Contents
Editorial: Aesthetics’ non-recyclable ground - Felix Duque
Seeing through dead eyes: How early Tang tombs staged the afterlife - Jonathan Hay
The hidden aesthetic of red in the painted tombs of Oaxaca - Diana Magaloni Kerpel
A consideration of the quatrefoil motif in Preclassic Mesoamerica - Julia Guernsey
Dyades et agencements dualistes de l’autorité à Fidji: Un examen des sources sur la société traditionnelle - Marc Rochette
A sacred landscape: The creation, maintenance, and destruction of religious monuments in Roman Germany - Rachel Kousser
Diversification of knowledge: Military architecture as a political tool in the Renaissance. The case of Francesco di Giorgio Martini - Francesco Benelli
Image and site: Castiglione Olona in the early fifteenth century - Jas Elsner
The icon as performer and as performative utterance: The sixteenth-century Vladimir Mother of God in the Moscow Dormition Cathedral - Marie E. Gasper-Hulvat
Untimely Objects: Giorgio de Chirico’s The Evil Genius of a King (1914) between the antediluvian and the posthuman - Ara H. Merjian
Max Ernst in Arizona: Myth, mimesis, and the hysterical landscape - Samantha Kavky
Form as revolt: Carl Einstein’s philosophy of the real and the work of Paul Klee - Sebastian Zeidler
The theft of the goddess Amha Mata: Ontological location and Georges Bataille’s bas matérialisme - Deborah L. Stein
Embodiments and art beliefs: On Yves Klein - Filippo Fimiani
On the formal principles of adornment and its meaning as a symbol in art (second section) - Translated by Kathryn Schoefert and Spyros Papapetros, foreword by Spyros Papapetros - Gottfried Semper
World ornament: The legacy of Gottfried Semper’s 1856 lecture on adornment - Spyros Papapetros
Original and facsimile reproduction (Translated by Timothy Grundy) - Erwin Panofsky
The photographic reproduction of space: Wölfflin, Panofsky, Kracauer - Megan R. Luke
Against posthuman ideology: Aesthetics and finitude of the individual - Francesco Paolo Adorno
L’autre supplément, I - Remo Guidieri