A SCHOLARLY BOOK REPOSITORY
Finalist for the 2015 Aidoo-Snyder Prize
In Idi Amin’s Shadow is a rich social history examining Ugandan women’s complex and sometimes paradoxical relationship to Amin’s military state. Based on more than one hundred interviews with women who survived the regime, as well as a wide range of primary sources, this book reveals how the violence of Amin’s militarism resulted in both opportunities and challenges for women. Some assumed positions of political power or became successful entrepreneurs, while others endured sexual assault or experienced the trauma of watching their brothers, husbands, or sons “disappeared” by the state’s security forces. In Idi Amin’s Shadow considers the crucial ways that gender informed and was informed by the ideology and practice of militarism in this period. By exploring this relationship, Alicia C. Decker offers a nuanced interpretation of Amin’s Uganda and the lives of the women who experienced and survived its violence.
Each chapter begins with the story of one woman whose experience illuminates some larger theme of the book. In this way, it becomes clear that the politics of military rule were highly relevant to women and gender relations, just as the politics of gender were central to militarism. By drawing upon critical security studies, feminist studies, and violence studies, Decker demonstrates that Amin’s dictatorship was far more complex and his rule much more strategic than most observers have ever imagined.
In this exceptional collection of dispatches from occupied Donbas, writer and journalist Stanislav Aseyev details the internal and external changes observed in the cities of Makiïvka and Donetsk in eastern Ukraine. Aseyev scrutinizes his immediate environment and questions himself in an attempt to understand the reasons behind the success of Russian propaganda among the working-class residents of the industrial region of Donbas.
In this work of documentary prose, Aseyev focuses on the early period of the Russian-sponsored military aggression in Ukraine’s east, the period of 2015–2017. The author’s testimony ends with his arrest for publishing his dispatches and his subsequent imprisonment and torture in a modern-day concentration camp on the outskirts of Donetsk run by lawless mercenaries and local militants with the tacit approval and support of Moscow. For the first time, an inside account is presented here of the toll on real human lives and civic freedoms that the citizens of Europe’s largest country continue to suffer in Russia’s hybrid war on its territory.
Inspired by the Hank Williams and Leadbelly recordings he heard as a teenager growing up outside of Boston, Jim Rooney began a musical journey that intersected with some of the biggest names in American music including Bob Dylan, James Taylor, Bill Monroe, Muddy Waters, and Alison Krauss. In It for the Long Run: A Musical Odyssey is Rooney's kaleidoscopic first-hand account of more than five decades of success as a performer, concert promoter, songwriter, music publisher, engineer, and record producer.
As witness to and participant in over a half century of music history, Rooney provides a sophisticated window into American vernacular music. Following his stint as a "Hayloft Jamboree" hillbilly singer in the mid-1950s, Rooney managed Cambridge's Club 47, a catalyst of the ‘60’s folk music boom. He soon moved to the Newport Folk Festival as talent coordinator and director where he had a front row seat to Dylan "going electric."
In the 1970s Rooney's odyssey continued in Nashville where he began engineering and producing records. His work helped alternative country music gain a foothold in Music City and culminated in Grammy nominations for singer-songwriters John Prine, Iris Dement, and Nanci Griffith. Later in his career he was a key link connecting Nashville to Ireland's folk music scene.
Writing songs or writing his memoir, Jim Rooney is the consummate storyteller. In It for the Long Run: A Musical Odyssey is his singular chronicle from the heart of Americana.
In Lady Liberty’s Shadow examines popular white perceptions of danger represented by immigrants and their children, as well the specter that lurks at the edges of suburbs in the shape of black and Latino urban underclasses and the ever more nebulous hazard of (presumed-Islamic) terrorism that threatening to undermine “life as we know it.” Robyn Magalit Rodriguez explores the impact of anti-immigrant municipal ordinances on a range of immigrant groups living in varied suburban communities, from undocumented Latinos in predominantly white suburbs to long-established Asian immigrants in “majority-minority” suburbs. The “American Dream” that suburban life is supposed to represent is shown to rest on a racialized, segregated social order meant to be enjoyed only by whites. Although it is a case study of New Jersey, In Lady Liberty’s Shadow offers crucial insights that can shed fresh light on the national immigration debate.
For more information, go to: https://www.facebook.com/inlibertysshadow
There is a familiar narrative about American suburbs: after 1945, white residents left cities for leafy, affluent subdivisions and the prosperity they seemed to embody. In Levittown’s Shadow tells us there’s more to this story, offering an eye-opening account of diverse, poor residents living and working in those same neighborhoods. Tim Keogh shows how public policies produced both suburban plenty and deprivation—and why ignoring suburban poverty doomed efforts to reduce inequality.
Keogh focuses on the suburbs of Long Island, home to Levittown, often considered the archetypal suburb. Here military contracts subsidized well-paid employment welding airplanes or filing paperwork, while weak labor laws impoverished suburbanites who mowed lawns, built houses, scrubbed kitchen floors, and stocked supermarket shelves. Federal mortgage programs helped some families buy orderly single-family homes and enter the middle class but also underwrote landlord efforts to cram poor families into suburban attics, basements, and sheds. Keogh explores how policymakers ignored suburban inequality, addressing housing segregation between cities and suburbs rather than suburbanites’ demands for decent jobs, housing, and schools.
By turning our attention to the suburban poor, Keogh reveals poverty wasn’t just an urban problem but a suburban one, too. In Levittown’s Shadow deepens our understanding of suburbia’s history—and points us toward more effective ways to combat poverty today.
Willard’s love of music combines with his love and respect for the natural world. Often rooted in, or coming out of, domestic encounters, the poems of this collection rise up (much like the clouds over his oft-traversed Rockies), as the speaker throws his attention to earth and sky, better to understand his own dynamic and shifting inner weather.
Winner of the Gustavus Myers Center Award for the Study of Human Rights in the United States!
Winner of the Illinois State Historical Society Superior Achievement Award!
This detailed case study of the 1908 race riot in Springfield, Illinois, which began only a few blocks from Abraham Lincoln’s family home, explores the social origins of rioting by whites against the city’s African American community after a white woman alleged that a black man had raped her. Over two days rioters wrecked black-owned businesses, burned neighborhoods to the ground, killed two black men, and injured many others.
Author Roberta Senechal de la Roche draws from a wide range of sources to describe the riot, identify the rioters and their victims, and challenge previous interpretations that attribute rioting to interracial competition for jobs, housing, or political influence. Written in a direct and clear style, In Lincoln’s Shadow documents a violent explosion of racial hatred that shocked the nation and reveals the complexity of white racial attitudes in the early twentieth century.
After fleeing Latvia as a child, Anna Duja escapes Russian confinement in displaced persons camps and eventually arrives in America. Years later, she finds herself in a different kind of captivity on isolated Cloudy Lake, Wisconsin, living with her disarming but manipulative husband, Stanley.
Inspired by the transformation of Polish-Jewish émigré Jerzy Kosinski from persecuted wartime escapee to celebrity author in America, Anna slips away from Stanley and Cloudy Lake in small steps: learning to drive, making friends, moving to Madison, falling in love, and learning to forgive. Readers will applaud the book’s power, the beauty of its prose, and its strong evocation of a woman gradually finding her way in the wake of trauma.
Winner, the Chancellor’s Regional Literary Award, University of Wisconsin-Whitewater
Thomas W. Colley served in one of the most active and famous units in the Civil War, the 1st Virginia Cavalry, which fought in battles in the Eastern Theater, from First Manassas/Bull Run to the defense of Petersburg. Colley was born November 11, 1837, outside Abingdon, Virginia, and grew up knowing the daily demands of life on a farm. In May 1861, along with the other members of the Washington Mounted Rifles, he left his home in Washington County and reported to camp in Richmond. During the war, Colley received wounds on three different occasions: first at Waterloo Bridge in 1862, again at Kelly’s Ford in 1863, and finally at Haw’s Shop in 1864. The engagement at Haw’s Shop resulted in the amputation of his left foot, thereby ending his wartime service.
The first modern scholarly edition of Colley’s writings, In Memory of Self and Comrades dramatizes Colley’s fate as a wounded soldier mustered out before the war’s conclusion. Colley’s postwar reflections on the war reveal his struggle to earn a living and maintain his integrity while remaining somewhat unreconciled to his condition. He found much of his solace through writing and sought to advance his education after the war. As one of an estimated 20,000 soldiers who underwent amputation during the Civil War, his memoirs reveal the challenges of living with what many might recognize today as post-traumatic stress disorder. Annotations from editor Michael K. Shaffer provide further context to Colley’s colorful and insightful writings on both his own condition and the condition of other veterans also dealing with amputations
In 1921 Solomon Orlovski, a Russian Jew born in 1904, emigrated to America and transformed himself into Robert Orlove, a pattern maker in two senses of the term: during the day, he worked in the fur trade in New York and Chicago, making patterns for toys and hats; in his private life he became a self-taught artist who created prints, sketches, and collages in his study. More than sixty years later his son Ben—an anthropologist educated at Harvard and Berkeley—walked through the doorway of the deceased Robert's study and began to explore more than a half century of his father's experiences, thoughts, and emotions as well as his own very different life. His wry, sensitive combination of biography, memoir, and autobiography taps a remarkably rich vein of individual and collective experience in our diverse society.
Ben Orlove's dual narrative constitutes a family history of notable breadth and immediacy. By turns passionate and cool, dramatic and analytic, he excavates his father Robert's lifetime accumulation of diaries, letters, clippings, photographs, and artworks to create a convincing, deeply satisfying portrait that link both father and son.
Elsewhere Texts, edited by Gayatri Chakraborty Spivak and Hosam Aboul-Ela, presents radical new engagements with non-European literary cultures. This volume, the latest in this ambitious series, is a brilliant collection of essays originally written in Sesotho by Sophonia Machabe Mofokeng. Often confined to the role of “native informants” in the nineteenth and twentieth centuries, writers working in African languages laid the foundation for the politics and poetics of decolonization and are legendary among their own communities of readers, though their work remains little known elsewhere. In My Heart belongs to this tradition of colonial renegades. Writing in the 1950s during the cataclysmic events of apartheid that were transforming life in South Africa, Mofokeng offers a series of meditations that provide his readers with a Sesotho worldview outside the categories authorized by colonial knowledge. In My Heart, expertly translated by Nhlanhla Maake, introduces a significant African thinker’s influential work to a global readership.
I WEPT WITH JOY ABOVE THE RIVER
I wept with joy above the river.
I wept with sorrow above the river.
My tears were clear, both sweet and bitter.
One leaf cried out to another,
“Empty me today of all my color.
Fill me tomorrow with a shot of sugar.”
This was the still ritual for my feet:
To stand on the earth that took of earth earth with ill and sing.
The works contained in this volume are as varied as the women who produced them. They include passionate essays on the protection of animals, vivid accounts of travel and adventure from the English seashore to the Indian Alps, poetry and fiction, and marvelous tales of nature for children. Special features of the book include a detailed chronology placing each selection in its historical and literary context; biographical sketches of each author's life and works; a comprehensive bibliography of primary and secondary literature; and over sixty illustrations.
An ideal introduction to women's powerful and diverse responses to the natural world, In Nature's Name will be treasured by anyone interested in natural history, women, or Victorian and Edwardian Britain.
In Oceania documents and analyzes the "rhetorical artifacts" of explorers, missionaries, fiction and travel writers, and the people of the Pacific themselves to illustrate how Oceanic identities have been represented over time. Not content with conventional methods of anthropology or history, Thomas draws on postcolonial theory and literary analysis in extraordinarily wide-ranging analyses of texts, visual images, and historical processes. He demonstrates how cultures of the Pacific Islands have dealt with colonialist ventures, modernity, and the debate about the recuperation of histories and traditions. The picture Thomas paints of Oceania, however, is not one of a group of societies stripped of meaning, but one that shows how the interactions between indigenous cultures and European influences have created entirely new identities.
"In order to talk with the dead
you have to know how to wait:
they are fearful
like the first steps of a child.
But if we are patient
one day they will answer us
with a poplar leaf trapped in a broken mirror,
with a flame that suddenly revives in the fireplace,
with a dark return of birds
before the glance of a girl
who waits motionless on the threshold."
—from "In Order to Talk with the Dead"
Reared in the rainy forests of Chile's "La Frontera" region which had nurtured Pablo Neruda a generation earlier, Jorge Teillier has become one of Chile's leading contemporary poets, whose work is widely read in Latin America and Europe along with the poetry of his well-known contemporaries Nicanor Parra and Enrique Lihn. This English-Spanish bilingual anthology now introduces English-speaking readers to Teillier, with a representative selection of his best work from all phases of his career.
Carolyne Wright has translated poems from the volumes Muertes y maravillas (1971), Para un pueblo fantasma (1978), and Cartas para reinas de otras primaveras (1985). Avoiding the bravura effects of some of his contemporaries, Teillier writes from a life lived directly and simply, returning time and again in his poetry to the timeless and mythic South of his boyhood, the "Land of Nevermore."
“A deep and howling portrait of longing and loneliness.” —Boston Globe
“A distinctive debut from a promising author.” —Kirkus Reviews
“A stunner from the very first page.” —Deesha Philyaw, author of The Secret Lives of Church Ladies, in the Millions
And praise from Ann Patchett, Alice McDermott, Danielle Evans, Elisa Albert, and Aimee Bender
Populated with lovers who leave and return, with ghosts of the Holocaust and messages from the dead, Courtney Sender’s debut collection speaks in a singular new voice about the longings and loneliness of contemporary love. The world of these fourteen interlocking stories is fiercely real but suffused with magic and myth, dark wit, and distinct humor. Here, ancient loss works its way deep into the psyche of modern characters, stirring their unrelenting lust for life.
In “To Do With the Body,” the Museum of Period Clothes becomes the perfect setting for a bloody crime. In “Lilith in God’s Hands,” Adam’s first wife has an affair in the Garden of Eden. And in the title story, a woman spends her life waiting for any of the men who have left her to come back, only to find them all at her doorstep at once.
For readers of Elena Ferrante, Nicole Krauss, and Carmen Maria Machado, and for anyone who has known love and loneliness, In Other Lifetimes All I’ve Lost Comes Back to Me is a wise and sensual collection of old hauntings, new longings, and unexpected returns, with a finale that is a rousing call to the strength we each have, together or alone.
Deaf Americans have identified healthcare as the most difficult setting in which to obtain a qualified interpreter. Yet, relatively little attention has been given to developing evidence-based resources and a standardized body of knowledge to educate healthcare interpreters. In Our Hands: Educating Healthcare Interpreters addresses these concerns by delineating the best practices for preparing interpreters to facilitate full access for deaf people in healthcare settings.
The first section of this volume begins with developing domains and competencies toward a teaching methodology for medical and mental health interpreters. The next chapter describes a discourse approach that relies on analyzing actual transcripts and recordings to train healthcare interpreters. Other chapters feature a model mental health interpreter training program in Alabama; using a Demand-Control Schema for experiential learning; the risk of vicarious trauma to interpreters; online educational opportunities; and interpreting for deaf health care professionals. The second section offers four perspectives on education, including healthcare literacy of the clients; the education of Deaf interpreters; the development of standards for spoken-language healthcare interpreters; and the perspectives of healthcare interpreter educators in Europe. The range and depth of In Our Hands takes significant strides in presenting educational opportunities that can enhance the critical services provided by healthcare interpreters to deaf clients.
These essays reveal how deaf people used their agency to engage in vigorous debates about issues that constantly tested the values of deaf people as Americans. The debates overlapped with social trends and spilled out into particular physical and social spaces such as clubs and churches, as well as within families. These previously unexplored areas in Deaf history intersect with important subthemes in American history, such as Southern history, religious history, and Western history.
The contributors demonstrate that as deaf people pushed for their rights as citizens, they met with resistance from hearing people, and the results of their efforts were decidedly mixed. These works reinforce the Deaf community’s longstanding desire to be part of the nation. In Our Own Hands contributes to an increased understanding of the struggle for citizenship and expands our current understanding of race, gender, religion, and other trends in Deaf history.
If contemporary culture were a school, with all the tasks and expectations meted out by modern life as its curriculum, would anyone graduate? In the spirit of a sympathetic teacher, Robert Kegan guides us through this tricky curriculum, assessing the fit between its complex demands and our mental capacities, and showing what happens when we find ourselves, as we so often do, in over our heads. In this dazzling intellectual tour, he completely reintroduces us to the psychological landscape of our private and public lives.
A decade ago in The Evolving Self, Kegan presented a dynamic view of the development of human consciousness. Here he applies this widely acclaimed theory to the mental complexity of adulthood. As parents and partners, employees and bosses, citizens and leaders, we constantly confront a bewildering array of expectations, prescriptions, claims, and demands, as well as an equally confusing assortment of expert opinions that tell us what each of these roles entails. Surveying the disparate expert “literatures,” which normally take no account of each other, Kegan brings them together to reveal, for the first time, what these many demands have in common. Our frequent frustration in trying to meet these complex and often conflicting claims results, he shows us, from a mismatch between the way we ordinarily know the world and the way we are unwittingly expected to understand it.
In Over Our Heads provides us entirely fresh perspectives on a number of cultural controversies—the “abstinence vs. safe sex” debate, the diversity movement, communication across genders, the meaning of postmodernism. What emerges in these pages is a theory of evolving ways of knowing that allows us to view adult development much as we view child development, as an open-ended process born of the dynamic interaction of cultural demands and emerging mental capabilities. If our culture is to be a good “school,” as Kegan suggests, it must offer, along with a challenging curriculum, the guidance and support that we clearly need to master this course—a need that this lucid and richly argued book begins to meet.
As the elderly hero of Thomas Rayfiel’s daring new novel, In Pinelight, sits in an old folks home responding to the questions of an unseen interrogator, the fragments he supplies form the portrait of a man’s life in upstate New York. Losses, loves, destructive family relationships, sexual entanglements, and moments of mystical awareness filter through the seeming minutiae of small-town gossip to confront the reader with their cumulative power.
In Pinelight stirs the emotions both by its formal virtuosity and by the precision with which the narrator is able to reveal human psychology. Rayfiel seeks to capture the essence of historical forces and to illuminate the inescapable truths we would rather not see.
In Place/Out of Place was first published in 1996. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
What is the relationship between place and behavior? In this fascinating volume, Tim Cresswell examines this question via "transgressive acts" that are judged as inappropriate not only because they are committed by marginalized groups but also because of where they occur.
In Place/Out of Place seeks to illustrate the ways in which the idea of geographical deviance is used as an ideological tool to maintain an established order. Cresswell looks at graffiti in New York City, the attempts by various "hippie" groups to hold a free festival at Stonehenge during the summer solstices of 1984–86, and the Greenham Common Women's Peace Camp in Berkshire, England. In each of the cases described, the groups involved were designated as out of place both by the media and by politicians, whose descriptions included an array of images such as dirt, disease, madness, and foreignness.
Cresswell argues that space and place are key factors in the definition of deviance and, conversely, that space and place are used to construct notions of order and propriety. In addition, whereas ideological concepts being expressed about what is good, just, and appropriate often are delineated geographically, the transgression of these delineations reveals the normally hidden relationships between place and ideology-in other words, the "out-of-place" serves to highlight and define the "in-place." By looking at the transgressions of the marginalized, Cresswell argues, we can gain a novel perspective on the "normal" and "taken-for-granted" expectations of everyday life. The book concludes with a consideration of the possibility of a "politics of transgression," arguing for a link between the challenging of spatial boundaries and the possibility of social transformation.
Tim Cresswell is currently lecturer in geography at the University of Wales.
You’ll find his face everywhere, from coffee mugs, bobbleheads, and T-shirts to the cover of the Beatles’ Sergeant Pepper’s Lonely Hearts Club Band. Edgar Allan Poe is one of American culture’s most recognizable literary figures, his life and works inspiring countless derivations beyond the literary realm. Poe’s likeness and influence have been found in commercial illustration and kitsch, art installations, films, radio plays, children’s cartoons, and video games. What makes Poe so hugely influential in media other than his own? What do filmmakers, composers, and other artists find in Poe that suits their purposes so often and so variously?
In Poe’s Wake locates the source of the writer’s enduring legacy in two vernacular aesthetic categories: the graphic and the atmospheric. Jonathan Elmer uses Poe to explore these two terms and track some deep patterns in their use, not through theoretical labor but through close encounters with a wide sampling of aesthetic objects that avail themselves of Poe’s work. Poe’s writings are violent and macabre, memorable both for certain grisly images and for certain prevailing moods or atmospheres—dread, creepiness, and mournfulness. Furthermore, a bundle of Poe traits—his thematic emphasis on extreme sensation, his flexible sense of form, his experimental and modular method, and his iconic visage—amount to what could be called a Poe “brand,” one as likely to be found in music videos or comics as in novels and stories. Encompassing René Magritte, Claude Debussy, Lou Reed, Roger Corman, Spongebob Squarepants, and many others, Elmer’s book shows how the Poe brand opens trunk lines to aesthetic experiences fundamental to a multi-media world.
In Praise of Ambiguity presents a discourse about the seriousness of play. Erasmus and Huizinga are its main subjects, their books In Praise of Folly (1511) and Homo Ludens (1938) its main texts. Though published more than four hundred years apart, Otterspeer treats those books as contemporaries and asks what they still have to say to us. The main theme of both books is the contrast between two attitudes of life: the conviction that each subject has two or more sides as opposed to the certainty that there is always only one side to the subject. It is relativism versus essentialism, play versus seriousness.
In these times of populism and fundamentalism, the relationship between play and seriousness is more significant than ever. Erasmus and Huizinga conceive a compromise as brilliant as it is paradoxical: turn seriousness into play, play into seriousness. Their solution is the life blood of literature. Literature is always paradoxical, always "true" and "not true' at the same time, both reality and fiction. Ambiguity is its home territory. Literature is the best answer to the purity and peremptoriness of prophets.
The first English translation of the narrative poem that is widely recognized as one of treasures of pre-modern Bengali culture.
In 1752, the Bengali poet Bharatchandra Ray completed a long narrative poem dedicated to the glory of Annada, the consort of Shiva and the divinity who, as her name proclaims, “bestows the bounty of rice.”
A poet well-versed in Sanskrit, Persian, and Hindi—all of which enrich his work—Bharatchandra took up the literary performance genre maṅgalkāvya and thoroughly transformed it, addressing the aesthetic tastes of the court rather than those of the traditional village audience. He added depth and sensitivity to well-known legends, along with allusions to his own experiences of poverty, and more than a dash of mischievous wit.
The second volume recounts the clandestine love affair of Princess Vidya and Prince Sundar, and how Bhavananda, ancestor of the poet’s patron, stopped a rebellion and became a king.
This translation, the first in English, features the original text in the Bangla script. Lively and entertaining, In Praise of Annada was regarded as a major achievement in its own time and is now counted one of the treasures of Bengali literature.
The first English translation of the narrative poem that is widely recognized as one of treasures of pre-modern Bengali culture.
In 1752, the Bengali poet Bharatchandra Ray completed a long narrative poem dedicated to the glory of Annada, Shiva’s consort and the divinity who, as her name proclaims, “bestows the bounty of rice.”
A poet well versed in Sanskrit, Persian, and Hindi—all of which enrich his work—Bharatchandra took up the literary performance genre maṅgalkāvya and thoroughly transformed it, addressing the aesthetic tastes of the court rather than of the traditional village audience. He added depth and sensitivity to well-known legends, along with allusions to his own experiences of poverty, and more than a dash of mischievous wit. The first volume narrates Annada’s origins, including the building of her city and temple under Shiva’s direction and the spread of her worship, and incorporates praise of the poet’s patron, the Nadia royal family.
This translation, the first into English, accompanies the original text in the Bangla script. Lively and entertaining, In Praise of Annada was regarded as a major achievement in its own time and remains a treasure of Bengali literature.
Though they fail, by design, to live up to conventional expectations of mythic heroes, antiheroes are not necessarily "failures." They display different kinds of courage more in tune with our time and our needs: deficiency translated into strength, failure experienced as honesty, dignity achieved through humiliation. Brombert explores these paradoxes in the works of Büchner, Gogol, Dostoevsky, Flaubert, Svevo, Hašek, Frisch, Camus, and Levi. Coming from diverse cultural and linguistic traditions, these writers all use the figure of the antihero to question handed-down assumptions, to reexamine moral categories, and to raise issues of survival and renewal embodying the spirit of an uneasy age.
“A thought-provoking—and academically rigorous—defense of the grace and aesthetic worth of sports.” —Sports Illustrated
By the hundreds of millions we show up, stand in line, turn on, and tune in to watch, mesmerized, as athletes perform. And yet this experience, so widely craved and intensely felt, we commonly dismiss as “only a game.” A book that looks beyond the usual explanations of why sports fascinates, In Praise of Athletic Beauty also strives for a language that can frame—even enhance—the pleasure we take in watching athletic events.
The vicarious thrill, anxiety release, competitive spirit: in place of these traditional answers to the mystery of sports’ allure, Hans Ulrich Gumbrecht proposes a more powerful and provocative alternative. The fascination with watching sports, he argues, is probably the most popular and potent contemporary form of aesthetic experience—in the classic, very literal sense of this concept. In exploring this idea, Gumbrecht develops a lucid reflection on the pleasures of sports spectatorship and the nature of athletic beauty. Where we might readily pronounce certain athletic moves and plays “beautiful,” this book gives us the means to explore, understand, and enjoy even more acutely the aesthetic experience that our words-in-passing barely suggest.
With a new perspective on the appreciation of—and, indeed, a new tone of praising—sports, Gumbrecht also offers a new way of narrating the history of athletics and a fresh vocabulary for analyzing various sports. Exploring athletic beauty, this book makes us understand the widespread passion sport inspires as an untamed form of aesthetic fascination.
Volume 1: Ancient African Queens weaves together oral tradition, folk legends and stories, songs and poems, historical accounts, and travelers’ tales from Egypt to southern Africa, from prehistory to the nineteenth century. These women rulers, warriors, and heroines include Amanirenas, the queen of Kush who battled Roman armies and defeated them at Aswan; Daurama, mother of the seven Hausa kingdoms; Amina Kulibali, founder of the Gabu dynasty in Senegal; Ana de Sousa Nzinga, who resisted the Portuguese conquest of Angola; Beatrice Kimpa Vita, a Kongo prophet burned at the stake by Christian missionaries; Nanda, mother of the famous warrior-king Shaka Zulu; and many others.
These extraordinary women's stories, narrated in the style of African oral tradition, are absorbing, informative, and accessible. The abundant illustrations, many of them rare archival images, depict the diversity among Black women and make this volume a unique treasure for every art lover, every school, and every family.
Does a market economy encourage or discourage music, literature, and the visual arts? Do economic forces of supply and demand help or harm the pursuit of creativity? This book seeks to redress the current intellectual and popular balance and to encourage a more favorable attitude toward the commercialization of culture that we associate with modernity. Economist Tyler Cowen argues that the capitalist market economy is a vital but underappreciated institutional framework for supporting a plurality of coexisting artistic visions, providing a steady stream of new and satisfying creations, supporting both high and low culture, helping consumers and artists refine their tastes, and paying homage to the past by capturing, reproducing, and disseminating it. Contemporary culture, Cowen argues, is flourishing in its various manifestations, including the visual arts, literature, music, architecture, and the cinema.
Successful high culture usually comes out of a healthy and prosperous popular culture. Shakespeare and Mozart were highly popular in their own time. Beethoven’s later, less accessible music was made possible in part by his early popularity. Today, consumer demand ensures that archival blues recordings, a wide array of past and current symphonies, and this week’s Top 40 hit sit side by side in the music megastore. High and low culture indeed complement each other.
Cowen’s philosophy of cultural optimism stands in opposition to the many varieties of cultural pessimism found among conservatives, neoconservatives, the Frankfurt School, and some versions of the political correctness and multiculturalist movements, as well as historical figures, including Rousseau and Plato. He shows that even when contemporary culture is thriving, it appears degenerate, as evidenced by the widespread acceptance of pessimism. He ends by considering the reasons why cultural pessimism has such a powerful hold on intellectuals and opinion-makers.
This book is devoted to a deceptively simple but original argument: that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in.
In spite of the laws, stigmas, and anxieties attached to it, the word “copying” permeates contemporary culture, shaping discourse on issues from hip hop to digitization to gender reassignment, and is particularly crucial in legal debates concerning intellectual property and copyright. Yet as a philosophical concept, copying remains poorly understood. Working comparatively across cultures and times, Marcus Boon undertakes an examination of what this word means—historically, culturally, philosophically—and why it fills us with fear and fascination. He argues that the dominant legal-political structures that define copying today obscure much broader processes of imitation that have constituted human communities for ages and continue to shape various subcultures today. Drawing on contemporary art, music and film, the history of aesthetics, critical theory, and Buddhist philosophy and practice, In Praise of Copying seeks to show how and why copying works, what the sources of its power are, and the political stakes of renegotiating the way we value copying in the age of globalization.
A New York Times Book Review Editors’ Choice
“Charming and brilliant.” —Times Literary Supplement
“Provocative, stimulating, wise―the book that our success-obsessed age needs to read.”―Tom Holland
“Bradatan, a philosopher, writes with elegance and wit, his every thought and sentence slipping smoothly into the next…I was absorbed by Bradatan’s book even—or especially—when I felt uncomfortable with its implications.” —Jennifer Szalai, New York Times
“Bradatan wears his erudition lightly. He is a pleasure to read, and his prose conveys a happy resilience in the face of life’s inevitable contradictions. His lessons in humility remind us that the pursuit of success is often motivated by the dread of failure—and that our attempts to create things are often driven by an avoidance of our mortality.” —Michael S. Roth, Washington Post
“Bradatan writes with the same daring, the same interpretive anger that made his subjects notorious in their own day for choosing failure over what their respective worlds counted as success. A gripping read, start to finish.” ―Jack Miles, author of God: A Biography
Our obsession with success is hard to overlook. Everywhere we compete, rank, and measure. Yet this relentless drive to be the best blinds us to something vitally important: the need to be humble in the face of life’s challenges.
In Praise of Failure explores several arenas of failure, from the social and political to the spiritual and biological. Gleefully breaching the boundaries between argument and storytelling, scholarship and spiritual quest, Costica Bradatan mounts his case for failure through the stories of four historical figures who led lives of impact and meaning and assiduously courted failure. Their struggles show that engaging with our limitations can be not just therapeutic but positively transformative.
Five thought-provoking essays by Stephanie Mills are followed by reviews and excerpts of the ten most important pieces of related literature written by experts in the various fields. Reviewers include Peter Borrelli, David Brower, Ernest Callenbach, J. Baird Callicott, Lois Gibbs, and others. Following the essays is an annotated bibliography listing over 100 important environmental works.
Part memoir, part manifesto, Augé’s book celebrates cycling as a way of reconnecting with the places in which we live, and, ultimately, as a necessary alternative to our disconnected world.
John Wood is well known for his brilliant writing on the history of photography, but for many years he has also centered on his work as a poet, publishing in some of the very best magazines and gaining the deep admiration of many writers and poets. This book is testimony of his devotion to his craft – a fully realized, mature, and carefully constructed collection.
The collective memories of Nazism that developed in postwar Germany have helped define a new paradigm of memory politics. From Europe to South Africa and from Latin America to Iraq, scholars have studied the German case to learn how to overcome internal division and regain international recognition.
In Pursuit of German Memory: History, Television, and Politics after Auschwitz examines three arenas of German memory politics—professional historiography, national politics, and national public television—that have played key roles in the reinvention of the Nazi past in the last sixty years. Wulf Kansteiner shows that the interpretations of the past proposed by historians, politicians, and television producers reflect political and generational divisions and an extraordinary concern for Germany's image abroad. At the same time, each of these theaters of memory has developed its own dynamics and formats of historical reflection.
Kansteiner’s analysis of the German scene reveals a complex social geography of collective memory. In Pursuit of German Memory underscores the fact that German memories of Nazism, like many other collective memories, combine two seemingly contradictory qualities: They are highly mediated and part of a global exchange of images and story fragments but, at the same time, they can be reproduced only locally, in narrowly circumscribed networks of communication.
Both a history of an overlooked community and a well-rounded reassessment of prevailing assumptions about Chinese miners in the American West, In Pursuit of Gold brings to life in rich detail the world of turn-of-the-century mining towns in the Northwest. Sue Fawn Chung meticulously recreates the lives of Chinese immigrants, miners, merchants, and others who populated these towns and interacted amicably with their white and Native American neighbors, defying the common perception of nineteenth-century Chinese communities as insular enclaves subject to increasing prejudice and violence.
While most research has focused on Chinese miners in California, this book is the first extensive study of Chinese experiences in the towns of John Day in Oregon and Tuscarora, Island Mountain, and Gold Creek in Nevada. Chung illustrates the relationships between miners and merchants within the communities and in the larger context of immigration, arguing that the leaders of the Chinese and non-Chinese communities worked together to create economic interdependence and to short-circuit many of the hostilities and tensions that plagued other mining towns.
Peppered with fascinating details about these communities from the intricacies of Chinese gambling games to the techniques of hydraulic mining, In Pursuit of Gold draws on a wealth of historical materials, including immigration records, census manuscripts, legal documents, newspapers, memoirs, and manuscript collections. Chung supplements this historical research with invaluable first-hand observations of artifacts that she experienced in archaeological digs and restoration efforts at several of the sites of the former booming mining towns.
In clear, analytical prose, Chung expertly characterizes the movement of Chinese miners into Oregon and Nevada, the heyday of their mining efforts in the region, and the decline of the communities due to changes in the mining industry. Highlighting the positive experiences and friendships many of the immigrants had in these relatively isolated mining communities, In Pursuit of Gold also suggests comparisons with the Chinese diaspora in other locations such as British Columbia and South Africa.
Widely known as the “poor man’s lawyer” in antebellum Boston, John Albion Andrew (1818–1867) was involved in nearly every cause and case that advanced social and racial justice in Boston in the years preceding the Civil War. Inspired by the legacies of John Quincy Adams and Ralph Waldo Emerson, and mentored by Charles Sumner, Andrew devoted himself to the battle for equality. By day, he fought to protect those condemned to the death penalty, women seeking divorce, and fugitives ensnared by the Fugitive Slave Law. By night, he coordinated logistics and funding for the Underground Railroad as it ferried enslaved African Americans northward.
In this revealing and accessible biography, Stephen D. Engle traces Andrew’s life and legacy, giving this important, but largely forgotten, figure his due. Rising to national prominence during the Civil War years as the governor of Massachusetts, Andrew raised the African American regiment known as the Glorious 54th and rallied thousands of soldiers to the Union cause. Upon his sudden death in 1867, a correspondent for Harper’s Weekly wrote, “Not since the news came of Abraham Lincoln’s death were so many hearts truly smitten.”
India occupies a paradoxical plane among nation states: it is both developed and underdeveloped, rich and poor, strong and weak. These contrasts locate India in the international order. The Rudolphs' theory of demand and command polities provides a general framework for explaining the special circumstances of the Indian experience.
Contrary to what one might expect in a country with great disparities of wealth, no national party, right or left, pursues the politics of class. Instead, the Rudolphs argue, private capital and organized labor in India face a "third actor"—the state. Because of the dominance of the state makes class politics marginal, the state is itself an element in the creation of the centrist-oriented social pluralism that has characterized Indian politics since independence.
In analyzing the relationship between India's politics and its economy, the Rudolphs maintain that India's economic performance has been only marginally affected by the type of regime in power—authoritarian or democratic. More important, they show that rising levels of social mobilization and personalistic rule have contributed to declining state capacity and autonomy. At the same time, social mobilization has led to a more equitable distribution of economic benefits and political power, which has enhanced the state's legitimacy among its citizens.
The scope and explanatory power of In Pursuit of Lakshmi will make it essential for all those interested in political economy, comparative politics, Asian studies and India.
Providing a wealth of historical information, In Pursuit of Leviathan is a classic industry study that will provide intriguing reading for anyone interested in the history of whaling.
In this ethnography of the everyday life of contemporary Korea, Denise Lett argues that South Korea's contemporary urban middle class not only exhibits upper-class characteristics but also that this reflects a culturally inherited disposition of Koreans to seek high status. Lett shows that Koreans have adapted traditional ways of asserting high status to modern life, and analyzes strategies for claiming high status in terms of occupation, family, lifestyle, education, and marriage.
The Harvard-Hallym Series on Korean Studies, published by the Harvard Council on East Asian Studies, is supported by the Korean Institute of Harvard and Hallym University in Korea. The series is committed to the publication of outstanding new scholarly work on Korea, regardless of discipline, in both the humanities and the social sciences.
The mystery of inheritance has captivated thinkers since antiquity, and the unlocking of this mystery—the development of classical genetics—is one of humanity’s greatest achievements. This great scientific and human drama is the story told fully and for the first time in this book.
Acclaimed science writer James Schwartz presents the history of genetics through the eyes of a dozen or so central players, beginning with Charles Darwin and ending with Nobel laureate Hermann J. Muller. In tracing the emerging idea of the gene, Schwartz deconstructs many often-told stories that were meant to reflect glory on the participants and finds that the “official” version of discovery often hides a far more complex and illuminating narrative. The discovery of the structure of DNA and the more recent advances in genome science represent the culmination of one hundred years of concentrated inquiry into the nature of the gene. Schwartz’s multifaceted training as a mathematician, geneticist, and writer enables him to provide a remarkably lucid account of the development of the central ideas about heredity, and at the same time bring to life the brilliant and often eccentric individuals who shaped these ideas.
In the spirit of the late Stephen Jay Gould, this book offers a thoroughly engaging story about one of the oldest and most controversial fields of scientific inquiry. It offers readers the background they need to understand the latest findings in genetics and those still to come in the search for the genetic basis of complex diseases and traits.
Starting with the whaling routes that first connected the mid-Atlantic archipelago with the ports of call in New England and California in the early 1800s, Williams lays out the complex relationship between the Azores and the US that has continued into the present. We learn how particular patterns of poverty, overpopulation and social inequality in the Azores pushed large numbers of the islands' inhabitants to leave their homes in search of better opportunities for themselves and their children. He tells the story of how the early whalers who jumped ship in New Bedford, San Francisco, or Hawaii were followed by kin and fellow villagers who had heard of plentiful jobs in New England's textile mills, gold and land in California, or agricultural work on Hawaiian plantations. Williams' account allows us to understand the importance of family and community connections throughout the immigrants' arduous transition from peasant life to industrial society.
Through an organizational scheme that incorporates memorabilia from childhood (samplers, Civil War badges), baseball (Billy’s 1891 Philadelphia contract, scorecards), evangelism (cartoons, books such as Monkeys and Missing Links), social issues (KKK ads endorsing Sunday, his Women's Christian Temperance life membership certificate), life style (Arts and Crafts decorative pieces, extensive photos of the family's Mount Hood bungalow), and family relations (his personal possessions and those of his wife, Nell, and their children), In Rare Form brings together the inconsistencies between Sunday’s material world and his spiritual world.
Since Sunday might have objected to a materialistic analysis of his life, Firstenberger has allowed him a say: each section of the book begins with an apt quote from Sunday’s sermons and writings. Firstenberger also includes appendixes providing detailed information on Sunday’s revivals and speaking appearances, his 870,075 documented converts, the members of his evangelistic team, the overall structure of his family, and an extensive bibliography. Acknowledging Sunday’s faults and contradictions alongside his heroic accomplishments, the author presents a wryly insightful and innovative perspective on this larger-than-life figure.
The paradoxes of adoption and reunion—shared history without blood relations, and blood relations without shared history—generate questions: What does it mean to be “family”? How do people use communication to constitute family relationships? How are family relationships created, maintained, and negotiated over time? In Reunion details adoptive and cultural identities, highlighting how adoptees often end up shouldering communicative responsibility in their family relationships. Interviews reveal how adoptees navigate birth family relationships across language and culture while also attempting to maintain relationships with their adoptive family members.
Docan-Morgan details the challenges, rewards, and contradictions of reunion. She also offers practical recommendations for transnational adoptees in reunion, adoptees considering reunion, adoptive families, and adoption practitioners.
In tracing the stories of the intercultural dynamics inherent in adoptees’ reunions, Docan-Morgan demonstrates the effort, flexibility, empathy, self-reflection, and time required to navigate long-term relationships with birth families.
This volume includes many autobiographical writings, diaries, and letters, with Compton providing annotations and introductory material that illuminates these crucial primary sources. This allows readers to take their understanding of this unique group of women to a new level and to drive home that fact that their lives go far beyond the Nauvoo experiment that forever links them to Mormonism’s founding prophet.
The majority of Smith’s wives were younger than he, and one-third were between fourteen and twenty years of age. Another third were already married, and some of the husbands served as witnesses at their own wife’s polyandrous wedding. In addition, some of the wives hinted that they bore Smith children—most notably Sylvia Sessions’s daughter Josephine—although the children carried their stepfather’s surname.
For all of Smith’s wives, the experience of being secretly married was socially isolating, emotionally draining, and sexually frustrating. Despite the spiritual and temporal benefits, which they acknowledged, they found their faith tested to the limit of its endurance. After Smith’s death in 1844, their lives became even more “lonely and desolate.” One even joined a convent. The majority were appropriated by Smith’s successors, based on the Old Testament law of the Levirate, and had children by them, though they considered these guardianships unsatisfying. Others stayed in the Midwest and remarried, while one moved to California. But all considered their lives unhappy, except for the joy they found in their children and grandchildren.
The Victorian era was characterized by great scientific curiosity—as exemplified by the publication of Darwin’s Descent of Man—as well as by new questions regarding the place of women in society. Patricia Murphy now explores the tenuous interplay of gender and science to show how the era’s literature both challenged and reinforced a constrictive role for Victorian women. Focusing on a specific body of literature involving women intensely associated with scientific pursuits, and examining selected noncanonical writings—both fictional and nonfictional representations of scientific women—Murphy demonstrates how these works informed the “Woman Question” by reinforcing or rejecting presumed truths about gender and science.
Bunzl’s ethnography is designed to show how a commitment to the avant-garde can come into conflict with an imperative for growth, leading to the abandonment of the new and difficult in favor of the entertaining and profitable. Jeff Koons, whose massive retrospective debuted during Bunzl's research, occupies a central place in his book and exposes the anxieties caused by such seemingly pornographic work as the infamous Made in Heaven series. Featuring cameos by other leading artists, including Liam Gillick, Jenny Holzer, Karen Kilimnik, and Tino Sehgal, the drama Bunzl narrates is palpable and entertaining and sheds an altogether new light on the contemporary art boom.
Gregg Lambert demonstrates that since the publication of Proust and Signs in 1964 Gilles Deleuze’s search for a new means of philosophical expression became a central theme of all of his oeuvre, including those written with psychoanalyst Félix Guattari. Lambert, like Deleuze, calls this “the image of thought.”
Lambert’s exploration begins with Deleuze’s earliest exposition of the Proustian image of thought and then follows the “tangled history” of the image that runs through subsequent works, such as Kafka: Toward a Minor Literature, The Rhizome (which serves as an introduction to Deleuze’s A Thousand Plateaus), and several later writings from the 1980s collected in Essays Critical and Clinical. Lambert shows how this topic underlies Deleuze’s studies of modern cinema, where the image of thought is predominant in the analysis of the cinematic image—particularly in The Time-Image. Lambert finds it to be the fundamental concern of the brain proposed by Deleuze in the conclusion of What Is Philosophy?
By connecting the various appearances of the image of thought that permeate Deleuze’s entire corpus, Lambert reveals how thinking first assumes an image, how the images of thought become identified with the problem of expression early in the works, and how this issue turns into a primary motive for the more experimental works of philosophy written with Guattari. The study traces a distinctly modern relationship between philosophy and non-philosophy (literature and cinema especially) that has developed into a hallmark of the term “Deleuzian.” However, Lambert argues, this aspect of the philosopher’s vision has not been fully appreciated in terms of its significance for philosophy: “not only ‘for today’ but, to quote Nietzsche, meaning also ‘for tomorrow, and for the day after tomorrow.’”
In Search of Admiration and Respect uses the Chinese case to underscore what Zheng calls "infrastructure of persuasion," in which American philanthropy, museums, exhibitions, and show business had disproportionate power in setting the agenda of unequal intercultural encounters. This volume also provides historical insights into China's ongoing quest for international recognition. Drawing upon diverse archival sources, Zheng expands the contours of cultural diplomacy beyond established powers and sheds light on the limited agency of peripheral nations in their self-representation.
"There I was, standing alone, unable to cry as I said goodbye to Sidimé Laye, my best friend, and to the revolution that had opened the door of modernity for me--the revolution that had invented me." This book gives us the story of a quest for a childhood friend, for the past and present, and above all for an Africa that is struggling to find its future.
In 1996 Manthia Diawara, a distinguished professor of film and literature in New York City, returns to Guinea, thirty-two years after he and his family were expelled from the newly liberated country. He is beginning work on a documentary about Sékou Touré, the dictator who was Guinea's first post-independence leader. Despite the years that have gone by, Diawara expects to be welcomed as an insider, and is shocked to discover that he is not.
The Africa that Diawara finds is not the one on the verge of barbarism, as described in the Western press. Yet neither is it the Africa of his childhood, when the excitement of independence made everything seem possible for young Africans. His search for Sidimé Laye leads Diawara to profound meditations on Africa's culture. He suggests solutions that might overcome the stultifying legacy of colonialism and age-old social practices, yet that will mobilize indigenous strengths and energies.
In the face of Africa's dilemmas, Diawara accords an important role to the culture of the diaspora as well as to traditional music and literature--to James Brown, Miles Davis, and Salif Kéita, to Richard Wright, Spike Lee, and the ancient epics of the griots. And Diawara's journey enlightens us in the most disarming way with humor, conversations, and well-told tales.
Analyses of the synergy of press debates on bullfighting and the War on Terror, as well as media debates on King Juan Carlos’s hunt in Botswana and his resignation, reveal how the concepts structuring human/animal relations condition national biopolitics. Beilin traces a main principle, where sacrifice of some lives is deemed necessary for the sake of others, from bullfighting, through environmental destruction and immigration policies, to bioeconomy. Ultimately, In Search of an Alternative Biopolitics argues that to address ever-increasing threats of global warming and future catastrophes, we urgently need to redefine concepts structuring the human and the nonhuman realms.
In Search of Ancient North Africa sheds new light on a time and place at the crossroads of numerous histories and cultures. It offers the first history of ancient North Africa told through the lives of North Africans themselves.
Searches for authenticity, Bendix contends, have been a constant companion to the feelings of loss inherent in modernization, forever upholding a belief in a pristine yet endangered cultural essence and fueling cultural nationalism worldwide. Beginning with precursors of Herder and Emerson and the “discovery” of the authentic in expressive culture and literature, she traces the different, albeit intertwined, histories of German Volkskunde and American folklore studies. A Swiss native educated in American folklore programs, Bendix moves effortlessly between the two traditions, demonstrating how the notion of authenticity was used not only to foster national causes, but also to lay the foundations for categories of documentation and analysis within the nascent field of folklore studies.
Bendix shows that, in an increasingly transcultural world, where Zulu singers back up Paul Simon and where indigenous artists seek copyright for their traditional crafts, the politics of authenticity mingles with the forces of the market. Arguing against the dichotomies implied in the very idea of authenticity, she underscores the emptiness of efforts to distinguish between folklore and fakelore, between echt and ersatz.
Innovative and informed by a wealth of new evidence, In Search of Belonging answers important questions about the ways Latinas perform citizenship in today’s America.
Written in accessible language and complemented by a glossary for easy reference, this book investigates the full scope of cellular history. Assuming only a basic knowledge of cell biology, Harold examines such pivotal subjects as the relationship between cells and genes; the central role of bioenergetics in the origin of life; the status of the universal tree of life with its three stems and viral outliers; and the controversies surrounding the last universal common ancestor. He also delves deeply into the evolution of cellular organization, the origin of complex cells, and the incorporation of symbiotic organelles, and considers the fossil evidence for the earliest life on earth. In Search of Cell History shows us just how far we have come in understanding cell evolution—and the evolution of life in general—and how far we still have to go.
Winner of the Grawemeyer Award
“In their brave search for depth in American high schools, scholars Jal Mehta and Sarah Fine suffered many disappointments…Undeterred, they spent 750 hours observing classes, interviewed more than 300 people, and produced the best book on high school dynamics I have ever read.”
—Jay Mathews, Washington Post
“A hopeful, easy-to-read narrative on what the best teachers do and what deep, engaging learning looks like for students. Grab this text if you’re looking for a celebration of what’s possible in American schools.”
—Edutopia
“This is the first and only book to depict not just the constraints on good teaching, but also how good teachers transcend them. A superb book in every way: timely, lively, and entertaining.”
—Jonathan Zimmerman, University of Pennsylvania
What would it take to transform our high schools into places capable of supporting deep learning for students across a wide range of aptitudes and interests? To find out, Jal Mehta and Sarah Fine spent hundreds of hours observing and talking to teachers and students in and out of the classroom at thirty of the country’s most innovative schools. To their dismay, they discovered that deeper learning is more often the exception than the rule. And yet they found pockets of powerful learning at almost every school, often in extracurriculars but also in a few mold-breaking academic courses. So what must schools do to achieve the integrations that support deep learning: rigor with joy, precision with play, mastery with identity and creativity?
In Search of Deeper Learning takes a deep dive into the state of our schools and lays out an inspiring new vision for American education.
But who was Donna Reed? Perhaps no celebrity of her symbolic importance is so little known. Moving from the backroads of Iowa to the mansions of Bel Air, Jay Fultz goes in search of the woman behind the image.
In Search of Donna Reed reveals a woman whose intelligence and force of character often put her at odds with the roles she portrayed both on and off screen. Reed, always angered by the treatment of women in Hollywood, turned political activist in middle age, confronting for the first time the arrogance of power. She was, said writer Barbara Avedon, a feminist before there was a feminist vocabulary. But she eludes any label.
This first biography of Donna Reed also contains the first extended discussion of her television show. The personal richness that Reed brought to her television role has been filtered out in the caricature perpetuated by pop critics. In the media "Donna Reed" is Donna Stone distorted as a female-manqué who wears pearls and high heels around the house. But Donna Reed's long hold on viewers depends on irreducible qualities that have nothing to do with this fixed image, as Fultz suggests.
He follows her development from Iowa farm girl to apprentice in Hollywood to mature juggler of the demands of family and career to antiwar activist. Drawing on Reed's letters and on interviews, Fultz looks for what was real in a very private person without discarding what is romantic in any pursuit of a public one. He shows why the rich and principled life of Donna Reed matters in this more cynical time.
This ambivalence of contemporary scholars echoes their ambivalence toward the ancestral "giants" of the discipline: Durkheim, Müller, and Freud. Masuzawa shows that the speculations of these three men on the origins of religion render the very notion of time and history problematic and contain powerful instruments for dislodging the position of "Western man" as the keeper of knowledge. Her critical rereading of these forefathers is framed by a compelling discussion of the postmodernist subversion of absolute origins in the works of Walter Benjamin and Rosalind Krauss and a comparison of Mircea Eliade and Nancy Munn's accounts of the Australian aboriginal "dreamtime." Engaging a number of critical issues within the burgeoning field of cultural studies, Masuzawa's book will have far-reaching implications not only for religious studies but throughout the human sciences.
Kolodny considers what the sagas reveal about the Native peoples encountered by the Norse in Vinland around the year A.D. 1000, and she recovers Native American stories of first contacts with Europeans, including one that has never before been shared outside of Native communities. These stories contradict the dominant narrative of "first contact" between Europeans and the New World. Kolodny rethinks the lingering power of a mythic American Viking heritage and the long-standing debate over whether Leif Eiriksson or Christopher Columbus should be credited as the first discoverer. With this paradigm-shattering work, Kolodny shows what literary criticism can bring to historical and social scientific endeavors.
The recent spate of books and articles reflecting on the question of evil might make one forget that the question of just what constitutes goodness is no less urgent or perplexing. Everyone wants to think of him- or herself as good. But what does a good life look like? And how do people become good? Are there multiple, competing possibilities for what counts as a good life, all equally worthy? Or, is there a unified and transcendent conception of the good that should guide our judgment of the possibilities? What does a good life look like when it is guided by God? How is a good life involved with the lives of others? And, finally, how good is good enough?
These questions are the focus of In Search of Goodness, the product of a year-long conversation about goodness. The eight essays in this volume challenge the dichotomies that usually govern how goodness has been discussed in the past: altruism versus egoism; reason versus emotion; or moral choice versus moral character. Instead, the contributors seek to expand the terms of the discussion by coming at goodness from a variety of perspectives: psychological, philosophic, literary, religious, and political. In each case, they emphasize the lived realities and particulars of moral phenomena, taking up examples and illustrations from life, literature, and film. From Achilles and Billy Budd, to Oskar Schindler and Shel Silverstein’s The Giving Tree, to Iris Murdoch and the citizens of Flagstaff, Arizona, readers will find a wealth of thought-provoking insights to help them better understand this most basic, but complex, element of human life and happiness.
Marcel Proust’s In Search of Lost Time is one of the most important works of French literature—if not the most important. Reading it can be life-changing. Nicolas Mahler’s comic is not a retelling of this classic, nor a shortened version of Proust’s monumental work. Rather, it is a surprisingly funny graphic novel, comically disrespectful of the celebrated work yet completely permeated by Proustian spirit. Complemented by his clear and sparse illustrations, Mahler’s minimal nature of text use is easy on the eye, even for those uninitiated into graphic novels. For long-time fans of graphic novels, it is a perfect entry into a beloved literary classic.
A compact picture stream through time and space, Mahler’s In Search of Lost Time is a brilliantly complex house of mirrors replete with Proustian motives and perceptions.
and inadequate conceptions of the field, Estelle Jorgensen raises the
possibility of alternative views that can dignify the teacher's task,
enrich and enliven the profession, and validate an exciting range of additional
ways in which music education can be undertaken in the contemporary world.
One of the most respected leaders in music education, Jorgensen emphasizes
world music and ethnomusicology as equal partners alongside the more conventional
sounds and styles that have dominated the classroom. Exemplifying sound
scholarship, thorough research, and compelling argument, In Search
of Music Education will be especially welcome wherever teachers strive
to deal with requirements for responsible music education.
Perhaps more than any other scientist of our century, Edward O. Wilson has scrutinized animals in their natural settings, tweezing out the dynamics of their social organization, their relationship with their environments, and their behavior, not only for what it tells us about the animals themselves, but for what it can tell us about human nature and our own behavior. He has brought the fascinating and sometimes surprising results of these studies to general readers through a remarkable collection of books, including The Diversity of Life, The Ants, On Human Nature, and Sociobiology. The grace and precision with which he writes of seemingly complex topics has earned him two Pulitzer prizes, and the admiration of scientists and general readers around the world.
In Search of Nature presents for the first time a collection of the seminal short writings of Edward O. Wilson, addressing in brief and eminently readable form the themes that have actively engaged this remarkable intellect throughout his career.
""The central theme of the essays is that wild nature and human nature are closely interwoven. I argue that the only way to make complete sense of either is by examining both closely and together as products of evolution.... Human behavior is seen not just as the product of recorded history, ten thousand years recent, but of deep history, the combined genetic and cultural changes that created humanity over hundreds of thousands of years. We need this longer view, I believe, not only to understand our species, but more firmly to secure its future.
The book is composed of three sections. ""Animal Nature, Human Nature"" ranges from serpents to sharks to sociality in ants. It asks how and why the universal aversion to snakes might have evolved in humans and primates, marvels at the diversity of the world's 350 species of shark and how their adaptive success has affected our conception of the world, and admonishes us to ""be careful of little lives""-to see in the construction of insect social systems ""another grand experiment in evolution for our delectation.
""The Patterns of Nature"" probes at the foundation of sociobiology, asking what is the underlying genetic basis of social behavior, and what that means for the future of the human species. Beginning with altruism and aggression, the two poles of behavior, these essays describe how science, like art, adds new information to the accumulated wisdom, establishing new patterns of explanation and inquiry. In ""The Bird of Paradise: The Hunter and the Poet,"" the analytic and synthetic impulses-exemplified in the sciences and the humanities-are called upon to give full definition to the human prospect.
""Nature's Abundance"" celebrates biodiversity, explaining its fundamental importance to the continued existence of humanity. From ""The Little Things That Run the World""-invertebrate species that make life possible for everyone and everything else-to the emergent belief of many scientists in the human species' possible innate affinity for other living things, known as biophilia, Wilson sets forth clear and compelling reasons why humans should concern themselves with species loss. ""Is Humanity Suicidal?"" compares the environmentalist's view with that of the exemptionalist, who holds that since humankind is transcendent in intelligence and spirit, our species must have been released from the iron laws of ecology that bind all other species. Not without optimism, Wilson concludes that we are smart enough and have time enough to avoid an environmental catastrophe of civilization-threatening dimensions-if we are willing both to redirect our science and technology and to reconsider our self-image as a species.
In Search of Nature is a lively and accessible introduction to the writings of one of the most brilliant scientists of the 20th century. Imaginatively illustrated by noted artist Laura Southworth, it is a book all readers will treasure."
Born to a Danish seamstress and a black West Indian cook in one of the Western Hemisphere's most infamous vice districts, Nella Larsen (1891-1964) lived her life in the shadows of America's racial divide. She wrote about that life, was briefly celebrated in her time, then was lost to later generations--only to be rediscovered and hailed by many as the best black novelist of her generation. In his search for Nella Larsen, the "mystery woman of the Harlem Renaissance," George Hutchinson exposes the truths and half-truths surrounding this central figure of modern literary studies, as well as the complex reality they mask and mirror. His book is a cultural biography of the color line as it was lived by one person who truly embodied all of its ambiguities and complexities.
Author of a landmark study of the Harlem Renaissance, Hutchinson here produces the definitive account of a life long obscured by misinterpretations, fabrications, and omissions. He brings Larsen to life as an often tormented modernist, from the trauma of her childhood to her emergence as a star of the Harlem Renaissance. Showing the links between her experiences and her writings, Hutchinson illuminates the singularity of her achievement and shatters previous notions of her position in the modernist landscape. Revealing the suppressions and misunderstandings that accompany the effort to separate black from white, his book addresses the vast consequences for all Americans of color-line culture's fundamental rule: race trumps family.
For nearly three decades, Day focused his work on the community of Saint Francis, or Odanak, in Quebec, to which Abenaki refugees from interior New England had fled, beginning in the mid-seventeenth century and continuing into the nineteenth. Drawing on t he methods of several disciplines, including ethnology, linguistics, and ethnohistory, he synthesized data from fragmentary historical records, oral traditions, and place names to reconstruct a world assumed to be lost.
The Black Arts Movement (1965–76) consisted of artists across the United States deeply concerned with the relationship between politics and the black aesthetic. In Search of Our Warrior Mothers examines the ways in which black women playwrights in the movement advanced feminist and womanist perspectives from within black nationalist discourses. La Donna L. Forsgren recuperates the careers, artistic theories, and dramatic contributions of four leading playwrights: Martie Evans-Charles, J.e. Franklin, Sonia Sanchez, and Barbara Ann Teer. Using original interviews, production recordings, playbills, and unpublished manuscripts, she investigates how these women, despite operating within a context that equated the collective well-being of black people with black male agency, created works that validated black women's aspirations for autonomy and explored women's roles in the struggle for black liberation.
In Search of Our Warrior Mothers demonstrates the powerful contributions of women to the creation, interpretation, and dissemination of black aesthetic theory, thus opening an interdisciplinary conversation at the intersections of theater, performance, feminist, and African American studies and identifying and critiquing the gaps and silences within these fields.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press