A SCHOLARLY BOOK REPOSITORY
The holy mission of the Maid of Orleans is recreated in this, one of the greatest of the books on Joan. Jules Michelet captures the hardships of battle, the glory of victory, the disillusion of imprisonment. Her betrayal and martyrdom at the stake have an enduring mood of beauty and brutality. Albert Guérard's sensitive translation offers the first complete English rendition of this classic nineteenth-century work.
Jules Michelet, 1798-1874, noted French historian, is perhaps best known for his Histoire de la révolution française (1847-53) and his Histoire de France (1833-67).
The late Albert Guérard was professor of comparative literature and lecturer in French civilization at Stanford University. His many books include Europe Free and United, Napoleon III, Education of a Humanist, and France: A Modern History.
Films like The Eternal Daughter and the diptych The Souvenir and The Souvenir Part II have cemented Joanna Hogg’s reputation as an original voice in contemporary cinema. Her rigorous and quiet style draws on the histories of film and art to tell stories that weave autobiography with studies in human opacity.
Shonni Enelow analyzes Hogg’s six feature films around the concepts of turning away, the reality effect, and the impossible encounter. Throughout, Enelow explores the tension between absorption, in which characters are immersed in a diegetic fiction, and self-reflexivity, as the filmmaker comments on her techniques of representation. An in-depth interview with Hogg delves into the director’s process, approach to creating character, and use of artistic and literary references.
Sophisticated and innovative, Joanna Hogg illuminates the work of one of today’s most original filmmakers.
In Job Man, Multerer, along with his friend Larry Widen, shows what life was like for wrestlers outside the spotlight. Long nights on the road, thoughtful takes on some the biggest personalities in the business, and, perhaps most of all, a love for the sport, are as much a part of Multerer’s revealing and remarkable story as his time in the ring.
Since 1970, women have made widely publicized gains in several customarily male occupations. Many commentators have understood this apparent integration as an important step to sexual equality in the workplace. Barbara F. Reskin and Patricia A. Roos read a different lesson in the changing gender composition of occupations that were traditionally reserved for men. With persuasive evidence, Job Queues, Gender Queues offers a controversial interpretation of women's dramatic inroads into several male occupations based on case studies of "feminizing" male occupation.
The authors propose and develop a queuing theory of occupations' sex composition. This theory contends that the labor market comprises a "gender queue" with employers preferring male to female workers for most jobs. Workers also rank jobs into a "job queue." As a result, the highest-ranked workers monopolize the most desirable jobs. Reskin and Roos use this queuing perspective to explain why several male occupations opened their doors to women after 1970. The second part of the book provides evidence for this queuing analysis by presenting case studies of the feminization of specific occupations. These include book editor, pharmacist, public relations specialist, bank manager, systems analyst, insurance adjuster, insurance salesperson, real estate salesperson, bartender, baker, and typesetter/compositor.
Contributors: Xochitl Bada, John Bragelman, Laura Dresser, Rudy Faust, Beth Gutelius, Brad Harrington, Gregory V. Larnell, Twyla T. Blackmond Larnell, and Nik Theodore.
Patronage systems in the public service are universally reviled as undemocratic and corrupt. Yet patronage was the prevailing method of staffing government for centuries, and in some countries it still is. In Jobs for the Boys, Merilee Grindle considers why patronage has been so ubiquitous in history and explores the political processes through which it is replaced by merit-based civil service systems. Such reforms are consistently resisted, she finds, because patronage systems, though capricious, offer political executives flexibility to achieve a wide variety of objectives.
Grindle looks at the histories of public sector reform in six developed countries and compares them with contemporary struggles for reform in four Latin American countries. A historical, case-based approach allows her to take into account contextual differences between countries as well as to identify cycles that govern reform across the board. As a rule, she finds, transition to merit-based systems involves years and sometimes decades of conflict and compromise with supporters of patronage, as new systems of public service are politically constructed. Becoming aware of the limitations of public sector reform, Grindle hopes, will temper expectations for institutional change now being undertaken.
Senate majority leader Joseph Taylor Robinson was undoubtedly one of the most powerful U.S. senators of the early twentieth century. An important political figure in Arkansas from the time he was elected to the state legislature in 1895, Joe T., as he was popularly called became nationally prominent when he ascended to the Democratic leadership of the U.S. Senate in 1923.
Robinson’s career spanned momentous legislative debates in the chambers of the Senate, such as the League of Nations charter, the Teapot Dome Scandal, and FDR’s plan to “pack” the Supreme Court. His run for the vice-presidency in 1928, the first Southerner on a major ticket after the Civil War, and his three terms as chairman of the Democratic National Convention, in 1920, 1928, and 1936, are all covered in this perceptive study.
R. Barton Palmer argues that the Coen oeuvre forms a central element in what might be called postmodernist filmmaking. Mixing high and low cultural sources and blurring genres like noir and comedy, the use of pastiche and anti-realist elements in films such as The Hudsucker Proxy and Barton Fink clearly fit the postmodernist paradigm. Palmer argues that for a full understanding of the Coen brothers' unique position within film culture, it is important to see how they have developed a new type of text within general postmodernist practice that Palmer terms commercial/independent. Analyzing their substantial body of work from this "generic" framework is the central focus of this book.
Drawing on extensive research and previously untapped archival materials, Lynn Edwards Butler explores Scheibe's professional relationships and the full range of his projects. These assignments included the three-manual organ for St. Paul’s Church, renovations of the organs in the important churches of St. Thomas and St. Nicholas, and the lone surviving example of Scheibe's craft, a small organ in the nearby village of Zschortau. Viewing Scheibe within the context of the era, Butler illuminates the music scene of Bach's time as she follows the life of a gifted craftsman and his essential work on an instrument that anchored religious musical practice and community.
Amy C. Beal chronicles Beyer's life from her early participation in New York's contemporary music scene through her performances at the Federal Music Project's Composers' Forum-Laboratory concerts to her unfortunate early death in 1944. This book is a portrait of a passionate and creative woman underestimated by her music community even as she tirelessly applied her gifts with compositional rigor.
The first book-length study of the composer's life and music, Johanna Beyer reclaims a uniquely innovative artist and body of work for a new generation.
The volume’s essays include an investigation of representation and self-stylization in the city, an ethnographic examination of friction zones and practices of social reproduction in inner-city Johannesburg, and a discussion of the economic and literary relationship between Johannesburg and Maputo, Mozambique’s capital. One contributor considers how Johannesburg’s cosmopolitan sociability enabled the anticolonial projects of Mohandas Ghandi and Nelson Mandela. Journalists, artists, architects, writers, and scholars bring contemporary Johannesburg to life in ten short pieces, including reflections on music and megamalls, nightlife, built spaces, and life for foreigners in the city.
Contributors: Arjun Appadurai, Carol A. Breckenridge, Lindsay Bremner, David Bunn, Fred de Vries, Nsizwa Dlamini, Mark Gevisser, Stefan Helgesson, Julia Hornberger, Jonathan Hyslop, Grace Khunou, Frédéric Le Marcis, Xavier Livermon, John Matshikiza, Achille Mbembe, Robert Muponde, Sarah Nuttall, Tom Odhiambo, Achal Prabhala, AbdouMaliq Simone
Contributors to this issue—a mix of scholars, urban planners, and artists, many of whom hail from South Africa—reveal Johannesburg to be a polycentric and international city that has developed its own cosmopolitan culture. In a detailed study of three streets in the modern precinct of Melrose Arch, one essay shows how the thoroughly commodified and marketed Johannesburg cityscape has shaped the cultural sensitivities, aesthetics, and urban subjectivities of its inhabitants, at times even overriding the historical memory of apartheid. Another essay, focusing on the emergence of a new urban culture, examines how the city itself becomes a crucial site for the remixing and reassembling of racial identities. By tracking the movement of people with AIDS to various locations in the city to seek relief and treatment, another essay reveals an urban geography very different from what is seen from the highways. Finally, through interviews and commentaries, journalists, artists, and architects of Johannesburg offer reflections on the geography and shifting culture of the city and its townships, on the complicated relationship between Johannesburg and other African cities, and on the search for an architectural style that adequately expresses the complexity of this cosmopolitan city.
Contributors. Lindsay Bremner, Nsizwa Dlamini, Mark Gevisser, Grace Khunou, Frédéric Le Marcis, John Matshikiza, Achille Mbembe, Sarah Nuttall, Rodney Place, AbdouMaliq Simone, Michael Watts
John A. Johnson was first published in 1949. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The first native-born governor of Minnesota, and the only Democrat to have been elected to that office three times, was also the first Minnesotan to have a presidential nomination within his grasp.
This study of a man who was, perhaps, the state's most beloved chief executive is a warm, fast-moving personal biography and an engrossing piece of political history.
The issues, personalities, shifting political currents, and party cleavages, state and national, of the early 1900s live again in the full recounting of the political campaigns of that era. One chapter is devoted to the 1908 Democratic National Convention at which Johnson's name was place in nomination for the presidency—the convention which chose William Jennings Bryan as its standard-bearer for the third and last time.
Johnson was a man of buoyant spirit and great personal charm, and the story of his life again dramatizes the American tradition that by force of character a man can lift himself from the humblest beginnings. At the time of his death in 1909 the warships in New York harbor dropped their flags to half-mast, and hundreds of memorial services were held throughout the nation. Many believed that, had he lived, Johnson would have won the presidential nomination and election in 1912.
Born in Norway, John A. Widtsoe (1872–1952), was renowned for his expertise in irrigation and dry farming. His pioneering work pushed the boundaries of and contributed significantly to advancements in agricultural practices. Moreover, his forays into the field of biochemistry exemplified his relentless pursuit of scientific understanding.
Widtsoe’s journey came with challenges especially after he was called as an apostle in the Church of Jesus Christ of Latter-day Saints. As president of both Utah State Agricultural College (1907–16) and the University of Utah (1916–21), he faced controversies and obstacles head-on. Additionally, he played a significant role in overseeing the expansion of the LDS gospel in both Europe and the United States. He was highly esteemed within his church due to his ability to provide thorough and insightful explanations of various aspects of church doctrine and reconcile them with scientific truths. Throughout the early-to-mid-twentieth century, he symbolized to many members the successful integration of religious faith with secular knowledge, inspiring countless individuals to embrace both realms in harmony.
During his lifetime (1751–ca. 1840), English-born naturalist and artist John Abbot rendered more than 4,000 natural history illustrations and profoundly influenced North American entomology, as he documented many species in the New World long before they were scientifically described. For sixty-five years, Abbot worked in Georgia to advance knowledge of the flora and fauna of the American South by sending superbly mounted specimens and exquisitely detailed illustrations of insects, birds, butterflies, and moths, on commission, to collectors and scientists all over the world.
Between 1816 and 1818, Abbot completed 104 drawings of insects on their native plants for English naturalist and patron William Swainson (1789–1855). Both Abbot and Swainson were artists, naturalists, and collectors during a time when natural history and the sciences flourished. Separated by nearly forty years in age, Abbot and Swainson were members of the same international communities and correspondence networks upon which the study of nature was based during this period.
The relationship between these two men—who never met in person—is explored in John Abbot and William Swainson: Art, Science, and Commerce in Nineteenth-Century Natural History Illustration. This volume also showcases, for the first time, the complete set of original, full-color illustrations discovered in 1977 in the Alexander Turnbull Library in Wellington, New Zealand. Originally intended as a companion to an earlier survey of insects from Georgia, the newly rediscovered Turnbull manuscript presents beetles, grasshoppers, butterflies, moths, and a wasp. Most of the insects are pictured with the flowering plants upon which Abbot thought them to feed. Abbot’s journal annotations about the habits and biology of each species are also included, as are nomenclature updates for the insect taxa.
Today, the Turnbull drawings illuminate the complex array of personal and professional concerns that informed the field of natural history in the eighteenth and nineteenth centuries. These illustrations are also treasured artifacts from times past, their far-flung travels revealing a world being reshaped by the forces of global commerce and information exchange even then. The shared project of John Abbot and William Swainson is now brought to completion, signaling the beginning of a new phase of its significance for modern readers and scholars.
Initially admiring Thomas Paine’s efforts for independence, John Adams nevertheless was rattled by the political philosophy of Common Sense and responded to it by publishing his Thoughts on Government to counteract Paine’s proposals, which Adams said were far too “democratical.” Although John Adams is given credit for his substantive contributions to American constitutionalism, especially his notions of separation of powers, checks and balances, and representation, in John Adams vs Thomas Paine: Rival Plans for the Early Republic, historian Jett B. Conner makes the case that Thomas Paine was more than just a revolutionary figure who spurred Americans toward declaring independence. Common Sense made important contributions to American constitutional thought, too, particularly its call for more equal representation, popular sovereignty, a constitutional convention, and a federal system of governance with a strong central government. The book explores how the two rivals helped shape America’s first constitutions—the Articles of Confederation and those of several states— and how they continued contributing to American political thought as it developed during the so-called “critical period” between the adoption of the Articles of Confederation and the start of the Constitutional Convention of 1787. It also focuses on the creation of our democratic republic and compares Paine’s and Adams’s approaches to structuring constitutions to ensure free government while guarding against abuses of power and the excesses of democratic majorities. An abridged version of Common Sense and the short but complete Thoughts on Government are included in an appendix for easy reader reference.
A window into early Judaism and Christianity
The Gospel of John was written during the period of the emergence of Christianity and its separation from Judaism and bears witness to their contested relationship. This volume contains eighteen cutting-edge essays written by an international group of scholars who interpret for students and general readers what the book tells us about first-century Judaism, the separation of the church from Judaism, and how John's anti-Jewish references are being interpreted today.
Features:
- A debate over the process that led to the separation of the church from Judaism, and John's place in that process
- A review of recent interpretations of John's anti-Jewish references
- An assessment of the current status of Jewish Christian relations
John Cabot, Giovanni Caboto in his native Italian, led an expedition to the New World in 1497 on behalf of King Henry VII of England. He is considered the first European to explore North America since the Viking voyages five hundred years earlier. Although Cabot’s exact landfall on his first voyage is not known—it could have been Nova Scotia, Newfoundland, or even Maine—his claim for England to this territory countered the Spanish and Portuguese explorations to the south, and changed world history. Cabot made three roundtrips between Bristol, England, and North America, and later, his son Sebastian, made two similar voyages. John and Sebastian Cabot: The Discovery of North America by historian Sir Charles Raymond Beazley was first published in 1898. Its enduring value in addition to its lucid, well-balanced and researched narrative is the author’s detailed history of prior voyages to the North American continent, including those from China and the Pacific Islands as well as those from the realms of mythology. The author also includes all extant references to the Cabots in historical documents.
Though he garnered global praise at the peak of his career from 1960 to 1990, Australian architect John Andrews faced waning fame as postmodern cultural transformations challenged modernist design values, and wider social and economic changes led to a withdrawal of government-funded institutional commissions. Yet his body of work is a remarkable achievement that deserves to be better known.
Following a path from Australia to the United States and Canada and back again, John Andrews: Architect of Uncommon Sense examines his most important buildings and reveals how the internationalization of architecture during this period was an unexpectedly dispersed geographical phenomenon, following more complex flows and localized progressions than earlier modernist ideas that travelled from center to periphery, metropole to outpost. Andrews negotiated the advent of postmodernism not by ignoring it, but by cultivating approaches that this new era foregrounded—identity, history, place—within the formal vocabularies of modernism. As Andrews assumed wider public roles and took appointments that allowed him to shape architectural education, he influenced design culture beyond his own personal portfolio. This book presents his legacy traversing local and international scenes and exemplifying late-modern developments of architecture while offering both generational continuities and discontinuities with what came after.
John Andrews: Architect of Uncommon Sense features essays from Paul Walker, Mary Lou Lobsinger, Peter Scriver and Antony Moulis, Philip Goad, and Paolo Scrivano, along with nearly 100 new photographs from visual artist Noritaka Minami of existing buildings designed by Andrews in North America and Australia.
The life of John Archibald Campbell reflects nearly every major development of 19th-century American history. He participated either directly or indirectly in events ranging from the Indian removal process of the 1830s, to sectionalism and the Civil War, to Reconstruction and redemption. Although not a defender of slavery, he feared that abrupt abolition would produce severe economic and social dislocation. He urged southerners to reform their labor system and to prepare for the eventual abolition of slavery. In the early 1850s he proposed a series of reforms to strengthen slave families and to educate the slaves to prepare them for assimilation into society as productive citizens. These views distinguished him from many southerners who steadfastly maintained the sanctity of the peculiar institution.
Born and schooled in Georgia, Campbell moved to Montgomery, Alabama, in the early 1830s, where he joined a successful law practice. He served in the Alabama legislature for a brief period and then moved with his family to Mobile to establish a law practice. In 1853 Campbell was appointed an associate justice of the U.S. Supreme Court. His concurring opinion in the Dred Scott case in 1857 derived not from the standpoint of protecting slavery but from an attempt to return political power to the states. As the sectional crisis gathered heat, Campbell counseled moderation. He became widely detested in the North because of his defense of states’ rights, and he was distrusted in the South because of his moderate views on slavery and secession. In May 1861 Campbell resigned from the Court and later became the Confederacy's assistant secretary of war. After the war, Campbell moved his law practice to New Orleans. Upon his death in 1889, memorial speakers in Washington, D.C., and New Orleans recognized him as one of the nation's most gifted lawyers and praised his vast learning and mastery of both the common law and the civil law.
In this first full biography of Campbell, Robert Saunders, Jr., reveals the prevalence of anti-secession views prior to the Civil War and covers both the judicial aspects and the political history of this crucial period in southern history.
Mysterious, esoteric, and baffling, John Ashbery is notorious for the seeming difficulty of his work. But Ashbery is also entertaining, humorous, even charming, and ever responsive to his shifting social and political contexts. This biography charts Ashbery’s rise from a minor avant-garde figure to the most important poet of his generation. Jess Cotton provides a legible and accessible roadmap to Ashbery’s work that draws connections between his poetry, New York artists, and mid-century politics. Cotton paints an image of a more approachable and socially engaged Ashbery that will appeal to anyone interested in American poetry, queer lives, and twentieth-century American history.
John Aubrey (1626–97) was one of the best-connected scholars and antiquaries in the great decades of the British scientific revolution. He is remembered as a pioneer historian and the father of English life-writing, whose Brief Lives remains a lasting portrait of a generation of eminent thinkers and nobles. But Aubrey’s intellectual interests were much broader. He was one of the first Fellows of the Royal Society, and he was acquainted with leading scientists of the generation of Robert Hooke and Isaac Newton. Aubrey championed Hooke’s geological theories, radical for the time, that proposed the organic origin of fossils. In addition, Aubrey was a keen mathematician and an early donor to the Ashmolean Museum of Art and Archaeology and the Bodleian Library. Extensively illustrated, John Aubrey and the Advancement of Learning presents all of Aubrey’s varied interests and pursuits in their intellectual milieu. Published to celebrate the 350th anniversary of the Royal Society, this is the first accessible and illustrated guide to Aubrey’s many diverse achievements as a biographer, natural philosopher and scientist, and antiquary.
The Life of the First Captain of the United States Navy
Finalist for the Rear Admiral Samuel Eliot Morison Award for Excellence in Naval Literature
“Ashore as well as at sea, Tim McGrath paints an informative, engaging and highly entertaining portrait of this worthy but neglected hero of American independence. The author shows us a man who was a magnificent embodiment of common sense—and uncommon courage and dedication. That such a work is long overdue makes its achievement all the more pleasurable.”—Wall Street Journal
“Combining sophisticated use of sources with a pleasing writing style, McGrath masterfully rescues a father of the U.S. Navy from unmerited eclipse.”—Publishers Weekly
“A nearly indispensable addition to U.S. Navy collections.”—Booklist“McGrath employs exemplary narrative style in this work. . . . In John Barry, the author adroitly juxtaposes maritime history, narratives of naval combat, and early U.S. social history.”—New England Quarterly
“McGrath is a compelling and lucid writer. He brings Barry to life, makes battles understandable, and provides the clearest description of Barry's 1778 capture of the British transport ships Mermaid and Kitty that this reviewer has seen.”—Pennsylvania Magazine of History and Biography
“A great read and an absorbing account of a drama-filled life.”—Naval History
“Well researched, well written, and a pleasure to read, this book restores John Barry to the important place he once held as one of our nation’s great heroes. It is a tale of high adventure and personal courage and you will not want to put it down.” —JAMES L. NELSON, author of George Washington’s Secret Navy
“Readers of this vivid biography will imagine they smell the ocean’s salt air and the sulfurous fumes of gunpowder as they navigate these action-packed pages. Fans of Horatio Hornblower and Lucky Jack Aubrey will rejoice in discovering their real-life American counterpart.”—GREGORY J. URWIN, author of Facing Fearful Odds: The Siege of Wake Island
The man regarded as “the Father of the American Navy” returns to the quarterdeck in John Barry: An American Hero in the Age of Sail, the first comprehensive biography of this legendary officer in generations. Son of a hardscrabble Irish farmer from County Wexford, Barry was sent to sea as a child, arriving in Philadelphia during the restless decade before the American Revolution. Brave and ambitious, he ascended the ratlines to become a successful merchant captain at a young age, commanding the most prestigious ship in the colonies and recording the fastest known day of sail in the century.
Volunteering to fight for the Continental cause, Barry saw his star rise during the War for Independence. As captain of the Lexington, Raleigh, and Alliance, Barry faced down broadsides, mutinies, and even a fleet of icebergs. He captured the first enemy warship taken by a Continental vessel and fought the last battle of the American Revolution. His hard-won victory over two British warships simultaneously garnered him international notoriety, while his skill as a seafarer and cool temper established Barry as a worthy foe among British captains. Without a ship during the winter of 1776-77, the ever resourceful Barry lead a battery of naval artillery at the battle of Princeton. With peace came a historic voyage to China, where Barry helped open trade with that reclusive empire. In 1794, President Washington named Barry as the first commissioned officer in the new United States Navy. Given the title of commodore, Barry ended his career during America’s naval war with France, teaching the ropes to a new generation of officers, most notably Stephen Decatur.
Drawn from primary source documents from around the world, John Barry: An American Hero in the Age of Sail by Tim McGrath brings the story of this self-made American back to life in a major new biography.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press