in the fall of 2003 were devastating in their scale-twenty-two deaths, thousands of homes destroyed and many more threatened, hundreds of thousands of acres burned. What had gone wrong? And why, after years of discussion of fire policy, are some of America's most spectacular conflagrations arising now, and often not in a remote wilderness but close to large settlements?
That is the opening to a brilliant discussion of the politics of fire by one of the country's most knowledgeable writers on the subject, Stephen J. Pyne. Once a fire fighter himself (for fifteen seasons, on the North Rim of the Grand Canyon) and now a professor at Arizona State University, Pyne gives us for the first time a book-length discussion of fire policy, of how we have come to this pass, and where we might go from here.
Tending Fire provides a remarkably broad, sometimes startling context for understanding fire. Pyne traces the "ancient alliance" between fire and humanity, delves into the role of European expansion and the creation of fire-prone public lands, and then explores the effects wrought by changing policies of "letting burn" and suppression. How, the author asks, can we better protect ourselves against the fires we don't want, and better promote those we do?
Pyne calls for important reforms in wildfire management and makes a convincing plea for a more imaginative conception of fire, though always grounded in a vivid sense of fire's reality. "Amid the shouting and roar, a central fact remains," he writes. "Fire isn't listening. It doesn't feel our pain. It doesn't care-really, really doesn't care. It understands a language of wind, drought, woods, grass, brush, and terrain, and it will ignore anything stated otherwise."
We need to think about fire in more deeply biological ways and recognize ourselves as the fire creatures we are, Pyne argues. Even if, in recent times, "we have gone from being keepers of the flame to custodians of the combustion chamber," tending fire wisely remains our responsibility as a species. "The Earth's fire scene," he writes of us, "is largely the outcome of what this creature has done, and not done, and the species operates not according to strict evolutionary selection but in the realm of culture, which is to say, of choice and confusion."
Rich in insight, wide-ranging in its subject, and clear-eyed in its proposals, Tending Fire is for anyone fascinated by fire, fire policy, or human culture.
In the last 200 years, Iowa’s prairies and other wildlands have been transformed into vast agricultural fields. This massive conversion has provided us with food, fiber, and fuel in abundance. But it has also robbed Iowa’s land of its native resilience and created the environmental problems that today challenge our everyday lives: polluted waters, increasing floods, loss and degradation of rich prairie topsoil, compromised natural systems, and now climate change.
In a straightforward, friendly style, Iowa’s premier scientists and experts consider what has happened to our land and outline viable solutions that benefit agriculture as well as the state’s human and wild residents.
Early in the nineteenth century, an army colonel stood before a crowd at the Salem County Courthouse and ate buckets of tomatoes to prove that they were not poisonous. Ever since, the red vegetable of summer has played a starring role in New Jersey’s history. Although today visitors to the state are more likely to see smoke-spewing factories than acres of farmland or grazing cattle, the state’s legacy of agriculture and farming continues, and extends far beyond the popular Jersey tomato.
In Tending the Garden State, Charles Harrison tells the story of the state’s rich agricultural history from the time when Leni-Lenape Indians scratched the earth with primitive tools up through today. He recalls New Jersey’s rural past, traces the evolution of farming over the course of the twentieth century, and explains innovative approaches to protecting the industry.
Drawing on interviews with farmers, as well as researchers, professional planners, designers, and architects, Harrison discovers that despite the discouraging spread of suburban sprawl, the Garden State’s farming legacy is not as endangered as it may seem. Many residents care deeply about preserving New Jersey’s agricultural industry and are making great strides to keep the tradition alive for future generations. Some of these protective measures include new laws that encourage the conservation of land and research devoted to helping farmers make the most of their limited acreage. Innovative techniques such as high-tunnel farming, together with the growth of some very profitable farm specializations, such as turf grass, aquaculture, horticulture, and wine making, will enable farmers to remain active and successful in the state’s oldest industry.
Anyone interested in New Jersey’s history or, more broadly, in the history of American agriculture, will be delighted by Harrison’s engaging and readable account of farming in the Garden State.
Hervey Johnson's letters offer a fascinating first-person account of the critical Indian War years on the high plains of eastern Wyoming during which a confederation of Sioux, Cheyenne, and Arapaho Indians successfully defended their Powder River buffalo range.
In Tending the Valley, Alice chronicles their efforts to return the land to its natural prairie state and to manage their oak and pine woods. Along the way they joined the land restoration movement, became involved in a number of stewardship groups, and discovered the depths of dedication and toil required to bring their dream to fruition. With hard-earned experience and the evocative language of a poet, D’Alessio shares her personal triumphs and setbacks as a prairie steward, along with a profound love for the land and respect for the natural history of the Driftless.
Sternlicht discusses the role of women, the Yiddish Theater, secular values, the struggle between generations, street crime, politics, labor unions, and the importance of newspapers and periodicals. He documents the decline of Yiddish culture as these immigrants blended into what they called "The Golden Land."
In The Tenets of Cognitive Existentialism, Dimitri Ginev draws on developments in hermeneutic phenomenology and other programs in hermeneutic philosophy to inform an interpretative approach to scientific practices. At stake is the question of whether it is possible to integrate forms of reflection upon the ontological difference in the cognitive structure of scientific research. A positive answer would have implied a proof that (pace Heidegger) “science is able to think.” This book is an extended version of such a proof. Against those who claim that modern science is doomed to be exclusively committed to the nexus of objectivism and instrumental rationality, the interpretative theory of scientific practices reveals science’s potentiality of hermeneutic self-reflection. Scientific research that takes into consideration the ontological difference has resources to enter into a dialogue with Nature.
Ginev offers a critique of postmodern tendencies in the philosophy of science, and sets out arguments for a feminist hermeneutics of scientific research.
This new book presents a synthesis of Tennessee history from earliest times to the present. Striking a balance of social, economic, and political perspectives, it moves from frontier times to early statehood, antebellum society through the Civil War to Reconstruction, then establishes Tennessee's place in the New South and in modern times. Full coverage is devoted to the Civil Rights era and to events in the later years of this century, including environmental issues. The text deals honestly with slavery and segregation and also corrects shortcomings of previous works by placing the state's history in the context of national issues and events within the South.
The authors introduce readers to famous personages like Andrew Jackson and Austin Peay, often using quotations to give them voice. They also tell stories of ordinary people and their lives to show how they are an integral part of history. Sidebars throughout the text highlight stories of particular interest, and reading lists at the end of chapters further enhance the text's utility.
Tennesseans and Their History was written for students needing a basic introduction to state history and to general readers looking for a lively introduction to Tennessee's past. Written to be entertaining as well as instructive, it makes the state's
history relevant to a new generation of Tennesseans.
The Authors: Paul H. Bergerson is professor of history at the University of Tennessee and the editor of The Papers of Andrew Johnson.
Stephen V. Ash is associate professor of history at the University of Tennessee and author of Middle Tennessee Transformed, 1860-1870: War and Peace in the Upper South.
Jeanette Keith is associate professor of history at Bloomsburg University and the author of Country People in the New South: Tennessee's Upper Cumberland.
Although frequently discussed as separate military conflicts, the War of 1812 against Great Britain and the Creek War against Native Americans in the territory that would become Alabama were part of the same forceful projection of growing American power. Success in both wars won for America security against attack from abroad and vast tracks of new land in “the Old Southwest.” In Tennesseans at War, 1812–1815, Tom Kanon explains the role Tennesseans played in these changes and how they remade the south.
Because it was a landlocked frontier state, Tennessee’s economy and security depended heavily upon the river systems that traversed the region; some, like the Tennessee River, flowed south out of the state and into Native American lands. Tennesseans of the period perceived that gaining mastery of these waterways formed an urgent part of their economic survival and stability.
The culmination of fifteen years’ research, Kanon’s work draws on state archives, primary sources, and eyewitness accounts, bringing the information in these materials together for first time. Not only does he narrate the military campaigns at the heart of the young nation’s expansion, but he also deftly recalls the economic and social pressures and opportunities that encouraged large numbers of Tennesseans to leave home and fight. He expertly weaves these themes into a cohesive narrative that culminates in the vivid military victories of the War of 1812, the Creek War, and the legendary Battle of New Orleans—the victory that catapulted Tennessee’s citizen-soldier Andrew Jackson to the presidency.
Expounding on the social roles and conditions of women, slaves, minorities, and Native Americans in Tennessee, Kanon also brings into focus the key idea of the “home front” in the minds of Tennesseans doing battle in Alabama and beyond. Kanon shows how the goal of creating, strengthening, and maintaining an ordered society permeated the choices and actions of the American elites on the frontiers of the young nation.
Much more than a history of Tennesseans or the battles they fought in Alabama, Tennesseans at War, 1812–1815, is the gripping story of a pivotal turning point in the history of the young American republic.
Contributors explore the campaign’s battlefield action, including how Major General Andrew J. Smith’s three aggressive divisions of the Army of Tennessee became the most successful Federal unit at Nashville, how vastly outnumbered Union troops held the Allatoona Pass, why Hood failed at Spring Hill and how the event has been perceived, and why so many of the Army of Tennessee’s officer corps died at the Battle of Franklin, where the Confederacy suffered a disastrous blow. An exciting inclusion is the diary of Confederate major general Patrick R. Cleburne, which covers the first phase of the campaign. Essays on the strained relationship between Ulysses S. Grant and George H. Thomas and on Thomas’s approach to warfare reveal much about the personalities involved, and chapters about civilians in the campaign’s path and those miles away show how the war affected people not involved in the fighting. An innovative case study of the fighting at Franklin investigates the emotional and psychological impact of killing on the battlefield, and other implications of the campaign include how the courageous actions of the U.S. Colored Troops at Nashville made a lasting impact on the African American community and how preservation efforts met with differing results at Franklin and Nashville.
Canvassing both military and social history, this well-researched volume offers new, illuminating perspectives while furthering long-running debates on more familiar topics. These in-depth essays provide an expert appraisal of one of the most brutal and notorious campaigns in Civil War history.
This richly illustrated book is the eighth of nine Classics in Southeastern Archaeology volumes based on Moore's investigations along the waterways of eastern North America.
This oversized reprint volume presents original materials from Moore's northernmost expeditions conducted in the early 1900s as he surveyed areas of potential archaeological interest in the southeastern United States. Some of the sites he found were later targeted for major excavations during the days of the WPA/CCC. Many National Register Historic Sites are today located along the rivers he explored in this work. In many cases, however, Moore's report documents sites since destroyed by river action or by lake impoundments behind hydroelectric dams or by looters.
As with all of Moore's other investigations, his thorough documentation and collaboration with other scholars advanced understanding of aboriginal peoples and fueled debate among the experts. For instance, more than 296 burials were recovered from Indian Knoll on the Green River in Kentucky. Some graves included ceremonially "killed" artifacts, dogs buried with both adults and children, and exotic materials leading to speculations concerning origins, usage, and trade networks. Stone box graves were widespread and somewhat exclusive to this area, giving rise to early assumptions regarding kinship between scattered modern Indian tribes.
Richard Polhemus has compiled a comprehensive inventory of Moore's work in Tennessee, Alabama, Mississippi, and Kentucky and written a concise introduction to place the work in context. In so doing, he has made available to contemporary scholars of history, archaeology, and anthropology a trove of resource material on one of the most archaeologically rich and artifact-diverse regions in the nation.
Profusely illustrated with over one hundred images, Tennessee Log Houses traces the evolution of log houses from one-room (or single-pen) dwellings to more elaborate homes of various types, such as saddlebags, Cumberland houses, dogtrots, and two-story I-houses. Rehder discusses the historic settlement patterns and building traditions that led to this variety of house types and identifies their particular occurrences throughout the state by drawing on surveys conducted in forty-two counties by teams working for the Tennessee Historical Commission (THC). Similarly, he explores disparate barn and outbuilding types, including the distinctive cantilever barns that are found predominantly in East Tennessee. Sprinkled throughout the book are engaging anecdotes that convey just what it is like to conduct field research in remote rural areas. Rehder also describes in detail a number of the state’s exceptional log places, among them Wynnewood, an enormous structure in Middle Tennessee which dates back to the early nineteenth century and which suffered severe tornado damage in 2008.
As the author notes, many of the buildings originally identified in the THC investigations have now vanished completely while others are in serious disrepair. Thus, this book not only offers an instructive and delightful look at a key part of Tennessee’s heritage but also makes an eloquent plea for its preservation.
Until his death in 2011, JOHN B. REHDER was a professor of geography at the University of Tennessee, Knoxville. He first joined the UT faculty in 1967. He was the author of Appalachian Folkways, which won the Pioneer America Society’s Fred B. Kniffen Book Award in 2004, and Delta Sugar: Louisiana’s Vanishing Plantation Landscape, which won the Vernacular Architecture Forum’s 2000 Abbott Lowell Cummings Award.
The election of 1860 put to rest a tumultuous decade of legislative contest over the institution of slavery—even as it set in motion events that led directly to its demise by civil war. While some scholarship tends to minimize the role of slavery in the secession of the Southern states in the early 1860s, Dwight Pitcaithley’s Tennessee Secedes: A Documentary History takes the opposite approach, examining the many factors that both fueled and complicated Tennessee’s unique journey toward secession in 1861.
Organized chronologically by source and speaker, Tennessee Secedes presents a selection of primary sources from December 1860 through the summer of 1861, inviting students to examine the arc of Tennessee’s secession march. Pitcaithley introduces proclamations, declarations, addresses, resolutions, proposed constitutional amendments, and other materials from Tennessee legislators, members of Congress, and delegates to the East Tennessee Convention. These sources highlight the political divisions apparent in the Volunteer State during this season of unrest. While many other Southern states saw little support for Unionism in the early 1860s, Tennessee stood in stark contrast, with a large and vocal population that ardently opposed secession.
Complete with appendices featuring 1861 election returns, communications from the Tennessee Congressional Delegation of the Thirty-Sixth Congress, and a timeline for Secession Winter—as well as questions for further discussion—Tennessee Secedes is an invaluable resource for students of the Civil War and Tennessee history, offering an insightful analysis of Tennessee’s uncertain path to the Confederacy in the summer of 1861.
A one-of-a-kind reference book, Tennessee Tragedies examines a wide variety of disasters that have occurred in the Volunteer State over the past several centuries. Intended for both general readers and emergency management professionals, it covers natural disasters such as floods, tornadoes, and earthquakes; technological events such as explosions, transportation wrecks, and structure fires; and societal incidents including labor strikes, political violence, lynchings, and other hate crimes.
At the center of the book are descriptive accounts of 150 of the state’s most severe events. These range from smallpox epidemics in the eighteenth century to the epic floods of 1936–37, from the Sultana riverboat disaster of 1865 (the worst inland marine accident in U.S. history) to the 1968 assassination of Dr. Martin Luther King Jr. Included as well are stories of plane crashes, train wrecks, droughts, economic panics, and race riots. An extensive chronology provides further details on more than 900 incidents, the most complete listing ever compiled for a single state. The book’s introduction examines topics that include our fascination with such tragedies; major causes of death, injury, and destruction; and the daunting problems of producing accurate accountings of a disaster’s effects, whether in numbers of dead and injured or of economic impact. Among the other features are a comprehensive glossary that defines various technical terms and concepts and tables illustrating earthquake, drought, disease, and tornado intensity scales.
A work of great historical interest that brings together for the first time an impressive array of information,Tennessee Tragedies will prove exceptionally useful for those who must respond to inevitable future disasters.
Ibell discusses Williams’s early plays that have become household names: The Glass Menagerie, A Streetcar Named Desire, and Cat on a Hot Tin Roof. But he also rescues Williams’s later works from critical obscurity, uncovering overlooked values in them. He explores the importance of Europe on the Southerner’s imagination, following Williams and his companion—Gore Vidal—through holiday after holiday in Italy; and he looks, especially, at the theme for which Williams became most known: the power of sexual attraction and the tragedy of its loss when we—as we all must do—grow old.
Punchy, accessible, and fabulously illuminating, this critical biography is a must-read for any admirer of American theater, literature, or the passionate lives of those who define them.
Tennessee Williams - American Writers 53 was first published in 1965. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Ranging in subject matter from the role of women’s missionary organizations and efforts to end lynching to the challenges of agricultural reform and the development of stronger educational institutions, these essays consider a wide variety of reform efforts that engaged progressive women in Tennessee before, during, and after the suffrage movement. Throughout, the contributors emphasize the influence of religion on women’s reform efforts and examine the ways in which these women expanded their public roles while at the same time professing loyalty to more traditional models of womanhood. In demonstrating Tennessee women’s engagement with politics long before they had the vote, ran for office, or served on juries, these essays also support the argument that a broader definition of “politics” permits a fuller incorporation of women’s public activities into U.S. political history.
By focusing on the actual work reform-minded women performed, whether paid employment or volunteer efforts, this anthology illustrates myriad ways in which these individuals engaged their communities and reveals the motivations that drove them to improve society. Marshaling precise and detailed evidence that illuminates the meanings of progressivism to Tennessee’s female activists, the essays in this valuable compendium connect Tennessee women to the larger movements for reform that dominated the early-twentieth-century American experience.
“On the day that Archduke Franz Ferdinand, heir to the Austrian throne, was assassinated, Tennesseans worried about the weather,” Carole Bucy writes. Indeed, the war that began in Europe in 1914 was unimaginably remote from Tennessee—until it wasn’t.
Drawing on a depth of research into a wide array of topics, this vanguard collection of essays aims to conceptualize World War I through the lens of Tennessee. The book begins by situating life in Tennessee within the greater context of the war in Europe, recounting America’s growing involvement in the Great War. As the volume unfolds, editor Michael E. Birdwell and the contributors weave together soldier narratives, politics and agribusiness, African American history, and present-day recollections to paint a picture of Tennessee’s Great War experience that is both informative and gripping.
An essential addition to the broader historiography of the American experience during World War I, this collection of essays presents Tennessee stories that are close to home in more than just geography and lineage. By relating international conflict through the eyes of Tennessee’s own, editor Michael E. Birdwell and the contributing authors provide new opportunities for academics and general readers alike to engage with the Great War from a unique and—until now—untold perspective.
Ronald N. Satz is Dean of Graduate Studies and University Research and teaches history at the University of Wisconsin-Eau Claire. In addition to numerous articles and book reviews, his published work includes American Indian Policy in the Jacksonian Era (1975). He has received fellowships from both the Ford Foundation and the National Endowment for the Humanities. Professor Satz has served as a member of the Editorial Advisory Board of the American Indian Quarterly.
In this carefully documented book, Tom Lee uses archival material, newspapers, memoirs, and current scholarship in Appalachian studies to examine the economic changes that took place in the Tri-Cities region from 1900 to 1950. With modernization and urbanization, an urban-industrial strategy of economic development evolved. The entry of extractive industry into the mountains established the power of the urban elite to shape rural life. Local businessmen saw the route to financial strength in the recruitment of low-wage industry. Workers left struggling farms for factory jobs. This urban-rural relationship supported the Tri-Cities’ manufacturing economy and gave power to the area’s elite.
The New Deal and the Second World War broadened this relationship as federal funding sustained the economy. The advantages of urban centers after decades of development left rural communities on the verge of disappearance and dependent on the jobs, opportunities, and economic vision of the cities. By 1950, the power of Appalachia’s elite over the people of the region had extended beyond urban boundaries and brought about the conditions necessary for the creation of the metropolitan Tri-Cities area of today.
Readers will gain a better understanding of the complexity of modernization in Appalachia and the rural South from this engaging book.
Tom Lee earned a PhD in history from the University of Tennessee, Knoxville, and is assistant professor of history at Hiwassee College in Madisonville, Tennessee.
This new edition also pays special attention to the material circumstances that enabled and conditioned the printing of the illustrations. The original twelve chapters have been revised and updated throughout, drawing on archival and published resources made available in recent decades. Six chapters are entirely new, explaining how Tenniel’s drawings were professionally hand-engraved on wood blocks; how electrotype replicas were made from those blocks; and what problems could mar the commercial printing of such images—as notoriously happened in the first printing of Alice’s Adventures in Wonderland, which Carroll suppressed on Tenniel’s advice. Also considered for the first time here are the coloring of Tenniel’s black-and-white illustrations, by Tenniel and other artists, and the extraordinary treatment later given to Tenniel’s illustrations by the prestigious Limited Editions Club.
The arrival of the Open era in 1968 was a watershed in the history of tennis--the year that marked its advent as a professionalized sport. Merging wide-angle history with individual stories of players and off-the-court figures, Greg Ruth charts tennis’s evolution into the game we watch today. His vivid account moves from the cloistered world of nineteenth-century lawn tennis through the longtime amateur-professional divide and the battles over commercialization that raged from the 1920s until 1968. From there, Ruth details the post-1968 expansion of the game as it was transformed by bankable superstars, a popular women’s tour, rival governing bodies, and sponsorship money. What emerges is a fascinating history of the economics and politics that made tennis a decisive, if unlikely, force in the creation of modern-day sports entertainment.
Comprehensive and engaging, Tennis tells the interlocking stories of the figures and factors that birthed the professional game.
Each chapter explores a different facet of the game—learning, technique, game analysis, the mental edge, physical development, nutrition for performance and recovery, staying healthy, and equipment—and is organized around a series of questions. How do we learn the ins and outs of hitting the ball in and not out? What are the main technological developments and software programs that can be used to assist in performance and notational analysis in tennis? What role does sports psychology play in developing a tennis player? What is the role of fluid replacement for the recreational, junior, and professional player? What rule changes have been made with respect to the racket, ball, and ball-court interaction to maintain the integrity of the game in the face of technological change? Each question is examined with the aid of explanatory diagrams and illustrations, and the book can be used to search for particular topics, or read straight through for a comprehensive overview of how player and equipment work together.
Whether you prefer the grass courts of Wimbledon, the clay courts of the French Open, or the hard courts of the US and Australian Opens, Tennis Science is a must-have for anyone interested in the science behind a winning game.
Although the reaction against Tennyson may have begun at his funeral, there is not doubt he was the central English poet of the nineteenth century as well as a fixture of the Victorian age—the fashioner of a public image that, in Tennyson’s case, bears a complex relation to the poetic imagination itself. Herbert Tucker provides a definitive account of the first half of Tennyson’s career, arguing that the poet self-consciously constructed his creative life in a dynamic balance with the work of his Romantic predecessors and with variously seductive and repellent features of Victorian culture.
Tucker narrates the life in Tennyson’s poems through a linked sequence of close readings, which supplement intrinsic interpretation of texts with considerations of Tennyson’s romantic allusiveness, generic experimentation, and aspiration to cultural spokesmanship. Explication of major poems from Tennyson’s formative years through the first decade of his unparalleled ascendancy illustrates the ways in which his original and pervasive sense of inevitability found developing expression, as a matter both of poetic form and of poetic argument. Tucker shows how Tennyson, through the authority of verbal craft that was his hallmark, consistently elaborated upon the fatalistic, intimate yet impersonal melancholy that was a source, and at length a result, of his prodigious public success.
Anyone interested in Victorian literature will read this book with profit, for it tells us a great deal not only about the preeminent Victorian poet but also about the cultural turn of mind that transformed Romanticism, during the second quarter of the nineteenth century, into a Victorian mode.
Here is an analysis of Tennyson’s major poetry that clarifies the poet’s relationship to the artistic traditions he so extensively exploited and so radically modified. It is a portrait of Tennyson as manipulator, not mere borrower, of forms.
Tennyson and Tradition traces the threads that at the same time unite Tennyson’s work and tie it to the traditions the poet believed he had inherited. Robert Pattison shows why Tennyson considered the venerable idyll form a fitting vehicle for his modern portraits—above all the Idylls of the King. Analysis of In Memoriam brings further understanding of Tennyson’s poetic credo.
Scholars since Paden have commented on the anxieties embedded in Tennyson's poetry, but this is the first study to examine them systematically. Within each poem Goslee discovers a vulnerable authorial presence threatened by some Other—a personification of divine, sexual, or natural power—which encroaches upon it from the fringes of the poem's imaginative universe. This Other is always interpreted, humanized, or conciliated by some mediating figure, yet the more effectively the mediator confronts an otherwise alien cosmos, the more alien he or she becomes to the authorial presence.
Goslee's approach toward understanding the conflict between Tennyson and the characters he creates includes elements of formalism, psychodynamics, and literary history without being narrowly confined to any one of these. His subtle, elegant reading mediates between those critics who stress authorial intention (e.g., Reed's Perception and Design) and the growing number of critics who follow E. D. H. Johnson in claiming that Tennyson wrote more subversively than he wanted to admit. This original, highly suggestive volume will be important for all Victorian scholars and literary critics.
In this pathfinding study, Suzanne Fleischman brings together theory and methodology from various quarters to shed important new light on the linguistic structure of narrative, a primary and universal device for translating our experiences into language.
Fleischman sees linguistics as laying the foundation for all narratological study, since it offers insight into how narratives are constructed in their most primary context: everyday speech. She uses a linguistic model designed for "natural" narrative to explicate the organizational structure of "artificial" narrative texts, primarily from the Middle Ages and the postmodern period, whose seemingly idiosyncratic use of tenses has long perplexed those who study them. Fleischman develops a functional theory of tense and aspect in narrative that accounts for the wide variety of functions—pragmatic as well as grammatical—that these two categories of grammar are called upon to perform in the linguistic economy of a narration.
American public culture is obsessed with crisis. Political polarization, economic collapse, moral decline—the worst seems always yet to come and already here. Tense Times argues that the ways we discuss these crises, especially through verb tenses, not only contribute to our perception and description of such crises but create them.
Past. Present. Future. These are the three principal verb tenses—the category of syntax that allows us to discuss time—that account for much of what is written about our crisis culture. Lee M. Pierce invites readers to expand their syntactic inventory beyond tense to include aspect (duration) and mood (attitude). Doing so opens new possibilities for understanding crisis discourse, as Pierce demonstrates with close readings of three syntaxes: the historical present, the past imperfective, and the retroactive subjunctive. Each mode produces a different experience of crisis and can help us understand our current political reality.
The book investigates a dozen widely circulated discourses from the past decade of US political culture, from Beyoncé’s controversial hit single “Formation” to the presidential campaign slogans of Hillary Clinton and Donald Trump, from the dueling rallies of Glenn Beck and Jon Stewart at the National Mall to the Ground Zero Mosque controversy and the 2007–2008 bailout. Taking a comparative approach that integrates theories of syntax from rhetorical, literary, affect, and cultural studies as well as linguistics, computer science, and Black studies, Tense Times suggests that the public’s conjuring of crisis is not inherently problematic. Rather, it is the openness of that crisis to contingency—the possibility that things could have been otherwise—that ought to concern anyone interested in language, politics, American culture, current events, or the direction this country is headed.
Pamela Finnegan provides a detailed criticism of a major novel written by one of Chile’s leading literary figures. She analyzes the symbolism and the use of language in The Obscene Bird of Night, showing that the novel’s world becomes an icon characterized by entropy, parody, and materiality. Her study concludes that all linguistic ordering fictionalizes, that the lack of spirituality within the novel’s world is symptomatic of language gone stale, and that blindness to this fact leads to dogma or solipsism, each counter-productive to communication and human endeavor. To revive the linguistic system, she argues, we must revive the creative power of language.
Tensions in the American Dream also addresses the relevancy of nation to empire in the context of the historical world capitalist system. The authors ask, is the American Dream a reality only questioned by those unwilling or unable to achieve it? What is the "good life" and how is it particularly "American"?
Beginning with the closing decade of European colonial rule in Southeast Asia and covering the wartime Japanese empire and its postwar disintegration, Tensions of Empire focuses on the Japanese in Southeast Asia, Indonesians in Japan, and the legacy of the war in Southeast Asia. It also examines Japanese perceptions of Southeast Asia and the lingering ambivalence toward Japanese involvement in Asia and toward the war in particular.
Drawing on extensive multilingual archival research and interviews, Ken‘ichi Goto has produced a factually rich and balanced view of this region’s historical events of the last century.
Tensions of Empire features detailed discussions of Portuguese Timor in the 1930s and 1940s, the decolonization of Malaya, and twentieth-century Indonesia. This extended inquiry yields a unique view of the complicated network within and beyond the colonial and imperial relationships between a one-time nonwestern colonial power and an entire region.
Of great interest to students of Japan-Southeast Asia relations and to specialists in the modern history of both Southeast Asia and Japan, Professor Goto’s Tensions of Empire is a fascinating account of Japan’s recent past from the inside.
Starting at the beginning of the twentieth century, Albuquerque examines the way the Modernist movement both fueled and inhibited the use of gay imagery in Brazilian drama. This elegant and fluid study ultimately becomes an examination of a whole Latin society, and the ways in which Latin theatre has absorbed and reflected the culture's own changing sensibilities, that will intrigue anyone interested in Latin American culture, literature, or theater.
Winner, 2008 Elizabeth A. Steinberg Prize
With authority and sensitivity Plotkin traces the close relationship between Hopkins’s poetry and the theories of language suggested in his Journals and expounded by Victorian philologists such as Max Müller and George Marsh.
Plotkin seeks to determine what changed Hopkins’s perception of language between the writing of such early poems as "The Habit of Perfection" and "Nondum" (1866) and his creation of The Wreck of the Deutschland (1875–76). Did the language of the ode, and of Hopkins’s mature poetry generally, arise as spontaneously as it appears to have done, or does it have a traceable genesis in the ways in which language as a whole was conceived and studied in mid-century England? In answer, Plotkin fixes the development of Hopkins’s singular poetic language in the philological context of his time.
If one is to understand Hopkins’s writings and poetic language in the context in which they developed rather than in the terms of a present-day theory of history or textuality, then that movement in all of its complexity must be considered. Hopkins "translates" into the language of poetry patterns and categories common to Victorian language study.
In the late fifteenth century, clocks acquired minute hands. A century later, second hands appeared. But it wasn’t until the 1850s that instruments could recognize a tenth of a second, and, once they did, the impact on modern science and society was profound. Revealing the history behind this infinitesimal interval, A Tenth of a Second sheds new light on modernity and illuminates the work of important thinkers of the last two centuries.
Tracing debates about the nature of time, causality, and free will, as well as the introduction of modern technologies—telegraphy, photography, cinematography—Jimena Canales locates the reverberations of this “perceptual moment” throughout culture. Once scientists associated the tenth of a second with the speed of thought, they developed reaction time experiments with lasting implications for experimental psychology, physiology, and optics. Astronomers and physicists struggled to control the profound consequences of results that were a tenth of a second off. And references to the interval were part of a general inquiry into time, consciousness, and sensory experience that involved rethinking the contributions of Descartes and Kant.
Considering its impact on much longer time periods and featuring appearances by Henri Bergson, Walter Benjamin, and Albert Einstein, among others, A Tenth of a Second is ultimately an important contribution to history and a novel perspective on modernity.
Tenured Bosses and Disposable Teachers: Writing Instruction in the Managed University exposes the poor working conditions of contingent composition faculty and explores practical alternatives to the unfair labor practices that are all too common on campuses today.
Editors Marc Bousquet, Tony Scott, and Leo Parascondola bring together diverse perspectives from pragmatism to historical materialism to provide a perceptive and engaging examination of the nature, extent, and economics of the managed labor problem in composition instruction—a field in which as much as ninety-three percent of all classes are taught by graduate students, adjuncts, and other “disposable” teachers. These instructors enjoy few benefits, meager wages, little or no participation in departmental governance, and none of the rewards and protections that encourage innovation and research. And it is from this disenfranchised position that literacy workers are expected to provide some of the core instruction in nearly everyone's higher education experience.
Twenty-six contributors explore a range of real-world solutions to managerial domination of the composition workplace, from traditional academic unionism to ensemble movement activism and the pragmatic rhetoric, accommodations, and resistances practiced by teachers in their daily lives.
Contributors are Leann Bertoncini, Marc Bousquet, Christopher Carter, Christopher Ferry, David Downing, Amanda Godley, Robin Truth Goodman, Bill Hendricks, Walter Jacobsohn, Ruth Kiefson, Paul Lauter, Donald Lazere, Eric Marshall, Randy Martin, Richard Ohmann, Leo Parascondola, Steve Parks, Gary Rhoades, Eileen Schell, Tony Scott, William Thelin, Jennifer Seibel Trainor, Donna Strickland, William Vaughn, Ray Watkins, and Katherine Wills.
The volume offers a multiscalar view of power and identity, showing that the spread of Teotihuacan-related material culture may have resulted from direct and indirect state administration, colonization, emulation by local groups, economic transactions, single-event elite interactions, and various kinds of social and political alliances. The contributors explore questions concerning who interacted with whom; what kinds of materials and ideas were exchanged; what role interregional interactions played in the creation, transformation, and contestation of power and identity within the city and among local polities; and how interactions on different scales were articulated. The answers to these questions reveal an Early Classic Mesoamerican world engaged in complex economic exchanges, multidirectional movements of goods and ideas, and a range of material patterns that require local, regional, and macroregional contextualization.
Focusing on the intersecting themes of identity and power, Teotihuacan and Early Classic Mesoamerica makes a strong contribution to the understanding of the role of this important metropolis in the Early Classic history of the region. The volume will be of interest to scholars and graduate students of Mesoamerican archaeology, the archaeology of interaction, and the archaeology of identity.
Contributors: Sarah C. Clayton, Fiorella Fenoglio Limón, Agapi Filini, Julie Gazzola, Sergio Gómez-Chávez, Haley Holt Mehta, Carmen Pérez, Patricia Plunket, Juan Carlos Saint Charles Zetina, Yoko Sugiura, Gabriela Uruñuela, Gustavo Jaimes Vences
Teotihuacan was a city of major importance in the Americas between 1 and 550 CE. As one of only two cities in the New World with a population over one hundred thousand, it developed a network of influence that stretched across Mesoamerica. The size of its urban core, the scale of its monumental architecture, and its singular apartment compounds made Teotihuacan unique among Mesoamerica’s urban state societies.
Teotihuacan: The World Beyond the City brings together specialists in art and archaeology to develop a synthetic overview of the urban, political, economic, and religious organization of a key power in Classic-period Mesoamerica. The book provides the first comparative discussion of Teotihuacan’s foreign policy with respect to the Central Mexican Highlands, Oaxaca, Veracruz, and the Maya Lowlands and Highlands. Contributors debate whether Teotihuacan’s interactions were hegemonic, diplomatic, stylistic, or a combination of these or other social processes. The authors draw on recent investigations and discoveries to update models of Teotihuacan’s history, in the process covering various questions about the nature of Teotihuacan’s commercial relations, its political structure, its military relationships with outlying areas, the prestige of the city, and the worldview it espoused through both monumental architecture and portable media.
Northeast of modern-day Mexico City stand the remnants of one of the world's largest preindustrial cities, Teotihuacan. Monumental in scale, Teotihuacan is organized along a three-mile-long thoroughfare, the Avenue of the Dead, that leads up to the massive Pyramid of the Moon. Lining the avenue are numerous plazas and temples, which indicate that the city once housed a large population that engaged in complex rituals and ceremonies. Although scholars have studied Teotihuacan for over a century, the precise nature of its religious and political life has remained unclear, in part because no one has yet deciphered the glyphs that may explain much about the city's organization and belief systems.
In this groundbreaking book, Annabeth Headrick analyzes Teotihuacan's art and architecture, in the light of archaeological data and Mesoamerican ethnography, to propose a new model for the city's social and political organization. Challenging the view that Teotihuacan was a peaceful city in which disparate groups united in an ideology of solidarity, Headrick instead identifies three social groups that competed for political power—rulers, kin-based groups led by influential lineage heads, and military orders that each had their own animal insignia. Her findings provide the most complete evidence to date that Teotihuacan had powerful rulers who allied with the military to maintain their authority in the face of challenges by the lineage heads. Headrick's analysis also underscores the importance of warfare in Teotihuacan society and clarifies significant aspects of its ritual life, including shamanism and an annual tree-raising ceremony that commemorated the Mesoamerican creation story.
Williams visits countless tequila producers, distributors, and connoisseurs to tell the story of how tequila started in the agave lands of Mexico, became an icon of youthful inebriation, and developed, today, into a truly artisanal product drawing the most discerning drinkers. Peppered throughout are illustrations that capture tequila’s Mexican heritage and commercial image. Including recipes for tequila-based cocktails, as well as advice on the buying, storing, tasting, and serving of tequila, this history will delight any beverage aficionado or anyone interested in the history of Mexico and its culinary riches.
The drink is tequila—more properly, mescal de tequila, the first mescal to be codified and recognized by its geographic origin and the only one known internationally by that name. In ¡Tequila! A Natural and Cultural History, Ana G. Valenzuela-Zapata, the leading agronomist in Mexico's tequila industry, and Gary Paul Nabhan, one of America's most respected ethnobotanists, plumb the myth of tequila as they introduce the natural history, economics, and cultural significance of the plants cultivated for its production.
Valenzuela-Zapata and Nabhan take you into the agave fields of Mexico to convey their passion for the century plant and its popular by-product. In the labor-intensive business of producing quality mescal, the cultivation of tequila azul is maintained through traditional techniques passed down over generations. They tell how jimadores seek out the mature agaves, strip the leaves, and remove the heavy heads from the field; then they reveal how the roasting and fermentation process brings out the flavors that cosmopolitan palates crave.
Today in Oaxaca it's not unusual to find small-scale mescal-makers vending their wares in the market plaza, while in Jalisco the scale of distillation facilities found near the town of Tequila would be unrecognizable to old José Cuervo. Valenzuela-Zapata and Nabhan trace tequila's progress from its modest beginnings to one of the world's favored spirits, tell how innovations from cross-cultural exchanges made fortunes for Cuervo and other distillers, and explain how the meteoric rise in tequila prices is due to an epidemic—one they predicted would occur—linked to the industry's cultivation of just one type of agave.
The tequila industry today markets more than four hundred distinct products through a variety of strategies that heighten the liquor's mystique, and this book will educate readers about the grades of tequila, from blanco to añejo, and marks of distinction for connoisseurs who pay up to two thousand dollars for a bottle. ¡Tequila! A Natural and Cultural History will feed anyone's passion for the gift of the blue agave as it heightens their appreciation for its rich heritage.
Film critic Michael Koresky explores the unique emotional tenor of Davies's work by focusing on four paradoxes within the director's oeuvre: films that are autobiographical yet fictional; melancholy yet elating; conservative in tone and theme yet radically constructed; and obsessed with the passing of time yet frozen in time and space. Through these contradictions, the films' intricate designs reveal a cumulative, deeply personal meditation on the self. Koresky also analyzes how Davies's ongoing negotiation of--and struggle with--questions of identity related to his past and his homosexuality imbue the details and jarring juxtapositions in his films with a queer sensibility, which is too often overlooked due to the complexity of Davies's work and his unfashionable ambivalence toward his own sexual orientation.
Through Teresa and other women characters, Neera addressed the injustice of such societal restrictions in nineteenth-century Italy. Neera's narratives are noted for their subtle psychoanalytical presentation of feminine states of mind as well as for an unflinching examination of society.
An imprisoned bookbinder wrote these words in a small blank book that he had secretly crafted from pilfered materials at the Terezín (Theresienstadt) concentration camp in September 1944. He presented the album to a fellow prisoner, twenty-one-year-old Marianka Zadików. Over the next several months, as the Nazis pressed forward with mass deportations from Terezín to Auschwitz, Marianka began to collect inscriptions and sketches from her fellow inmates.
Marianka Zadików’salbum, presented here in a facsimile edition, is a poignant document from the last months of the Holocaust. The words and images inscribed here—by children and grandparents, factory workers and farmhands, professionals and intellectuals, musicians and artists—reflect both joy and trepidation. They include passages of remembered verse, lovingly executed drawings, and hurried farewells on the eve of transport to Auschwitz. The great German-Jewish scholar Rabbi Leo Baeck, one of the elders of the camp, offers Marianka an inscription about Jewish self-discovery, and participants in Terezín’s now-famous musical performances fill several pages with musical annotation.
Facing-page translations render the book’s multitude of languages into English, while historical and biographical notes give details, where known, of the fates of those whose words are recorded here. An introduction by acclaimed Holocaust scholar Debórah Dwork tells the story of the Terezín camp and how Marianka and her family fared while imprisoned there.
The array of voices and the glimpses into individual lives afforded us by The Terezín Album make it an arresting reminder of the sustaining power of care, community, and hope amid darkness.
"Brilliant and beautifully written"—Jonathan Glancey, The Architects' Journal
Featuring an impressive roster of scholars, The Terminal Classic presents the most recent data and interpretations pertaining to this perplexing period of cultural transformation in the Maya lowlands. Although the research reveals clear interregional patterns, the contributors resist a single overarching explanation. Rather, this volume's diverse and nuanced interpretations provide a new, more properly grounded beginning for continued debate on the nature of lowland Terminal Classic Maya civilization.
Garrick Davis’s Terminal Diagrams may have been inspired by the illustrated maps in airport lounges, or perhaps they are the blueprints of the Apocalypse, with their subjects and objects representing the bitter fruits of either some future nightmare or the present world. Regardless, their vision is so bleak and unsparing, only a few will be able to savor them. Here, the art of poetry has been mechanized just as the world has been mechanized. Whether his subject is a car accident on the freeways of Los Angeles or the Book of Revelation transmitted by television, Davis’s stanzas conjure a kind of futuristic noir. In poem after poem, he examines the artistic possibilities of the machine, and its alterations of human experience, with a modern spirit that—as Baudelaire defined it—has embraced “the sublimity and monstrousness of something new.”
Drawing on a wide range of contemporary theories of the postmodern—including Fredric Jameson, Donna Haraway, and Jean Baudrillard—Bukatman begins with the proposition that Western culture is suffering a crisis brought on by advanced electronic technologies. Then in a series of chapters richly supported by analyses of literary texts, visual arts, film, video, television, comics, computer games, and graphics, Bukatman takes the reader on an odyssey that traces the postmodern subject from its current crisis, through its close encounters with technology, and finally to new self-recognition. This new "virtual subject," as Bukatman defines it, situates the human and the technological as coexistent, codependent, and mutally defining.
Synthesizing the most provocative theories of postmodern culture with a truly encyclopedic treatment of the relevant media, this volume sets a new standard in the study of science fiction—a category that itself may be redefined in light of this work. Bukatman not only offers the most detailed map to date of the intellectual terrain of postmodern technology studies—he arrives at new frontiers, providing a propitious launching point for further inquiries into the relationship of electronic technology and culture.
Winner of the 2023 CAAPP Book Prize from the University of Pittsburgh’s Center for African American Poetry and Poetics and Autumn House Press, Okwudili Nebeolisa’s debut poetry collection serves as an intimate exploration of the relationship between a Nigerian mother and son. Throughout the book, Nebeolisa navigates the guilt of starting a new life in the United States, far away from his home country and from his mother, who is battling cancer.
Depicting tender moments between mother and son, Terminal Maladies highlights how the poet and his family shoulder the responsibility of caregiving together and how Nebeolisa works to bridge the physical and emotional distance between them. He reflects on the reasons behind his Nigerian mother’s withholding, questioning her need to act bravely alongside his own assumed role as her protector.
Making use of a diverse array of narrative modes, settings, and voices, these stories traverse space and time, moving from Egypt during the Second World War to modern-day Liberia and an unfamiliar Los Angeles. The title story, "Termination Shock," offers a lyrical exploration of two traumatic moments in a woman's life that occur decades apart and continue to reverberate in humorous and poignant ways. Janice Margolis shows us characters on the precipice of change—including a narrator in fevered quarantine following the death of her mother from Ebola, a cross-cultural love in a swiftly transforming Syria, and the desolation of the Berlin Wall, which from its various sectors and coordinates, confesses its crimes and mourns its destruction.
The Terministic Screen: Rhetorical Perspectives on Film examines the importance of rhetoric in the study of film and film theory. Rhetorical approaches to film studies have been widely practiced, but rarely discussed until now. Taking on such issues as Hollywood blacklisting, fascistic aesthetics, and postmodern dialogics, editor David Blakesley presents fifteen critical essays that examine rhetoric’s role in such popular films as The Fifth Element, The Last Temptation of Christ, The Usual Suspects, Deliverance, The English Patient, Pulp Fiction, The Music Man, Copycat, Hoop Dreams,and A Time to Kill.
Aided by sixteen illustrations, these insightful essays consider films rhetorically, as ways of seeing and not seeing, as acts that dramatize how people use language and images to tell stories and foster identification.
Contributors include David Blakesley, Alan Nadel, Ann Chisholm, Martin J. Medhurst, Byron Hawk, Ekaterina V. Haskins, James Roberts, Thomas W. Benson, Philip L. Simpson, Davis W. Houck, Caroline J.S. Picart, Friedemann Weidauer, Bruce Krajewski, Harriet Malinowitz, Granetta L. Richardson, and Kelly Ritter.
There is widespread agreement, across a voluble political spectrum and around the planet, that we live in times of intensifying insecurity and turmoil. If ours is an age of transition, its direction is anything but certain. Momentous transformations in ecology, geopolitics, and everyday life are shadowed by a suffocating sense of stasis. The limits to capital and the limits of nature are entangled in frightful ways, while the profoundly obsolete form of leadership, domination, and conflict exacerbate an already baleful situation. And yet struggles for liberation have not been quelled. Terms of Disorder confronts this moment by probing some of the defining terms in the modern vocabulary of emancipation, with the aim of testing their capacity to name and orient collective action set on abolishing the present state of things. Ranging from communism to leadership, the eleven keywords addressed in this book provide a set of interlocking points of entry into the common task of forging a political language capable of navigating our disorientation. If, as Gramsci famously noted, the interregnum is a time when the new struggles to be born while the old order is moribund, we may wish to heed Cedric Robinson’s call to “choose wisely among the dying.”
Would the most recognizable ideas in the French social sciences have developed without the influence of Brazilian intellectuals? While any study of Brazilian social sciences acknowledges the influence of French scholars, Ian Merkel argues the reverse is also true: the “French” social sciences were profoundly marked by Brazilian intellectual thought, particularly through the University of São Paulo. Through the idea of the “cluster,” Merkel traces the intertwined networks of Claude Lévi-Strauss, Fernand Braudel, Roger Bastide, and Pierre Monbeig as they overlapped at USP and engaged with Brazilian scholars such as Mário de Andrade, Gilberto Freyre, and Caio Prado Jr..
Through this collective intellectual biography of Brazilian and French social sciences, Terms of Exchange reveals connections that shed new light on the Annales school, structuralism, and racial democracy, even as it prompts us to revisit established thinking on the process of knowledge formation through fieldwork and intellectual exchange. At a time when canons are being rewritten, this book reframes the history of modern social scientific thought.
Based on extensive fieldwork and oral history, The Terms of Our Surrender is a powerful critical appraisal of unceded indigenous land ownership in eastern Canada. Set against an ethnographic, historical, and legal framework, this book traces the myriad ways the Canadian state has evaded the 1763 Royal Proclamation that guaranteed First Nations people a right to their land and way of life.
Focusing on the Innu of Quebec and Labrador, whose land has been taken for resource extraction and development, this book strips back the law of fiduciary duty to its origins. The Terms of Our Surrender argues for the preservation of land ownership and positions First Nations people as natural land defenders amidst a devastating climate crisis. This volume offers a voice to the Innu people, detailing the spirituality practices, culture, and values that make it impossible for them to willingly cede their land.
This book is intended to bridge the gap in knowledge between legal practitioners and those working at the intersections of human rights, social work, and public policy. It offers a potent template for using the law to fight back against the indignities suffered by indigenous communities.
Earthen architecture is one of the oldest forms of construction and is evidenced around the globe. This volume gathers the research and presentations from Terra 2022: 13th World Congress on Earthen Architectural Heritage, which brought together in Santa Fe, New Mexico, 350 conservation professionals and practitioners from fifty-two countries.
Seventy richly illustrated papers, fifty-seven in English and thirteen in Spanish, address a range of conservation issues. Abstracts are provided in both English and Spanish for each paper. Themes covered include advances in research, strategies for archaeological sites, community-based care and decision-making, cultural landscapes, decorated surfaces, education, historic and modern buildings, conservation history, risks and vulnerabilities, and traditional materials and practices. Sections that draw on symposia held at the congress spotlight two recent architectural heritage initiatives: the rehabilitation of an urban settlement by the AlUla Old Town and Oasis Conservation Project in Saudi Arabia, and the conservation and management of eight monumental enclosure complexes at the Hopewell Ceremonial Earthworks in Ohio.
Starting with the de Soto map of 1544, the earliest document that purports to describe anything about the Great Smoky Mountains, and continuing through 1934 with the establishment of the Great Smoky Mountains National Park—today the most visited national park in the United States—this volume catalogs books, periodical and journal articles, selected newspaper reports, government publications, dissertations, and theses published during that period.
This bibliography treats the Great Smoky Mountain Region in western North Carolina and east Tennessee systematically and extensively in its full historic and social context. Prefatory material includes a timeline of the Great Smoky Mountains and a list of suggested readings on the era covered. The book is divided into thirteen thematic chapters, each featuring an introductory essay that discusses the nature and value of the materials in that section. Following each overview is an annotated bibliography that includes full citation information and a bibliographic description of each entry.
Chapters cover the history of the area; the Cherokee in the Great Smoky Mountains; the national forest movement and the formation of the national park; life in the locality; Horace Kephart, perhaps the most important chronicler to document the mountains and their inhabitants; natural resources; early travel; music; literature; early exploration and science; maps; and recreation and tourism. Sure to become a standard resource on this rich and vital region, Terra Incognita is an essential acquisition for all academic and public libraries and a boundless resource for researchers and students of the region.
In Terra Incognita, Alfred Hiatt draws on sources both literary and visual to understand the appeal of the antipodes. Examining maps and diagrams, as well as evidence contained in geographical and historical works, poetry, travel narratives, and legal documents, he challenges long-standing characterizations of medieval spatiality as exclusively symbolic and religious. Instead, Hiatt finds, the idea of people on the other side of the Earth provided a potent and malleable symbol for political theorists, satirists, scholars, and poets—as well as for map makers. Terra Incognita is, in the end, the history of a non-place, of lands conjured by the scientific imagination, which nevertheless drove exploration, and which continued to shape the world map, even as they slowly vanished from it.
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