ABOUT THIS BOOKA comprehensive catalogue of every known figurine from the Fremont culture
The Fremont culture is famous for its anthropomorphic figurines—small clay figures occasionally dressed in clothing and decorated with jewelry—but surprisingly, archaeologists know very little about these important artifacts and their place in Fremont society. In Faces of the Fremont, the largest study of the subject ever undertaken, David T. Yoder takes a straightforward approach to cultural commentary through artifactual analysis as he interprets over 800 figurines and anthropomorphic objects.
Unlike previous research on the subject, this volume explores neglected topics within Fremont studies, including sex and gender, clothing and body decoration, hairstyles, and childhood. Complete with in-depth analysis and interpretation of the significance of the figurines to the Fremont people, as well as hundreds of beautiful color photographs, Faces of the Fremont provides a nuanced understanding of figurine manufacture, formalizes a classification system for figurine traits, and documents new and interesting geographic and temporal patterns.
AUTHOR BIOGRAPHYDavid T. Yoder is associate professor of anthropology at Weber State University and the former archaeologist in Utah’s Public Lands Policy Coordinating Office. He has published dozens of articles in academic journals, books, monographs, and reports.
REVIEWS“An excellent book that aptly discusses the possible and probable meanings of figurines.”—James Allison, Brigham Young University
“By far the most comprehensive documentation of Fremont figurines. Yoder’s synthesis speaks to clothing styles, adornment, gender, and variations in Fremont identity and situates Fremont within a Southwestern Puebloan context. Clearly written and documented, this book will be essential to those who study figurines. There isn’t anything comparable.”—Steven R. Simms, emeritus professor Utah State University and author of First Peoples of Great Salt Lake
“Yoder has taken on the monumental challenge not only to examine hundreds of long-forgotten Fremont figurines, but to delve into their role as unique cultural identifiers of a people now almost lost to history. This volume serves both amateur and professional alike as a master class in how Fremont culture, ideology, and art are expressed in artifact style and form.”—Richard K. Talbot, director emeritus of the Office of Public Archaeology, Brigham Young University