"Molly Martin and Paola Ugolini’s edition and translation of Veronica Gambara shows that she wrote in an unusual range of genres in addition to the Christianized Petrarchism of her love poems to her deceased husband: a ballad set to music, paeans to beloved places, and letter-sonnets to friends such as Pietro Bembo. This edition brings all her poems together for the first time, provides a richly informed introduction filling in her biography, including her many social circles, and offers an excellent set of historical data and literary-critical references. The prose translations are accurate and useful, rendering Gambara’s intricate syntax clearly and showing how interesting the work of this early woman poet is."
— Ann Rosalind Jones, Smith College