A SCHOLARLY BOOK REPOSITORY
Resonating at the heart of Neolithic Childhood. Art in a False Present, c. 1930 is the question whether art has present, past, and future functions. The modernist assertion of the autonomy of art was intended to render superfluous art’s social and religious functions. But what if the functionlessness of art comes under suspicion of being instrumentalized by bourgeois capitalism? This was an accusation that informed the anti-modernist critique of the avant-garde, and particularly of Surrealism. The objective throughout the crisis-ridden present of the 1920s to the 1940s was to reaffirm a once ubiquitous, but long-lost functionality—not only of art.
The publication accompanying the exhibition examines the strategies deployed in this reaffirmation. These include the surrealist Primitivism of an “Ethnology of the White Man” together with the excavation of the deep time of humanity—into the “Neolithic Childhood” mapped out by the notoriously anti-modernist Carl Einstein (1885-1940) as a hallucinatory retro-utopia. The volume brings together essays by the curators and academics involved in the project, primary texts by Carl Einstein and a comprehensive documentation of the exhibition including lists of works, texts on as well as images of numerous exhibits and finally installation views. At the center of the volume, a glossary discusses Carl Einstein’s own theoretical vocabulary as well as further associated terms, such as Autonomy, Formalism, Function, Gesture, Hallucination, Art, Metamorphosis, Primitivisms, Totality.
With contributions by: Irene Albers, Philipp Albers, Joyce S. Cheng, Rosa Eidelpes, Carl Einstein, Anselm Franke, Charles W. Haxthausen, Tom Holert, Sven Lütticken, Ulrike Müller, Jenny Nachtigall, David Quigley, Cornelius Reiber, Erhard Schüttpelz, Kerstin Stakemeier, Maria Stavrinaki, Elena Vogman, Zairong Xiang, Sebastian Zeidler
With reproductions of artworks by:
Jean (Hans) Arp, Willi Baumeister, Georges Braque, Brassaï, Claude Cahun, Lux T. Feininger, Max Ernst, Florence Henri, Barbara Hepworth, Hannah Höch, Heinrich Hoerle, Paul Klee, Germaine Krull, Helen Levitt, André Masson, Alexandra Povòrina, Gaston-Louis Roux, Kalifala Sidibé, Louis Soutter, Yves Tanguy, Toyen, Jindřich Štyrský, Raoul Ubac, Paule Vézelay and others.
Based on more than thirty years of fieldwork, this timely volume examines the Neolithic Revolution in the Levantine Near East and the Mediterranean island of Cyprus. Alan H. Simmons explores recent research regarding the emergence of Neolithic populations, using both environmental and theoretical contexts, and incorporates specific case studies based on his own excavations. In clear and graceful prose, Simmons traces chronological and regional differences within this land of immense environmental contrasts—woodland, steppe, and desert. He argues that the Neolithic Revolution can be seen in a variety of economic, demographic, and social guises and that it lacked a single common stimulus.
Each chapter includes sections on history, terminology, geographic range, specific domesticated species, the composition of early villages and households, and the development of social, symbolic, and religious behavior. Most chapters include at least one case study and conclude with a concise summary. In addition, Simmons presents a unique chapter on the island of Cyprus, where intriguing new research challenges assumptions about the impact and extent of the Neolithic.
The Neolithic Revolution in the Near East conveys the diversity of our Neolithic ancestors, providing a better understanding of the period and the new social order that arose because of it. This insightful volume will be especially useful to Near Eastern scholars and to students of archaeology and the origins of agriculture.
Salvatore Pane’s The Neorealist in Winter is a collection of eleven short stories that explore what it means to be human in an age of media oversaturation. Utilizing methods of speculative, historical, and postmodern storytelling, Pane grapples with legacies of immigration, poverty, toxic masculinity, and moral failures, while focusing on working-class issues, family drama, and PTSD. Following eleven Italian narrators, Pane builds a cast of cinematic characters across disparate times and places—a struggling director attends a house party in the la dolce vita of 1960s Rome, gangsters chase a low-level lottery runner in coal valley Scranton, a woman contemplates experimental surgery to purge memories of her childhood trauma in Minnesota, and a pro wrestling promoter descends into self-denial through his autobiography.
The Neorealist in Winter was selected by Venita Blackburn as the winner of the 2022 Autumn House Fiction Prize.
Coined by artist and media researcher Bill Seaman, “neosentience” describes a new branch of scientific inquiry related to artificial intelligence. This volume explores the groundbreaking work of Seaman and theoretical physicist Otto E. Rossler in exploring the potential of an intelligent robotic entity possessed of a form of sentience that ever more closely resembles that of a human being. Individual chapters approach the concept from a range of disciplines, including psychology, neuroscience, linguistics, and the arts. Neosentience is a burgeoning area of interest, and this book encourages readers to reflect on how we experience and interpret the world, how memory works, and what it is to be human.
Because bird communities are good indicators of habitat type and condition, and because extensive bird surveys can be done quickly, bird communities are critical to rapid evaluations of an ecosystem's biological value and integrity. The authors analyze the bird species of major habitats from a conservation perspective, and develop specific guidelines to illustrate how governments, conservation organizations, and wildlife managers can use this ecological information to anchor conservation strategies on sound biological reality.
"Students of ecology and wildlife management, as well as conservationists, will benefit from this book . . . . Governmental and conservation agencies should use this book when making critical decisions about where to focus their efforts as they work to preserve the environment in fragile regions of the world." —Edward I. Saiff, Science Books & Films
In this completely revised and updated second edition:
A total of 226 species are treated in full (206 were included in the first edition).
All species accounts retained from the first edition have been updated to include the most recent research.
All 195 maps showing the distribution and geographic range of each species have been revised to reflect the most current information.
Twenty-nine beautiful color plates illustrate more than 220 species (including significant color variants between males and females or adults and young). Seven black-and-white plates contain more than 60 images of individual species, mainly bats.
A compact disc of mammal vocalizations—crucial to identifying nocturnal and otherwise cryptic animals that sometimes may be heard rather than seen—will be available for purchase separately.
Praise for the first edition:
"If you can't go to the Central and South American rain forests to see firsthand their threatened ecosystems, here is the next best thing."—Washington Post Book World
"A large amount of information is presented concisely and in a way that is easy to use."—Choice
"The presentation and wealth of information contained in this field guide is outstanding and will satisfy the needs of both the 'tourist' and 'researcher' traveling to the Neotropics."—Canadian Field-Naturalist
Nepalese Shaman Oral Texts is a bilingual (Nepali and English) critical edition of three complete, representative repertoires of shaman texts collected over the past twenty years in Jajarkot District, Western Nepal. Throughout that area, shamans continue to fulfill important therapeutic roles, diagnosing problems, treating afflictions, and restoring order and balance to the lives of their clients and their communities. Each of these efforts incorporates extensive, meticulously memorized oral texts, materials that not only clarify symptoms and causes but also detail the proper ways to conduct rituals. These texts preserve the knowledge necessary to act as a shaman, and confirm a social world that demands continuous intervention by shamans.
This volume, the first of its kind, includes both publicly chanted recitals and privately whispered spells of the area's three leading shamans, annotated with extensive notes. Containing over 250 texts, this work endeavors to provide a comprehensive documentation of a non-Western healing system through the material that sustains and preserves that tradition, demonstrating that shaman texts remain thoroughly meaningful.
This latest Space Science Series volume presents the current level of understanding of Neptune, its rings, and its satellites, derived from the data received from the Voyager. The book's chapters are written by the world's leading authorities on various aspects of the Neptune system and are based on papers presented at an international conference held in January 1992. Covering details of Neptune's interior, atmosphere, rings, magnetic fields, and near-space environment—as well as the small satellites and the remarkable moon Triton—this volume is a unique resource for planetary scientists and astronomers requiring a comprehensive analysis of Neptune viewed in the context of our knowledge of the other giant planets. Until another spacecraft is sent to Neptune, Neptune and Triton will stand as the basic reference on the planet.
An eyewitness to profound change affecting marine environments on the Newfoundland coast, Antony Adler argues that the history of our relationship with the ocean lies as much in what we imagine as in what we discover.
We have long been fascinated with the oceans, seeking “to pierce the profundity” of their depths. In studying the history of marine science, we also learn about ourselves. Neptune’s Laboratory explores the ways in which scientists, politicians, and the public have invoked ocean environments in imagining the fate of humanity and of the planet—conjuring ideal-world fantasies alongside fears of our species’ weakness and ultimate demise.
Oceans gained new prominence in the public imagination in the early nineteenth century as scientists plumbed the depths and marine fisheries were industrialized. Concerns that fish stocks could be exhausted soon emerged. In Europe these fears gave rise to internationalist aspirations, as scientists sought to conduct research on an oceanwide scale and nations worked together to protect their fisheries. The internationalist program for marine research waned during World War I, only to be revived in the interwar period and again in the 1960s. During the Cold War, oceans were variously recast as battlefields, post-apocalyptic living spaces, and utopian frontiers.
The ocean today has become a site of continuous observation and experiment, as probes ride the ocean currents and autonomous and remotely operated vehicles peer into the abyss. Embracing our fears, fantasies, and scientific investigations, Antony Adler tells the story of our relationship with the seas.
The Roman emperor Nero is remembered by history as the vain and immoral monster who fiddled while Rome burned. Edward Champlin reinterprets Nero's enormities on their own terms, as the self-conscious performances of an imperial actor with a formidable grasp of Roman history and mythology and a canny sense of his audience.
Nero murdered his younger brother and rival to the throne, probably at his mother's prompting. He then murdered his mother, with whom he may have slept. He killed his pregnant wife in a fit of rage, then castrated and married a young freedman because he resembled her. He mounted the public stage to act a hero driven mad or a woman giving birth, and raced a ten-horse chariot in the Olympic games. He probably instigated the burning of Rome, for which he then ordered the spectacular punishment of Christians, many of whom were burned as human torches to light up his gardens at night. Without seeking to rehabilitate the historical monster, Champlin renders Nero more vividly intelligible by illuminating the motives behind his theatrical gestures, and revealing the artist who thought of himself as a heroic figure.
Nero is a brilliant reconception of a historical account that extends back to Tacitus, Suetonius, and Cassius Dio. The effortless style and artful construction of the book will engage any reader drawn to its intrinsically fascinating subject.
The strike of a praying mantis's forelegs is so fast that, once they are set in motion, the mantis cannot control its aim. How does it ever manage to catch a fly? A moth negotiating the night air hears the squeak of a hunting bat on the wing, and tumbles out of harm's way. How?
Insects are ideal subjects for neurophysiological studies, and at its simplest level this classic book relates the activities of nerve cells to the activities of insects, something that had never been attempted when the book first appeared in 1963. In several elegant experiments--on the moth, the cockroach, and the praying mantis--Roeder shows how stimulus and behavior are related through the nervous system and suggests that the insect brain appears to control behavior by determining which of the various built-in activity patterns will appear in a given situation. This slim volume remains invaluable to an understanding of the nervous mechanisms responsible for insect behavior.
Emanuel’s version of a “new and selected poems” turns convention on its head. She ignores chronology, placing new poems beside old, mixing middle and early poems with recent work, and liberating all her poems from the restraints of their particular histories, both aesthetic and autobiographical. Whether writing in the comedic drag of the cartoon strip, or investigating the Mobius strip relationship between reader and writer, or exposing the humor and hurt that accompany visitations from Frank O’Hara and Gertrude Stein, The Nerve of It both stings and pleases with its intelligence, wit and vivacity. It breaks through, in ways that are bold, sexy, haunting and wry, the die-hard opposition of new and old, personal narrative and linguistic play, sincerity and irony, misery and hilarity. Open the book. Something new is happening here.
Contributors. Cristina Albu, Amanda Boetzkes, Brianne Cohen, Kris Cohen, Jaimey Hamilton Faris, Christine Filippone, Johanna Gosse, Francis Halsall, Judith Rodenbeck, Dawna Schuld, Luke Skrebowski, Timothy Stott, John Tyson
Amie Whittemore’s Nest of Matches is a lavish declaration of the beauty of the natural world, queer identity, and of the imagination set free. Whittemore’s third collection explores the complexities of love—romantic, familial, and love for place—and wonders at cycles of life, finding that: “Every habit / even love—strangest / of them all—offers exhaustion / and renewal.” Moving seamlessly from meditations on the moon’s phases to explorations of dream spaces to searches for meaning through patterns of love and loss, Whittemore’s work embodies the mysteries of dichotomies—grief and joy, consciousness and unconsciousness, habit and spontaneity—and how they coexist to create our identities. Throughout the collection, Whittemore reveals how interior nature manifests into exterior habits and how physical landscapes shape the psyche.
How functional medicine leverages systems biology and epigenetic science to treat the microbiome and reverse chronic disease.
Each body is a system within a system—an ecology within the larger context of social, political, economic, cultural, and environmental factors. This is one of the lessons of epigenetics, whereby structural inequalities are literally encoded in our genes. But our ecological embeddedness extends beyond DNA, for each body also teems with trillions of bacteria, yeast, and fungi, all of them imprints of our individual milieus. Nested Ecologies asks what it would mean to take seriously our microbial being, given that our internal ecologies are shaped by inequalities embedded in our physical and social environments.
Further, Rosalynn Vega argues that health practices focused on patients’ unique biology inadvertently reiterate systemic inequities. In particular, functional medicine—which attempts to heal chronic disease by leveraging epigenetic science and treating individual microbiomes—reduces illness to problems of “lifestyle,” principally diet, while neglecting the inability of poor people to access nutrition. Functional medicine thus undermines its own critique of the economics of health care. Drawing on novel digital ethnographies and reflecting on her own experience of chronic illness, Vega challenges us to rethink not only the determinants of well-being but also what it is to be human.
Every year, more than twenty species of terns, gulls, and colonial wading birds raise their young on rookery islands all along the Gulf Coast. Their breeding and nesting activities go on in the wake of passing oil tankers, commercial fishing vessels, and pleasure boats of all kinds—human traffic that threatens their already circumscribed habitats.
John C. Dyes has spent more than ten years photographing and observing the birds in their rookeries on the Texas Coast, and, in Nesting Birds of the Coastal Islands, he presents a year in the birds' life through fine photographs and an evocative and informative text. In a month-by-month account, he follows the annual rituals and daily dramas of courtship, mating, and chick rearing among herons, egrets, spoonbills, cormorants, ibises, and other birds that migrate and gather in colonies ranging from half a dozen birds to tens of thousands.
Why are the eggs of the marsh wren deep brown, the winter wren's nearly white, and the gray catbird's a brilliant blue? And what in the DNA of a penduline tit makes the male weave a domed nest of fibers and the female line it with feathers, while the bird-of-paradise male builds no nest at all, and his bower-bird counterpart constructs an elaborate dwelling?
These are typical questions that Bernd Heinrich pursues in the engaging style we've come to expect from him—supplemented here with his own stunning photographs and original watercolors. One of the world's great naturalists and nature writers, Heinrich shows us how the sensual beauty of birds can open our eyes to a hidden evolutionary process. Nesting, as Heinrich explores it here, encompasses what fascinates us most about birds—from their delightful songs and spectacular displays to their varied eggs and colorful plumage; from their sex roles and mating rituals to nest parasitism, infanticide, and predation.
What moves birds to mate and parent their young in so many different ways is what interests Heinrich—and his insights into the nesting behavior of birds has more than a little to say about our own.
Between 1917 and 1921, the Makhnovists fought German and Austrian invaders, reactionary monarchist forces, Ukrainian nationalists and sometimes the Bolsheviks themselves. Drawing upon anarchist ideology, the Makhnovists gathered widespread support amongst the Ukrainian peasantry, taking up arms when under attack and playing a significant role - in temporary alliance with the Red Army - in the defeats of the White Generals Denikin and Wrangel. Often dismissed as a kulak revolt, or a manifestation of Ukrainian nationalism, Colin Darch analyses the successes and failures of the Makhnovist movement, emphasising its revolutionary character.
Over 100 years after the revolutions, this book reveals a lesser known side of 1917, contributing both to histories of the period and broadening the narrative of 1917, whilst enriching the lineage of anarchist history.
Siegel's journeys take him from ancient Sanskrit texts to the slums of New Delhi to find remnants of a remarkable magical tradition. In the squalid settlement of Shadipur, he is initiated into a band of Muslim street conjurers and performs as their shill while they tutor him in their con and craft. Siegel also becomes acquainted with Hindu theatrical magicians, who claim descent from court illusionists and now dress as maharajahs to perform a repertoire of tricks full of poignant kitsch and glitz.
Masterfully using a panoply of narrative sleights to recreate the magical world of India, Net of Magic intersperses travelogue, history, ethnography, and fiction. Siegel's vivid, often comic tale is crowded with shills and stooges, tourists and pickpockets, snake charmers and fakirs. Among the cast of characters are Naseeb, a poor Muslim street magician who guides Siegel into the closed circle of itinerant performers; the Industrial Magician, paid by a bank, who convinces his audience to buy traveler's checks by making twenty-rupee notes disappear; the Government Magician, who does a trick with condoms to encourage family planning; P. C. Sorcar, Jr., the most celebrated Indian stage magician; and the fictive Professor M. T. Bannerji, the world's greatest magician, who assumes various guises over a millennium of Indian history and finally arrives in the conjuring capital of the world—Las Vegas.
Like Indra's net—the web of illusion in which Indian performers ensnare their audience—Net of Magic captures the reader in a seductive portrayal of a world where deception is celebrated and lies are transformed into compelling and universal truths.
Includes contour maps of 54 lakes.
The Nether, a daring examination of moral responsibility in virtual worlds, opens with a familiar interrogation scene given a technological twist. As Detective Morris, an online investigator, questions Mr. Sims about his activities in a role-playing realm so realistic it could be life, she finds herself on slippery ethical ground. Sims argues for the freedom to explore even the most deviant corners of our imagination. Morris holds that we cannot flesh out our malign fantasies without consequence. Their clash of wills leads to a consequence neither could have imagined. Suspenseful, ingeniously constructed, and fiercely intelligent, Haley’s play forces us to confront deeply disturbing questions about the boundaries of reality.
Nether World presents a rich, often humorous glimpse into everyday life in Victorian London through a revealing account of nineteenth-century police courts. People of all classes brought complaints to this court about those who had hurt, abused, or stolen from them—drunks, pickpockets, wife-beaters, and fraudsters—who were each in their turn judged by magistrates wielding broad summary powers. Delving into underexamined court records and the pages of a fast-developing newspaper industry, Drew D. Gray offers a fresh description of a vibrant, ever-changing metropolis and considers ongoing issues such as poverty, homelessness, violence, substance abuse, prostitution, and—of course—crime.
“The Holocaust…was beyond the belief and comprehension of almost all people living at the time… [It] was a notion so alien to the human mind, and even so gruesome, so new, that the instinctive, indeed the natural reaction, of most people was: ‘It can’t be true.’” Thus writes the Netherlands’ preeminent historian in this memoir and account of war and genocide. Concentrating on three central topics—the Holocaust, the resistance, and the leadership of Queen Wilhelmina—Louis de Jong recaptures the wartime experience of Holland and explains some of the more anomalous happenings.
The swift, devastating conquest of the Netherlands by the Nazis made possible three appalling weapons of control over the Dutch: fear, the dividing of people, and deception. Intending to absorb Holland into the German empire, the Nazis planned to exploit the country economically, purge it of Jews, and prevent any assistance to the Allies. They succeeded only too well. The Dutch provided substantial economic support to the Nazis, though they did so to keep men employed at home rather than being sent to work in Germany. Although the Jewish Council, which cooperated with the Nazis, assisted in the deportation of thousands of Jews to concentration camps, such zealousness reflected the innocence of an assimilated people in the face of a hitherto unexperienced, virulent antisemitism.
It was almost inconceivable that a resistance movement could operate in flat open country; nevertheless there was such a movement. De Jong recaptures a terrible time and the grim fate of a nation accustomed to centuries of peace and suddenly plunged into the Nazis’ obscene war.
“Jargon-free and ambitious in scope, Netprov meets the needs of several types of readers. Casual readers will be met with straightforward and easy-to-follow definitions and examples. Scholars will find deep wells of in- formation about networked roleplay games. Teachers and students will find instructions for how-to play, and a ready-made academic context to make their play meaningful and memorable.” —Kathi Inman Berens, Portland State University
Each chapter considers how popular media and artistic forms make sense of decentralized network metaphors and infrastructures. Patrick Jagoda first examines narratives from the 1990s and 2000s, including the novel Underworld, the film Syriana, and the television series The Wire, all of which play with network forms to promote reflection on domestic crisis and imperial decline in contemporary America. Jagoda then looks at digital media that are interactive, nonlinear, and dependent on connected audiences to show how recent approaches, such as those in the videogame Journey, open up space for participatory and improvisational thought.
Contributing to fields as diverse as literary criticism, digital studies, media theory, and American studies, Network Aesthetics brilliantly demonstrates that, in today’s world, networks are something that can not only be known, but also felt, inhabited, and, crucially, transformed.
The immediate subject of Riles's ethnographic work was a group of Fijian bureaucrats and activists preparing for and participating in the United Nations Fourth World Conference on Women. Participants in this meeting and the activities surrounding it understood themselves to be "focal points" in national, regional, and global "networks."
Starting from the premise that anthropologists are "inside" the Network, that is, that they are producers, consumers, and aesthetes, not simply observers, of the artifacts of late modern institutional life, Riles enacts a new ethnographic method for turning the network "inside out." The resulting experiment in the theory and ethnography of transnational institutional practices makes an important contribution to the anthropology of knowledge.
With its focus on developing a method for studying transnational phenomena, The Network Inside Out will appeal not only to anthropologists, but also to legal scholars and political scientists.
Annelise Riles is Assistant Professor, Northwestern University School of Law, Research Fellow, American Bar Foundation.
Big data, genomics, and quantitative approaches to network-based analysis are combining to advance the frontiers of medicine as never before. Network Medicine introduces this rapidly evolving field of medical research, which promises to revolutionize the diagnosis and treatment of human diseases. With contributions from leading experts that highlight the necessity of a team-based approach in network medicine, this definitive volume provides readers with a state-of-the-art synthesis of the progress being made and the challenges that remain.
Medical researchers have long sought to identify single molecular defects that cause diseases, with the goal of developing silver-bullet therapies to treat them. But this paradigm overlooks the inherent complexity of human diseases and has often led to treatments that are inadequate or fraught with adverse side effects. Rather than trying to force disease pathogenesis into a reductionist model, network medicine embraces the complexity of multiple influences on disease and relies on many different types of networks: from the cellular-molecular level of protein-protein interactions to correlational studies of gene expression in biological samples. The authors offer a systematic approach to understanding complex diseases while explaining network medicine’s unique features, including the application of modern genomics technologies, biostatistics and bioinformatics, and dynamic systems analysis of complex molecular networks in an integrative context.
By developing techniques and technologies that comprehensively assess genetic variation, cellular metabolism, and protein function, network medicine is opening up new vistas for uncovering causes and identifying cures of disease.
The telegraph and the telephone were the first electrical communications networks to become hallmarks of modernity. Yet they were not initially expected to achieve universal accessibility. In this pioneering history of their evolution, Richard R. John demonstrates how access to these networks was determined not only by technological imperatives and economic incentives but also by political decision making at the federal, state, and municipal levels.
In the decades between the Civil War and the First World War, Western Union and the Bell System emerged as the dominant providers for the telegraph and telephone. Both operated networks that were products not only of technology and economics but also of a distinctive political economy. Western Union arose in an antimonopolistic political economy that glorified equal rights and vilified special privilege. The Bell System flourished in a progressive political economy that idealized public utility and disparaged unnecessary waste.
The popularization of the telegraph and the telephone was opposed by business lobbies that were intent on perpetuating specialty services. In fact, it wasn’t until 1900 that the civic ideal of mass access trumped the elitist ideal of exclusivity in shaping the commercialization of the telephone. The telegraph did not become widely accessible until 1910, sixty-five years after the first fee-for-service telegraph line opened in 1845.
Network Nation places the history of telecommunications within the broader context of American politics, business, and discourse. This engrossing and provocative book persuades us of the critical role of political economy in the development of new technologies and their implementation.
Linda M. Martz focuses on families that were immersed in the worlds of business and finance. They formed the backbone of the trade industry and, during the economic expansion of the sixteenth century, enjoyed a high degree of affluence. The seventeenth century, however, brought harder times. How these families rose to positions of commercial eminence and then adapted to this economic downturn is one of the questions addressed in this insightful book.
A Network of Converso Families in Early Modern Toledo relies heavily on archival evidence--notarial, parish, and city records--that offers new insights into the families' histories. Business endeavors, marriage alliances, involvement in local politics, and the pursuit of improved social status are all subjected to Martz's keen analysis.
These families appear to have been well integrated into their contemporary society; aside from their business and financial activities, many were members of the city's governing council. But how well did they integrate with the lower classes? Assimilating minorities in the majority culture is a task that confronts most modern societies, so the experience of Spain and this particular minority may serve as an example of how earlier societies viewed and confronted this challenge.
This book will appeal to historians of medieval and Renaissance Spain and those interested in the Inquisition's effect on Renaissance Spain. It will also prove to be indispensable for those interested in the history of the Jewish race, as well as for those pursuing the question of marginalization.
Linda M. Martz is an independent historian as well as a freelance editor and writer.
Outlines an exciting new approach to this confluence of art, media, and poetry.
The experimental art and poetry of the last half of the twentieth century offers a glimpse of the emerging networked culture that electronic devices will make omnipresent. Craig J. Saper demarcates this new genre of networked art, which uses the trappings of bureaucratic systems—money, logos, corporate names, stamps—to create intimate situations among the participants.
In Saper’s analysis, the pleasures that these aesthetic situations afford include shared special knowledge or new language among small groups of participants. Functioning as artworks in themselves, these temporary institutional structures—networks, publications, and collective works—give rise to a gift-exchange community as an alternative economy and social system. Saper explains how this genre developed from post-World War II conceptual art, including periodicals as artworks in themselves; lettrist, concrete, and process poetry; Bauhaus versus COBRA; Fluxus publications, kits, and machines; mail art and on-sendings. The encyclopedic scope of the book includes discussions of artists from J. Beuys to J. S. G. Boggs, and Bauhaus’s Max Bill to Anna Freud Banana. Networked Art is an essential guide to the digital artists and networks of the emerging future.
Networked Business and Politics in Decentralizing Indonesia evaluates three cases of deep-seated political conflict and intrigue including central government, local governments, and multinational companies. It looks at how the structure of the national political economy has changed as the result of local politicians becoming involved in disputes with the national government over control of natural resources. It also analyzes how these changes will affect the distribution of wealth in the country as well as Indonesia’s evolving democratic politics and modes of governance.
Simultaneously transnational and local, poetry in the twenty-first century is produced across digital networks, shaped through local communities, and evaluated on a global scale. It might start on social media, where a video of a poet circulates and goes viral, gaining international attention without ever going through traditional modes of publication. In Networked Poetics, Susanna L. Sacks introduces readers to the southern African poetry scene in Malawi, Zimbabwe, and South Africa, illustrating how contemporary poetry is shaped, from inception to canonization, by the influence of digital media publication.
Interweaving ethnographic observation and extensive literary analysis, Sacks demonstrates that, as more artists in Africa reach wider audiences through online publication, poetic form has shifted to reflect social media’s aesthetic norms of urgency, immediacy, and populism. These changes have, in turn, challenged elite processes of valuation, forcing literary institutions like prizes, festivals, and curricula to accommodate the digital turn.
Yet that image scarcely captures the fullness and vitality of Dickinson’s life, most notably her many connections—to family, to friends, to correspondents, to the literary tastemakers of her day, even to the unnamed, and perhaps unknowable, “Master” to whom she addressed three of her most breathtaking works of prose. Through an exploration of a relatively small group of items from Dickinson’s vast literary remains, this volume—an accompaniment to an exhibition on Dickinson mounted at The Morgan Library & Museum in New York—demonstrates the complex ways in which these often humble objects came into conversation with other people, places, and events in the poet’s life. Seeing the network of connections and influences that shaped Dickinson’s life presents us with a different understanding of this most enigmatic yet elegiac poet in American letters, and allows us more fully to appreciate both her uniqueness and her humanity.
The materials collected here make clear that the story of Dickinson’s manuscripts, her life, and her work is still unfolding. While the image of Dickinson as the reclusive poet dressed only in white remains a popular myth, details of Dickinson’s life continue to emerge. Several items included both in the exhibit and in this volume were not known to exist until the present century. The scrap of biographical intelligence recorded by Sarah Tuthill in a Mount Holyoke catalogue, or the concern about Dickinson’s salvation expressed by Abby Wood in a private letter to Abiah Root, were acquired by Amherst College in the last fifteen years. What additional pieces of evidence remain to be uncovered and identified in the attics and basements of New England?
Published to accompany The Morgan Library & Museum’s pathbreaking exhibit I’m Nobody! Who are You? The Life and Poetry of Emily Dickinson—part of a series of exhibits at the Morgan celebrating and exploring the creative lives of significant women authors—The Networked Recluse offers the reader an account of the exhibit itself, together with a series of contributions by curators, scholars of Dickinson, and poets whose own work her words have influenced.
In The Networked Wilderness, Matt Cohen examines communications systems in early New England and finds that, surprisingly, struggles over information technology were as important as theology, guns, germs, or steel in shaping the early colonization of North America. Colonists in New England have generally been viewed as immersed in a Protestant culture of piety and alphabetic literacy. At the same time, many scholars have insisted that the culture of the indigenous peoples of the region was a predominantly oral culture. But what if, Cohen posits, we thought about media and technology beyond the terms of orality and literacy?
Reconceptualizing aural and inscribed communication as a spectrum, The Networked Wilderness bridges the gap between the history of the book and Native American systems of communication. Cohen reveals that books, paths, recipes, totems, and animals and their sounds all took on new interactive powers as the English negotiated the well-developed informational trails of the Algonquian East Coast and reported their experiences back to Europe. Native and English encounters forced all parties to think of each other as audiences for any event that might become a kind of "publication."
Using sources ranging from Thomas Morton's Maypole festival to the architecture of today's Mashantucket Pequot Museum and Research Center, Cohen shows that the era before the printing press came to New England was one of extraordinary fertility for communications systems in America.
Networking Arguments presents an original study on the use and misuse of global institutional rhetoric and the effects of these practices on women, particularly in developing countries. Using a feminist lens, Rebecca Dingo views the complex networks that rhetoric flows through, globally and nationally, and how it’s often reconfigured to work both for and against women and to maintain existing power structures.
To see how rhetorics travel, Dingo deconstructs the central terminology employed by global institutions—mainstreaming, fitness, and empowerment—and shows how their meanings shift depending on the contexts in which they’re used. She studies programs by the World Bank, the United Nations, and the United States, among others, to view the original policies, then follows the trail of their diffusion and manipulation and the ultimate consequences for individuals.
To analyze transnational rhetorical processes, Dingo builds a theoretical framework by employing concepts of transcoding, ideological traffic, and interarticulation to uncover the intricacies of power relationships at work within networks. She also views transnational capitalism, neoliberal economics, and neocolonial ideologies as primary determinants of policy and arguments over women’s roles in the global economy.
Networking Arguments offers a new method of feminist rhetorical analysis that allows for an increased understanding of global gender policies and encourages strategies to counteract the negative effects they can create.
The interdisciplinary sweep of this book is impressive. Otis focuses simultaneously on literary works by such authors as George Eliot, Bram Stoker, Henry James, and Mark Twain and on the scientific and technological achievements of such pioneers as Luigi Galvani, Hermann von Helmholtz, Charles Babbage, Samuel Morse, and Werner von Siemens.
This unique juxtaposition of physiology, engineering, and literature reveals the common thoughts shared by writers in widely diverse fields and suggests that our current comparisons of nerve and computer networks may not only enhance but shape our understanding of both neurobiology and technology.
Highly accessible and jargon-free, Networking will appeal to general readers as well as to scholars in the fields of interdisciplinary studies, nineteenth-century literature, and the history of science and technology.
Laura Otis is Associate Professor of English, Hofstra University. In 2000, she was awarded a MacArthur Foundation Fellowship for her interdisciplinary studies of literature and science. Her previous books include Membranes: Metaphors of Invasion in Nineteenth-Century Literature, Science, and Politics and Organic Memory: History and the Body in the Late Nineteenth and Early Twentieth Centuries.
In an account full of activist voices and on-the-ground detail, Juris provides a history of anti–corporate globalization movements, an examination of their connections to local dynamics in Barcelona, and an analysis of movement-related politics, organizational forms, and decision-making. Depicting spectacular direct action protests in Barcelona and other cities, he describes how far-flung activist networks are embodied and how networking politics are performed. He further explores how activists have used e-mail lists, Web pages, and free software to organize actions, share information, coordinate at a distance, and stage “electronic civil disobedience.” Based on a powerful cultural logic, anti–corporate globalization networks have become models of and for emerging forms of radical, directly democratic politics. Activists are not only responding to growing poverty, inequality, and environmental devastation; they are also building social laboratories for the production of alternative values, discourses, and practices.
Opera’s role in shaping Italian identity has long fascinated both critics and scholars. Whereas the romance of the Risorgimento once spurred analyses of how individual works and styles grew out of and fostered specifically “Italian” sensibilities and modes of address, more recently scholars have discovered the ways in which opera has animated Italians’ social and cultural life in myriad different local contexts.
In Networking Operatic Italy, Francesca Vella reexamines this much-debated topic by exploring how, where, and why opera traveled on the mid-nineteenth-century peninsula, and what this mobility meant for opera, Italian cities, and Italy alike. Focusing on the 1850s to the 1870s, Vella attends to opera’s encounters with new technologies of transportation and communication, as well as its continued dissemination through newspapers, wind bands, and singing human bodies. Ultimately, this book sheds light on the vibrancy and complexity of nineteenth-century Italian operatic cultures, challenging many of our assumptions about an often exoticized country.
Working against the stubbornly persistent image of “dark satanic mills,” in many ways so characteristic of literary Romanticism, Jon Mee provides a fresh, revisionary account of the Industrial Revolution as a story of unintended consequences. In Networks of Improvement, Mee reads a wide range of texts—economic, medical, and more conventionally “literary”—with a focus on their circulation through networks and institutions. Mee shows how a project of enlightened liberal reform articulated in Britain’s emerging manufacturing towns led to unexpectedly coercive forms of machine productivity, a pattern that might be seen repeating in the digital technologies of our own time. Instead of treating the Industrial Revolution as Romanticism’s “other,” Mee shows how writing, practices, and institutions emanating from these industrial towns developed a new kind of knowledge economy, one where local literary and philosophical societies served as important transmission hubs for the circulation of knowledge.
In this ferment of social upheaval and technological change, the moderns found what we would today term “the network,” though they did not have the vocabulary for it that we do now, to be a versatile model for their aesthetic experiments in representing social space and social relations. Whether they used the figuration of the network as a kind of formal experiment to negotiate the tensions between dispersal and unity, fragment and totality, or took the network as a subject in itself, as seen when dealing with crowds or public spaces, the network was a way for writers and artists to conceptualize and explore their rapidly changing society. Through readings of the works of Randolph Bourne, Jean Toomer, Anita Loos, John Dos Passos, and Nathanael West, Networks of Modernism positions the network as the defining figure of American modernist aesthetics and explores its use as a conceptual tool used to think through the rapid changes in American society.
Describing the material and behavioral patterns pertaining to the Late Postclassic period using components of three settlements in the Naco Valley of northwestern Honduras, the book focuses on how contests for power shaped political structures. Power-seeking individuals, including but not restricted to ruling elites, depended on networks of allies to support their political objectives. Ongoing and partially successful competitions waged within networks led to the incorporation of exotic ideas and imported items into the daily practices of all Naco Valley occupants. The result was a fragile hierarchical structure forever vulnerable to the initiatives of agents operating on local and distant stages.
Networks of Power describes who was involved in these competitions and in which networks they participated; what resources were mustered within these webs; which projects were fueled by these assets; and how, and to what extent, they contributed to the achievement of political aims.
In today’s culture wars, higher education, a familiar battlefield, faces criticism from both the left and the right. Colleges and universities are accused of indoctrinating conservative students with liberal values and failing to be inclusive of marginalized students. The anxieties expressed on both sides of the political spectrum have much in common. And notably, they are triggered not by the educational mission’s failure, but by its success.
In Networks of Trust, philosopher Anthony Simon Laden offers a new lens through which to view political debates about higher education. Laden argues that a college education encourages students to inhabit and use new informational trust networks: the complex networks of people and institutions they trust as reliable sources of information with which to think about and understand the world. In doing so, a college education leads some students to question the very trust networks established by their communities, placing stress on those social ties. For many students, that stress imposes a considerable cost. Recognizing both the benefits and potential harms built into the education that these institutions provide, Networks of Trust offers a path for both sides to engage with one another and proposes how colleges and universities can carry out their educational mission in a positive, trustworthy manner.
Art and technology have been converging rapidly in the past few years; an important example of this convergence is the alliance of neuroscience with aesthetics, which has produced the new field of neuroaesthetics.
Irving Massey examines this alliance, in large part to allay the fears of artists and audiences alike that brain science may "explain away" the arts. The first part of the book shows how neuroscience can enhance our understanding of certain features of art. The second part of the book illustrates a humanistic approach to the arts; it is written entirely without recourse to neuroscience, in order to show the differences in methodology between the two approaches. The humanistic style is marked particularly by immersion in the individual work and by evaluation, rather than by detachment in the search for generalizations. In the final section Massey argues that, despite these differences, once the reality of imagination is accepted neuroscience can be seen as the collaborator, not the inquisitor, of the arts.
A critical examination of the figure of the neural network as it mediates neuroscientific and computational discourses and technical practices
Neural Networks proposes to reconstruct situated practices, social histories, mediating techniques, and ontological assumptions that inform the computational project of the same name. If so-called machine learning comprises a statistical approach to pattern extraction, then neural networks can be defined as a biologically inspired model that relies on probabilistically weighted neuron-like units to identify such patterns. Far from signaling the ultimate convergence of human and machine intelligence, however, neural networks highlight the technologization of neurophysiology that characterizes virtually all strands of neuroscientific and AI research of the past century. Taking this traffic as its starting point, this volume explores how cognition came to be constructed as essentially computational in nature, to the point of underwriting a technologized view of human biology, psychology, and sociability, and how countermovements provide resources for thinking otherwise.
Neural plasticity--the brain's ability to change in response to normal developmental processes, experience, and injury--is a critically important phenomenon for both neuroscience and psychology. Increasing evidence about the extent of plasticity--long past the supposedly critical first three years--has recently emerged. Neural Plasticity offers the first succinct and lucid integration of this research and its implications.
Pointing out the negative and the positive consequences of plasticity, Peter Huttenlocher describes plasticity in children and adults (in normal aging and in response to trauma), in sensory systems, the motor cortex, higher cortical functions, and language development, proceeding system by system, and paying particular attention to the cerebral cortex. One of the book's strengths is its range of references, not only to studies on human subjects but to the experimental study of animal models as well. This book will be a unique contribution to research and to the literature on clinical neuroscience.
As the United States rushed toward industrial and technological modernization in the late nineteenth century, people worried that the workplace had become too competitive, the economy too turbulent, domestic chores too taxing, while new machines had created a fast-paced environment that sickened the nation. Physicians testified that, without a doubt, modern civilization was causing a host of ills—everything from irritability to insomnia, lethargy to weight loss, anxiety to lack of ambition, and indigestion to impotence. They called this condition neurasthenia.
Neurasthenic Nation investigates how the concept of neurasthenia helped doctors and patients, men and women, and advertisers and consumers negotiate changes commonly associated with “modernity.” Combining a survey of medical and popular literature on neurasthenia with original research into rare archives of personal letters, patient records, and corporate files, David Schuster charts the emergence of a “neurasthenic nation”—a place where people saw their personal health as inextricably tied to the pitfalls and possibilities of a changing world.
In Neuromatic, religious studies scholar John Lardas Modern offers a sprawling examination of the history of the cognitive revolution and current attempts to locate all that is human in the brain, including spirituality itself. Neuromatic is a wildly original take on the entangled histories of science and religion that lie behind our brain-laden present: from eighteenth-century revivals to the origins of neurology and mystic visions of mental piety in the nineteenth century; from cyberneticians, Scientologists, and parapsychologists in the twentieth century to contemporary claims to have discovered the neural correlates of religion.
What Modern reveals via this grand tour is that our ostensibly secular turn to the brain is bound up at every turn with the religion it discounts, ignores, or actively dismisses. In foregrounding the myths, ritual schemes, and cosmic concerns that have accompanied idealizations of neural networks and inquiries into their structure, Neuromatic takes the reader on a dazzling and disturbing ride through the history of our strange subservience to the brain.
Harvard University Press is proud to announce the second edition of a widely admired introductory textbook. When first published, Neurons and Networks filled the need for an introductory neuroscience text that is lucid, accessible, authoritative, logically organized, and concise. Avoiding the encyclopedic coverage that makes most neuroscience texts overwhelming, Neurons and Networks focused instead on building the solid foundation of understanding and knowledge required for further study.
The new edition retains the features that made the first edition so attractive: consistent emphasis on results and concepts that have stood the test of time; abundant high-quality illustrations; exceptionally clear explanations of technical terms. Completely revised and enlarged with six new chapters, the second edition of Neurons and Networks is an introduction not just to neurobiology, but to all of behavioral neuroscience. It is an ideal text for first- or second-year college students with minimal college science exposure. It is also an invaluable resource for students in biology, psychology, anthropology, and computer science who seek an accessible guide to a discipline that will be a critically important area of research in the twenty-first century.
In the treatment of neurocritical disease states, pharmacotherapeutic strategies are increasingly relevant. Neuropharmacotherapy in Critical Illness is the first book that provides this information in a high-yield format for the busy healthcare provider. Edited and authored by leading experts in the field, this book provides practitioners with clinical pearls on neuropharmacology, dosing strategies, monitoring, adverse events, drug interactions, and evidence-based pharmacotherapy.
Neuroscience, Psychology, and Religion is the second title published in the new Templeton Science and Religion Series. In this volume, Malcolm Jeeves and Warren S. Brown provide an overview of the relationship between neuroscience, psychology, and religion that is academically sophisticated, yet accessible to the general reader.
The authors introduce key terms; thoroughly chart the histories of both neuroscience and psychology, with a particular focus on how these disciplines have interfaced religion through the ages; and explore contemporary approaches to both fields, reviewing how current science/religion controversies are playing out today. Throughout, they cover issues like consciousness, morality, concepts of the soul, and theories of mind. Their examination of topics like brain imaging research, evolutionary psychology, and primate studies show how recent advances in these areas can blend harmoniously with religious belief, since they offer much to our understanding of humanity's place in the world. Jeeves and Brown conclude their comprehensive and inclusive survey by providing an interdisciplinary model for shaping the ongoing dialogue.
Sure to be of interest to both academics and curious intellectuals, Neuroscience, Psychology, and Religion addresses important age-old questions and demonstrates how modern scientific techniques can provide a much more nuanced range of potential answers to those questions.
The Neuroscientific Turnbrings together 19 scholars from a variety of fields to reflect on the promises of and challenges facing emergent "neurodisciplines" such as neuroethics, neuroeconomics, and neurohistory. In the aftermath of the Decade of the Brain, neuroscience has become one of the hottest topics of study---not only for scientists but also, increasingly, for scholars from the humanities and social sciences. While the popular press has simultaneously lauded and loathed the coming "neurorevolution," the academy has yet to voice any collective speculations about whether there is any coherence to this neuroscientific turn; what this turn will and should produce; and what implications it has for inter- or transdisciplinary inquiry.
Melissa M. Littlefield and Jenell M. Johnson provide an initial framework for this most recent of "turns" by bringing together 14 original essays by scholars from the humanities, social sciences, and neurosciences. The resulting collection will appeal to neuroscientists curious about their colleagues' interest in their work; scholars and students both in established neurodisciplines and in disciplines such as sociology or English wondering about how to apply neuroscience findings to their home disciplines; and to science, technology, and society scholars and students interested in the roles of interdisciplinarity and transdisciplinarity in the construction of knowledge.
A bold philosophical investigation into technology and the limits of the human
A daring, original work of philosophical speculation, Neurotechnology and the End of Finitude mounts a sustained investigation into the possibility that human beings may technologically overcome the transcendental limits of possible experience and envisages what such a transition would look like. Focusing on emergent neurotechnologies, which establish a direct channel of communication between brain and machine, Michael Haworth argues that such technologies intervene at the border between interiority and exteriority, offering the promise of immediacy and the possibility of the mind directly affecting the outside world or even other minds.
Through detailed, targeted readings of Kant, Freud, Heidegger, Croce, Jung, and Derrida, Haworth explores the effect of this transformation on human creativity and our relationships with others. He pursues these questions across four distinct but interrelated spheres: the act of artistic creation and the potential for a technologically enabled coincidence of idea and object; the possibility of humanity achieving the infinite creativity that Kant attributed only to God; the relationship between the psyche and the external world in Freudian psychoanalysis and Jungian analytical psychology; and the viability and impact of techno-telepathic communication.
Addressing readers interested in contemporary continental philosophy and philosophy of technology, media and communications, and science and technology studies, Neurotechnology and the End of Finitude critically envisions a plausible posthuman future.
Extraordinary advances in neurochemistry are both transforming our understanding of human nature and creating an urgent problem. Much is now known about the ways that neurotransmitters influence normal social behavior, mental illness, and deviance. What are these discoveries about the workings of the human brain? How can they best be integrated into our legal system?
These explosive issues are best understood by focusing on a single neurotransmitter like serotonin, which is associated with such diverse behaviors as dominance and leadership, seasonal depression, suicide, alcoholism, impulsive homicide, and arson. This book brings together revised papers from a conference on this theme organized by the Gruter Institute for Law and Behavioral Research, supplemented with articles by leading scholars who did not attend. Contributors include psychiatrists, neurologists, social scientists, and legal scholars.
The Neurotransmitter Revolution presents a unique survey of the scientific and legal implications of research on the way serotonin combines with other factors to shape human behavior. The findings are quite different from what might have been expected even a decade ago.
The neurochemistry of behavior is not the same thing as genetic determinism. On the contrary, the activity of serotonin varies from one individual to another for many reasons, including the individual’s life experience, social status, personality, and diet. And there are a number of major neurotransmitter systems, each of which interacts with the other. Behavior, culture, and the social environment can influence neurochemistry along with inheritance. Nature and nurture interact—and these interactions can be understood from a vigorously scientific point of view.
The fact that our actions are heavily influenced by neurotransmitters like serotonin is bound to be disquieting. A sophisticated understanding of law and human social behavior will be needed if our society is to respond adequately to these rapid advances in our knowledge. This book is an essential step in that direction, providing the first comprehensive survey of the biochemical, social, and legal considerations arising from research on the behavioral effects of serotonin and related neurotransmitters.
The astonishing science of neutron stars and the stories of the scientists who study them.
Neutron stars are as bewildering as they are elusive. The remnants of exploded stellar giants, they are tiny, merely twenty kilometers across, and incredibly dense. One teaspoon of a neutron star would weigh several million tons. They can spin up to a thousand times per second, they possess the strongest magnetic fields known in nature, and they may be the source of the most powerful explosions in the universe. Through vivid storytelling and on-site reporting from observatories all over the world, Neutron Stars offers an engaging account of these still-mysterious objects.
Award-winning science journalist Katia Moskvitch takes readers from the vast Atacama Desert to the arid plains of South Africa to visit the magnificent radio telescopes and brilliant scientists responsible for our knowledge of neutron stars. She recounts the exhilarating discoveries, frustrating disappointments, and heated controversies of the past several decades and explains cutting-edge research into such phenomena as colliding neutron stars and fast radio bursts: extremely powerful but ultra-short flashes in space that scientists are still struggling to understand. She also shows how neutron stars have advanced our broader understanding of the universe—shedding light on topics such as dark matter, black holes, general relativity, and the origins of heavy elements like gold and platinum—and how we might one day use these cosmic beacons to guide interstellar travel.
With clarity and passion, Moskvitch describes what we are learning at the boundaries of astronomy, where stars have life beyond death.
Michael S. Green, a leading Nevada historian, provides a detailed survey of the Silver State’s past, from the arrival of the early European explorers, to the predominance of mining in the 1800s, to the rise of world-class tourism in the twentieth century, and to more recent attempts to diversify the economy.
Of the numerous themes central to Green’s analysis of Nevada’s history, luck plays a significant role in the state’s growth. The miners and gamblers who first visited the state all bet on luck. Today, the biggest contributor to Nevada’s tourist economy, gaming, still relies on that same belief in luck. Nevada’s financial system has generally been based on a “one industry” economy, first mining and, more recently, gaming. Green delves deeply into the limitations of this structure, while also exploring the theme of exploitation of the land and the overuse of the state’s natural resources. Green covers many more aspects of the Silver State’s narrative, including the dominance of one region of the state over another, political forces and corruption, and the citizens’ often tumultuous relationship with the federal government. The book will appeal to scholars, students, and other readers interested in Nevada history.
Michael S. Green, a leading Nevada historian, provides a detailed survey of the Silver State’s past, from the arrival of the early European explorers, to the predominance of mining in the 1800s, to the rise of world-class tourism in the twentieth century, and to more recent attempts to diversify the economy.
Of the numerous themes central to Green’s analysis of Nevada’s history, luck plays a significant role in the state’s growth. The miners and gamblers who first visited the state all bet on luck. Today, the biggest contributor to Nevada’s tourist economy, gaming, still relies on that same belief in luck. Nevada’s financial system has generally been based on a “one industry” economy, first mining and, more recently, gaming. Green delves deeply into the limitations of this structure, while also exploring the theme of exploitation of the land and the overuse of the state’s natural resources. Green covers many more aspects of the Silver State’s narrative, including the dominance of one region of the state over another, political forces and corruption, and the citizens’ often tumultuous relationship with the federal government. The book will appeal to scholars, students, and other readers interested in Nevada history.
Divided into three parts, the book presents a simple system recognizing the primary landscape features of Nevada. Part I describes the methods used to define the boundaries of the ranges and divides the state into meaningful landforms. Part II describes the ecological life zones and their vegetation types. Part III describes the individual mountain ranges. Each mountain range entry contains a descriptive narrative and a data summary that includes the county or counties in which the range occurs, whether the author has visited and collected plants there, the highest point, the base elevation, a brief discussion of the geology, any historic settlements or post offices located in the range, the distribution of life zones, and a list of all conifers and flowering trees.
The result of over thirty years of exploration and study throughout the state, this is a long-overdue compendium of Nevada’s mountains and associated flora. This book is a required reference for anyone venturing out into the Nevada wilds.
Author and researcher Helen Carlson spent almost fourteen years searching for the origins of Nevada’s place names, using the maps of explorers, miners, government surveyors, and city planners and poring through historical accounts, archival documents, county records, and newspaper files. The result of her labors is Nevada Place Names, a fascinating mixture of history spiced with folklore, legend, and obscure facts. Out of print for some years, the book was reprinted in 1999.
A detailed look at Nevada's printing history from 1858 through 1880. Includes proclamations, pamphlets, menus, government publications, church programs, and more. For Nevada historians, bibliographers, book collectors, and people who are interested in the printed records produced in Nevada toward the end of the nineteenth century.
A detailed look at Nevada's printing history from 1881 through 1890. With over 1400 entries describing books, pamphlets, broadsides, state and local documents, fraternal and church publications, and a variety of other printed matter, this intriguing compilation serves as the companion volume to Armstrong's Nevada Printing History, 1858-1880. Armstrong includes annual summaries of events affecting the printing trade in Nevada as well as the locations and kinds of printing technology in use. This second volume also documents the planning and erection of a state printing office. Of particular interest are the summaries of individual publications that provide the reader with a picture of social, economic, and political viewpoints of the period. The author's research led him to more than 125 public institutions over a period of nearly twenty years. Historians, bibliographers, students of printing history and practice, collectors of Western Americana, antiquarian booksellers, and librarians will find this book to be an invaluable guide to Nevada's printing, its printers, and its history.
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