Acknowledgements
Preface
Tammy Bedford
Introduction
Jeni Walwin
Keynote Essay: Don’t Look Now! Art after the Viewer and beyond Participation
Dave Beech
Part I: Participation: Open or Closed
Chapter 1: The Anatomy of a Participatory Project
Sally O’Reilly
Chapter 2: Interview with Artist Chris Evans
Will Bradley
Chapter 3: Case Study One: Adam Dant’s Operation Owl Club
Helen Sumpter
Chapter 4: Who Speaks? Who Listens? Het Resesrvaat and Critical Friends
Sophie Hope
Chapter 5: Tell Me Your Story: An Interview with Artist Harrell Fletcher
Marisa Sánchez
Part II: Sonic Openness
Chapter 6: Open Sounds: On the Track of the Dissolving Audience
David Briers
Chapter 7: Eagles are the Best: Juneau Projects in Conversation
Ben Sadler and Phil Duckworth
Chapter 8: Case Study Two: Melanie Pappenheim in Reading
Helen Sumpter
Part III: The Emancipation of the Spectator: The Viewer Completes the Circuit
Chapter 9: Headless in Hirschhorn’s Classroom
Jonathan Lahey Dronsfield
Chapter 10: LINKED
Graeme Miller
Chapter 11: London Fireworks: Polaria and Little Earth
Bruce Gilchrist and Jo Joelson
Part IV: The Art Object Reaches Out: Dissolves, Embraces
Chapter 12: A Fair Event: Considering an Action by Nina Beier
Vincent Honoré
Chapter 13: Case Study Three: Gillian Wearing – Family History
Helen Sumpter
Chapter 14: An Audience with…
Adam Sutherland
Chapter 15: Bata-ville:We Are Not Afraid of the Future
Nina Pope with contributions from Mike Ostler
Chapter 16: Co-productive Exhibition-making
Paul O’Neill
Contributors’ Biographies
Index
Credits