A SCHOLARLY BOOK REPOSITORY
Women have always been the muses who inspire the creativity of men, but how do women become the creators of art themselves? This was the challenge faced by Latin American women who aspired to write in the 1920s and 1930s. Though women's roles were opening up during this time, women writers were not automatically welcomed by the Latin American literary avant-gardes, whose male members viewed women's participation in tertulias (literary gatherings) and publications as uncommon and even forbidding. How did Latin American women writers, celebrated by male writers as the "New Eve" but distrusted as fellow creators, find their intellectual homes and fashion their artistic missions?
In this innovative book, Vicky Unruh explores how women writers of the vanguard period often gained access to literary life as public performers. Using a novel, interdisciplinary synthesis of performance theory, she shows how Latin American women's work in theatre, poetry declamation, song, dance, oration, witty display, and bold journalistic self-portraiture helped them craft their public personas as writers and shaped their singular forms of analytical thought, cultural critique, and literary style. Concentrating on eleven writers from Argentina, Brazil, Cuba, Mexico, Peru, and Venezuela, Unruh demonstrates that, as these women identified themselves as instigators of change rather than as passive muses, they unleashed penetrating critiques of projects for social and artistic modernization in Latin America.
Shakespeare’s romance Pericles follows Pericles, the Prince of Tyre, on a series of adventures across the Mediterranean Sea. Navigating one heroic challenge after another, Pericles strives to be reunited with his wife and child. Ellen McLaughlin’s translation of Pericles illuminates Shakespeare’s text, untangling syntax and bringing forth the poetry of the verse. An encounter between the contemporary and the iconic, this translation brings the play to life as audiences would have experienced it in Shakespeare’s time.
This translation of Pericles was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
Since the eighteenth century, classical scholars have generally agreed that the Greek playwright Aristophanes did not as a matter of course write "political" plays. Yet, according to an anonymous Life of Aristophanes, when Dionysius the tyrant of Syracuse wanted to know about the government of Athens, Plato sent him a copy of Aristophanes' Clouds.
In this boldly revisionist work, Michael Vickers convincingly argues that in his earlier plays, Aristophanes in fact commented on the day-to-day political concerns of Athenians. Vickers reads the first six of Aristophanes' eleven extant plays in a way that reveals the principal characters to be based in large part on Pericles and his ward Alcibiades.
According to Vickers, the plays of Aristophanes—far from being nonpolitical—actually allow us to gauge the reaction of the Athenian public to the events that followed Pericles' death in 429 B.C., to the struggle for the political succession, and to the problems presented by Alcibiades' emergence as one of the most powerful figures in the state. This view of Aristophanes reaffirms the central role of allegory in his work and challenges all students of ancient Greece to rethink long-held assumptions about this important playwright.
Moments are revealed in layers; we join the poet as she rides through fields on horseback, watches a woman testify on television, and comes to terms with her experiences of sexual abuse. Vivid recollections of emotionally charged minutiae—broken-in cowboy boots, the second button on a blouse, a housecoat patterned with pink begonias—remind us how even the smallest details can be fraught with both nostalgia and pain. Each poem wields power, with resonating narratives of fear and survival reminding us that suffering has no statute of limitations.
The late fifth century BC was the golden age of ancient Athens. Under the leadership of the renowned soldier-statesman Perikles, Athenians began rebuilding the Akropolis, where they created the still awe-inspiring Parthenon. Athenians also reached a zenith of artistic achievement in sculpture, vase painting, and architecture, which provided continuing inspiration for many succeeding generations.
The specially commissioned essays in this volume offer a fresh, innovative panorama of the art, architecture, history, culture, and influence of Periklean Athens. Written by leading experts in the field, the articles cover a wide range of topics, including:
- An evaluation of Perikles' military leadership during the early stages of the Peloponnesian War.
- Iconographical and iconological studies of vase paintings, wall paintings, and sculpture.
- Explorations of the Parthenon and other monuments of the Athenian Akropolis.
- The legacy of Periklean Athens and its influence upon later art.
- Assessments of the modern reception of the Akropolis.
As a whole, this collection of essays proves that even a well-explored field such as Periklean Athens can yield new treasures when mined by perceptive and seasoned investigators.
By the 1990s, wetlands across the United States were endangered from pollution and decades of drainage to convert them into farmland and urban developments. But when deformed frogs—many with missing legs or eyes, footless stumps, or misshapen jaws—began to emerge from Minnesota wetlands, alarm bells went off. What caused such deformities? Pollution? Ultraviolet rays? Biological agents? And could the mysterious cause also pose a threat to humans?
Judy Helgen writes with passionate concern about vulnerable frogs and wetlands as she navigates through a maze of inquisitive media and a reluctant government agency. She reports on the complexity of a growing catastrophe for frogs and broadens the issue as she researches and meets with scientists from around the world. She affirms the importance of examining aquatic life to understand pollution and the need to rescue our remaining wetlands. She also shares the fears expressed by the teachers, students, and other citizens who found these creatures, sensed a problem, and looked to her for answers. Ultimately, this is a story about the biological beauty of wetlands and our need to pay attention to the environment around us.
Perilous Balance was first published in 1945. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Firmly based on the insight that memory is always mediated and that the past is not a stable object, the volume demonstrates that we can intervene positively yet critically in the recovery and reinterpretation of events and experiences that have been pushed to the peripheries of the past. The contributors—an international list of anthropologists, cultural critics, historians, literary scholars, and activists—show how both dominant and subjugated memories have emerged out of entanglements with such forces as nationalism, imperialism, colonialism, racism, and sexism. They consider both how the past is remembered and also what the consequences may be of privileging one set of memories over others. Specific objects of study range from photographs, animation, songs, and films to military occupations and attacks, minorities in wartime, “comfort women,” commemorative events, and postwar activism in pursuing redress and reparations.
Perilous Memories is a model for war memory intervention and will be of interest to historians and other scholars and activists engaged with collective memory, colonial studies, U.S. and Asian history, and cultural studies.
Contributors. Chen Yingzhen, Chungmoo Choi, Vicente M. Diaz, Arif Dirlik, T. Fujitani, Ishihara Masaie, Lamont Lindstrom, George Lipsitz, Marita Sturken, Toyonaga Keisaburo, Utsumi Aiko, Morio Watanabe, Geoffrey M. White, Diana Wong, Daqing Yang, Lisa Yoneyama
Civil Air Transport (CAT), founded in China after World War II by Claire Chennault and Whiting Willauer, was initially a commercial carrier specializing in air freight. Its role quickly changed as CAT became first a paramilitary adjunct of the Nationalist Chinese Air Force, then the CIA's secret "air force" in Korea, then "the most shot-at airline in the world" in French Indochina, and eventually becoming reorganized as Air America at the height of the Vietnam War. William M. Leary's detailed operational history of CAT sets the story in the perspective of Asian and Cold War geopolitics and shows how CAT allowed the CIA to operate with a level of flexibility and secrecy that it would not have attained through normal military or commercial air transportation.
In a book addressing those interested in the transformation of monarchy into the modern state and in intersections of gender and political power, Katherine Crawford examines the roles of female regents in early modern France.
The reigns of child kings loosened the normative structure in which adult males headed the body politic, setting the stage for innovative claims to authority made on gendered terms. When assuming the regency, Catherine de Médicis presented herself as dutiful mother, devoted widow, and benign peacemaker, masking her political power. In subsequent regencies, Marie de Médicis and Anne of Austria developed strategies that naturalized a regendering of political structures. They succeeded so thoroughly that Philippe d’Orleans found that this rhetoric at first supported but ultimately undermined his authority. Regencies demonstrated that power did not necessarily work from the places, bodies, or genders in which it was presumed to reside.
While broadening the terms of monarchy, regencies involving complex negotiations among child kings, queen mothers, and royal uncles made clear that the state continued regardless of the king—a point not lost on the Revolutionaries or irrelevant to the fate of Marie-Antoinette.
politics, history, comparative literature, and
philosophy—the unprecedented annual publication Late
Editions exposes unsettling dilemmas and unprecedented
challenges facing cultural studies on the brink of the
twenty-first century. Successive volumes will appear
annually until the year 2000, each engaging the predicaments
of particular institutions, nations, and persons at this
point of social, cultural, and political change. The
project will test the limits of scholarly conventions by
finding new ways to expose cultural formations emerging from
the maturation or exhaustion of once-powerful ideas whose
validity is now deeply in question.
Perilous States, the first volume of Late
Editions, presents conversations between American
scholars, most of whom are anthropologists, and individuals
situated amidst political and social upheaval. Pimarily but
not exclusively from Eastern Europe, the cast includes
Russian writers, Hungarian scientists and academics, Armenian
politicians, Siberian religious and medical leaders, a Gypsy
leader, a Polish poet, a French politician, and a white South
African musician who is a self-styled Zulu. Their voices
unite around themes of democracy, market economy, individual
rights, and the reawakened force of suppressed ethnic and
racial identities.
To obtain fresh perspectives on these cultural and social
transformations, the volumes will consist of in-depth
conversations, relayed in essay form, between scholars and
individuals in other cultures with whom they share
affinities. This novel approach blends the immediacy of
interviews, the objectivity of journalism, and the
intellectual rigor of scholarship.
Contributors to this volume are Marjorie Balzer, Sam
Beck, David B. Coplan, Michael M. J. Fischer, Nia Georges,
Bruce Grant, Douglas R. Holmes, Stella Gregorian, George E.
Marcus, Kathryn Milun, Eleni Papagaroufali, Paul Rabinow,
Julie Taylor, and Tom White.
Despite being told that we now live in a cosmopolitan world, more and more people have begun to assert their identities in ways that are deeply rooted in the local. These claims of autochthony—meaning “born from the soil”—seek to establish an irrefutable, primordial right to belong and are often employed in politically charged attempts to exclude outsiders. In The Perils of Belonging, Peter Geschiere traces the concept of autochthony back to the classical period and incisively explores the idea in two very different contexts: Cameroon and the Netherlands.
In both countries, the momentous economic and political changes following the end of the cold war fostered anxiety over migration. For Cameroonians, the question of who belongs where rises to the fore in political struggles between different tribes, while the Dutch invoke autochthony in fierce debates over the integration of immigrants. This fascinating comparative perspective allows Geschiere to examine the emotional appeal of autochthony—as well as its dubious historical basis—and to shed light on a range of important issues, such as multiculturalism, national citizenship, and migration.
The first months of the Obama administration have led to expectations, both in the United States and abroad, that in the coming years America will increasingly promote the international rule of law—a position that many believe is both ethically necessary and in the nation’s best interests.
With The Perils of Global Legalism, Eric A. Posner explains that such views demonstrate a dangerously naive tendency toward legalism—an idealistic belief that law can be effective even in the absence of legitimate institutions of governance. After tracing the historical roots of the concept, Posner carefully lays out the many illusions—such as universalism, sovereign equality, and the possibility of disinterested judgment by politically unaccountable officials—on which the legalistic view is founded. Drawing on such examples as NATO’s invasion of Serbia, attempts to ban the use of land mines, and the free-trade provisions of the WTO, Posner demonstrates throughout that the weaknesses of international law confound legalist ambitions—and that whatever their professed commitments, all nations stand ready to dispense with international agreements when it suits their short- or long-term interests.
Provocative and sure to be controversial, The Perils of Global Legalism will serve as a wake-up call for those who view global legalism as a panacea—and a reminder that international relations in a brutal world allow no room for illusions.
The Perils of Populism shows how a feminist lens can help diagnose the factors behind the global rise of right-wing populism and teach us how to resist the threat it presents to democracy. Featuring interdisciplinary essays about politics in the United States, the Middle East, Europe, and India from a variety of acclaimed theorists and activists, the volume contributes to a rapidly expanding literature on gender and the far right. Together, these chapters offer a truly intersectional analysis of the problem, addressing everything from how populism has thrived in a “post-truth” era to the ways it appeals to working-class voters looking for an alternative to neoliberalism. Yet the authors also find reasons to be hopeful, as they showcase forms of grassroots feminist activism that challenge right-wing populism by advocating for racial and economic justice.
William E. Leuchtenburg's lively yet balanced account of this hotly debated era in American history has been a standard text for many years. This substantial revision gives greater weight to the roles of women and minorities in the great changes of the era and adds new insights into literature, the arts, and technology in daily life. He has also updated the lists of important dates and resources for further reading.
“This book gives us a rare opportunity to enjoy the matured interpretation of an American Historian who has returned to the story and seen how recent decades have added meaning and vividness to this epoch of our history.”—Daniel J. Boorstin, from the Preface
Miyazaki also photographed the water as he went, creating waterscapes of the ever-changing lake affected by weather and time. Perimeter gathers these images together, creating a diverse portrait of both people and a place, encapsulating Lake Michigan’s significance to those who are drawn to it.
This special issue of MLQ covers examples of periodization from the early modern to the present, including a range from the individual year to the longue durée and incorporates a variety of methods from close empirical study to global concern. In the lead essay, Russell A. Berman argues that periodization saves us from the dangers of both anachronism and presentism. Srinivas Aravamudan, updating Vico, reminds usthat we lose the past if we simply leave it unexamined. In “Perioddity” Timothy J. Reiss reflects on the crossings of chronology with geology in long-range and global perspectives.
This collection strives to turn discomfort with periodization into a constructive discourse.
Contributors. Srinivas Aravamudan, Russell Berman, Marshall Brown, Margreta de Grazia, Robert J. Griffin, Anne K. Mellor, Michael North, Timothy J. Reiss
For a half century, the American intellectual Fredric Jameson has been a driving force in literary and cultural theory. In Periodizing Jameson, Phillip E. Wegner builds upon Jameson’s unique dialectical method to demonstrate the value of Jameson’s tools—periodization, the fourfold hermeneutic, and the Greimasian semiotic square, among others—and to develop virtuoso readings of Jameson’s own work and the history of the contemporary American university in which it unfolds.
Wegner shows how Jameson’s work intervenes in particular social, cultural, and political situations, using his scholarship both to develop original explorations of nineteenth-century fiction, popular films, and other promiment theorists, and to examine the changing fortunes of theory itself. In this way, Periodizing Jameson casts new light on the potential of and challenges to humanist intellectual work in the present.
The precarious situation in the successor states of Yugoslavia created a specific dynamic in the field of labor mobility. Still, little research has been done in this region on how women, who are older care workers from Serbia or Bosnia commute—often via illegal border crossings—to German households to look after the elderly. In Peripheral Labor Mobilities, Tanja Višic explores this gender-specific migration pattern in the first expansive ethnography of contemporary cross-border elder care in this region. She takes up questions about how the mobility and work practices of women are integrated into the socio-economic networks of the informal care work sector while also looking at worker confrontations with labor laws and border regimes. Illustrative case studies clearly detail culturally specific patterns of perception of care work, family relationships, and the mobility demanded by these labor arrangements.
Contributors. Cheasty Anderson, Anne-Emanuelle Birn, Katherine E. Bliss, Gilberto Hochman, Jennifer L. Lambe, Nicole Pacino, Carlos Henrique Assunção Paiva, Jadwiga E. Pieper Mooney, Raúl Necochea López, Marco A. Ramos, Gabriela Soto Laveaga
McKinney argues that this grand narrative neglects the extent to which writing center work is theoretically and pedagogically complex, with ever-changing work and conditions, and results in a straitjacket for writing center scholars, practitioners, students, and outsiders alike. Peripheral Visions for Writing Centers makes the case for a broader narrative of writing center work that recognizes and theorizes the various spaces of writing center labor, allows for professionalization of administrators, and sees tutoring as just one way to perform writing center work.
McKinney explores possibilities that lie outside the grand narrative, allowing scholars and practitioners to open the field to a fuller, richer, and more realistic representation of their material labor and intellectual work.
The essays in this collection illuminate both the processes of change and the negative reactions that they frequently elicited
Yucatan has been called “a world apart”—cut off from the rest of Mexico by geography and culture. Yet, despite its peripheral location, the region experienced substantial change in the decades after independence. As elsewhere in Mexico, apostles of modernization introduced policies intended to remold Yucatan in the image of the advanced nations of the day. Indeed, modernizing change began in the late colonial era and continued throughout the 19th century as traditional patterns of land tenure were altered and efforts were made to divest the Catholic Church of its wealth and political and intellectual influence. Some changes, however, produced fierce resistance from both elites and humbler Yucatecans and modernizers were frequently forced to retreat or at least reach accommodation with their foes.
Covering topics from the early 19th century to the late 20th century, the essays in this collection illuminate both the processes of change and the negative reactions that they frequently elicited. The diversity of disciplines covered by this volume—history, anthropology, sociology, economics—illuminates at least three overriding challenges for study of the peninsula today. One is politics after the decline of the Institutional Revolutionary Party: What are the important institutions, practices, and discourses of politics in a post-postrevolutionary era? A second trend is the scholarly demystification of the Maya: Anthropologists have shown the difficulties of applying monolithic terms like Maya in a society where ethnic relations are often situational and ethnic boundaries are fluid. And a third consideration: researchers are only now beginning to grapple with the region’s transition to a post-henequen economy based on tourism, migration, and the assembly plants known as maquiladoras. Challenges from agribusiness and industry will no doubt continue to affect the peninsula’s fragile Karst topography and unique environments.
Contributors: Eric N. Baklanoff, Helen Delpar, Paul K. Eiss, Ben W. Fallaw, Gilbert M. Joseph, Marie Lapointe, Othón Baños Ramírez, Hernán Menéndez Rodríguez, Lynda S. Morrison, Terry Rugeley, Stephanie J. Smith
Lisa Wedeen, who spent a year and a half in Yemen observing and interviewing its residents, argues that national solidarity in such weak states tends to arise not from attachments to institutions but through both extraordinary events and the ordinary activities of everyday life. Yemenis, for example, regularly gather to chew qat, a leafy drug similar to caffeine, as they engage in wide-ranging and sometimes influential public discussions of even the most divisive political and social issues. These lively debates exemplify Wedeen’s contention that democratic, national, and pious solidarities work as ongoing, performative practices that enact and reproduce a citizenry’s shared points of reference. Ultimately, her skillful evocations of such practices shift attention away from a narrow focus on government institutions and electoral competition and toward the substantive experience of participatory politics.
A leading neuroscientist argues that the peripheral nervous system, long understood to play a key role in regulating basic bodily functions, also signals the onset of illness.
The central nervous system, consisting of the brain and the spinal cord, has long been considered the command center of the body. Yet outside the central nervous system, an elaborate network of nerve cells and fibers extends throughout our bodies, transmitting messages between the brain and other organs. The peripheral nervous system, as it’s known, regulates such vital functions as heart rate, digestion, and perspiration and enables us to experience the barrage of sounds, tastes, smells, and other sensory information that surrounds us. But beyond these crucial roles, the peripheral nervous system might do even more: it might warn us of diseases in our future.
As Moses Chao argues in Periphery, from Parkinson’s disease to autism to dementia, many neurological conditions emerge not in the brain but rather within the peripheral nervous system, in the dense network of nerves that wrap around the gastrointestinal tract. What’s more, dysfunctions of the peripheral nervous system can signal the onset of disease decades before symptoms like tremor or memory loss occur. Fortunately, unlike nerves in the brain and spinal cord, peripheral nerves can heal and regenerate in response to injury and aging. The therapeutic implications are remarkable. Chao shows how, with a better understanding of the peripheral nervous system, we could not only predict and treat neurological diseases long before their onset, but possibly prevent them altogether.
Full of new ideas and bold interpretations of the latest data, Periphery opens exciting avenues for medical research while deepening our understanding of a crucial yet underappreciated biological system.
“One only ever asks forgiveness for what is unforgivable.” From this contradiction begins Perjury and Pardon, a two-year series of seminars given by Jacques Derrida at the École des hautes études en sciences sociales in Paris in the late 1990s. In these sessions, Derrida focuses on the philosophical, ethical, juridical, and political stakes of the concept of responsibility. His primary goal is to develop what he calls a “problematic of lying” by studying diverse forms of betrayal: infidelity, denial, false testimony, perjury, unkept promises, desecration, sacrilege, and blasphemy.
Although forgiveness is a notion inherited from multiple traditions, the process of forgiveness eludes those traditions, disturbing the categories of knowledge, sense, history, and law that attempt to circumscribe it. Derrida insists on the unconditionality of forgiveness and shows how its complex temporality destabilizes all ideas of presence and even of subjecthood. For Derrida, forgiveness cannot be reduced to repentance, punishment, retribution, or salvation, and it is inseparable from, and haunted by, the notion of perjury. Through close readings of Kant, Kierkegaard, Shakespeare, Plato, Jankélévitch, Baudelaire, and Kafka, as well as biblical texts, Derrida explores diverse notions of the “evil” or malignancy of lying while developing a complex account of forgiveness across different traditions.
Perjury and Pardon is a two-year seminar series given by Jacques Derrida at the École des hautes études en sciences sociales in Paris during the late 1990s. In these sessions, Derrida focuses on the philosophical, ethical, juridical, and political stakes of the concept of responsibility. His primary goal is to develop what he calls a “problematic of lying” by studying diverse forms of betrayal: infidelity, denial, false testimony, perjury, unkept promises, desecration, sacrilege, and blasphemy.
This volume covers the seminar’s second year when Derrida explores the political dimensions of forgiveness and repentance. Over eight sessions, he discusses Hegel, Augustine, Levinas, Arendt, and Benjamin as well as Bill Clinton’s impeachment and Nelson Mandela and Desmond Tutu’s testimonies before the Truth and Reconciliation Commission. The seminars conclude with an extended reading of Henri Thomas’s 1964 novel Le Parjure.
Leads scholars and anyone who cares about the humanities into more effectively analyzing the fate of the humanities and digging into the very idea of the humanities as a way to find meaning and coherence in the world.
The humanities, considered by many as irrelevant for modern careers and hopelessly devoid of funding, seem to be in a perpetual state of crisis, at the mercy of modernizing and technological forces that are driving universities towards academic pursuits that pull in grant money and direct students to lucrative careers. But as Paul Reitter and Chad Wellmon show, this crisis isn’t new—in fact, it’s as old as the humanities themselves.
Today’s humanities scholars experience and react to basic pressures in ways that are strikingly similar to their nineteenth-century German counterparts. The humanities came into their own as scholars framed their work as a unique resource for resolving crises of meaning and value that threatened other cultural or social goods. The self-understanding of the modern humanities didn’t merely take shape in response to a perceived crisis; it also made crisis a core part of its project. Through this critical, historical perspective, Permanent Crisis can take scholars and anyone who cares about the humanities beyond the usual scolding, exhorting, and hand-wringing into clearer, more effective thinking about the fate of the humanities. Building on ideas from Max Weber and Friedrich Nietzsche to Helen Small and Danielle Allen, Reitter and Wellmon dig into the very idea of the humanities as a way to find meaning and coherence in the world.
How did the Reformation, which initially promoted decidedly illiberal positions, end up laying the groundwork for Western liberalism?
The English Reformation began as an evangelical movement driven by an unyielding belief in predestination, intolerance, stringent literalism, political quietism, and destructive iconoclasm. Yet by 1688, this illiberal early modern upheaval would deliver the foundations of liberalism: free will, liberty of conscience, religious toleration, readerly freedom, constitutionalism, and aesthetic liberty. How did a movement with such illiberal beginnings lay the groundwork for the Enlightenment? James Simpson provocatively rewrites the history of liberalism and uncovers its unexpected debt to evangelical religion.
Sixteenth-century Protestantism ushered in a culture of permanent revolution, ceaselessly repudiating its own prior forms. Its rejection of tradition was divisive, violent, and unsustainable. The proto-liberalism of the later seventeenth century emerged as a cultural package designed to stabilize the social chaos brought about by this evangelical revolution. A brilliant assault on many of our deepest assumptions, Permanent Revolution argues that far from being driven by a new strain of secular philosophy, the British Enlightenment is a story of transformation and reversal of the Protestant tradition from within. The gains of liberalism were the unintended results of the violent early Reformation.
Today those gains are increasingly under threat, in part because liberals do not understand their own history. They fail to grasp that liberalism is less the secular opponent of religious fundamentalism than its dissident younger sibling, uncertain how to confront its older evangelical competitor.
From the colonial era of waterborne transport, through nineteenth-century changes in transportation and communication, to globalization, the history of the Great Lakes Basin has been shaped by the people, goods, and capital crossing and recrossing the U.S.-Canadian border.
During the past three centuries, the region has been buffeted by efforts to benefit from or defeat economic and political integration and by the politics of imposing, tightening, or relaxing the bisecting international border. Where tariff policy was used in the early national period to open the border for agricultural goods, growing protectionism in both countries transformed the border into a bulwark against foreign competition after the 1860s. In the twentieth century, labor migration followed by multinational corporations fundamentally altered the customary pairing of capital and nation to that of capital versus nation, challenging the concept of international borders as key factors in national development.
In tracing the economic development of the Great Lakes Basin as borderland and as transnational region, the authors of Permeable Border have provided a regional history that transcends national borders and makes vital connections between two national histories that are too often studied as wholly separate.
Bringing together cultural critique, memory, narratology, cognition, and comprehension, González examines Latina/o authors—such as Oscar “Zeta” Acosta, Gloria Anzaldúa, Piri Thomas, Giannina Braschi, Gilbert Hernandez, Sandra Cisneros, and Junot Díaz—investigating how they successfully, and sometimes unsuccessfully, use the expansive canvas of narrative form to capture the imaginations of an open-minded readership. Permissible Narratives highlights both the inequitable accessibility of narrative devices and, crucially, the daring of Latina/o authors to nurture a readership to afford the same literary deference to them that is so often afforded to white, male, straight authors.
Permission to Laugh explores the work of three generations of German artists who, beginning in the 1960s, turned to jokes and wit in an effort to confront complex questions regarding German politics and history. Gregory H. Williams highlights six of them—Martin Kippenberger, Isa Genzken, Rosemarie Trockel, Albert Oehlen, Georg Herold, and Werner Büttner—who came of age in the mid-1970s in the art scenes of West Berlin, Cologne, and Hamburg. Williams argues that each employed a distinctive brand of humor that responded to the period of political apathy that followed a decade of intense political ferment in West Germany.
Organized as a series of “takes” that range from short sidebars to extended discussions, Permissions, A Survival Guide explores intellectual property law as it pertains to visual imagery. How can you determine whether an artwork is copyrighted? How do you procure a high-quality reproduction of an image? What does “fair use” really mean? Is it ever legitimate to use the work of an artist without permission? Bielstein discusses the many uncertainties that plague writers who work with images in this highly visual age, and she does so based on her years navigating precisely these issues. As an editor who has hired a photographer to shoot an incredibly obscure work in the Italian mountains (a plan that backfired hilariously), who has tried to reason with artists' estates in languages she doesn't speak, and who has spent her time in the archival trenches, she offers a snappy and humane guide to this difficult terrain.
Filled with anecdotes, asides, and real courage, Permissions, A Survival Guide is a unique handbook that anyone working in the visual arts will find invaluable, if not indispensable.
There is a river, Garrison writes, that runs from Oaxaca to British Columbia. El flujo migratorio, he calls it. The migratory flow. But it isn’t a conventional sort of river. “It is made of neither rock nor water nor wind but only of motion, of momentum. And yet . . . it is the most compelling feature in the entire U.S. West,” he claims. Garrison has his feet planted firmly in the middle of this river of humanity, wondering why America is trying to build a wall along an actual river, the Rio Grande, to keep us separated from the mexicanos. All borders, he writes, exist mostly in the imagination—a point he proves decisively in this delightful book.
Garrison is an award-winning writer and this book shows why. Warm, witty, self-deprecating, and charming (the list could go on), this collection illuminates the lives of these migrants, whether at the local food bank in Ellensburg, Washington, in the streets of Michoacán, or everywhere in between.
A new exploration of how digital media assert the relevance of dance in a wired world
How has the Internet changed dance? Dance performances can now be seen anywhere, can be looped endlessly at user whim, and can integrate crowds in unprecedented ways. Dance practices are evolving to explore these new possibilities. In Perpetual Motion, Harmony Bench argues that dance is a vital part of civil society and a means for building participation and community. She looks at how, after 9/11, it became a crucial way of recuperating the common character of public spaces. She explores how crowdsourcing dance contributes to the project of performing a common world, as well as the social relationships forged when we look at dance as a gift in the era of globalization. Throughout, she asks how dance brings people together in digital spaces and what dance’s digital travels might mean for how we experience and express community.
From original research on dance today to political economies of digital media to the philosophy of dance, Perpetual Motion provides an ambitious, invigorating look at a commonly shared practice.
Under these conditions, cosmopolitanism in the traditional sense—primary loyalty to the good of humanity as a whole, even if it conflicts with loyalty to the interests of one's own nation—becomes a necessary resource in the struggle against military aggression. To what extent does the "new" cosmopolitanism also include or support this "old" cosmopolitanism? In an attempt to answer this question, Robbins engages with such thinkers as Noam Chomsky, Edward Said, Anthony Appiah, Immanuel Wallerstein, Louis Menand, W. G. Sebald, and Slavoj Zizek. The paradoxes of detachment and belonging they embody, he argues, can help define the tasks of American intellectuals in an era when the first duty of the cosmopolitan is to resist the military aggression perpetrated by his or her own country.
The Establishment of English colonies in North America and the West Indies in the seventeenth century opened new opportunities for trade. Conspicuous among the families who used these opportunities to gain mercantile and social importance was the Perry family of Devon, who created Perry and Lane, by the end of the century the most important London firm trading to the Chesapeake and other parts of North America.
Jacob Price traces the family from Devon to Spain, Ireland, Scotland, the Chesapeake, New England, and London. He describes their relationships with Chesapeake society, from the Byrds and Carters to humble planters. In London, the firm’s patronage gave the family high standing among fellow businessmen, a position the founder’s grandson utilized to become a member of Parliament and Lord Mayor of London. In the end, the grandson’s political success as an antiministerialist brought the family the enmity of the prime minister, Sir Robert Walpole, and contributed to the downfall of their firm.
The Perrys’ story reveals the interrelatedness of social, commercial, and political history. It offers an important contribution to our understanding of the nature of the Chesapeake trade and the forces shaping the success and failure of English mercantile enterprise in the seventeenth and eighteenth centuries.
Now at last this neglected gem has been revived for scientists, students, and aficionados of natural history. New scholarship is combined with modern digital reproduction techniques to do full justice to the beautiful plates. An up-to-date account of all the species is given, along with a full collation and extensive notes, by the eminent natural historian Richard E. Petit.
The Arcana is technically interesting too, as its glowing plates were printed with variously colored inks to suppress their outlines. Its appeal will extend not only to academic libraries and scholars specializing in various branches of natural history and the history of science, but also to collectors of beautiful natural history books and enthusiasts of Regency Britain.
Drawing on German and French sources, Wolfgang Seibel traces the twisted process of political decision-making that shaped the fate of the Jews in German-occupied France during World War II. By analyzing the German-French negotiations, he reveals the underlying logic as well as the actual course of the bargaining process as both the Vichy Regime and the Germans sought a stable relationship. Yet that relationship was continually reshaped by the progress of the war, Germany’s deteriorating prospects, France’s economic and geopolitical position, and the Vichy government’s quest for domestic political support. The Jews’ suffering intensified when the Germans had the upper hand; but when the French felt empowered, the Vichy Regime stopped collaborating in the completion of the “final solution.” Persecution and Rescue: The Politics of the “Final Solution” in France, 1940–1944 demonstrates the ways in which political circumstances can mitigate—or foster—mass crime.
The theater of early modern England was a disastrous affair. The scant record of its performance demonstrates as much, for what we tend to remember today of the Shakespearean stage and its history are landmark moments of dissolution: the burning down of the Globe, the forced closure of playhouses during outbreaks of the plague, and the abolition of the theater by its Cromwellian opponents.
Persecution, Plague, and Fire is a study of these catastrophes and the theory of performance they convey. Ellen MacKay argues that the various disasters that afflicted the English theater during its golden age were no accident but the promised end of a practice built on disappearance and erasure—a kind of fatal performance that left nothing behind but its self-effacing poetics. Bringing together dramatic theory, performance studies, and theatrical, religious, and cultural history, MacKay reveals the period’s radical take on the history and the future of the stage to show just how critical the relation was between early modern English theater and its public.
In Persephone in America, Alison Townsend deftly weaves autobiography with myth in this reinvention of the tale of Demeter and Persephone as seen from the modern woman’s perspective. Fraught with emotional honesty, this captivating collection of lyrical and narrative poems chronicles the struggles of the figurative Persephone in three parts—the abduction, descent to the underworld, and return. Townsend turns a shrewd eye to her own experiences, as well as to the lives of other women, to offer an unflinching yet deeply compassionate exploration of such themes as girlhood and the vulnerability of the motherless; the demons of depression, addiction, and abuse; as well as passion, aging, and celebration of the natural world.
Although the poems traverse dark emotional territory at times, the picture that emerges ultimately is one of revelation and wisdom. Persephone in America is above all a journey of the soul, following the narrator as she explores what it means to be a woman in America, at times descending into darkness, only to emerge into redemption and realize “time’s sweet and invincible secret—that everything repeats—and we watch it.” Townsend’s candid portrait of female loss and discovery seeks to illuminate the truths inherent in myth, and the awakenings that hide in our darkest moments.
Persephone, Pretending(Madison, Wisconsin)
When the news says that the girl
who had been missing almost four days,
only to be found in a marshy area
at the edge of our medium-sized city,
was faking it all along, I wondered
what made her do it. I'd seen
her face—bright smile, dark eyes—
on a flier masking-taped to a pillar
at the airport the week before,
felt the involuntary frisson
of the curious, then only fear
at the thought of a girl abducted
in this place once voted
"America's most livable city."
She must have wanted
something she couldn't name,
that good girl with good grades
who looks like so many girls
in my own classes, but who keeps
changing her story. It happened
here; no, it happened there; no,
I really just wanted to be alone.
Then she turns her face away,
tired of telling her tale,
not sure what to make up next
or where invention will take her.
“Fictitious victimization disorder,”
Time magazine claims, but I wonder
what else, imagining her in the marsh,
cold, unrepentant, powerless, her mind
gone muddy with lack of sleep,
no way out of this lie she almost
believes, or the lies ahead,
nothing but memory of the rope,
duct tape, cough medicine,
and knife she bought at the PDQ
with her own cash, wanting
to be taken by someone so badly,
she takes us, she does it to herself.
This ecopoetic collection interweaves the voices of Persephone, Demeter, and a human chorus with a range of texts, including speculative cryptostudies that shed light on the culture of the “Late Anthropocene.” These voices speak of decadence and blame, green crabs and neonicotinoids, mysteries and effigies. They reckon with extreme weather, industrialized plenty, and their own roles in ecological collapse.
Tonally, the poems of this book range between the sublime and the profane; formally, from lyric verse and modern magical-realist prose poems to New Farmer’s Almanac riddles and pop-anthropology texts. At the heart of this varied and inventive collection is story itself, as Demeter deconstructs “whodunits,” as the chorus grasps that mythmaking is an act of “throwing their voices,” and as their very language mirrors the downward spiral of destruction. Together, the collected pieces of Persephone in the Late Anthropocene form a narrative prism, exploring both environmental crisis and the question of how we tell it.
The Shahnama positions Iran at the heart of human civilization, and its sprawling and compelling narrative stretches from the beginning of time to the seventh-century takeover of the Persian Empire by Muslim Arabs. Ibrahim Sultan, governor of Shiraz in southern Iran from 1415 to 1435, commissioned an edition of the Shahnama that contained a lavish assortment of intricate original paintings. This version is now in the collection of the Bodleian Library, and The Persian Book of Kings explores this rare text in extensive detail.
The authors investigate the life of the poet Firdausi, unpack the literary context of the poem and its illuminations, and examine the royal court of Ibrahim Sultan for whom the manuscript was commissioned. The richly colored miniatures and illuminations spread through the text are given full exploration in this study, with examinations of both the artists’ techniques that influenced generations of illustrators and the artworks’ meanings. The book also features a helpful glossary of Persian terms and a list of the numerous characters that appear in the epic.
A gorgeously produced study of one of the great literary works of human history, The Persian Book of Kings offers a fascinating look at the myths and legends of an ancient culture.
With the rise of the Achaemenid Empire (550–330 BCE), Persian institutions of kingship became the model for legitimacy, authority, and prestige across three continents. Despite enormous upheavals, Iranian visual and political cultures connected an ever-wider swath of Afro-Eurasia over the next two millennia, exerting influence at key historical junctures. This book provides the first critical exploration of the role Persian cultures played in articulating the myriad ways power was expressed across Afro-Eurasia between the sixth century BCE and the nineteenth century CE.
Exploring topics such as royal cosmologies, fashion, banqueting, manuscript cultures, sacred landscapes, and inscriptions, the volume’s essays analyze the intellectual and political exchanges of art, architecture, ritual, and luxury material within and beyond the Persian world. They show how Perso-Iranian cultures offered neighbors and competitors raw material with which to formulate their own imperial aspirations. Unique among studies of Persia and Iran, this volume explores issues of change, renovation, and interconnectivity in these cultures over the longue durée.
In her cultural and political history of the development of this power, Lindsay Allen-whose posts in the Ancient Near East departments of the British Museum and the Metropolitan Museum of Art make her one of the leading authorities on Persia-surveys written sources, art objects, warfare, politics, archaeological sites, and daily life during Persian rule. She traces the evolution of the monarchy, showing how it fostered unprecedented international communication and cultural exchange, and describes how the Persian expedition into Greece in the early fifth century BCE became a defining moment that established a European identity apart from an Asian one. Throughout, lavish illustrations bring to life the traditions of this ancient Middle Eastern civilization and finally place Alexander's invasion within a Persian context. As the subject experiences renewed interest, The Persian Empire promises to be the definitive work on one of the most powerful dynasties in ancient history.
Persian Manuscripts & Paintings from the Berenson Collection presents an in-depth analysis of the little-known Persian manuscripts and paintings collected by the world-renowned art historian, art critic, and connoisseur Bernard Berenson (1865–1959). It focuses on three manuscripts and four detached folios (containing over fifty paintings) from the fourteenth to the seventeenth century produced in Iran and Central Asia (with a later addition in Mughal India).
Fourteen essays are written by an international team of specialists in art history, Persian literature, statistics, conservation, and conservation science. The first two essays introduce Berenson’s collecting of these art works as an individual and as a trend among other collectors. The rest of the essays explain individual works of art. The Timurid Rasaʾil and the Safavid manuscripts Shahnama of Firdawsi and Farhad va Shirin of Vahshi are examined in groups of essays ranging from art historical to literary, statistical, and codicological analysis. The detached folios studied as single essays originate from the famous Great Mongol Shahnama; the 1436 Timurid Zafarnama of Sharaf al-Din ʿAli Yazdi; a Turkman Shahnama; and the dispersed Imperial Mughal Album also known as the Minto, Wantage, and Kevorkian albums. The appendix refers to the materials and techniques of the paintings in the volume.
The “Father of History.”
Herodotus the great Greek historian was born about 484 BC, at Halicarnassus in Caria, Asia Minor, when it was subject to the Persians. He traveled widely in most of Asia Minor, Egypt (as far as Aswan), North Africa, Syria, the country north of the Black Sea, and many parts of the Aegean Sea and the mainland of Greece. He lived, it seems, for some time in Athens, and in 443 went with other colonists to the new city Thurii (in South Italy), where he died about 430. He was “the prose correlative of the bard, a narrator of the deeds of real men, and a describer of foreign places” (Murray).
Herodotus’ famous history of warfare between the Greeks and the Persians has an epic dignity which enhances his delightful style. It includes the rise of the Persian power and an account of the Persian empire; a description and history of Egypt; and a long digression on the geography and customs of Scythia. Even in the later books on the attacks of the Persians against Greece there are digressions. All is most entertaining and produces a grand unity. After personal inquiry and study of hearsay and other evidence, Herodotus gives us a not uncritical estimate of the best that he could find.
The Loeb Classical Library edition of Herodotus is in four volumes.
The “Father of History.”
Herodotus the great Greek historian was born about 484 BC, at Halicarnassus in Caria, Asia Minor, when it was subject to the Persians. He traveled widely in most of Asia Minor, Egypt (as far as Aswan), North Africa, Syria, the country north of the Black Sea, and many parts of the Aegean Sea and the mainland of Greece. He lived, it seems, for some time in Athens, and in 443 went with other colonists to the new city Thurii (in South Italy), where he died about 430. He was “the prose correlative of the bard, a narrator of the deeds of real men, and a describer of foreign places” (Murray).
Herodotus’ famous history of warfare between the Greeks and the Persians has an epic dignity which enhances his delightful style. It includes the rise of the Persian power and an account of the Persian empire; a description and history of Egypt; and a long digression on the geography and customs of Scythia. Even in the later books on the attacks of the Persians against Greece there are digressions. All is most entertaining and produces a grand unity. After personal inquiry and study of hearsay and other evidence, Herodotus gives us a not uncritical estimate of the best that he could find.
The Loeb Classical Library edition of Herodotus is in four volumes.
The “Father of History.”
Herodotus the great Greek historian was born about 484 BC, at Halicarnassus in Caria, Asia Minor, when it was subject to the Persians. He traveled widely in most of Asia Minor, Egypt (as far as Aswan), North Africa, Syria, the country north of the Black Sea, and many parts of the Aegean Sea and the mainland of Greece. He lived, it seems, for some time in Athens, and in 443 went with other colonists to the new city Thurii (in South Italy), where he died about 430. He was “the prose correlative of the bard, a narrator of the deeds of real men, and a describer of foreign places” (Murray).
Herodotus’ famous history of warfare between the Greeks and the Persians has an epic dignity which enhances his delightful style. It includes the rise of the Persian power and an account of the Persian empire; a description and history of Egypt; and a long digression on the geography and customs of Scythia. Even in the later books on the attacks of the Persians against Greece there are digressions. All is most entertaining and produces a grand unity. After personal inquiry and study of hearsay and other evidence, Herodotus gives us a not uncritical estimate of the best that he could find.
The Loeb Classical Library edition of Herodotus is in four volumes.
The “Father of History.”
Herodotus the great Greek historian was born about 484 BC, at Halicarnassus in Caria, Asia Minor, when it was subject to the Persians. He traveled widely in most of Asia Minor, Egypt (as far as Aswan), North Africa, Syria, the country north of the Black Sea, and many parts of the Aegean Sea and the mainland of Greece. He lived, it seems, for some time in Athens, and in 443 went with other colonists to the new city Thurii (in South Italy), where he died about 430. He was “the prose correlative of the bard, a narrator of the deeds of real men, and a describer of foreign places” (Murray).
Herodotus’ famous history of warfare between the Greeks and the Persians has an epic dignity which enhances his delightful style. It includes the rise of the Persian power and an account of the Persian empire; a description and history of Egypt; and a long digression on the geography and customs of Scythia. Even in the later books on the attacks of the Persians against Greece there are digressions. All is most entertaining and produces a grand unity. After personal inquiry and study of hearsay and other evidence, Herodotus gives us a not uncritical estimate of the best that he could find.
The Loeb Classical Library edition of Herodotus is in four volumes.
During the first and second millennia BCE a swathe of nomadic peoples migrated outward from Central Asia into the Eurasian periphery. One group of these people would find themselves encamped in an unpromising, arid region just south of the Caspian Sea. From these modest and uncertain beginnings, they would go on to form one of the most powerful empires in history: the Persian Empire. In this book, Geoffrey and Brenda Parker tell the captivating story of this ancient civilization and its enduring legacy to the world.
The authors examine the unique features of Persian life and trace their influence throughout the centuries. They examine the environmental difficulties the early Persians encountered and how, in overcoming them, they were able to develop a unique culture that would culminate in the massive, first empire, the Achaemenid Empire. Extending their influence into the maritime west, they fought the Greeks for mastery of the eastern Mediterranean—one of the most significant geopolitical contests of the ancient world. And the authors paint vivid portraits of Persian cities and their spectacular achievements: intricate and far-reaching roadways, an astonishing irrigation system that created desert paradises, and, above all, an extraordinary reflection of the diverse peoples that inhabited them.
Four unconnected but unforgettable plays from ancient Athens’ first great tragedian.
Aeschylus (ca. 525–456 BC), the dramatist who made Athenian tragedy one of the world’s great art forms, witnessed the establishment of democracy at Athens, fought against the Persians at Marathon and probably also at Salamis, and had one of his productions sponsored by the young Pericles. He was twice invited to visit Sicily, and it was there that he died. At Athens he competed for the tragic prize at the City Dionysia about nineteen times between circa 499 and 458, and won it on thirteen occasions; in his later years he was probably victorious almost every time he put on a production, though Sophocles beat him at least once.
Of his total of about eighty plays, seven survive complete. The first volume of this new Loeb Classical Library edition contains fresh texts and translations by Alan H. Sommerstein of Persians (472), on the recent war, the only surviving Greek historical drama; Seven against Thebes (467), the third play of a trilogy, on the conflict between Oedipus’ sons which ends when they kill each other; Suppliants, the first or second play of a trilogy, on the successful appeal by the daughters of Danaus to the king and people of Argos for protection against a forced marriage to their cousins (whom they will later murder, all but one); and Prometheus Bound (of disputed authenticity), on the terrible punishment of Prometheus for giving fire to humans in defiance of Zeus (with whom he will later be reconciled after preventing his overthrow). The second volume contains the complete Oresteia trilogy (458), comprising Agamemnon, Libation-Bearers, and Eumenides, presenting the murder of Agamemnon by his wife, the revenge taken by their son Orestes, the pursuit of Orestes by his mother’s avenging Furies, his trial and acquittal at Athens, Athena’s pacification of the Furies, and the blessings they both invoke upon the Athenian people.
This edition’s third volume offers all the major fragments of lost Aeschylean plays, with brief headnotes explaining what is known, or can be plausibly inferred, about their content, and bibliographies of recent studies.
The Persistence of Dance: Choreography as Concept and Material in Contemporary Art clarifies the continuities and differences between the second-wave dance avant-garde in the 1950s‒1970s and the third-wave starting in the 1990s. Through close readings of key artists such as Maria Hassabi, Sarah Michelson, Boris Charmatz, Meg Stuart, Philipp Gehmacher, Adam Linder, Agatha Gothe-Snape, Shelley Lasica and Latai Taumoepeau, The Persistence of Dance traces the relationship between the third-wave and gallery-based work. Looking at these artists highlights how the discussions and practices associated with “conceptual dance” resonate with the categories of conceptual and post-conceptual art as well as with the critical work on the function of visual art categories. Brannigan concludes that within the current post-disciplinary context, there is a persistence of dance and that a model of post-dance exists that encompasses dance as a contemporary art medium.
Anthropologist James R. Welch transparently presents ethnographic insights from his long-term fieldwork in two A’uwẽ communities. He addresses how distinctive constructions of age organization contribute to social well-being in an era of major ecological, economic, and sociocultural change. Welch shows how A’uwẽ perspectives on the human life cycle help define ethnic identity, promote cultural resilience, and encourage the betterment of youth. They provide frameworks that people may creatively mobilize to responsibly and respectfully engage with others at different stages of life. They also motivate people to access and manage landscape resources essential to the social construction of good living. Through careful analysis, Welch shows how contemporary traditional peoples can foster enthusiasm for service to family and community amid dominant cultures that prioritize individual well-being.
This book is an essential resource for students and scholars interested in sociocultural anthropology, Indigenous cultures, health and culture, and human ecology.
The Persistence of Slavery provides an invaluable investigation into the origins of modern slavery and early efforts to combat it, locating this practice in the political, social, and economic changes that occurred as a result of British colonialism and its lingering effects, which perpetuate child trafficking in Nigeria today.
The Nestucca Valley is a small watershed, tucked away in one corner of a county in far western Oregon. There are no incorporated towns, and cows outnumber humans. It has long been a place without a written history, yet its past offers many surprising twists on received wisdom about rural economies. In crisp prose and succinct chapters, Persistent Callings carries readers from aboriginal times to the present, illustrating the wisdom of seasonal labor, the complex relationships between work and identity, and the resilience of rural economics across more than a century of almost continual change.
Life in this watershed, known to locals as “South County,” has always been demanding. Farming, fishing, and logging were difficult occupations, but work had deeper meanings. Challenges arrived in many forms, including climate shifts, market crashes, regulatory changes, and industry consolidations. Residents’ ability to innovate was their greatest resource, and their persistence helps us to recognize the callings they pursued.
During the late twentieth and early twenty-first centuries, disruptions came more quickly, and they coincided with infusions of capital that dramatically altered the structure of employment, with devastating results for the valley’s hardest working residents. Unemployment and poverty skyrocketed while health and life expectancy dropped to alarming levels. Moreover, the arrival of retirees and rise of environmental amenities actually exacerbated some ecological problems. Little in this history plays out as expected, and much of it will make readers reconsider how they think about the social, economic, and environmental contours of rural life in the American West.
Chihuahua boasted one of the strongest pre-revolutionary elite networks, the Terrazas-Creel family. Wasserman describes this group's efforts to maintain its power after the Revolution, including its use of economic resources and intermarriage to forge partnerships with the new, revolutionary elite. Together, the old and new elites confronted a national government that sought to reestablish centralized control over the states and the masses. Wasserman shows how the revolutionary government and the popular classes, joined in opposition to the challenge of the elites, finally formalized into a national political party during the 1930s.
Persistent Oligarchs concludes with an account of the Revolution's ultimate outcome, largely accomplished by 1940: the national government gaining central control over politics, the popular classes obtaining land redistribution and higher wages, and regional elites, old and new, availing themselves of the great opportunities presented by economic development. A complex analysis of revolution as a vehicle for both continuity and change, this work is essential to an understanding of Mexico and Latin America, as well as revolutionary politics and history.
Contributors:
William Y. Adams
George Pierre Castile
N. Ross Crumrine
Timothy Dunnigan
Charles J. Erasmus
Frederick J. E. Gorman
Vera M. Green
William B. Griffen
Robert C. Harman
Mark P. Leone
Janet R. Moone
John van Willigen
Willard Walker
Using data spanning decades, author John Freeman covers the founding of the RMFU in 1907 until the present, demonstrating how members continually sought to control the means of production and marketing by forming cooperatives, providing consumer services, and engaging in politics. Powering this evolution was a group of “practical idealists”—the Farmers Union leaders and titular persistent progressives who shaped the organization’s growth and expansion. Initiated by Jim Patton, who brought the organization out of its oppositional roots and into its cooperative advocacy, the RMFU passed to John Stencel and then David Carter, joining hands with agricultural conservationists and small organic producers along the way to carry the torch for progressive agrarianism in today’s urbanized world. Shaken but undeterred by some notable failures, its leadership remains convinced of the efficacy of cooperatives as a means to achieve justice for all.
Discussing the broader social, economic, political, and environmental issues related to farming, ranching, and urbanization, Persistent Progressives seamlessly blends regional history with ongoing issues of agricultural and economic development.
In Persius, Shadi Bartsch explores this Stoic framework and argues that Persius sets his own bizarre metaphors of food, digestion, and sexuality against more appealing imagery to show that the latter—and the poetry containing it—harms rather than helps its audience. Ultimately, he encourages us to abandon metaphor altogether in favor of the non-emotive abstract truths of Stoic philosophy, to live in a world where neither alluring poetry, nor rich food, nor sexual charm play a role in philosophical teaching.
The University of Dallas Aquinas Lecture for 2023, Person Means Relation is published here with a response by Matthew Walz and a reply by David Walsh.
behavior and intrapsychic conflict brings together psychoanalytic researchers, social learning
theorists, and cognitive scientists. The contributors show that a fuller conceptualization of
person schemas can begin to close the gap between psychodynamic and cognitive science
research, providing new methods for understanding disorders of personality.
“There are many strengths in this volume beyond the clear presentation of the person schema
as a concept linking cognitive and psychodynamic perspectives. . . . Students will have an
opportunity for comparison of perspectives while those working in the field will have an
opportunity to follow the shift from concept to method to case application to theoretical
context for understanding personality change.”—Bertram J. Cohler, University of Chicago
Contributors are Lorna Smith Benjamin, Paul Crits-Christoph, Randolph L. Cunningham, Roy
D'Andrade, Amy Demorest, Mary Ewert, Scott H. Friedman, Frances J. Friedrich, Jess H.
Ghannam, Dianna Hartley, Mardi J. Horowitz, John F. Kihlstrom, Peter H. Knapp, Lester
Luborsky, David Mark, Thomas V. Merluzzi, Stephen E. Palmer, Carol Popp, Peter Salovey,
Pamela Schaffler, Jerome L. Singer, Charles H. Stinson, and Sandra L. Tunis.
Paul Vickers grapples with the question of how God wants us to live our daily lives, and he turns to a new way of reading the gospel of Mark for answers. Vickers' insightful discussion of its rich symbolism reveals the relevance this gospel has to our lives. God, according to Vickers, is the same immediate presence for the reader of today that he was at the time of the writing of the book of Mark. Through the immediacy of his presence, in a manner unique to each reader, God urges us to examine and improve our lives. Encouraging a less self-centered engagement with the world, Person to Person: The Gospel of Mark fosters development of a more loving, more spiritually conscious soul.
In Persona and Humor in Mark Twain's Early Writings, Don Florence explains that Samuel Clemens did more than use the borrowed name of Mark Twain to sign his writings. He also developed a separate identity, or persona, becoming "a literary personality in his own right."
Challenging mainstream Twain criticism on many fronts, Florence focuses exclusively on Twain's early writings. He demonstrates how Twain evolved in his early narratives into the "Mark Twain" we now recognize. Florence maintains that this process was evolutionary: Although Twain might have been dependent on Clemens for the initial experiences, they become Twain's experiences, necessary for his development as a persona. Traditionally, critics of Twain have been preoccupied with dualities, but Florence sees this emphasis upon polarities as an oversimplification. He argues that much of Twain's humor strives to shape more and more of the world, giving Twain multiple narrative voices and letting him be inclusive, not exclusive.
Finally, this study asserts that there is more continuity to Mark Twain's career than has been generally recognized. Many Twain scholars have argued that Twain's later writings are radically different from his earlier writings because of their emphasis upon illusion and dream. Florence argues that the preoccupation with illusion and fantasy is scarcely new. Whether Twain's mood is exuberant or dark, he emphasizes subjectivity over objectivity, the dominance of fantasy, the creative powers of humor, and his ability as persona to determine what we consider "reality." Florence contends that Twain's early writings show Mark Twain gradually evolving into a masterfully comic persona.
Jargon-free and eloquently written, Persona and Humor in Mark Twain's Early Writings provides a fascinating look at Mark Twain's developing genius and will be a welcome addition to Twain literature.
This book is nothing like that one. Just look at it: A Naked Singularity was a brick of a book, 678 pages, and this one’s slim--lean and focused. A Naked Singularity locked us into the unforgettable voice of its protagonist, Casi, while Personae shimmers and shifts among different perspectives, locations, and narrative techniques.
But sharp readers will quickly see that the two books are the work of the same hand. The sheer energy of De La Pava’s sentences, his eye for absurd humor, his commitment to the idea of justice--all will be familiar here as they carry us from the tale of an obsessive, damaged psychic detective consumed by a murder case, into a Sartrean drama that raises questions (and jokes) about responsibility, fate, death, and more. And when De La Pava eventually returns us to the investigation, this time seen from the other side, the lives and deaths bound up in it feel all the more real, and moving, even as solid answers slip away into mist.
Shelf Awareness declared that A Naked Singularity "heralded the arrival of a tremendous talent." In some ways, despite its brevity, Personae is even more surprising and challenging--and, in its ambition and fierce intelligence, it’s proof that Sergio De La Pava is here to stay.
The undoubted fact of human individuality has remained outside the field of interest of scientific psychology. Neither the central organization of consciousness nor individual powers of action have been dealt with in substantial research programmes. Yet every facet of our mental lives is influenced by how our minds are organized. How much of this organization comes from the languages and social practices of the cultures into which we are born is undetermined.
In this book, Rom Harré explores the radical thesis that most of our personal being may be of social origin. Consciousness, agency and autobiography are the three unities which make up our personal being. Their origin in childhood development and their differences in different cultures are explored.
Nevertheless, despite the overwhelming influence of social environment on mental structure, individual identity is a central facet of Western culture. How is the formation of such identity possible? Rom Harré ends with the suggestion that personal identity derives from the complementary powers of human beings both to display themselves socially as unique and to create novel linguistic forms making individual thought and feeling possible.
It is a harsh, remote country, where the weather is always very close and the horizon far away. The Brazos country of long-ago Fourth of July fishing expeditions; the grass-grown remains of a way station of the Butterfield Stage Line; the streets of Abilene; the sparse grazing lands under infinite skies-all are made resonant by a native son’s affection and understanding. It is a way of life-resilient and persnickety-that is almost gone.
Above all, it is people: the author’s grandmother, who had a mortal fear of bridges and whose premonitions of unnamed calamities (that as often as not happened), both alarmed and pleased the young boy; Uncle Aubrey, “who married late”; the blacksmith they awakened in the dead of night; the familiar neighbors; the rare and deliciously mysterious strangers.
With humor and strong, unsentimental feeling, A. C. Greene conserves for us the priceless eccentricities of place and person that are being flattened out-almost literally bulldozed away-by the impatient, insatiable onrush of the twentieth century. His West Texas is a very personal country, but what he seeks to share will be familiar to all who take pleasure in the memories that tie them to their own special region of America.
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