Cover
Title Page
Acknowledgements
Competing interests
Copyright
Contents
CHAPTER 1 Preface: Guy Debord, Donald Trump, and the Politics of the Spectacle
1. Donald Trump: Master of Media Spectacle
2. The Apprentice, Twitter and the Summer of Trump
3. The Spectacle of Election 2016
Notes
References
1. Context and Purpose
2. Genealogy of the Spectacle
3. Foundational Elements of the Debordian Spectacle
4. Beyond the Integrated Spectacle: From Integration to Subsuming Digitalization
5. The Emergence of the Spectacle 2.0
6. Book Structure and Content
Part I Conceptualizing The Spectacle.
CHAPTER 3 The Integrated Spectacle: Towards the Aesthetic Capitalism
2. Alien and Blade Runner: A New Social Model Emerges
3. The 1970s: From Conflicts to the Network
4. From Information to Sensation
5. Aesthetics and the Metropolis: The Case of Birmingham
CHAPTER 4 Guy Debord, a Critique of Modernism and Fordism: What Lessons for Today?
2. Debord’s Theories as Countercultural Productions
3. The Genesis of Debord’s Theories
4. The Society of the Spectacle, a Critique of High Modernism
5. High Modernism and High Fordism
6. What use is Debord in Understanding Digital Work and Labour in the Age of the Internet?
7. Conclusion
CHAPTER 5 The Spectacle of New Media: Addressing the Conceptual Nexus Between User Content and Valor
2. Some Preliminary Thoughts on Debord
3. The Debate Around Value Production in Social Media and its Implications
4. Notes Towards a Conclusion. Against Impotence: Promises and Limits
1. Digital Capitalism and Apocalypse
2. Spectacular Theory and the ‘Autonomous Image’
3. Pseudonature, or the Autonomous Image in Digital Capitalism
4. Malthus and the Cylon: AI, Obsolescence and Digital Capitalism
5. Cylon Troll in the Revolutionary Council
Part II: Phenomenology and Historicisation of the Spectacle: from Debord to the Spectacle 2.0.
CHAPTER 7 Rio de Janeiro: Spectacularization and Subjectivities in Globo’s city
2. From the New Museums to the New Cultural Urban Scenario
3. The Creative Territory: Real-estate Speculation and the Spectacle of ‘Free Labour’
4. Final Considerations
1. Introduction - The Spectacle of Data
2. The Double Role of Data Within the Spectacle
3. Drifting Towards Data
4. Drifting Through Data
CHAPTER 9 Branding, Selfbranding, Making: The Neototalitarian Relation Between Spectacle and Prosume
2. One Step Back: The Actuality of Debord’s Definitions of Spectacle, Consumption and Commodities
3. The Second Model Explaining the Cognitive Consumption: The Double Bind
4. The Third Model Explaining the Evolution of Cognitive Consumption: The Ritual of Confession
5. The Integration Between Bit and atoms: From the Automation of Everything to the Destiny of Makers
1. Premise: The Age of the Interactive Spectacle
2. Producing Counternarratives Today: A Theoretical Reading of Tin Hat Games
3. The Case Study
4. Collectively Constructing a Critical Product
5. Digitally Setting Up an Interactive Spectacle
6. Discussion and Conclusion
CHAPTER 11 ‘Freelancing’ as Spectacular Free Labour: A Case Study on Independent Digital Journalists
2. Several Notes on Contemporary Romanian Journalism
3. A New Space, in a ‘Post-Apocalyptic’ Landscape
4. Crowdfunding and Financing the Old ‘New’ Journalism
5. What Does Freelancing Stand For? A Debordian Interpretation of Free Labour in Journalism
6. Conclusions
Acknowledgement
CHAPTER 12 Immaterial Labour and Reality TV: The Affective Surplus of Excess
2. Neoliberalism, Reality Television and Labour
3. Spectacular Labour
4. Affect as Excess
5. Shame and Sign Value
6. Conclusion: Disciplining Bodies
1. Introduction
2. Spectacle, Strategy and Digital Capitalism
3. Gezi and Capul TV: Resistance and the Aesthetics of the Mediatized
4. ‘With Our Own Words, With Our Own Media’: Voluntary Labour and the Sustainability of the ‘Guerill
5. The ‘Hive’ Disrupts the Spectacle: Leadership, Strategy and Politics
Notes
References
About the Editors and Contributors
Index