A SCHOLARLY BOOK REPOSITORY
With Hellenicity, Jonathan M. Hall explores these questions in the context of ancient Greece, drawing on an exceptionally wide range of evidence to determine when, how, why, and to what extent the Greeks conceived themselves as a single people. Hall argues that a subjective sense of Hellenic identity emerged in Greece much later than is normally assumed. For instance, he shows that the four main ethnic subcategories of the ancient Greeks—Akhaians, Ionians, Aiolians, and Dorians—were not primordial survivals from a premigratory period, but emerged in precise historical circumstances during the eighth and seventh centuries B.C. Furthermore, Hall demonstrates that the terms of defining Hellenic identity shifted from ethnic to broader cultural criteria during the course of the fifth century B.C., chiefly due to the influence of Athens, whose citizens formulated a new Athenoconcentric conception of "Greekness."
“Fowler’s . . . own insights are apparent throughout, and they seem to distill the personal appreciation and understanding of a scholar who has devoted much of her career to both contemplating and enjoying Hellenistic poetry. . . . [This book] would make an excellent background text for courses in later Greek and Roman art, and it can be read with profit by anyone interested in exploring the character of Hellenistic culture.”—J. J. Pollitt, American Journal of Archaeology
“Outstanding is the range of examples discussed both in poetry and art. Theocritus, Callimachus, Appolonius, the epigrammatists, and others—that is, the major figures of the time—are considered at length and in several different contexts. Passages are quoted in the original Greek, translated, and analyzed. Fowler’s sensitivity to poetic forms, evident in her other published writings, is again evident here. In addition, however, the philosophical context is not overlooked. . . . Also highly commendable are the liberal references to works of art. Sculpture in the round and in relief, portraits, terracotta figurines, original paintings (grave stelai) and Campanian murals, mosaics, gold and silver vessels, and jewelry are introduced at various points. Every work of art discussed is illustrated in astonishingly clear photographs, which are interspersed in the body of the text.”—Christine Mitchell Havelock
“The Hellenistic Aesthetic provides classicists with their first thorough discussion of the aesthetic unity found in Hellenistic art and literature. . . . Fowler examines parallels both in subject matter and in artistic approach among a diverse group of literary genres and artistic forms. In twelve chapters, The Hellenistic Aesthetic surveys Alexandrian epigrams, pastorals, epics, sculptural groups, mosaics, paintings, and jewelry to supply a convincing, and frequently unexpected, picture of a unified aesthetic vision.”—Jeffrey Buller, Classical Outlook
A miscellany of learned literature from Alexandria and beyond.
This volume presents a selection of Hellenistic prose and poetry, ranging chronologically from Philitas of Cos through Alexander of Aetolia and Hermesianax of Colophon to Euphorion of Chalcis and Parthenius of Nicaea, whose mythography Sufferings in Love is the major work in the collection. Knowledge of many of these texts has been increased by papyrological discoveries in the last century, yet few of them have appeared in English translation before now. Taken together, these works represent the geographic and stylistic range of a rich and inventive period in Classical literature.
An introduction to koine Greek and Hellenistic culture and religion, a selected bibliography, brief prefaces to the selections, and a complete vocabulary are also included in this volume.
The text of each poem is presented, together with basic help on obscure vocabulary, morphology, dialect, meter, syntax, and similar philological issues. The modern commentators also offer guidance on a poem’s literary significance and a brief introduction to the scholarship.
Among the 44 named and anonymous poets represented here are Apollonius of Rhodes, Archimedes, Aristotle, Callimachus, Cercidas, Corinna, Eratosthenes, Erinna, Ezekiel, Hermesianax, Herodas, Lycophron, and Phanocles.
Contributors to the volume in addition to David Sider include: Silvia Barbantani, James Clauss, Dee Clayman, Christophe Cusset, Claudio De Stefani, Marco Fantuzzi, Andrew Ford, Kathryn Gutzwiller, Johanna Hanink, Regina Hoeschele, Richard Hunter, David Konstan, Pauline LeVen, Kelly MacFarlane, Enrico Magnelli, Jackie Murray, Pura Nieto, Maria Noussia, Douglas Olson, Floris Overduin, Richard Rawles, Ralph Rosen, Chad Schroeder, Alexander Sens, Evina Sistakou, Michael Tueller, and Athanassios Vergados.
Although designed primarily as a textbook for graduate students and upper-level undergraduates, the book offers texts and subsidiary information not easily found (if at all) elsewhere. Since Latin poets made constant allusion to Hellenistic poetry, it will also be an important resource for Latinists.
An accomplished poet and classical scholar, Barbara Hughes Fowler brings Hellenistic poetry to life for the contemporary reader. Her selections engage us with the full range of Hellenistic poetic genres, styles, themes, and moods. The anthology includes Fowler’s new translation of the entire Argonautica of Apollonius of Rhodes, and eight of Theocritus’ Idylls, including the beautiful, sensuous description of late summer in Idyll VII and the shrewdly comical description of two young matrons venturing into the noisy streets of Alexandria in Idyll XV. There are translations of four hymns of Callimachus, as well as poems by Aratus, Bion, Herodas, Moschus, Pseudo-Moschus, and a substantial selection from the Greek Anthology.
An ideal companion to her recently published book, The Hellenistic Aesthetic, Barbara Fowler’s Hellenistic Poetry is both a major contribution to classical studies and an invitation to all interested readers to discover the beauty and richness of Hellenistic poetry.
The research and analysis presented here are the work of the late David Frederick Grose, who began this project when no other city site excavations in Italy focused on ancient glass. He confirmed that the Roman glass industry began to emerge in the Julio-Claudian era, beginning in the principate of Augustus. His study traces the evolution of manufacturing techniques from core-formed vessels to free blown glass, and it documents changes in taste and style that were characteristic of the western glass industry throughout its long history.
At the time of Grose’s unexpected passing, his study was complete but not yet published. Nevertheless, the reputation of his work in this area has done much to establish the value and importance of excavating and researching Cosa’s glass. This volume, arranged and edited by R. T. Scott, makes Grose’s essential scholarship on the subject available for the first time.
At a time of deep and pervasive global challenges, future CEOs and administrators need to apply management principles to social impact cases. Today, top business schools across the country are meeting the moment, teaching courses about socially responsible investing and debating ways companies can stem the effects of climate change.
The case studies collected here are an invaluable resource for today’s students and tomorrow’s leaders. Chapters address an array of business sectors, including consumer goods, finance, health care, higher education, manufacturing, nongovernmental organizations, social services, and transportation. A teacher’s guide is available online to educators.
In 1918, the U.S. Army Signal Corps sent 223 women to France at General Pershing’s explicit request. They were masters of the latest technology: the telephone switchboard. While suffragettes picketed the White House and President Wilson struggled to persuade a segregationist Congress to give women of all races the vote, these courageous young women swore the army oath and settled into their new roles. Elizabeth Cobbs reveals the challenges they faced in a war zone where male soldiers wooed, mocked, and ultimately celebrated them.
The army discharged the last Hello Girls in 1920, the year Congress ratified the Nineteenth Amendment. When they sailed home, they were unexpectedly dismissed without veterans’ benefits and began a sixty-year battle that a handful of survivors carried to triumph in 1979.
“What an eye-opener! Cobbs unearths the original letters and diaries of these forgotten heroines and weaves them into a fascinating narrative with energy and zest.”
—Cokie Roberts, author of Capital Dames
“This engaging history crackles with admiration for the women who served in the U.S. Army Signal Corps during the First World War, becoming the country’s first female soldiers.”
—New Yorker
“Utterly delightful… Cobbs very adroitly weaves the story of the Signal Corps into that larger story of American women fighting for the right to vote, but it’s the warm, fascinating job she does bringing her cast…to life that gives this book its memorable charisma… This terrific book pays them a long-warranted tribute.”
—Christian Science Monitor
“Cobbs is particularly good at spotlighting how closely the service of military women like the Hello Girls was tied to the success of the suffrage movement.”
—NPR
McCann explores the links between the growth of the culture industry, rapid industrialization, and the rise and fall of Getúlio Vargas’s Estado Novo dictatorship. He argues that these processes opened a window of opportunity for the creation of enduring cultural patterns and demonstrates that the understandings of popular music cemented in the mid–twentieth century continue to structure Brazilian cultural life in the early twenty-first.
Hello I Must Be Going, David Hernandez’s fifth collection of poems, offers a unique take on poetry informed by works of art, in particular the work of artist Ed Ruscha. With narrative and lyrical brushstrokes, Hernandez crafts vibrant landscapes that depict the chaos of the modern world and the beauty entwined within it. Hello I Must Be Going pulses with originality. This is a book of our time, and of time itself—of unrest, loss, grief, and “this endless parade / shimmering toward silence.”
The popular veneer of Denver's present-day Market Street - its fancy bars, posh restaurants, and Coors Field - is stripped away to reveal the street's former incarnation: a mecca of loose morals entrenched in prostitution, liquor, and money. Hell's Belles examines the neglected topics of vice and crime in Denver and utilizes a unique and invaluable historic source - the scrapbooks of Detective Sam Howe.
A biography of Bruce Crawford, a southwest Virginia journalist-writer of the radical tradition and one of the first to interpret Appalachian labor history.
Hell’s Not Far Off is a grounded, politically engaged study of the Appalachian journalist and political critic Bruce Crawford, a scourge of coal and railway interests. Crawford fought injustices wherever he saw them at major risk to his own life and became an early interpreter of Appalachian labor history.
His writings and actions from the 1920s to the 1960s helped shape southwest Virginia and West Virginia. Through Crawford’s Weekly, a newspaper active from 1920 to 1935, Crawford challenged the Ku Klux Klan, lynch mobs, and the private police forces of coal barons. The wounds received for these efforts were the closing of his paper and a bullet to his leg during a Harlan County strike in the 1930s. In his work after journalism, he led the West Virginia branch of the Federal Writers’ Project during the political standoff over the contents of the state’s official guidebook.
In Hell’s Not Far Off, Josh Howard resurrects strands of a radical tradition centered especially on matters of labor, environment, and race, drawing attention to that tradition’s ongoing salience: “Present-day Appalachia’s fights were [Crawford’s], and his fights are still ours.”
Utilizing all of Helmholtz’s scientific and philosophical writings, as well as previously unknown letters, this book reveals the forces that drove his life—a passion to unite the sciences, vigilant attention to the sources and methods of knowledge, and a deep appreciation of the ways in which the arts and sciences could benefit each other. By placing the overall structure and development of his scientific work and philosophy within the greater context of nineteenth-century Germany, Helmholtz also serves as cultural biography of the construction of the scientific community: its laboratories, institutes, journals, disciplinary organizations, and national and international meetings. Helmholtz’s life is a shining example of what can happen when the sciences and the humanities become interwoven in the life of one highly motivated, energetic, and gifted person.
Rachel Koskin was a middle-class Russian Jew born in Odessa, Ukraine, in 1896. Ten years later, her family fled from the murderous pogroms against Jews in the Russian Empire eastward to Harbin, a Russian-controlled city within China’s borders on the harsh plain of Manchuria. Full of lively detail and the struggles of being stateless in a time of war, the narrative follows Rachel through her life in Harbin, which became a center of Russian culture in the Far East; the birth of her daughter, Helmi, in Kobe, Japan; their life together in the slums of Shanghai and back in Japan during World War II, where they endured many more hardships; and their subsequent immigration to the United States.
This remarkable account uncovers a history of refugees living in war-torn China and Japan, a history that to this day remains largely unknown. It is also a story of survival during a long period of upheaval and war—from the Russian Revolution to the Holocaust—and an intimate portrait of an American immigrant family. David reveals both the joys and tragedies he experienced growing up in a multicultural household in post\-Second World War America with a Jewish mother, a live-in Russian grandmother, and a devout Irish Catholic American father.
As David develops a clearer awareness of the mysterious past lives of his mother and grandmother—and the impact of these events on his own understanding of the long-term effects of fear, trauma, and loss—he shows us that, even in times of peace and security, we are all shadows of our past, marked by our experiences, whether we choose to reveal them to others or not.
Rachel Koskin was a middle-class Russian Jew born in Odessa, Ukraine, in 1896. Ten years later, her family fled from the murderous pogroms against Jews in the Russian Empire eastward to Harbin, a Russian-controlled city within China’s borders on the harsh plain of Manchuria. Full of lively detail and the struggles of being stateless in a time of war, the narrative follows Rachel through her life in Harbin, which became a center of Russian culture in the Far East; the birth of her daughter, Helmi, in Kobe, Japan; their life together in the slums of Shanghai and back in Japan during World War II, where they endured many more hardships; and their subsequent immigration to the United States.
This remarkable account uncovers a history of refugees living in war-torn China and Japan, a history that to this day remains largely unknown. It is also a story of survival during a long period of upheaval and war—from the Russian Revolution to the Holocaust—and an intimate portrait of an American immigrant family. David reveals both the joys and tragedies he experienced growing up in a multicultural household in post\-Second World War America with a Jewish mother, a live-in Russian grandmother, and a devout Irish Catholic American father.
As David develops a clearer awareness of the mysterious past lives of his mother and grandmother—and the impact of these events on his own understanding of the long-term effects of fear, trauma, and loss—he shows us that, even in times of peace and security, we are all shadows of our past, marked by our experiences, whether we choose to reveal them to others or not.
The name “Helots” evokes one of the most famous peculiarities of ancient Sparta, the system of dependent labor that guaranteed the livelihood of the free citizens. The Helots fulfilled all the functions that slaves carried out elsewhere in the Greek world, allowing their masters the leisure to be full-time warriors. Yet, despite their crucial role, Helots remain essentially invisible in our ancient sources and peripheral and enigmatic in modern scholarship.
This book is devoted to a much-needed reassessment of Helotry and of its place in the history and sociology of unfree labor. The essays deal with the origins and historical development of Helotry, with its sociological, economic, and demographic aspects, with its ideological construction and negotiation.
Based on intensive interviews of 29 couples who experienced the death of a child, this book offers perspectives and advice on common marital problems experienced by bereaved parents. Each couple's problems are unique, but often the problems are connected to couple communication, sexuality, parenting of other children, the use of alcohol and drugs, blaming, and differences in such areas as whether to have another child, how to grieve, how to talk about the child who died, whether to go outside the marriage for support, and what to do with things and spaces that were the child's.
Although the book deals with pain and marital distress, it offers a message of hope. Grieving parents can and do get through the hard times, based on respect for differences, mutual understanding, and shared history.
In Helpers at Birds' Nests, renowned naturalist and ornithologist Alexander Skutch provides vivid, detailed accounts of a remarkable aspect of bird behavior—he aid that one bird gives another who is neither its mate nor its dependent young and who may even belong to a different species.
In graceful, clear prose, Skutch makes accessible to amateur bird-watchers examples of cooperation in species as far-flung as the little rifleman of New Zealand, the Laysan albatross in the mid Pacific, and the neotropical birds of Skutch's own Valley of El General in Costa Rica.
Skutch describes the cooperative behavior of more than fifty families of birds. Each family is introduced by a brief sketch of its distribution and outstanding features, followed by intimate, nontechnical accounts of the helpful behaviors that have been most carefully studied. Skutch considers the significance of helpful birds and discusses the theoretical aspects of cooperative breeding, its evolution, kin selection, altruism, and demography.
First discovered by the author more than half a century ago, cooperative breeding has become increasingly studied by professional ornithologists. In this expanded edition, noted behaviorist Stephen Emlen credits Skutch's passionate observations of birds with promoting scientific interest in avian behavior. Emlen offers readers a summary of the advances made in the field during the past ten years and places Skutch's work in the context of contemporary ornithological research.
Exploring the moral foundations of the healing relationship, Edmund D. Pellegrino and David C. Thomasma offer the health care professional a highly readable Christian philosophy of medicine. This book examines the influence religious beliefs have on the kind of person the health professional should be, on the health care policies a society should adopt, and on what constitutes healing in its fullest sense.
Helping and Healing looks at the ways a religious perspective shapes the healing relationship and the ethics of that relationship. Pellegrino and Thomasma seek to clarify the role of religious belief in health care by providing a moral basis for such commitment as well as a balancing role for reason. This book establishes a common ground for believers and skeptics alike in their dedication to relieve suffering by showing that helping and healing require an involvement in the religious values of patients. It clearly argues that religion provides crucial insights into medical practice and morality that cannot be ignored, even in our morally heterogeneous society.
Central to the authors' message is the concept of patients' vulnerabilities and the need to help them recover not only from the disease but also from an existential assault on their personhood. They then show how this understanding can move caregivers to view their professions as vocations and thereby change the nature of health care from a business to a community of healing.
Physicians, nurses, administrators, clergy, theologians, and other health professionals and church leaders will find this volume helpful for their own reflections on the role of religion in the health care ministry and for making a religious commitment integral to their professional lives.
Helping Children Live with Death and Loss is a practical guide for parents, caregivers, teachers, clergy, funeral directors, and other adults who may interact with young children between the ages of two and ten. Utilizing a developmental approach that is critical for understanding the unique characteristics and needs among children under ten, the volume is enhanced by an accessible style and format, numerous illustrations, and the positive attitude that make it possible for any reader to comprehend and apply the concepts when discussing death and loss with young children.
The scope of concepts ranges from adult self-assessment to knowledge of children’s developmental stages in learning. Building on that foundation, the book provides four basic content areas for teaching, supplies sample questions and answers, and suggests strategies for teaching general death education as well as strategies for responding to a current death or loss. The resource concludes with print and internet sources for adults and children. Helping Children Live with Death and Loss also aids adults and children in improving their communication and coping skills, which are critical for managing loss and preparing for a healthier future.
Helping Groups Heal presents “The Healing Cycle,” a grace-based model that facilitates healing and growth in groups. It has been tested with a variety of settings, and can be adapted to nearly any small group, from sex addiction therapy to marriage therapy to Bible studies.
The basic components of “The Healing Cycle” are grace, safety, vulnerability, truth, ownership, and confession. Helping Groups Heal guides the reader through these elements, offering case studies and practical advice from the voices of researchers and practitioners. Each chapter shows how “The Healing Cycle” moves its members to share their truth, own it, and make positive change in their lives. Each step of the process allows participants to move past surface issues and find depth in their understanding of their pain.
Whether you have been leading small groups for years or are about to lead your first session, Helping Groups Heal is an accessible, easy-to-follow guide through “The Healing Cycle” that will give each group member what’s needed to grow, relate, and heal.
Helping Out addresses the centrality of children's labor participation in such family enterprises. Discussing the case of Chinese families running take-out food shops in Britain, Miri Song examines the ways in which children contribute their labor and the context in which children come to understand and believe in "helping out" as part of a "family work contract." Song explores the implications of these children's labor participation for family relationships, cultural identity, and the future of the Chinese community in Britain. While doing so, she argues that the practical importance and the broader meanings of children's work must be understood in the context of immigrant families' experiences of migration and ethnic minority status in Western, white-majority societies.
David Ellerman relates a deep theoretical groundwork for a philosophy of development, while offering a descriptive, practical suggestion of how goals of development can be better set and met. Beginning with the assertion that development assistance agencies are inherently structured to provide help that is ultimately unhelpful by overriding or undercutting the capacity of people to help themselves, David Ellerman argues that the best strategy for development is a drastic reduction in development assistance. The locus of initiative can then shift from the would-be helpers to the doers (recipients) of development. Ellerman presents various methods for shifting initiative that are indirect, enabling and autonomy-respecting. Eight representative figures in the fields of education, community organization, economic development, psychotherapy and management theory including: Albert Hirschman, Paulo Freire, John Dewey, and Søren Kierkegaard demonstrate how the major themes of assisting autonomy among people are essentially the same.
David Ellerman is currently a Visiting Scholar in the Economics Department at the University of California at Riverside.
“A practical, highly informative, and sympathetic guide.”
—The Washington Post
Most of us will become a caregiver at some point in our lives. And we will assume this role for the most personal reason imaginable: wanting to help someone we love. But we may not know where to start, and we may be afraid of losing ourselves in this daunting task.
Former first lady Rosalynn Carter, a longtime advocate for caregivers and mental health, knows firsthand the challenges of this labor of love. Drawing upon her own experiences and those of hundreds of others whose stories she gathered over many decades, Mrs. Carter offers reassuring, practical advice to any caregiver who has faced stress, anxiety, or loneliness.
Helping Yourself Help Others, reissued here with a new foreword, is as relevant as ever. Long before the COVID-19 pandemic inspired national conversations about the vast undervaluing of unpaid caregiving, the dangers of burnout, and the merits of self-care for relief, Rosalynn Carter was shining a light on these matters and everything else that caregivers confront. Filled with empathy, this encouraging guide will help you meet a difficult challenge head-on and find fulfillment and empowerment in your caregiving role.
Helvetia: A Swiss Village in the Hills of West Virginia explores the unique founding and development of a community nestled within the wilderness of Appalachia. Established in 1869, this tiny Swiss settlement embodies the American immigrant experience, reflecting the steadfast desire of settlers to preserve cultural traditions and values while adapting to new and extraordinary surroundings. From ramp suppers to carnivals, traditional architecture, folk music, and cheese making, this book documents a living community by exploring the ethnic customs, farming practices, community organization, and language maintenance of Helvetia residents. Drawing upon a diverse body of resources such as Swiss and American archival documents and local oral accounts, this chronicledepicts the everyday social and economic life of this village during the past two centuries. Helvetia celebrates a small community where residents and visitors alike continue to practice a Swiss American culture that binds an international history to a local heritage.
Hemingway and the Black Renaissance, edited by Gary Edward Holcomb and Charles Scruggs, explores a conspicuously overlooked topic: Hemingway’s wide-ranging influence on writers from the Harlem Renaissance to the present day. An observable who’s who of black writers—Ralph Ellison, James Baldwin, Langston Hughes, Claude McKay, Wallace Thurman, Chester Himes, Alex la Guma, Derek Walcott, Gayl Jones, and more—cite Hemingway as a vital influence. This inspiration extends from style, Hemingway’s minimalist art, to themes of isolation and loneliness, the dilemma of the expatriate, and the terrifying experience of living in a time of war. The relationship, nevertheless, was not unilateral, as in the case of Jean Toomer’s 1923 hybrid, short-story cycle Cane, which influenced Hemingway’s collage-like 1925 In Our Time.
Ernest Hemingway has often been criticized as a misogynist because of his portrayal of women. But some of the most exciting Hemingway scholarship of recent years has come from women scholars who challenge traditional views of Hemingway and women. The essays in this collection range from discussions of Hemingway’s famous heroines Brett Ashley and Catherine Barkley to examinations of the central role of gender in his short stories and in the novel The Garden of Eden. Other essays address the real women in Hemingway’s life—those who cared for him, competed with him, and, ultimately, helped to shape his art. While Hemingway was certainly influenced by traditional perceptions of women, these essays show that he was also aware of the struggle of the emerging new woman of his time. Making this gender struggle a primary concern of his fiction, these critics argue, Hemingway created women with strength, depth, and a complexity that readers are only beginning to appreciate.
In evocative prose, complemented by a rich selection of historical images, Richard Owen takes us on a tour through Hemingway’s Italy. He describes how Hemingway first visited the country of the Latins during World War I, an experience that set the scene for A Farewell to Arms. Then after World War II, it was in Italy that he found inspiration for Across the River and into the Trees. Again and again, the Italian landscape—from the Venetian lagoon to the Dolomites and beyond—deeply affected one of the greatest writers of the twentieth century. Hemingway in Italy demonstrates that Italy stands alongside Spain as a key influence on Hemingway’s work—and why the Italians themselves hold Hemingway and his writing close to their hearts.
Love was a central theme of Ernest Hemingway’s major works. And although his passages on sexual love and on romantic love may be widely remembered and frequently quoted, says Robert W. Lewis in this scholarly and detailed consideration, Hemingway’s later work revealed his ultimate belief that brotherly love was the supreme love of mankind. Eros, Hemingway concluded, was a neutral value, neither good nor bad in itself, but yet capable of complementing agape in giving man pleasure.
By examining the forms and essences of the various kinds of love, Hemingway worked out an explanation and tentative solution to the troubles of the human condition. The tradition of romantic love that had prevailed in Western literature had challenged sexual love and brotherly love and had been confused with them since the Middle Ages. Hemingway’s early work was destructive of romantic love, says Lewis; the work of his middle career was crucial in his exploration for the supreme love and the means to whatever peace and happiness man may achieve. By the time he wrote The Old Man and the Sea, his ethic was formulated and he could write conclusively of the trial and lesson of love in Western civilization in a way that reflected his discovery that true love must be a reciprocal blend of eros and agape between man and woman, man and man, and man and his world.
In 1924 Ernest Hemingway published a small book of eighteen vignettes, each little more than one page long, with a small press in Paris. Titled in our time, the volume was later absorbed into Hemingway’s story collection In Our Time. Those vignettes, as Milton Cohen demonstrates in Hemingway’s Laboratory, reveal a range of voices, narrative strategies, and fictional interests more wide-ranging and experimental than any other extant work of Hemingway’s. Further, they provide a vivid view of his earliest tendencies and influences, first manifestations of the style that would become his hallmark, and daring departures into narrative forms that he would forever leave behind.
Many of the chapters are pointillistic glimpses of violence--bullfights, a botched execution, the fleeting thoughts of the wounded on the battlefield. Others reach back into childhood. Still others adopt the wry, mannered voice of English aristocracy. Though critics have often read these chapters as secondary asides to the longer stories that constitute the commercial collection, Cohen argues that not only do the vignettes merit consideration as a unit unto themselves, but that they exhibit a plethora of styles and narrative gambits that show Hemingway at his most versatile.
The final section examines in detail the individual chapters of in our time, their historical origins, their drafts, themes, and styles. The result is an account of what is arguably Hemingway’s most crucial formative period.
Reveal a range of voices, narrative strategies, and fictional interests more wide-ranging and experimental than any other extant work of Hemingway’s
In 1924 Ernest Hemingway published a small book of eighteen vignettes, each little more than one page long, with a small press in Paris. Titled in our time, the volume was later absorbed into Hemingway’s story collection In Our Time. Those vignettes, as Milton Cohen demonstrates in Hemingway’s Laboratory, reveal a range of voices, narrative strategies, and fictional interests more wide-ranging and experimental than any other extant work of Hemingway’s. Further, they provide a vivid view of his earliest tendencies and influences, first manifestations of the style that would become his hallmark, and daring departures into narrative forms that he would forever leave behind.
In 1937 and 1938, Ernest Hemingway made four trips to Spain to cover its civil war for the North American News Alliance wire service and to help create the pro-Republican documentary film The Spanish Earth. Hemingway’s Second War is the first book-length scholarly work devoted to this subject.
Linda Wagner-Martin has written or edited more than sixty books including Ernest Hemingway, A Literary Life. She is Frank Borden Hanes Professor Emerita at the University of North Carolina-Chapel Hill and a winner of the Jay B. Hubbell Medal for Lifetime Achievement.
Winner, 2015 Seven Sisters Book Award for Poetry
The poems in Hemisphere explore what it means to be a daughter and what it means to bear new life. Ellen Hagan investigates the world historical hemispheres of a family legacy from around the globe and moves down to the most intimate hemisphere of impending motherhood. Her poems reclaim the female body from the violence, both literal and literary, done to it over the years. Hagan acknowledges the changing body of a mother from the strains of birth—from the growing body of a child, to the scars left most visibly by a C-section—as well as the changes wrought by age and, too often, abuse. The existence of a hemisphere implies a part seeking a whole, and as a collection, Hemisphere is a coherent and cogent journey toward reclamation and wholeness.
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
With essays that examine stamps, cartoons, novels, film, art, music, travel documents, and governmental publications, Hemispheric American Studies seeks to excavate the complex cultural history of texts and discourses across the ever-changing and stratified geopolitical and cultural fields that collectively comprise the American hemisphere. This collection promises to chart new directions in American literary and cultural studies.
Is "right-brain" thought essentially creative, and "left-brain" strictly logical? Joseph B. Hellige argues that this view is far too simplistic. Surveying extensive data in the field of cognitive science, he disentangles scientific facts from popular assumptions about the brain's two hemispheres.
In Hemispheric Asymmetry, Hellige explains that the "right brain" and "left brain" are actually components of a much larger cognitive system encompassing cortical and subcortical structures, all of which interact to produce unity of thought and action. He further explores questions of whether hemispheric asymmetry is unique to humans, and how it might have evolved. This book is a valuable overview of hemispheric asymmetry and its evolutionary precedents.
Hemispheric Blackness and the Exigencies of Accountability examines the way Afrodescendant and Black communities use the land on which they live, the rule of law, and their bodies to assert their historical, ontological, and physical presence across South, Central, and North America. Their demand for the recognition of ancestral lands, responsive policies, and human rights sheds new light on their permanent yet tenuous presence throughout the region. The authors argue that by deploying a discourse of transcontinental historical continuity, Black communities assert their presence in local, national, and international political spheres. This conceptualization of hemispheric Blackness is the driving force confronting the historical loss, dismissal, and disparagement of Black lives across the Américas. Through twelve case studies that cover a wide range of locations, their work examines contemporary manifestations of sovereignty of Black body and mind, Black-Indigenous nexuses, and national revisions that challenge more than a quincentennial of denial and state unaccountability in the hemisphere.
Murphy juxtaposes close readings of novels with analyses of nonfiction texts. From uncovering the literary inspirations for the Monroe Doctrine itself to tracing visions of hemispheric unity and transatlantic separation in novels by Lydia Maria Child, Nathaniel Hawthorne, María Amparo Ruiz de Burton, Lew Wallace, and Richard Harding Davis, she reveals the Doctrine’s forgotten cultural history. In making a vital contribution to the effort to move American Studies beyond its limited focus on the United States, Murphy questions recent proposals to reframe the discipline in hemispheric terms. She warns that to do so risks replicating the Monroe Doctrine’s proprietary claim to isolate the Americas from the rest of the world.
Volume 19 of the May Swenson Poetry Award Series, 2016
Throughout this haunting first collection, Patricia Colleen Murphy shows how familial mental illness, addiction, and grief can render even the most courageous person helpless. With depth of feeling, clarity of voice, and artful conflation of surrealist image and experience, she delivers vivid descriptions of soul-shaking events with objective narration, creating psychological portraits contained in sharp, bright language and image. With Plathian relentlessness, Hemming Flames explores the deepest reaches of family dysfunction through highly imaginative language and lines that carry even more emotional weight because they surprise and delight. In landscapes as varied as an Ohio back road, a Russian mental institution, a Korean national landmark, and the summit of Kilimanjaro, each poem sews a new stitch on the dark tapestry of a disturbed suburban family’s world.
The May Swenson Poetry Award is an annual competition named for May Swenson, one of America’s most provocative and vital writers. During her long career, Swenson was loved and praised by writers from virtually every school of American poetry. She left a legacy of fifty years of writing when she died in 1989. She is buried in her hometown of Logan, Utah.
Hend is a young Saudi Arabian woman struggling to challenge her conservative society, which is represented by various soldiers, real and metaphorical, in her life. After a failed arranged marriage to an army officer, she is determined to establish herself as a writer and make her own choices in love. Her mother, a firm supporter of their society’s traditional norms, works to block her efforts. As Hend engages with her mother, stories of her past and those of other female relatives reveal the extent of the suffering previous generations of women have endured while living in such a patriarchal society. Hend also comes to understand how such traditions have adversely affected the men in her family, including one brother who flees to the West and another who finds comradeship among the members of al-Qaeda.
Badriah Albeshr represents a growing number of women writers from the Arabian Peninsula who refuse to shy away from the taboo topics of religion and sexuality, which makes Hend and the Soldiers a valuable read for those seeking insights into the complexities surrounding these issues.
This special issue of SubStance (2007) celebrates the centennial of Henri Bergson’s Creative Evolution, published in 1907. Since evolution is a living process and not a completed history, any understanding of it must necessarily be open-ended. If no one can have the last word, Bergson writes, the project of understanding evolution “will only be built up by the collective and progressive effort of many thinkers, of many observers also, completing, correcting and improving one another.”
Included in the issue are articles from Bergson scholars from the United States, Japan, France and Great Britain. Topics in the issue range from Bergson’s encounters with Darwin, Nietzsche, Derrida and Deleuze, and from the analytical to the metaphysical.
Countering the prevailing view, which reduces Lefebvre’s theory of space to a projection of his philosophical positions, Stanek argues that Lefebvre’s work grew out of his concrete, empirical engagement with everyday practices of dwelling in postwar France and his exchanges with architects and planners. Stanek focuses on the interaction between architecture, urbanism, sociology, and philosophy that occurred in France in the 1960s and 1970s, which was marked by a shift in the processes of urbanization at all scales, from the neighborhood to the global level. Lefebvre’s thinking was central to this encounter, which informed both his theory of space and the concept of urbanization becoming global.
Stanek offers a deeper and clearer understanding of Lefebvre’s thought and its implications for the present day. At a time when cities are increasingly important to our political, spatial, and architectural world, this reassessment proposes a new empirical, and practical, interpretation of Lefebvre’s ideas on urbanism.
Henry Adams sought, late in life, to thwart prospective biographers by writing his own biography. Published soon after his death in 1918, The Education of Henry Adams was rightly greeted as a masterpiece. Not until thirty years later, with the appearance of the first volume of Ernest Samuels’s biography, did it become apparent how much the story had been colored by Adams’s singular philosophy of history and how great was the disparity between the protagonist of the Education and Adams as he actually was. Upon its completion in 1964, Samuels’s life of Henry Adams was hailed as “one of the great biographical achievements of our time”; its laurels included a Pulitzer Prize.
Ernest Samuels has now distilled his ample narrative into a single absorbing volume. We see Adams as a lively undergraduate, in contrast to the jaded young man of the Education; as budding writer, newspaper correspondent, eager participant in political maneuverings in Washington and at the American embassy in London; as teacher at Harvard and editor of the North American Review; settled in Washington, as scholar, biographer, historian, novelist; as insatiable traveler; as friend and adviser to statesmen; as elderly cosmopolite spending half of each year abroad; and always as witty chronicler of the social scene and trenchant commentator on the events of his time. We are drawn into the personal drama of Adams’s middle years: his married life with Clover; the halcyon period in Washington in the early 1880s, catastrophically terminated by Clover’s depression and suicide; his growing passion for Elizabeth Cameron; and his flight to the South Seas. Throughout the book we follow the genesis and progress of his writings, from his muck-raking journalism in President Grant’s Washington, through the social and political criticism of his novels, his biographies, and his great History, to the classic Mont Saint Michel and Chartres, the daring theories of the Education, and his last essays.
Few biographies have so broad a canvas—sixty years of American political, social, and intellectual life, from the pre–Civil War years to the First World War. And few offer so revealing a portrait of a complex human being and an extraordinary career.
Henry Adams - American Writers 93 was first published in 1971. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Henry Adams has been called an indispensable figure in American thought. Although he famously “took his own life” in the autobiographical Education of Henry Adams, his letters—more intimate and unbuttoned, though hardly unselfconscious—are themselves indispensable for an understanding of the man and his times.
This selection, the first based on the authoritative 6-volume Letters, represents every major private and public event in Adams’s life from 1858 to 1918 and confirms his reputation as one of the greatest letter writers of his time. Adams knew everyone who was anyone and went almost everywhere, and—true to the Adams family tradition—recorded it all. These letters to an array of correspondents from American presidents to Henry James to 5-year-old honorary nieces reveal Adams’s passion for politics and disdain for politicians, his snobbish delight in society and sincere affection for friends, his pose of dilettantism and his serious ambitions as writer and historian, his devastation at his wife’s suicide and his acquiescence in the role of Elizabeth Cameron’s “tame cat,” his wicked humor at others’ expense and his own reflexive self-depreciation.
This volume allows the reader to experience 19th-century America through the eyes of an observer on whom very little was lost, and to make the acquaintance of one of the more interesting personalities in American letters. As Ernest Samuels says in his introduction, “The letters lift the veil of old-age disenchantment that obscures the Education and exhibit Adams as perhaps the most brilliant letter writer of his time. What most engages one in the long course of his correspondence is the tireless range of his intellectual curiosity, his passionate effort to understand the politics, the science, and the human society of the world as it changed around him… It is as literature of a high order that his letters can finally be read.”
This volume is written on the same comprehensive scale as its predecessors, The Young Henry Adams and Henry Adams: The Middle Years, which the New York Times called “eminently sympathetic, inclusive, sensible and satisfying.” Ernest Samuels' narrative is mainly chronological, showing the growth and maturity of a long, full, and varied career, but the principal focus is on the internal drama of Adams' life and on the expression of his opinions and ideas.
Drawing on a wealth of unpublished material, including correspondence with such figures as John Hay, William and Henry James, Bernard Berenson, and Theodore Roosevelt, the author discerningly records significant moments in Adams' lifelong dialogue in letters with his friends and acquaintances. Particularly illuminating is the series of brilliant and romantic letters Adams wrote to Elizabeth Cameron which go far to correct the dehumanized image implicit in the Education. As before, Samuels maintains an artistic balance between pure biography and literary history and criticism; his definitive study of Adams' life and works adds a major chapter to American intellectual and social history.
"Education had ended in 1871, life was complete in 1890." With this paradoxical statement from The Education of Henry Adams, Adams apparently dismissed from the record twenty of the most interesting and active years of his career. Those two decades embraced the first great productive season of his literary genius and the most significant years of his emotional life. Opening on the highest note of expectation and closing with his desperate flight to the South Seas in 1890, a divided and lonely figure, that season of fulfillment and inner growth is the subject of this book.
The relationship between Adams' life and writings grew steadily richer as his literary artistry matured, and with that process as his main concern, Mr. Samuels has written a book equally rewarding as a biography and as a critical study. Perhaps the greatest achievement biographically is a definitive and absorbing account of the true relationship between Henry Adams and his wife and an introduction to the grand passion for Elizabeth Cameron which was to affect the rest of his life. The whole intense inner drama of his feelings is really opened up for the first time, as often as possible in his own words, to the tragedy of his wife's suicide, the embittered years of work concluding the great History, and, finally, the escape to the South Seas in an effort to overcome the intolerable intensity of his love for Mrs. Cameron.
Through detailed analyses of Adams' writings, Mr. Samuels shows how all this drama had its counterpoint in his literary activities and eventually became transformed into works of literary art. Equally interesting is the way in which the ideas for his biographical and historical writing emerged from the wide sources of his reading, were tested in the remarkable give and take of hiscircle, and finally adapted to the themes of his writing.
This is the most exhaustive biographical and critical study of Adams' middle years ever made, and probably answers, so far as it is humanly possible, every unanswered question about Adams' life and the writing of his books. From the wealth of family papers deposited with the Massachusetts Historical Society and numerous other sources, Mr. Samuels has unveiled an increasingly complex personality - a brilliant mind in the grip of many prejudices and contradictions, yet one so terrifyingly honest that it more than ever defies explanation in any ordinary terms.
The mass of fresh materials used includes letters from correspondents around the world and admits us to the other side of the enormous dialogue which Adams carried on with the members of his circle. Certain finds have revealed some invaluable sidelights including a striking fragment of Adams' diary for 1888-1889; a sheaf of his sonnets to Elizabeth Cameron, and the unpublished remainder of his letters to his wife. Much untouched material has also come to light in newspapers, magazines, public archives, court records, memoirs, and biographies.
This is the second of three volumes of Mr. Samuels' definitive study of Henry Adams. The other two are The Young Henry Adams and Henry Adams: The Major Phase.
In this landmark biography, Canter Brown Jr. makes evident the extent of Henry Bradley Plant’s influences throughout North, Central, and South America as well as his role in the emergence of integrated transportation and a national tourism system. One of the preeminent historians of Florida, Brown brings this important but understudied figure in American history to the foreground.
Henry Bradley Plant: Gilded Age Dreams for Florida and a New South carefully examines the complicated years of adventure and activity that marked Plant’s existence, from his birth in Connecticut in 1819 to his somewhat mysterious death in New York City in 1899. Brown illuminates Plant’s vision and perspectives for the state of Florida and the country as a whole and traces many of his influences back to events from his childhood and early adulthood. The book also elaborates on Plant’s controversial Civil War relationships and his utilization of wartime earnings in the postwar era to invest in the bankrupt Southern rail lines. With the success of his businesses such as the Southern Express Company and the Tampa Bay Hotel, Plant transformed Florida into a hub for trade and tourism—traits we still recognize in the Florida of today.
This thoroughly researched biography fills important gaps in Florida’s social and economic history and sheds light on a historical figure to an extent never previously undertaken or sufficiently appreciated. Both informative and innovative, Brown’s volume will be a valuable resource for scholars and general readers interested in Southern history, business history, Civil War–era history, and transportation history.
From a hotel in Marrakech in The Man Who Knew Too Much, to small-town Alabama in To Kill a Mockingbird, to Mission Control in Space Cowboys, creating a fictional, yet wholly believable world in which to film a movie has been the passion and life's work of Henry Bumstead, one of Hollywood's most celebrated production designers. In a career that has spanned nearly seventy years, Bumstead has worked on more than one hundred movies and television films. His many honors include Academy Awards for Art Direction for To Kill a Mockingbird and The Sting, as well as nominations for Vertigo and The Unforgiven.
This popularly written and extensively illustrated book tells the intertwining stories of Henry Bumstead's career and the evolution of Hollywood art direction. Andrew Horton combines his analysis of Bumstead's design work with wide-ranging interviews in which Bumstead talks about working with top directors, including Alfred Hitchcock, George Roy Hill, Robert Mulligan, and Clint Eastwood, as well as such stars as Paul Newman, Robert Redford, Doris Day, Jimmy Stewart, Sidney Poitier, Bill Cosby, Jerry Lewis, and James Cagney. Numerous production drawings, storyboards, and film stills illustrate how Bumstead's designs translated to film. This portrait of Bumstead's career underscores an art director's crucial role in shaping the look of a film and also tracks the changes in production design from the studio era through location shooting to today's use of high-tech special effects.
Henry D. Thoreau - American Writers 90 was first published in 1970. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Henry Darwin Rogers was one of the first professional geologists in the United States. He directed two of the earliest state geological surveys--New Jersey and Pennsylvania--in the mid-1830s. His major interest was Pennsylvania, with its Appalachian Mountains, which Rogers saw as great folds of sedimentary rock. He belived that an interpretation of these folds would lead to an understanding of the dynamic processes that had shaped the earth. From Rogers' efforts to explain these Pennsylvania folds came the first uniquely American theory of mountain elevation, a theory that Rogers personally considered his most significant achievement.
But there was much more to Thoreau than his brief experiment in living at Walden Pond. A member of the vibrant intellectual circle centered on his neighbor Ralph Waldo Emerson, he was also an ardent naturalist, a manual laborer and inventor, a radical political activist, and more. Many books have taken up various aspects of Thoreau’s character and achievements, but, as Laura Dassow Walls writes, “Thoreau has never been captured between covers; he was too quixotic, mischievous, many-sided.” Two hundred years after his birth, and two generations after the last full-scale biography, Walls restores Henry David Thoreau to us in all his profound, inspiring complexity.
Walls traces the full arc of Thoreau’s life, from his early days in the intellectual hothouse of Concord, when the American experiment still felt fresh and precarious, and “America was a family affair, earned by one generation and about to pass to the next.” By the time he died in 1862, at only forty-four years of age, Thoreau had witnessed the transformation of his world from a community of farmers and artisans into a bustling, interconnected commercial nation. What did that portend for the contemplative individual and abundant, wild nature that Thoreau celebrated?
Drawing on Thoreau’s copious writings, published and unpublished, Walls presents a Thoreau vigorously alive in all his quirks and contradictions: the young man shattered by the sudden death of his brother; the ambitious Harvard College student; the ecstatic visionary who closed Walden with an account of the regenerative power of the Cosmos. We meet the man whose belief in human freedom and the value of labor made him an uncompromising abolitionist; the solitary walker who found society in nature, but also found his own nature in the society of which he was a deeply interwoven part. And, running through it all, Thoreau the passionate naturalist, who, long before the age of environmentalism, saw tragedy for future generations in the human heedlessness around him.
“The Thoreau I sought was not in any book, so I wrote this one,” says Walls. The result is a Thoreau unlike any seen since he walked the streets of Concord, a Thoreau for our time and all time.
–Kirkus Reviews
“…a unique social history of the period. The book has nostalgic value for all over 40, the humor of a naïve America for young people, and social and technical history for the scholar.”
–Robert J. Havlik, Library Journal
“…the underlying theme is how Ford became a folk hero to rural America… This well written book not only supplements… previous studies… but helps to illuminate American values and attitudes during the 1920’s.”
–Choice
Henry Friendly is frequently grouped with Oliver Wendell Holmes, Louis Brandeis, Benjamin Cardozo, and Learned Hand as the best American jurists of the twentieth century. In this first, comprehensive biography of Friendly, David M. Dorsen opens a unique window onto how a judge of this caliber thinks and decides cases, and how Friendly lived his life.
During his time on the Court of Appeals for the Second Circuit (1959–1986), Judge Friendly was revered as a conservative who exemplified the tradition of judicial restraint. But he demonstrated remarkable creativity in circumventing precedent and formulating new rules in multiple areas of the law. Henry Friendly, Greatest Judge of His Era describes the inner workings of Friendly’s chambers and his craftsmanship in writing opinions. His articles on habeas corpus, the Fourth Amendment, self-incrimination, and the reach of the state are still cited by the Supreme Court.
Dorsen draws on extensive research, employing private memoranda between the judges and interviews with all fifty-one of Friendly’s law clerks—a veritable Who’s Who that includes Chief Justice John R. Roberts, Jr., six other federal judges, and seventeen professors at Harvard, Yale, Stanford, and elsewhere. In his Foreword, Judge Richard Posner writes: “David Dorsen has produced the most illuminating, the most useful, judicial biography that I have ever read . . . We learn more about the American judiciary at its best than we can learn from any other . . . Some of what I’ve learned has already induced me to make certain changes in my judicial practice.”
Among the arguments Hotze employed were adaptations of the scientific racism of the period, which attempted to establish a rational basis for assumptions of racial difference. After the collapse of the Confederacy in 1865, Hötze remained in Europe, where he became an active partisan and promoter of the ideas of Arthur de Gobineau (1816–1882) whose work Essai sur L’inégalité des Races Humaines was a founding document in racism’s struggle for intellectual respectability.
This work consists of a biographical essay on Hotze; his contributions to Mobile newspapers during his military service in 1861; his correspondence with Confederate officials during his service in London; articles he published in London to influence British and European opinion; and his correspondence with, and published work in support of, Gobineau.
Shakespeare’s two Henry IV plays follow the exploits of King Henry IV after usurping the crown from his cousin Richard II. Featuring some of Shakespeare’s most recognizable characters such as Prince Hal and the roguish Sir John Falstaff, Henry IV, Part 1 delves into complicated questions of loyalty and kingship on and off the battlefield. Henry IV, Part 2 follows Prince Hal as he grapples with his eventual ascent to the throne and his increasingly strained relationship with Falstaff. As the king falls sick and Hal’s ascent appears imminent, Hal’s decisions hold significant implications for all those around him. Modernizing the language of the two plays, Yvette Nolan’s translation carefully works at the seeds sown by Shakespeare—bringing to new life the characters and dramatic arcs of the original.
These translations of Henry IV were written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
Shakespeare’s two Henry IV plays follow the exploits of King Henry IV after usurping the crown from his cousin Richard II. Featuring some of Shakespeare’s most recognizable characters such as Prince Hal and the roguish Sir John Falstaff, Henry IV, Part 1 delves into complicated questions of loyalty and kingship on and off the battlefield. Henry IV, Part 2 follows Prince Hal as he grapples with his eventual ascent to the throne and his increasingly strained relationship with Falstaff. As the king falls sick and Hal’s ascent appears imminent, Hal’s decisions hold significant implications for all those around him. Modernizing the language of the two plays, Yvette Nolan’s translation carefully works at the seeds sown by Shakespeare—bringing to new life the characters and dramatic arcs of the original.
These translations of Henry IV were written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
When championing the commercial buildings and homes that made the Windy City famous, one can’t help but mention the brilliant names of their architects—Daniel Burnham, Louis Sullivan, and Frank Lloyd Wright, among others. But few people are aware of Henry Ives Cobb (1859–1931), the man responsible for an extraordinarily rich chapter in the city’s turn-of-the-century building boom, and fewer still realize Cobb’s lasting importance as a designer of the private and public institutions that continue to enrich Chicago’s exceptional architectural heritage.
Henry Ives Cobb’s Chicago is the first book about this distinguished architect and the magnificent buildings he created, including the Newberry Library, the Chicago Historical Society, the Chicago Athletic Association, the Fisheries Building for the 1893 World’s Fair, and the Chicago Federal Building. Cobb filled a huge institutional void with his inventive Romanesque and Gothic buildings—something that the other architect-giants, occupied largely with residential and commercial work, did not do. Edward W. Wolner argues that these constructions and the enterprises they housed—including the first buildings and master plan for the University of Chicago—signaled that the city had come of age, that its leaders were finally pursuing the highest ambitions in the realms of culture and intellect.
Assembling a cast of colorful characters from a free-wheeling age gone by, and including over 140 images of Cobb’s most creative buildings, Henry Ives Cobb’s Chicago is a rare achievement: a dynamic portrait of an architect whose institutional designs decisively changed the city’s identity during its most critical phase of development.
In the 1940s Henry J. Kaiser was a household name, as familiar then as Warren Buffett and Donald Trump are now. Like a Horatio Alger hero, Kaiser rose from lower-middle-class origins to become an enormously wealthy entrepreneur, building roads, bridges, dams, and housing. He established giant businesses in cement, aluminum, chemicals, steel, health care, and tourism. During World War II, his companies built cargo planes and Liberty ships. After the war, he manufactured the Kaiser-Frazer automobile. Along the way, he also became a major force in the development of the western United States, including Hawaii.
Henry J. Kaiser: Builder in the Modern American West is the first biography of this remarkable man. Drawing on a wealth of archival material never before utilized, Mark Foster paints an evenhanded portrait of a man of driving ambition and integrity, perhaps the ultimate "can-do" capitalist. He covers Kaiser's entire life (1882–1967), emphasizing many business ventures. He demonstrates that Kaiser was the prototypical "frontier" entrepreneur who often used government and union support to tame the "wilderness."
Though today the Kaiser industries are no longer under family management, the Kaiser legacy remains great. Kaiser played a major role in building the Hoover, Bonneville, Grand Coulee, and Shasta dams. The Kaiser-Permanente Medical Care Program still provides comprehensive health care for millions of subscribers. Kaiser-planned communities remain in Los Angeles; San Francisco; Portland, Oregon; and Boulder City, Nevada. Kaiser Engineers was actively engaged in hundreds of huge construction jobs across the nation and around the world.
U.S. and business historians, scholars of the modern West, and general readers will all find much to absorb them in this well-written biography.
Henry James - American Writers 4 was first published in 1960. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The author considers James’s work from The Bostonians to The Awkward Age – from 1883 to 1889 – a period in which James was resident in London and searching for material to replace the “international theme.” Jacobson considers this context in relation to the emergence of a mass market and sees James’s major fiction of this period as an attempt to exploit the conventions of popular fiction in an analysis of his society’s assumptions. James’s work at this time must also be viewed as an artist’s effort to secure popular attention and acceptance.
For Ohi, there are many elements in the style that make James’s writing queer. But if there is a thematic marker, Ohi shows through his careful engagements with these texts, it is belatedness. The recurrent concern with belatedness, Ohi explains, should be understood not psychologically but stylistically, not as confessing the sad predicament of being out of sync with one’s life but as revealing the consequences of style’s refashioning of experience. Belatedness marks life’s encounter with style, and it describes an experience not of deprivation but of the rich potentiality of the literary work that James calls “freedom.” In Ohi’s reading, belatedness is the indicator not of sublimation or repression, nor of authorial self-sacrifice, but of the potentiality of the literary—and hence of the queerness of style.
Presenting original readings of a series of late Jamesian texts, the book also represents an exciting possibility for queer theory and literary studies in the future: a renewed attention to literary form and a new sounding—energized by literary questions of style and form—of the theoretical implications of queerness.
Theodora Bosanquet was Henry James's secretary from 1907 until his death in 1916, one of the most significant periods of his long writing career. Her memoir Henry James at Work, originally published by Leonard and Virginia Woolf's Hogarth Press in 1924, recounts Bosanquet's association with James and provides a lively and engaging commentary on James's milieu, preferences, and attitudes, as well as on his process of writing and revision. Bosanquet is an intelligent and observant witness and reporter, and her objective and comparatively unbiased point of view makes the memoir especially valuable.
This enlarged and annotated edition rescues Bosanquet from the shadows of literary history and shows her to be a fascinating figure in her own right, a skilled writer and editor, an early feminist, and a contemporary of the Bloomsbury literary community. The book is enhanced by an essay about Bosanquet and her circle, and fascinating snippets from her diaries and letters, now in the Harvard University archives.
Soon after Henry James hired Theodora Bosanquet in 1907, the well-educated and dedicated Bosanquet became indispensable to James. In addition to the memoir Henry James at Work she published two other books, critical studies on Harriet Martineau and Paul Valéry. Following James’s death she became Executive Secretary of the International Federation of University Women and traveled extensively in support of the women’s suffrage movement. From 1935 to 1958 she was literary editor, then director, of the publication Time and Tide.
Lyall H. Powers is Professor of English Emeritus at the University of Michigan and author of numerous books, including Alien Heart: The Life and Work of Margaret Laurence.
Praise for Henry James at Work:
—Larry McMurtry
“I’m sure [your book] ought to have a success with anyone who cared for Henry James and his work, and I think we are very lucky to get it.”
—Letter from Virginia Woolf to Theodora Bosanquet, 1924
“It's fascinating to encounter, in the era just before high modernism, a female intellectual like Bosanquet—one as fully engaged in the life of ideas and cultural production as her male counterparts—making as much of her putatively secondary status as she possibly could. The book is important as a primary document in its own right as well as a gloss on the methods and material of the magisterial James.”
—Jonathan Freedman, University of Michigan
"He was a supreme artist in the intimacies and connections that bind people together or tear them apart," says Leon Edel in his introduction to this collection of Henry James's best letters. Edel has chosen, from the four-volume epistolarium already published, those letters which especially illuminate James's writing, his life, his thoughts and fancies, his literary theories, and his most meaningful friendships. In addition, there are two dozen letters that have never before been printed.
In its unity, its elegance, and its reflection of almost a century of Anglo-American life and letters, this correspondence can well be said to belong to literature as well as to biography. Besides epistles to James's friends and family--including his celebrated brother, William--there are letters to notables such as Flaubert and Daudet in France; Stevenson, Gosse, Wells, and Conrad in England; and Americans from William Dean Howells to Edith Wharton. The latter correspondence, in particular, enlarges our understanding of James's complex involvements with Wharton and her circle; among the previously unpublished letters are several to Wharton's rakish lover, Morton Fullerton.
This masterly selection allows us to observe the precocious adolescent, the twenty-six-year-old setting out for Europe, the perceptive traveler in Switzerland and Italy, and the man-about-London consorting with Leslie Stephen and William Morris, meeting Darwin and Rossetti, hearing Ruskin lecture, visiting George Eliot. The letters describe periods of stress as well as happiness, failure as well as success, loneliness as well as sociability. They portray in considerable psychological depth James's handling of his problems (particularly with his family), and they allow us to see him adjust his mask for each correspondent.
What made Henry Kissinger the kind of diplomat he was? What experiences and influences shaped his worldview and provided the framework for his approach to international relations? Jeremi Suri offers a thought-provoking, interpretive study of one of the most influential and controversial political figures of the twentieth century.
Drawing on research in more than six countries in addition to extensive interviews with Kissinger and others, Suri analyzes the sources of Kissinger's ideas and power and explains why he pursued the policies he did. Kissinger's German-Jewish background, fears of democratic weakness, belief in the primacy of the relationship between the United States and Europe, and faith in the indispensable role America plays in the world shaped his career and his foreign policy. Suri shows how Kissinger's early years in Weimar and Nazi Germany, his experiences in the U.S. Army and at Harvard University, and his relationships with powerful patrons--including Nelson Rockefeller and Richard Nixon--shed new light on the policymaker.
Kissinger's career was a product of the global changes that made the American Century. He remains influential because his ideas are rooted so deeply in dominant assumptions about the world. In treating Kissinger fairly and critically as a historical figure, without polemical judgments, Suri provides critical context for this important figure. He illuminates the legacies of Kissinger's policies for the United States in the twenty-first century.
A volume in the series Music in American Life
Charting Miller’s cultivation of his esoteric ideas from boyhood and adolescence to later in his career, Calonne examines how Miller remained deeply engaged with a variety of philosophies, from astrology and Gnosticism to Eastern thinkers. Calonne describes not only the effects this had on Miller’s work, but also to his complex and volatile life—his marriages and love affairs with Beatrice Wickens, June Mansfield, and Anaïs Nin; his years in Paris; and the journey to Greece that resulted in the travelogue The Colossus of Maroussi, the book Miller considered to be his greatest work. After discussing Miller’s final residences in Big Sur and the Pacific Palisades in California, Calonne considers the author’s involvement in the arts, love of painting and music, and friendships with a number of classical musicians. Miller, Calonne reveals, was a quirky, charismatic man of genius who continues to influence popular culture today.
Highlighting many areas of the author’s life that have previously been neglected, Henry Miller takes a fascinating revisionary approach to the work of one of American’s most controversial and iconic writers.
Henry Miller - American Writers 56 was first published in 1966. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
“In 1934 the city of Paris saw the birth of a book, published in English, which achieved instantaneous notoriety. Henry Miller’s Tropic of Cancer unfolded the adventures of a loquacious, free-wheeling, appallingly uninhibited American expatriate. But the rollicking eloquence, determined gusto, and explosive imagery of this modern Rabelais barely concealed the figure of a lonely American writer, thoroughly immersed in a legendary American situation.”—from the Introduction
Baxter examines Miller’s relationship with his native land and with Europe through his writings and in the comments of his critics and friends, navigating through the inconsistencies and the evolution of his opinions as his experiences changed. Her insights offer a complex, nuanced evaluation of Miller as writer and as expatriate.
That's Henry Miller's advice for young aspiring artists, as remembered by his very good friend Brassaï in this lively book. One of two that Brassaï wrote about the man who called himself a "happy rock," this volume covers their lives and friendship from the 1950s to 1973. Over the course of a number of warm, intimate conversations, Brassaï and Miller revisit their careers; discuss art, literature, Paris, Greece, Japan, World War II, and more; and consider the lives and works of many others in their circle, including Lawrence Durrell, Henri Matisse, Salvador Dalí, Georges Simenon, André Malraux, Hans Reichel, Paul Klee, and Amedeo Modigliani. Throughout Miller's zest for life shines through, as do his love of art and his passionate intensity for just about everything he does, from discussing a movie or play he'd just seen to reminiscing about a decades-long love.
Brassaï's Henry Miller, Happy Rock presents a vivid portrait of two close friends who thoroughly enjoy each other's company—and just happen to be world—famous artists too.
"[Tanner] ranks not only as the first truly distinguished Negro American artist but as one of America's first outstanding successes in the salons of Europe. In this work [Mathews] has significantly added to our knowledge of the history of American art."—John Hope Franklin, from the Foreword
"The book gives the main facts of Tanner's life and successfully places his artistic work in its historic context....It is a welcome and useful volume."—August Meier, Journal of American History
Shakespeare’s Henry V is a play about nationalism, war, and how we remember history. Known for its rousing speeches and miraculous outcomes, the play has long had a life beyond the stage and page, its themes and rhetoric common points of reference in politics. In this modern translation of Henry V, Lloyd Suh has created a new interpretation that is distinctly his own while protecting the mystery of Shakespeare’s drama. Suh’s translation focuses on the actors and the staging, channeling the theatrical nature of Shakespeare’s play for a new audience.
This translation of Henry V was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the Bard’s work in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
Belgian artist, architect, designer, and theorist Henry van de Velde (1863–1957) was a highly original and influential figure in Europe beginning in the 1890s. A founding member of the Art Nouveau and Jugendstil movements, he also directed the Grand-Ducal Saxon School of Arts and Crafts in Weimar, Germany, which eventually became the Bauhaus under Walter Gropius.
This selection of twenty-six essays, translated from French and German, includes van de Velde’s writings on William Morris and the English Arts and Crafts movement, Neo-Impressionist painting, and relationships between ornament, line, and abstraction in German aesthetics. The texts trace the evolution of van de Velde’s thoughts during his most productive period as a theorist in the artistic debates in France, Germany, Belgium, and the Netherlands. Katherine M. Kuenzli expertly guides readers to see how van de Velde’s writings reconcile themes of aesthetics and function, and expression and reason, throughout the artistic periods and regions represented by these texts. With introductory discussions of each essay and full annotations, this is an essential volume for a broad range of scholars and students of the history of fine and applied arts and ideas.
In his three Henry VI plays, Shakespeare tackles the infamous Wars of the Roses and the fall of the House of Lancaster. In this translation of Henry VI, Part 1, Douglas Langworthy explores the initial unrest as a young Henry VI becomes king. Langworthy’s translation takes a deep dive into the language of Shakespeare. With a fine-tooth comb, he updates passages that are archaic and difficult to the modern ear and matches them with the syntax and lyricism of the rest of the play, essentially translating archaic Shakespeare to match contemporary Shakespeare.
This translation of Henry VI, Part 1 was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
In his three Henry VI plays, Shakespeare tackles the infamous Wars of the Roses and the fall of the House of Lancaster. In this translation of Henry VI, Part 2, Douglas Langworthy follows the increasing tensions as the Duke of York foments rebellion against the crown. Langworthy’s translation takes a deep dive into the language of Shakespeare. With a fine-tooth comb, he updates passages that are archaic and difficult to the modern ear, and matches them with the syntax and lyricism of the rest of the play, essentially translating archaic Shakespeare to match contemporary Shakespeare.
This translation of Henry VI, Part 2 was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
In his three Henry VI plays, Shakespeare tackles the infamous Wars of the Roses and the fall of the House of Lancaster. In this translation of Henry VI, Part 3, Douglas Langworthy concludes the trilogy, tracking the final downfall of Henry VI and the rise of the House of York. Langworthy’s translation takes a deep dive into the language of Shakespeare. With a fine-tooth comb, he updates passages that are archaic and difficult to the modern ear, and matches them with the syntax and lyricism of the rest of the play, essentially translating archaic Shakespeare to match contemporary Shakespeare.
This translation of Henry VI, Part 3 was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of "The Bard" in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
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