2020 Philip S. Klein Book Prize Winner, Pennsylvania Historical Association

Known as America’s most historic neighborhood, the Germantown section of Philadelphia (established in 1683) has distinguished itself by using public history initiatives to forge community. Progressive programs about ethnic history, postwar urban planning, and civil rights have helped make historic preservation and public history meaningful. The Battles of Germantown considers what these efforts can tell us about public history’s practice and purpose in the United States.  

Author David Young, a neighborhood resident who worked at Germantown historic sites for decades, uses his practitioner’s perspective to give examples of what he calls “effective public history.” The Battles of Germantown shows how the region celebrated “Negro Achievement Week” in 1928 and, for example, how social history research proved that the neighborhood’s Johnson House was a station on the Underground Railroad. These encounters have useful implications for addressing questions of race, history, and memory, as well as issues of urban planning and economic revitalization. 

Germantown’s historic sites use public history and provide leadership to motivate residents in an area challenged by job loss, population change, and institutional inertia. The Battles of Germantown illustrates how understanding and engaging with the past can benefit communities today.

Battling for Hearts and Minds is the story of the dramatic struggle to define collective memory in Chile during the violent, repressive dictatorship of General Augusto Pinochet, from the 1973 military coup in which he seized power through his defeat in a 1988 plebiscite. Steve J. Stern provides a riveting narration of Chile’s political history during this period. At the same time, he analyzes Chileans’ conflicting interpretations of events as they unfolded. Drawing on testimonios, archives, Truth Commission documents, radio addresses, memoirs, and written and oral histories, Stern identifies four distinct perspectives on life and events under the dictatorship. He describes how some Chileans viewed the regime as salvation from ruin by Leftists (the narrative favored by Pinochet’s junta), some as a wound repeatedly reopened by the state, others as an experience of persecution and awakening, and still others as a closed book, a past to be buried and forgotten.

In the 1970s, Chilean dissidents were lonely “voices in the wilderness” insisting that state terror and its victims be recognized and remembered. By the 1980s, the dissent had spread, catalyzing a mass movement of individuals who revived public dialogue by taking to the streets, creating alternative media, and demanding democracy and human rights. Despite long odds and discouraging defeats, people of conscience—victims of the dictatorship, priests, youth, women, workers, and others—overcame fear and succeeded in creating truthful public memories of state atrocities. Recounting both their efforts and those of the regime’s supporters to win the battle for Chileans’ hearts and minds, Stern shows how profoundly the struggle to create memories, to tell history, matters.

Battling for Hearts and Minds is the second volume in the trilogy The Memory Box of Pinochet’s Chile. The third book will examine Chileans’ efforts to achieve democracy while reckoning with Pinochet’s legacy.

Battling Siki (1887–1925) was once one of the four or five most recognizable black men in the world, and was written about in detail by such figures as Ring Lardner and his son John, Damon Runyon, and Westbrook Pegler. One can find his legacy in the name of a popular rock group, one of Che Guevara’s lieutenants, a character on Xena, Warrior Princess, and the Battling Siki Hotel in the fighter’s homeland, Senegal. Peter Benson’s biography of the first African to win a world championshipin boxing delves into the complex world of sports, race, colonialism, and the cult of personality in the early twentieth century. Born Amadu Fall, Siki was taken from Senegal to France by an actress and assumed the name Louis M’barick Fall. After an inauspicious beginning as a boxer, he served in World War I with distinction then returned to boxing and compiled a most impressive record (forty-three wins in forty-six bouts). Then, on September 24, 1922, at Paris’s Buffalo Velodrome, before forty thousand stunned spectators (including a young Ernest Hemingway, who wrote about the fight), Battling Siki, employing his trademark “windmill” punch, fought and defeated the reigning world and European light heavyweight champion, Georges Carpentier. The colorful Siki spent a fortune partying and carousing, was arrested for firing a pistol in the air, and was frequently seen on the streets of Paris, dressed in flashy clothes, walking his pet lion cubs on a leash. But he also provoked a scandal by exposing the corruption of the fight game in France, spoke out boldly against racisim, and was arrected for deliberately defying the code of racial segregation in the American South. Siki’s flamboyant image was largely created by newsmen. In fact, the real Siki, while he did certainly like to party, was also an intelligent and socially conscious person, who detested the media’s image of him as a simple-minded drunken savage. Offers rushed in for him to fight in the United States, maybe even against Jack Dempsey. But in a move many have called one of the strangest a fighter ever made, he fought Irishman Mike McTigue in Dublin on St. Patrick’s Day—and lost. After losing his European title he came to the United States and fought without much success. He continued to drink and get into street brawls. On the evening of December 15, 1925, at the age of twenty-eight, he was shot and killed in Hell’s Kitchen in what some claimed was a gangland execution. Peter Benson’s biography beautifully captures Battling Siki’s amazing boxing career and sheds new light on the scandal surrounding his marriages and public behavior, his alleged participation in ring fixes, and the mystery surrounding his death.

Carl von Clausewitz (1780–1831), the Prussian military theoretician who wrote On War, is known above all for his famous dictum: “War is the continuation of politics by other means.” In René Girard’s view, however, the strategist’s treatise offers up a more disturbing truth to the reader willing to extrapolate from its most daring observations: with modern warfare comes the insanity of tit-for-tat escalation, which political institutions have lost their ability to contain. Having witnessed the Napoleonic Wars firsthand, Girard argues, Clausewitz intuited that unbridled “reciprocal action” could eventually lead foes to total mutual annihilation. Haunted by the Franco-German conflict that was to ravage Europe, in Girard’s account Clausewitz is a prescient witness to the terrifying acceleration of history. Battling to the End issues a warning about the apocalyptic threats hanging over our planet and delivers an authoritative lesson on the mimetic laws of violence.
 

Bawaajimo: A Dialect of Dreams in Anishinaabe Language and Literature combines literary criticism, sociolinguistics, native studies, and poetics to introduce an Anishinaabe way of reading. Although nationally specific, the book speaks to a broad audience by demonstrating an indigenous literary methodology. Investigating the language itself, its place of origin, its sound and structure, and its current usage provides new critical connections between North American fiction, Native American literatures, and Anishinaabe narrative. The four Anishinaabe authors discussed in the book, Louise Erdrich, Jim Northrup, Basil Johnston, and Gerald Vizenor, share an ethnic heritage but are connected more clearly by a culture of tales, songs, and beliefs. Each of them has heard, studied, and written in Anishinaabemowin, making their heritage language a part of the backdrop and sometimes the medium, of their work. All of them reference the power and influence of the Great Lakes region and the Anishinaabeakiing, and they connect the landscape to the original language. As they reconstruct and deconstruct the aadizookaan, the traditional tales of Nanabozho and other mythic figures, they grapple with the legacy of cultural genocide and write toward a future that places ancient beliefs in the center of the cultural horizon.

A charming, humorous, and colorful coming-of-age memoir

Bay Boy is a collection of essays by award-winning young adult author Watt Key, chronicling his boyhood in Point Clear, Alabama. During his childhood, Point Clear was not the tony enclave of today with  its spas, art galleries, and multimillion dollar waterfront properties.  Rather, it was a sleepy resort community, practically deserted in the winter, with a considerable population of working-class residents.
As Key notes in his introduction, “Life in Point Clear is really about being  outside. . . . I have never found a place so perfectly suited to exercise  a young boy’s imagination.” Key and his brother filled their days  collecting driftwood to make forts, scooting around the bay in a sturdy  Stauter boat, and making art and writing stories when it rained.

In a tone that is simple and direct, punctuated by truly hilarious  moments. Key writes about Gulf Coast traditions including Mardi Gras, shrimping, fishing, dove hunting, jubilees, camping out, and bracing for hurricanes. These stories are full of colorful characters— Nasty Bill Dickson, a curmudgeonly tow-truck driver; I’llNeeda, a middle-aged homeless woman encamped in a shack across the road; and the Ghost of Zundel’s Wharf, “the restless soul of a long-dead construction worker.” The stories are illustrated by charming and evocative artwork by the author’s brother Murray Key.

The Bay Psalm Book was the first book to be printed in North America, twenty years after the arrival of the Pilgrims in Massachusetts. Today, only eleven copies are still in existence and fetch as much as fourteen million dollars at auction, making it also the most expensive book in the world.
           
Originally published in 1640 as The Whole Booke of Psalmes Faithfully Translated into English Metre, the unassuming psalter undertook the translation of Hebrew psalms into English verse for a growing population of New England Puritans unhappy with contemporary translations and in need of a version that would better represent their beliefs. The book became popularly known as The Bay Psalm Book, named after the Massachusetts Bay Colony in which its translators—among them the ministers John Cotton and Richard Mather—lived.
           
This beautiful facsimile edition of The Bay Psalm Book reproduces one of the best remaining copies of the psalter, including the translators’ preface and the original printer’s errors and binding marks. An introduction by Diarmaid MacCulloch details the book’s place in American religious and cultural history and explains how the psalter came to have such a profound effect on the course of the Protestant faith in America.

First published in 1966, Bayou Salado is an engaging look at the history of a high cool valley in the Rocky Mountains. Now known as South Park, Bayou Salado once attracted Ute and Arapaho hunters as well as European and American explorers and trappers. Virginia McConnell Simmons's colorful accounts of some of the valley's more notable residents - such as Father Dyer, the skiing Methodist minister-mailman, and Silver Heels, the dancer who lost her legendary beauty while tending to the ill during a small pox epidemic - bring the valley's storied past to life.

On January 1, 1928, Bazhanov escaped from the Soviet Union and became for many years the most important member of a new breed—the Soviet defector. At the age of 28, he had become an invaluable aid to Stalin and the Politburo, and had he stayed in Stalin’s service, Bazhanov might well have enjoyed the same meteoric careers as the man who replaced him when he left, Georgy Malenkov. However, Bazhanov came to despise the unethical and brutal regime he served. One he decided to become anti–communist, he sought to bring down the regime. Planning his departure carefully, he brought with him documentation which revealed some of the innermost secrets of the Kremlin. Despite being pursued by the OGPU (an earlier incarnation of the KGB), he arrived eventually in Paris, and Bazhanov set to work writing his message to the West. While Bazhanov did successfully escape to the West, Stalin had Bazhanov watched and several attempts were made to assassinate him. Bazhanov may have been fearful for his life much of the time, but he was a man of courage and conviction, and he damned Stalin as often and as publicly as he could. In this riveting and illuminating book, Bazhanov provides an eyewitness account of the inner workings and personalities of the Soviet Central Committee and the Politburo in the 1920s. Bazhanov clearly details how Stalin invaded the communications of his opponents, rigged votes, built up his own constituency, and maneuvered to achieve his coup d’etat despite formidable odds. he also provides a better understanding of the curiously vapid way in which he other revolutionary leaders, most notably Trotsky, failed to appreciate the threat and let Stalin override them. He reveals how those Soviets with a sense of fairness, justice, and ethics were extinguished by Stalin and his minions, and how the self–centered, protective bureaucratic machine was first built. Bazhanov’s view, at the right hand of Stalin, is unique and chilling. Bazhanov’s post–defection prediction of Stalin’s continuing and fatal danger to Trotsky shows how well Bazhanov understood the dictator. His formation, in 1940, of an armed force recruited from Soviet Army prisoners to help Mannerheim defend Finland from Stalin’s forces and his 1941 decision to decline the position of Hitler’s Gauleiter of German–occupied Russia are fascinating. But perhaps the most interesting facet to Bazhanov’s tale is the fact that almost no Soviets—even today—know the real story of the Communist party’s criminal acquiescence in Stalin’s rise to, and abuse of, power.

Spanning three decades and a host of subjects, E. M. Forster’s radio broadcasts for the BBC were a major contribution to British cultural history, yet today they are rarely acknowledged by scholars of his life and work. But in their day they reached a larger audience than his fiction and established him as a household figure not only in Britain but also in the farthest reaches of its Empire.

As a frequent contributor to the BBC, Forster generally adhered to literary topics but did not shy away from social commentary. This book offers a new appreciation of his vitality and public importance through seventy annotated broadcasts that present him not only as a literary critic but also as a political activist, an advocate for India, and a wary yet cooperative ally of a colonialist government during World War II.

Gathering material either not in print or, if recast as essays, widely scattered, The BBC Talks of E. M. Forster reveals aspects of Forster’s intellect that have been given short shrift in previous studies. Nearly half the scripts date from 1941 to 1945 and provide an eyewitness account of war from a distinguished perspective. Forster comments on how the arts gallantly survived the blitz—even taking his listeners to the theater as bombing threats loom—and in other cases protests government interference in private life or the limits on free expression caused by the wartime paper shortage.

In these scripts, Forster casts a cosmopolitan eye on contemporary literature from James Joyce to John Steinbeck and provides early exposure for young writers and composers. He also enlarges the scope of European art by pairing Jane Austen or C. S. Lewis with Indian writers and offers pointed comments on contemporary literati such as Aldous Huxley and T. S. Eliot. Annotations to each piece identify Forster’s references and trace his revisions from script to broadcast, while the book’s introduction places his emergence as a distinctive radio voice within the historical, creative, and institutional contexts of broadcasting in his day.

This significant body of writing, too long overlooked, traces Forster’s evolution from novelist to adroit cultural critic and shows how a man who was never comfortable with machines played an important role in shaping a new medium. The BBC Talks of E. M. Forster situates Forster as one of the most poignant voices of the twentieth century as it offers new insight into a nation transfigured by war.

The Jersey Shore attracts millions of visitors each year, drawn to its sandy beaches. Yet New Jersey’s coastline contains a richer array of biodiverse habitats than most tourists realize, from seagrass meadows to salt marshes to cranberry bogs. 
 
Beaches, Bays, and Barrens introduces readers to the natural wonders of the Jersey Shore, revealing its unique ecology and fascinating history. The journey begins with the contributions and discoveries of early naturalists who visited the region and an overview of endangered species and natural history, followed by chapters that explore different facets of the shore’s environments. These start with sandy beaches and dunes and culminate in the engaging Pine Barrens, the vital watershed for much of the state’s varied coastline. Along the way, readers will also learn about whaling, decoy carvers, an extinct duck, and the cultivation of wild blueberries.
Including over seventy color photographs, the book also features twenty-three infoboxes that go deep into areas of ecological or historical interest, such as the Forsythe National Wildlife Refuge or the Jaws-like shark attacks of 1916. From Cape May to Sandy Hook, biologist Eric G. Bolen takes you on a guided tour of the Jersey Shore’s rich ecological heritage.  
 

How Arab states use tourism for their own ends

Despite being viewed as a dangerous region to visit, leisure travel across the Middle East has thrived even in the post–9/11 era. In Beaches, Ruins, Resorts, Waleed Hazbun investigates this overlooked industry to show how tourism is shaping the economic development and international relations of the region in dramatic ways.

Following Europeans seeking Mediterranean beaches, Israelis crossing into Jordan as leisure tourists, and visitors discovering Dubai, Hazbun offers an original perspective on the Middle East and North Africa and challenges common portrayals of Arab nations as disconnected from the rest of the world. Rather, Hazbun reveals how government elites are using tourism to take part in globalization while, at the same time, crafting it to serve state interests. Paradoxically, the expansion of travel in the region has allowed states to encourage integration into the global economy while simultaneously expanding control over their society. Beaches, Ruins, Resorts also explores tourism’s broader beneficial effects on the region, such as aiding the peace process between Israel and Jordan, fostering Tunisia’s economic connection with Europe, and transforming Arab cities into hubs of international travel.Hazbun tells the new and surprising story of how the draw of glittering beaches, luxury hotels and resorts, and sightseeing at ancient ruins impacts the Arab world—promoting both economic globalization and political authoritarianism. In doing so, Beaches, Ruins, Resorts provides a much-needed guide for those interested in the changing nature of this fraught region and its place in the world.

This unique book combines two catalogs in one. Bead International 2008 & Beyond Basketry represents the best of two juried exhibitions held at the Dairy Barn Arts Center in Athens, Ohio.

Beads have long been worn as jewelry, but in Bead International 2008 contemporary bead artists are shaking things up. From fine jewelry to loom weaving to sculpture, the sixty-eight pieces by fifty-one artists in this collection represent some of the most innovative and well-executed art in the modern beading world. Considering any pierced object to be a bead, pieces range in style from the traditional to the whimsical as they incorporate a variety of colors and materials. This vibrant collection will spark the reader’s creativity and broaden his or her perspective.

When the age-old art form of basketry is combined with contemporary visions and techniques, the result is the striking Beyond Basketry, a collection of sixty-five artworks created by forty-two artists from across the United States. The artworks represented in these beautiful color photographs will challenge the reader’s ideas of what constitutes a basket. All artworks are vessels made of woven materials, but the pieces explore a variety of sizes, colors, shapes, and techniques

Helen of Troy and Aphrodite: two classical paragons of beauty and love. These two figures have served as the inspiration for innumerable works of art in the Western cannon. In the twenty-first century, however, what do their stories provide but a reminder of the predictable roles which sexism has assigned women throughout history and literature?
            In this fresh new take on the two women’s stories, Jennifer Pullen takes us away from the familiar and deeper into their experiences. Rewriting Homer, Pullen revitalizes these two figures for the contemporary era. In A Bead of Amber on Her Tongue, Aphrodite maintains autonomy through her experience of her own body, even when forced into marriage. Helen of Troy, meanwhile, harbors a love for her maid, Esme, that no conquering hero can vanquish. Revisiting these classic stories with an inventive twist, Pullen shows that, with a little imagination, the classics may yet bear new insights.

Bealport, Maine is one of the forgotten towns of America, a place that all too often seems to have its best days behind it. And perhaps nothing symbolizes that more than the old shoe factory—“NORUMBEGA Makers of Fine Footwear Since 1903”—that has been perpetually on the brink of failure, and is now up for sale. But maybe there’s hope? A private equity savant with a fondness for the factory’s shoes buys it—and thus sets in motion a story with profound implications for the town, and for the larger question of how we live today. The factory is a hobby for him, but it represents infinitely more for the residents of Bealport: not only their livelihoods but their self-respect, their connectedness, their sense of self-sufficiency are all bound up in it. Can this high-flying outsider understand that? How will he negotiate the complicated long-term relationships that define the town and its families?

In Bealport, Jeffrey Lewis takes us inside the town, revealing its secrets, acknowledging its problems, and honoring its ambitions. Brilliantly deploying a large cast from all walks of life, this novel reveals small town America in the early twenty-first century through the interwoven secrets and desires of its residents, and through them delivers a striking portrait of America at a moment of national uncertainty.

Bealport, called “a hugely satisfying read” by the Evening Standard and “deeply appealing” by the Times Literary Supplement, is now available in paperback.
 

The angry grizzly and the cuddly teddy: few animals possess such a range of personas as the bear. Here, Robert Bieder surveys the wealth of imagery, myths, and stories that surrounds the bear. Beginning with the dawn bear, the small dog-sized ancestor of all bears who hails from 25 million years ago, Bieder embarks on a fascinating exploration of the evolutionary history of the bear family, from extinct species such as the cave bear and giant short-faced bear to the mere eight species that survive today.


Bear draws on cultural material from around the world to examine the various legends and myths surrounding the bear, including ceremonies and taboos that govern the hunting, killing, and eating of bears. The book also looks at the role of bears in modern culture as the subjects of stories, songs, and films; as exhibited objects in circuses and zoos; and, perhaps most famously, as toys. Bieder also considers the precarious future of the bear as it is threatened by loss of habitat, poaching, global warming, and disease and discusses the impact of human behavior on bears and their environments.

Accompanied by numerous vibrant photographs and illustrations, and written in an engaging fashion, Bear is an appealing and informative volume for anyone who has curled up with Winnie-the-Pooh or marveled at this powerful king of the forest.

Bear, Diamonds and Crane depicts the sansei, the grandchildren of Japanese immigrants to America in villanelles, haiku, and lyric poems collaged from family letters. Kageyama-Ramakrishnan recounts her relatives’ internment in Manzanar, the California concentration camp where Japanese Americans were imprisoned during World War II. Honoring Sadako Sasaki, who, “after Hiroshima and Nagasaki, / […] folded / a thousand cranes/ for world peace,” Bear, Diamonds and Crane looks to the yonsei (fourth generation) to transform “the wound” that “resists erasure and cultural amnesia”: “For you, I will keep the ripe weight,/ […]/ The limes and climbing wisteria vines.”

Craig Denton notes, “Water will be the primary political, social, and economic issue in the Intermountain West in the twenty-first century.” Urban Utah thirsts for the Great Salt Lake  principal source, the Bear River. Plans abound to divert it for a rapidly growing Wasatch Front, as the last good option for future water. But is it? Who now uses the river and how? Who are its stakeholders? What does the Bear mean to them? What is left for further use? How do we measure the Bear's own interest, give it a voice in decisions?

Craig Denton's documentary takes on these questions. He tells the story of the river and the people, of many sorts, with diverse purposes, who live and depend on it. Bear River begins in alpine snowfields, lakes, and creeks in the Uinta Mountains, flows north through Wyoming, loops south in Idaho, and enters the inland sea by way of the an environmentally critical bird refuge. Along the way it has many uses: habitat, farms, electricity, recreation, lawns and homes. Denton researches the natural and human history of the river, photographed it, interviewed many stakeholders, and tried to capture the river  perspective. His photographs, printed as crisp duotones, carry us downstream, ultimately to big questions, begging to be answered soon, about what we should and can make of the Bear River. Denton writes,

Gravity my engine,
Water my soul.
I am the teller of life and deep time.

You would measure me.
Sever me.
Own me.
In your name.

Let me flow
In your imagination
That I may speak.

Award-winning author Katherine Ayres charts a lyrical, thoughtful path through the lives of bears she encounters in the forests of Western Massachusetts. Using her natural curiosity and wit, Ayres explores how people and bears coexist, and what happens when things go wrong. This page-turner will delight any reader with an interest in the natural world, and also anyone who is awed by the power and majesty of the black bear.

A study of beard motifs in medieval German poetry.
 
Beards make frequent appearances in medieval German poetry—as esteemed markers of majestic wisdom or as hilarious props for undignified manhandling. In Beards and Texts, Sebastian Coxon traces this preeminent symbol of masculinity through four major poetic traditions across the twelfth and sixteenth centuries—Pfaffe Konrad’s Rolandslied, Wolfram von Eschenbach’s Willehalm, ‘Sangspruchdichtung’, and Heinrich Wittenwiler’s Ring. By attending to this hairy trope, Beards and Texts sheds new light on the construction of both poetic form and masculinity in the Middle Ages.
 

Bearing the Torch stands as a comprehensive history of the University of Tennessee, replete with anecdotes and vignettes of interest to anyone interested in UT, from the administrators and chancellors to students and alums, and even to the Vols fans whose familiarity with the school comes mainly from the sports page. It is also a biography of a school whose history reflects that of its state and its nation. The institution that began as Blount College in 1794 in a frontier village called Knoxville exemplifies the relationship between education and American history.

This is the first scholarly history of UT since 1984. T. R. C. Hutton not only provides a much-needed update, but also seeks to present a social history of the university, fully integrating historical context and showing how the volume’s central “character”—the university itself—reflects historical themes and concerns. For example, Hutton shows how the school’s development was hampered in the early nineteenth century by stingy state funding (a theme that also appears in subsequent decades) and Jacksonian fears that publicly funded higher education equaled elite privilege. The institution nearly disappeared as the Civil War raged in a divided region, but then it flourished thanks to policies that never could have happened without the war. In the twentieth century, students embraced dramatic social changes as the university wrestled with race, gender, and other important issues. In the Cold War era, UT became a successful research institution and entered into a deep partnership with Oak Ridge National Laboratories that persists to this day. All the while UT athletics experienced the highs of national championships and the lows of lawsuits and losing seasons. UT is a university with a universe of historical experiences.

The University of Tennessee’s story has always been defined by inclusion and exclusion, and the school has triumphed when it practiced the former and failed when it took part in the latter. Bearing the Torch traces that ongoing process, richly detailing the University’s contributions to what one president, Joseph Estabrook, called the “diffusion of knowledge among the people.”

The first edition of Bearing Witness brought together for the first time 176 slave narratives from the state of Arkansas. Now, this new edition adds ten previously undiscovered accounts. No one knew the truths of slavery better than the slaves themselves, but no one consulted them until the 1930s. Then, recognizing that this generation of unique witnesses would soon be lost to history, the Works Progress Administration's Federal Writers' Project acted to interview as many former slaves as possible. In a continuation of the project's interest in the life histories of ordinary people, writers interviewed over two thousand former slaves, more than a third of them in Arkansas. These oral histories were first published in the 1970s in a thirty-nine-volume series organized by state, and they transformed America's understanding of slavery. They have offered crucial evidence on a variety of other topics as well: the Civil War, Reconstruction, agricultural practices, everyday life, and oral history itself. But some former Arkansas slaves were interviewed in Texas, Oklahoma, and other states, so their narratives were published in those other collections. And more than half of the testimonies in the Arkansas volume were interviews with people who had moved to Arkansas after freedom. Folklorist George Lankford combed all of the state collections for the testimonies properly belonging to Arkansas and deleted from this state's collection the testimony of later migrants

Judge Benjamin Barr Lindsey’s exposé of big business’s influence on Colorado and Denver politics, a best seller when it was originally published in 1911, is now back in print. The Beast reveals the plight of working-class Denver citizens—in particular those Denver youths who ended up in Lindsey’s court day after day. These encounters led him to create the juvenile court, one of the first courts in the country set up to deal specifically with young delinquents. In addition, Lindsey exposes the darker side of many well-known figures in Colorado history, including Mayor Robert W. Speer, Governor Henry Augustus Buchtel, Will Evans, and many others. When first published, The Beast was considered every bit the equal Upton Sinclair’s The Jungle and sold over 500,000 copies. More than just a fascinating slice of Denver history, this book—and Lindsey’s court— offered widespread social change in the United States.

Winner of the Global Humanities Translation Prize

A classic of modern Provençal literature, Jóusè d’Arbaud’s 1926 masterpiece “The Beast of Vacarés” (also known as “The Beast of Vaccarès”) is a haunting parable. Set during the fifteenth century, the tale is narrated by a solitary bull herder—known as a gardian—who stumbles upon a starving creature that is half man, half goat. Terrified, the gardian is nonetheless drawn to the eloquent Beast, a dying demigod who laments the loss of his glorious past even as he wields power over the animals around him. Torn between pity and fear, unable to understand his experiences and afraid he will be condemned for heresy, the gardian records his encounters in a journal, hoping that one day readers will make sense of what he cannot.

Set in the vast, lonely landscape of the Camargue delta, where the Rhône meets the Mediterranean, The Beast seamlessly melds fantasy with naturalistic detail about the region’s flora and fauna. Three additional stories—“The Caraco,” “Pèire Guilhem’s Remorse,” and “The Longline”—explore the lives of twentieth-century gardians in the region. Each man succumbs to fears and social pressure, tragically losing what he most loves.

Following on from The Beast and the Sovereign, Volume I, this book extends Jacques Derrida’s exploration of the connections between animality and sovereignty.  In this second year of the seminar, originally presented in 2002–2003 as the last course he would give before his death, Derrida focuses on two markedly different texts: Heidegger’s 1929–1930 course The Fundamental Concepts of Metaphysics, and Daniel Defoe’s Robinson Crusoe. As he moves back and forth between the two works, Derrida pursuesthe relations between solitude, insularity, world, violence, boredom and death as they supposedly affect humans and animals in different ways.

 

Hitherto unnoticed or underappreciated aspects of Robinson Crusoe are brought out in strikingly original readings of questions such as Crusoe’s belief in ghosts, his learning to pray, his parrot Poll, and his reinvention of the wheel. Crusoe’s terror of being buried alive or swallowed alive by beasts or cannibals gives rise to a rich and provocative reflection on death, burial, and cremation, in part provoked by a meditation on the death of Derrida’s friend Maurice Blanchot.  Throughout, these readings are juxtaposed with interpretations of Heidegger's concepts of world and finitude to produce a distinctively Derridean account that will continue to surprise his readers.

 

Talking lions, philosophical bears, very hungry caterpillars, wise spiders, altruistic trees, companionable moles, urbane elephants: this is the magnificent menagerie that delights our children at bedtime. Within the entertaining pages of many children’s books, however, also lie profound teachings about the natural world that can help children develop an educated and engaged appreciation of the dynamic environment they inhabit.
 
In Beasts at Bedtime, scientist (and father) Liam Heneghan examines the environmental underpinnings of children’s stories. From Beatrix Potter to Harry Potter, Heneghan unearths the universal insights into our inextricable relationship with nature that underlie so many classic children’s stories. Some of the largest environmental challenges in coming years—from climate instability, the extinction crisis, freshwater depletion, and deforestation—are likely to become even more severe as this generation of children grows up. Though today’s young readers will bear the brunt of these environmental calamities, they will also be able to contribute to environmental solutions if prepared properly. And all it takes is an attentive eye: Heneghan shows how the nature curriculum is already embedded in bedtime stories, from the earliest board books like The Rainbow Fish to contemporary young adult classics like The Hunger Games.
 
Beasts at Bedtime is an awakening to the vital environmental education children’s stories can provide—from the misadventures of The Runaway Bunny to more overt tales like The Lorax. Heneghan serves as our guide, drawing richly upon his own adolescent and parental experiences, as well as his travels in landscapes both experienced and imagined. Organized into thematic sections, the work winds its way through literary forests, colorful characters, and global environments.
 
This book enthralls as it engages. Heneghan as a guide is as charming as he is insightful, showing how kids (and adults) can start to experience the natural world in incredible ways from the comfort of their own rooms. Beasts at Bedtime will help parents, teachers, and guardians extend those cozy times curled up together with a good book into a lifetime of caring for our planet. 
 

In this collection of essays, talks, and reviews, Major Jackson revels in the work of poetry not only to limn and assess the intellectual and spiritual dimensions of poets, but to amplify the controversies and inner conflicts that define our age: political unrest, climate crises, the fallout from bewildering traumas, and the social function of the art of poetry itself. Accessible and critically minded, Jackson returns to the poem as an unparalleled source of linguistic pleasure that structures a multilayered “lyric self.” In his interviews, Jackson illustrates poetry’s distinct ability to mediate the inexplicable while foregrounding the possibilities of human song. 

Collected over several decades, these essays find Jackson praising mythmaking in Frank Bidart and Ai’s poetry, expressing bafflement at the silence of white-identified poets in the cause of social and racial justice, unearthing the politics behind Gwendolyn Brooks’s Pulitzer Prize, and marveling at the “hallucinatory speed of thought” in a diverse range of poets including Mei-mei Berssenbrugge, Brenda Hillman, Afaa Michael Weaver, Forrest Gander, and Terrance Hayes. This collection passionately surveys the radical shifts of the art and notes poetry as a necessity for a modern sensibility.

Babatunde Olatunji's record album Drums of Passion proclaimed that the time had come for America to recognize Africa's cultural contributions to the music world. Through his many albums and live performances, the Nigerian drummer popularized West African traditional music and spread his message of racial harmony. In this long-awaited autobiography, Olatunji presents his life story and the philosophy that guided him. Olatunji influenced and inspired musicians for more than forty years—from luminaries to music students and the many ordinary people who participated in his drum circles. He writes about rhythm being "the soul of life," and about the healing power of the drum. Ultimately, The Beat of My Drum shows why at the time of his death in 2003, Olatunji had become, according to The New York Times, "the most visible African musician in the United States."

Inglis tells the story of the Beatles in Hamburg, Germany, where their agent, Allan Williams, first sent them in August of 1960. In addition to showing how Hamburg itself played a role in the Beatles’ remarkable story, Inglis details the difficulties they faced— unusual performance venues, age restrictions, and deportations—and the experiences and personalities that shaped them as performers and composers. Ultimately, Inglis explains, the Beatles not only became proficient musicians in Hamburg, but while there they began to build the reputation that would eventually make them the most popular band in the world.

 

An illuminating look at the group’s formative years, The Beatles in Hamburg is the perfect book for any one in thrall of Beatlemania or fan of popular music history.

Beatrice of Bayou Têche is a work of great historical and artistic interest: a late-nineteenth-century novel by a white woman about a black woman artist-protagonist. As the introduction for this reprint edition shows, Alice Ilgenfritz Jones was the first white woman to take an extended interest in the intersection of creativity, race, and gender. In Beatrice, Jones seeks to unveil the relationships between white and African Americans during the twenty years before the Civil War by following her mixed-race protagonist from her childhood as a slave in New Orleans through her career as a free woman and inspired painter and opera singer. Beatrice renders the white author’s effort to find a place for the mixed-race woman in relation to paradigms of creativity that are not only gendered but racialized. In the process, it exposes the fault lines of ideology and literary convention that underlie attempts to negotiate issues of race, gender, and creativity in late nineteenth-century America.

Mexico features prominently in the literature and personal legends of the Beat writers, from its depiction as an extension of the American frontier in Jack Kerouac’s On the Road to its role as a refuge for writers with criminal pasts like William S. Burroughs. Yet the story of Beat literature and Mexico takes us beyond the movement’s superstars to consider the important roles played by lesser-known female Beat writers. 
 
The first book-length study of why the Beats were so fascinated by Mexico and how they represented its culture in their work, this volume examines such canonical figures as Kerouac, Burroughs, Ginsberg, Lamantia, McClure, and Ferlinghetti. It also devotes individual chapters to women such as Margaret Randall, Bonnie Bremser, and Joanne Kyger, who each made Mexico a central setting of their work and interrogated the misogyny they encountered in both American and Mexican culture. 
 
The Beats in Mexico not only considers individual Beat writers, but also places them within a larger history of countercultural figures, from D.H. Lawrence to Antonin Artaud to Jim Morrison, who mythologized Mexico as the land of the Aztecs and Maya, where shamanism and psychotropic drugs could take you on a trip far beyond the limits of the American imagination.

Beauford Delaney and James Baldwin: Through the Unusual Door examines the thirty-eight-year relationship between painter Beauford Delaney (born in Knoxville, 1901; died in Paris, 1979) and writer James Baldwin (born in New York, 1924; died in Saint-Paul-de-Vence, France, 1987) and the ways their ongoing intellectual exchange shaped each other’s creative output and worldview. This full-color publication documents the groundbreaking exhibition organized by the Knoxville Museum of Art (KMA) and is drawn from the KMA’s extensive Delaney holdings, from public and private collections around the country, and from unpublished photographs and papers held by the Knoxville-based estate of Beauford Delaney. This book seeks to identify and disentangle the skein of influences that grew over and around a complex, lifelong relationship with a selection of Delaney’s works that reflects the powerful presence of Baldwin in Delaney’s life. While no other figure in Beauford Delaney’s extensive social orbit approaches James Baldwin in the extent and duration of influence, none of the major exhibitions of Delaney’s work has explored in any depth the creative exchange between the two.
            The volume also includes essays by Mary Campbell, whose research currently focuses on James Baldwin and Beauford Delaney within the context of the civil rights movement; Glenn Ligon, an internationally acclaimed New York-based artist with intimate knowledge of Baldwin’s writings, Delaney’s art, and American history and society; Levi Prombaum, a curatorial assistant at the Solomon R. Guggenheim Museum who did his doctoral research at University College London on Delaney’s portraits of James Baldwin; and Stephen Wicks, the Knoxville Museum of Art’s Barbara W. and Bernard E. Bernstein Curator, who has guided the KMA’s curatorial department for over 25 years and was instrumental in building the world’s largest and most comprehensive public collection of Beauford Delaney’s art at the KMA.
 

Elizabeth Lawrence (1904–85) is recognized as one of America’s most important gardeners and garden writers. In 1957, Lawrence began a weekly column for the Charlotte Observer, blending gardening lore and horticultural expertise gained from her own gardens in Raleigh and Charlotte, North Carolina, and from her many gardener friends. This book presents 132 of her beloved columns. Never before published in book form, they were chosen from the more than 700 pieces that she wrote for the Observer over fourteen years.

Lawrence exchanged plants and gardening tips with everyone from southern “farm ladies” trading bulbs in garden bulletins to prominent regional gardeners. She corresponded with nursery owners, everyday backyard gardeners, and literary luminaries such as Katharine White and Eudora Welty. Her books, including A Southern Garden, The Little Bulbs, and Gardens in Winter, inspired several generations of gardeners in the South and beyond.

The columns in this volume cover specific plants, such as sweet peas, hellebores, peonies, and the bamboo growing outside her living-room window, as well as broader topics including the usefulness of vines, the importance of daily pruning, and organic gardening. Like all of Lawrence’s writing, these columns are peppered with references to conversations with neighbors and quotations from poetry, mythology, and correspondence. They brim with knowledge gained from a lifetime of experimenting in her gardens, from her visits to other gardens, and from her extensive reading.

Lawrence once wrote, “Dirty fingernails are not the only requirement for growing plants. One must be as willing to study as to dig, for a knowledge of plants is acquired as much from books as from experience.” As inspiring today as when they first appeared in the Charlotte Observer, the columns collected in Beautiful at All Seasons showcase not only Lawrence’s vast knowledge but also her intimate, conversational writing style and her lifelong celebration of gardens and gardening.

Shame, Kathryn Bond Stockton argues in Beautiful Bottom, Beautiful Shame, has often been a meeting place for the signs “black” and “queer” and for black and queer people—overlapping groups who have been publicly marked as degraded and debased. But when and why have certain forms of shame been embraced by blacks and queers? How does debasement foster attractions? How is it used for aesthetic delight? What does it offer for projects of sorrow and ways of creative historical knowing? How and why is it central to camp?

Stockton engages the domains of African American studies, queer theory, psychoanalysis, film theory, photography, semiotics, and gender studies. She brings together thinkers rarely, if ever, read together in a single study—James Baldwin, Radclyffe Hall, Jean Genet, Toni Morrison, Robert Mapplethorpe, Eldridge Cleaver, Todd Haynes, Norman Mailer, Leslie Feinberg, David Fincher, and Quentin Tarantino—and reads them with and against major theorists, including Georges Bataille, Sigmund Freud, Eve Kosofsky Sedgwick, Jacques Lacan, Roland Barthes, and Leo Bersani. Stockton asserts that there is no clear, mirrored relation between the terms “black” and “queer”; rather, seemingly definitive associations attached to each are often taken up or crossed through by the other. Stockton explores dramatic switchpoints between these terms: the stigmatized “skin” of some queers’ clothes, the description of blacks as an “economic bottom,” the visual force of interracial homosexual rape, the complicated logic of so-called same-sex miscegenation, and the ways in which a famous depiction of slavery (namely, Morrison’s Beloved) seems bound up with depictions of AIDS. All of the thinkers Stockton considers scrutinize the social nature of shame as they examine the structures that make debasements possible, bearable, pleasurable, and creative, even in their darkness.