Contents
Acknowledgments
Introduction Dominican Migration on Center Stage
Chapter 1 - The Drama of Yola Migration and the Biopolitics of Disposability
Chapter 2 - Alternate Belongings: Dominican Male Solo Performance
Chapter 3 - Breaking the Silence of Heteronormativity in the Theater of Marco Antonio Rodríguez
Chapter 4 - “Home Is Where Theatre Is”: Dominican Women’s Stories of Return Migration
Chapter 5 - Borrowed Identities: Performing Undocumented Migration and Rights of Citizenship
Chapter 6 - The Aesthetics of Minor Transnationalism in the Theater of Frank Disla
Coda
Notes
Works Cited
Index