“Andrew Apter’s splendid historical ethnography examines how Nigeria’s oil-rich state utilized its petroleum revenues in an extravaganza of cultural production that attempted to transform oil money into national identity. The Pan-African Nation offers an engaging and intellectually provocative account of the Second World Black and African Festival of Arts and Culture, which Nigeria hosted in 1977, an event better known as FESTAC ’77. Nigeria spent hundreds of millions of dollars, perhaps even several billions dollars, of its oil wealth to organize FESTAC, a spectacle that displayed Nigeria’s newfound riches, repackaged its many diverse cultural traditions so as to try to create a Nigerian national culture that would at once bind the nation and establish Nigeria as the center of the black world. Apter’s brilliance, and the enduring contribution of the book, is in showing not only the complex history and ethnography that situate and explain the Nigerian state’s invention of tradition and culture, but also the ways in which the manipulation of signs and symbols in FESTAC both obscured and reflected the contradictions inherent in Nigeria’s oil economy. . . . The Pan-African Nation offers a compelling account of the relationship between culture and power. The book weaves together an artful tapestry of the material and cultural transformations wrought by the influence of oil wealth. It demonstrates the centrality of cultural production in statecraft, providing what Apter describes as ‘a political economy of the sign in postcolonial Nigeria.’ . . . The Pan-African Nation . . . is a splendid book written in a clear and sophisticated style with provocative and persuasive arguments backed up by superb scholarship.”
— Daniel Jordan Smith, Anthropological Quarterly
“Building its analysis on an art project that ordinarily might be considered unrelated to oil studies, the book explains how sudden oil wealth in the 1970s brought Nigeria great possibilities and grand illusions, and how these were projected through a pan-African arts extravaganza.”
— Wilson Akpan, Journal of Contemporary African Studies
"Apter's expertise on Nigeria is on full display. . . . The book is a powerful statement on the emergence of a post-colonial national identity; Apter is quite sklled in balancing political economic and cultural spheres. . . . A rewarding read and I recommend it to Africanists and others interested in nationalism, political culture, diaspora studies, and Nigeria."
— Brennan Kraxberger, Journal of Modern African Studies
"For those interested in issues of culture and nationalism in Africa, this book will serve as one of the very best on the subject."
— Toyin Falola, Nations and Nationalism
"The great value of this book is that from its focus on the production of culture, it is able to suggest connections between diverse spheres at various locations and at various points in time. . . . It encourages the reader to examine familiar interpretations in a new light, drawing attention to many interesting parallels."
— Dmitri van den Bersselaar, Journal of African History
"This is a penetrating if scathing critique of unfulfilled expectations and lost opportunities in the wake of Nigeria's march toward a modern nation-state. . . . In his brilliant analysis of the political, economic, and social dynamics of Nigeria, Andrew Apter turns to FESTAC as an appropriate metaphor for a critical review of the prodigious problems, challenges, and ills facing Africa's most populous country."
— Bolaji Campbell, African Studies Review
"Apter's splendid historical ethnography examines how Nigeria's oil-rich state utilized its petroleum revenues in an extravaganza of cultural production that attempted to transform money into national identity. . . . Apter's brilliance, and the enduring contribution of the book, is in showing not only the complex history and ethnography that situate and explain the Nigerian state's invention of tradition and culture, but also the ways in which the manipulation of signs and symbols . . . both obscured and reflected the contradictions inherent in Nigeria's oil economy. . . . For anyone interested in corruption as a cultural phenomenon, or more generally in the role of signs and symbols in political and economic processes, this is gripping and convincing material."
— Daniel Jordan Smith, Anthropological Quarterly
"The approach leads to rich and thoughtful explorations of Nigeria's most crucial problem: creating a national culture. . . . Richly rewarding and highly recommended, both for those interested in Nigeria and also as an addition to the growing number of reexaminations and interpretations of the great world fairs and exhibitions of the past."
— Paul A. Beckett, The Historian
"This book deserves a wide readership, and I expect that it will get it. Apter has provided us with an account of a postcolonial African political culture that is both theoretically and empirically compelling."
— Jonathan Sadowsky, American Historical Review