Cover
Title Page
Copyright
Contents
Acknowledgments Susan Manning and Lucia Ruprecht
Contributor’s Acknowledgments
Introduction New Dance Studies/New German Cultural Studies Susan Manning and Lucia Ruprecht
1. Affect, Discourse, and Dance before 1900 Christina Thurner
2. Lola Montez and Spanish Dance in the 19th Century Claudia Jeschke
3. Picturing Palucca at the Bauhaus Susan Funkenstein
4. Rudolf Laban’s Dance Film Projects Susanne Franco
5. Hanya Holm and an American Tanzgemeinschaft Tresa Randall
6. Lotte Goslar’s Clowns Karen Mozingo
7. Back Again? Valeska Gert’s Exiles Kate Elswit
8. Was bleibt? The Politics of East German Dance Marion Kant
9. Warfare over Realism Tanztheater in East Germany, 1966–1989 Franz Anton Cramer
10. Moving against Disappearance East German Bodies in Contemporary Choreography Jens Richard Giers
11. Pina Bausch, Mary Wigman, and the Aesthetic of “Being Moved” Sabine Huschka
12. Negotiating Choreography, Letter, and Law in William Forsythe Gerald Siegmund
13. Engagements with the Past in Contemporary Dance Yvonne Hardt
14. Lecture Performance as Contemporary Dance Maaike Bleeker
15. Toward a Theory of Cultural Translation in Dance Gabriele Klein
Contributors
Index