"Porter is an exceptional scholar. Clear, intelligent, and filled with fascinating examples, this book is contemporary while reaching beyond the fashionable, and it will arouse a good deal of discussion."
— Simon Goldhill, author of Preposterous Poetics
“This book is a reckoning with who or what we understand Homer to be and how we have reinvented him for our own ends. Porter makes clear the impossibility of Homer both as a concept and as a person, revealing him as the illusion of a perfectly formed whole that has been kept alive for millennia, a ghost in the machine, a phantom both alive and dead. As a leading scholar in dismantling assumptions about the classical past, Porter has written an original, compelling, and eye-opening book that will generate excitement and admiration.”
— Alex C. Purves, author of Homer and the Poetics of Gesture
“Homer: The Very Idea is an extraordinary quest in search not of the elusive Homer but of Homer’s elusivity. Porter takes up Homer as a phenomenon repeatedly produced over millennia, in different times and places, as the gauzy point of origin for cultural value that refuses to vanish. By critically engaging the idea of Homer, he delves deep into the very logic of the tradition’s value. An inimitable tour de force of transhistorical spectrology.”
— Brooke Holmes, author of Gender: Antiquity and Its Legacy
"Porter presents intriguing instances of writers who, in thrall to the beauty of Homer’s poetry, either celebrate or deflect from the actual war carnage described therein. Porter’s book provides not only a valuable introduction to the enigma of Homer and the roads taken down the centuries to solve—or at least better understand—that enigma, but also a number of challenging and eye-opening readings of the texts themselves. . . . I found that reading Homer through Porter’s eyes was sometimes most enjoyable precisely when our viewpoints diverged. This, in itself, is a sign of a rich and engaging book."
— New Criterion
"Here is a learned tome worth careful examination. Porter presents an original, focused, intelligent analysis of Homer's oeuvre. The style is breathtaking and the range truly impressive. . . . Summing Up: Recommended."
— CHOICE
"In this spirited book, Porter identifies not one but three Homeric questions. First, when, how and by whom were the Iliad and the Odyssey actually composed (that is, the Homeric Question as we traditionally know it)? Second, how should we interpret the poems? And third, how does Homer work as a figure of the imagination? . . . One example of Porter’s brilliance is his discussion of Homer’s blindness. Neither historical fact nor unquestioned assumption, 'blindness' was a way for ancient readers to discuss the extraordinary vividness of Homeric epic – a quality that made an impression also on later readers."
— Barbara Graziosi, Times Literary Supplement
"Brisk and energetic. Students (and teachers) will find much here to provoke thought and argument about the literary, cultural and moral issues, which find expression and exploration via the pages of this most enigmatic of poets."
— Journal of Classics Teaching
"This book is the culmination of Porter's work of two decades on Homer as the history of an idea... it demonstrates the immense potential of the poems and their author to
create new ideas according to the perspectives of their readers."
— The Classical Review
"Porter’s is a fascinating and erudite book with a penchant for striking prose."
— Bryn Mawr Classical Review
"Another book about Homer? No, says [Porter], this one is quite different: he will tease out the sources of Homer’s mystique down the ages, examining the fascination he has cast over posterity since the first recorded references in ancient Greece. There will be nothing about Homer the poet or his supposed historical existence, about the poems’ literary worth or the circumstances of their composition, certainly nothing about heroic society, simply the pursuit of a concept, an idea, a cultural invention of successive ages called ‘Homer’."
— Classics for All
"Porter’s book takes us across nearly three millennia of grappling and wrestling with the idea of Homer—who he was, whether he existed, his deification by his admirers, his de-mythologizing by his critics, and his eternal recurrence again and again and again across space and time."
— Merion West
"James I. Porter explores the history of Homer’s reception, focusing on the various attempts to construct the illusive identity of the Greek poet. At the same time, following a revisionist tradition popular not only in classical studies but also pervasive in academia through the past nearly seventy years, he argues that the real reading of Homer has been obscured by millennia of Western chauvinism and ideology."
— University Bookman
"[Porter] cuts right to the bone of the subject. . . Though our attempts to create a biography around Homer are fruitless, the idea of Homer is eternal."
— Law and Liberty