ABOUT THIS BOOK | AUTHOR BIOGRAPHY | REVIEWS | TOC | REQUEST ACCESSIBLE FILE
ABOUT THIS BOOK
Unravel the fascinating history of the turban, from its origins to its religious uses and its appearance in contemporary fashion and culture.
A turban is a strip of cloth folded and wrapped around the head; however, this description includes multifarious forms of the garment across space and time. This book follows the turban as it moves from the Arabian Peninsula through the Ottoman Empire to Europe and the Americas. It directs the reader’s gaze from traditional and religious uses of the turban into the realms of international trade, Renaissance art, and contemporary fashions. Turbans, as this book shows, have moved in and out of Western culture, at times archaic and forgotten, then noticed and reinstated as major accessories. Today Sikh men are recognized by their distinctive headwraps, and the turban remains an important part of Black culture. This book explores the turban’s many adaptations worldwide.
AUTHOR BIOGRAPHY
Chris Filstrup was chief of the Oriental Division at the New York Public Library and dean of libraries at Stony Brook University. He lives in Alexandria, Virginia. Jane Merrill has written for many national magazines and is the author of The Showgirl Costume and other cultural histories. She lives in Saint George, Maine. Together, Filstrup and Merrill are coauthors of The Wedding Night.
REVIEWS
“I'm impressed by the scope of this study, from the turban as a marker of religious affiliation to a prop for Rembrandt to a distinctive fashion for women. Headgear off to Filstrup and Merrill.”
— Gay Talese
"The Turban is a lively romp through the history and geography of this now ubiquitous headgear. The book offers unexpected nuggets from ancient origins in Asia to the turban's function in contemporary fashion."
— Thomas DaCosta Kaufmann, Marquand Professor of Art and Archaeology, Princeton University
TABLE OF CONTENTS
Introduction
Chapter One: A Path into Western Iconography
Chapter Two: Trade, Diplomacy and Depiction
Chapter Three: Nabobs, Adventurers and Travellers
Chapter Four: Masques and Turquerie
Chapter Five: Riding the Magic Carpet
Chapter Six: A Neoclassical Accessory
Chapter Seven: Individual Expressions: Africa and the Caribbean
Chapter Eight: Cultural Tourism and Authenticity since 1900
References
Bibliography
Acknowledgements
Photo Acknowledgements
Index
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