Frank H. Knight (1885-1972) was a central figure—many say the dominant influence—in the development of the "Chicago School of Economics" at the University of Chicago in the 1930s and 1940s, where he taught future Nobel laureates Milton Friedman, James Buchanan, George Stigler, and many other notable scholars. It was Knight's embedded skepticism about the reach of economic knowledge that set the stage for the laissez-faire economics that matured at the University in the 1950s and 1960s. But as important as Knight's technical economic contributions were, he never strayed far from his broad philosophical interests and concern for the state of modern liberal democracy.

Ross B. Emmett's selection of Knight's essays is the first to offer a comprehensive picture of the work of this notable social scientist over the span of his career. Included are not only Knight's most influential writings, but also a number of uncollected papers which have not previously been widely accessible. These essays illustrate Knight's views on the central debates regarding economics, social science, ethics, education, and modern liberalism. Volume 1: "What is Truth" in Economics? contains fifteen of Knight's papers up through 1940. Volume 2: Laissez Faire: Pro and Con includes fourteen of Knight's papers from 1940 through 1967, including "Socialism: The Nature of the Problem" and "The Sickness of Liberal Society."

These twenty-nine essays together stand not only as a monument to one of economics' most significant and original thinkers, but will also serve as an invaluable resource for economists, philosophers, and political scientists interested in the development of the western liberal tradition.

This is the second of six volumes collecting significant papers of the distinguished astrophysicist and Nobel laureate S. Chandrasekhar. His work is notable for its breadth as well as for its brilliance; his practice has been to change his focus from time to time to pursue new areas of research. The result has been a prolific career full of discoveries and insights, some of which are only now being fully appreciated.

Chandrasekhar has selected papers that trace the development of his ideas and that present aspects of his work not fully covered in the books he has periodically published to summarize his research in each area.

Volume 2 covers primarily the period 1940-50 and includes papers on the theory of radiative transfer and on the physics and astrophysics of the negative ion of hydrogen. Of particular note are Chandrasekhar's Gibbs Lecture to the American Mathematical Society in 1946 and his "Personal Account" presented at a conference at Erevan in the U.S.S.R. in 1981. A foreword by T. W. Mullikin, a distinguished scholar in the area of radiative transfer, and an author's note provide a historical context for the papers.

These volumes feature works from across Lai’s career, providing an exceptional selection of a diverse range of performances.
 
Volume Two contains:
Millennium Teahouse
Sand on a Distant Star
Like Shadows
The Village
Writing in Water

Sherwood Anderson, an important American novelist and short-story writer of the early twentieth century, is probably best known for his novel Winesburg, Ohio. His realistic and nonformulaic writing style would influence the next generation of authors, most notably Ernest Hemingway and William Faulkner.
    Walter Rideout’s Sherwood Anderson: A Writer in America is a seminal work that reintroduces us to this important, yet recently neglected, American writer, giving him long overdue attention. This second volume of the monumental two-volume work covers Anderson’s life after his move in the mid-1920s to “Ripshin,” his house near Marion, Virginia (where Volume 1 ended.) The second volume covers his return to business pursuits; his extensive travels in the South touring factories, which resulted in his political involvement in labor struggles and several books on the topic; and finally his unexpected death in 1941.
    No other existing Anderson biography, the most recent of which was published nearly twenty years ago, is as thoroughly researched, so extensively based on primary sources and interviews with a range of Anderson’s friends and family members, or as complete in its vision of the man and the writer. Rideout uncovers much new information about events and people in Anderson’s life and provides a new perspective on many of his works. This two-volume biography presents Anderson’s many remarkable attributes more clearly than ever before, while astutely placing his life and writings in the broader social, political, and artistic movements of his times.


Outstanding Book, selected by the American Association of School Librarians, and Best Books for General Audiences, selected by the Public Library Association

Outstanding Academic Title, Choice Magazine

Winner, Biography Award, Society of Midland Authors

In this authoritative three-volume reference work, leading researchers bring together current work to provide a comprehensive analysis of the comparative morphology, development, evolution, and functional biology of the skull.

Hamid Naficy is one of the world’s leading authorities on Iranian film, and A Social History of Iranian Cinema is his magnum opus. Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran’s peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran. This comprehensive social history unfolds across four volumes, each of which can be appreciated on its own.

Volume 2 spans the period of Mohammad Reza Shah’s rule, from 1941 until 1978. During this time Iranian cinema flourished and became industrialized, at its height producing more than ninety films each year. The state was instrumental in building the infrastructures of the cinema and television industries, and it instituted a vast apparatus of censorship and patronage. During the Second World War the Allied powers competed to control the movies shown in Iran. In the following decades, two distinct indigenous cinemas emerged. The more popular, traditional, and commercial filmfarsi movies included tough-guy films and the “stewpot” genre of melodrama, with plots reflecting the rapid changes in Iranian society. The new-wave cinema was a smaller but more influential cinema of dissent, made mostly by foreign-trained filmmakers and modernist writers opposed to the regime. Ironically, the state both funded and censored much of the new-wave cinema, which grew bolder in its criticism as state authoritarianism consolidated. A vital documentary cinema also developed in the prerevolutionary era.

A Social History of Iranian Cinema
Volume 1: The Artisanal Era, 1897–1941
Volume 2: The Industrializing Years, 1941–1978
Volume 3: The Islamicate Period, 1978–1984
Volume 4: The Globalizing Era, 1984–2010

In this second volume, Albert Boime continues his work on the social history of Western art in the Modern epoch. This volume offers a major critique and revisionist interpretation of Western European culture, history, and society from Napoleon's seizure of power to 1815. Boime argues that Napoleon manipulated the production of images, as well as information generally, in order to maintain his political hegemony. He examines the works of French painters such as Jacques-Louis David and Jean Auguste Dominique Ingres, to illustrate how the art of the time helped to further the emperor's propagandistic goals. He also explores the work of contemporaneous English genre painters, Spain's Francisco de Goya, the German Romantics Philipp Otto Runge and Caspar David Friedrich, and the emergence of a national Italian art.

Heavily illustrated, this volume is an invaluable social history of modern art during the Napoleonic era.

Stimulating and informative, this volume will become a valuable resource for faculty and undergraduates.—R. W. Liscombe, Choice

While many Civil War reference books exist, there is no single compendium that contains important details about the combatant states (and territories) that Civil War researchers can readily access for their work. People looking for information about the organizations, activities, economies, demographics, and prominent personalities of Civil War states and state governments must assemble data from a variety of sources, with many key sources remaining unavailable online. This volume provides a crucial reference book for Civil War scholars and historians, professional or amateur, seeking information about New York during the war. Its principal sources include the Official Records, state adjutant general reports, legislative journals, state and federal legislation, executive speeches and proclamations on the federal and state levels, and the general and special orders issued by the military authorities of both governments, North and South. Designed and organized for easy use, this book can be read in two ways: by individual state, with each chapter offering a stand-alone history of an individual state’s war years; or across states, comparing reactions to the same event or solutions to the same problems.

This is the first major collection in English of August Strindberg's letters, the most vital and wide-ranging body of correspondence in Scandinavian literature. Of ten thousand surviving letters, Michael Robinson has selected and translated more than five hundred of the most important, which trace Strindberg's development and provide a comprehensive view of the life and work of this towering figure in European literary and theatrical Modernism.

The eighteen essays collected in this volume have been selected and ordered to give what Lévi-Strauss terms "a bird's-eye view of the problems of modern ethnology." As representative examples, these essays introduce readers to the methods of structural anthropology while affording a glimpse into the mind of one of the foremost anthropologists of our time.

"Structural Anthropology, Volume II is a diverse collection. [It is] a useful 'sampler' that gives a reader the full range of Lévi-Strauss's interests."—Daniel Bell, New York Times Book Review

The field of weak arithmetics is an application of logical methods to number theory that was developed by mathematicians, philosophers, and theoretical computer scientists. New Studies in Weak Arithmetics is dedicated to late Australian mathematician Alan Robert Woods (1953-2011), whose seminal thesis is published here for the first time. This volume also contains the unpublished but significant thesis of Hamid Lesan (1951-2006) as well as other original papers on topics addressed in Woods’s thesis and life’s work that were first presented at the 31st Journées sur les Arithmétiques Faibles meeting held in Samos, Greece, in 2012.

This second edition of James D. McCawley's classic textbook offers in one volume a complete course in the syntactic structure of English. New to this edition are sections on appositive constructions, parasitic gaps, contrastive negation, and comparative conditional sentences, as well as expanded coverage of cleft sentences and free relatives. The presentation is coherent, comprehensive, and systematically organized, beginning with an overview of McCawley's approach to syntactic analysis and progressing through the major constructions and processes of English grammar. No prior special knowledge of syntax is presupposed, and the number and variety of exercises after each chapter have been increased.

And now available from the author! Answers to Selected Exercises.

Instructors using James D. McCawley's The Syntactic Phenomena of English, Second Edition may request a complimentary copy of Answers to Selected Exercises in The Syntactic Phenomena of English by writing on their department's letterhead to the author, James D. McCawley, Department of Linguistics, 1010 E. 59th Street, Chicago, IL 60637. [Note: This material is available only from the author and is not available from the University of Chicago Press.]

In this volume, the second of his three-volume reinterpretation of Christian theology, Paul Tillich comes to grips with the central idea of his system—the doctrine of the Christ. Man's predicament is described as the state of "estrangement" from himself, from his world, and from the divine ground of his self and his world. This situation drives man to the quest for a new state of things, in which reconciliation and reunion conquer estrangement. This is the quest for the Christ.