Contents
Introduction - E. Bert Wallace
Making Up the Audience: Spectatorship in Historical Context - Susan Bennett
The Matinee Audience in Peril: The Syndicate’s Mr. Bluebeard and the Iroquois Theatre Fire - Jane Barnette
Prosceniums and Screens: Audience Embodiment into the Digital Age - Becky Becker
Annie Oakley and the Disruption of Victorian Expectations - Lisa Bernd
Thomas King at Sadler’s Wells and Drury Lane: How the Audience (Mis)Read Management - Evan Bridenstine
Image - Makers and Their Discontents: Lady Gregory and the Abbey Theatre Audience - Michael Jaros
Anxious Audiences and the Early Modern English Transvestite Theatre - Robert I. Lublin
Neglected Evidence: Interpreting the Site of an Elizabethan Royal Entertainment - Paulette Marty
Creating Ideal Audiences: Ludwig Tieck and German Access to Shakespeare - Natalie Tenner
Shuffling Roles: Alterations and Audiences in Shuffle Along - David S. Thompson
When Audiences Attack: The Manhandling of Actress and Activist Kitty Marion - Christine Woodworth
Contributors