A SCHOLARLY BOOK REPOSITORY
184 books about Volume 1 and 19
start with C
184 books about Volume 1 and 19
184 books about Volume 1
19 start with C start with C
19 start with C start with C
Canadian Art, Volume 1 (A-F)
Canadian Art: Volume I (A-F)
Edited by Charles C. Hill and Pierre B. Landry
University of Chicago Press, 1988
Chemical Demonstrations, Volume 1
A Handbook for Teachers of Chemistry
Bassam Z. Shakhashiri
University of Wisconsin Press, 1983
The demonstrations capture interest, teach, inform, fascinate, amaze, and perhaps, most importantly, involve students in chemistry. Nowhere else will you find books that answer, "How come it happens? . . . Is it safe? . . . What do I do with all the stuff when the demo is over?"
Shakhashiri and his collaborators offer 282 chemical demonstrations arranged in 11 chapters. Each demonstration includes seven sections: a brief summary, a materials list, a step-by-step account of procedures to be used, an explanation of the hazards involved, information on how to store or dispose of the chemicals used, a discussion of the phenomena displayed and principles illustrated by the demonstration, and a list of references.
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Class Analysis in Early America and the Atlantic World
Foundations and Future, Volume 1
Simon Middleton
Duke University Press
Given the dissolution of the Soviet Union, the growing strength of global capitalism, the deindustrialization of wealthy nations, and new academic fashions, class relations are often considered an obsolete mode of historical analysis. Yet unprecedented levels of material inequality and class fragmentation continue to plague both the wealthier and the poorer parts of the world. Addressing this fundamental disconnect between contemporary historical scholarship and reality, Class Analysis in Early America and the Atlantic World, a special issue of Labor: Studies in Working-Class History of the Americas, offers a reevaluation of the potential and future of class analysis in scholarly work, particularly as it relates to increasing the understanding of the popular struggle in the early modern Atlantic world, a struggle that lies at the heart of many of today’s class-related dilemmas.
Assembling essays written by three generations of labor historians, each with markedly different approaches to the labor histories of early America and the Atlantic world, this issue offers unique insights into the evolution of class analysis and its shifting place in the field of labor history. In one essay, a renowned member of the first generation of “new social historians” reflects on his work, considering the past and future of class analysis while highlighting some of his current views about class in early America. In other essays, a new generation of scholars enriches scholarship on early America and the Atlantic by incorporating complex and nuanced discussions of race and gender into traditional class analyses. Perhaps signaling the future of the field, another essay discusses the theoretical foundations and implications of a globalized mode of historical class analysis, examining the complicated connections among peoples in Europe, Africa, and North America during the seventeenth and eighteenth centuries and the impact these connections had in shaping early America and the Atlantic world.
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The Collected Essays and Criticism, Volume 1
Perceptions and Judgments, 1939-1944
Clement Greenberg
University of Chicago Press, 1988
Clement Greenberg (1909–1994), champion of abstract expressionism and modernism—of Pollock, Miró, and Matisse—has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States.
Greenberg first established his reputation writing for the Partisan Review, which he joined as an editor in 1940. He became art critic for the Nation in 1942, and was associate editor of Commentary from 1945 until 1957. His seminal essay, "Avant-Garde and Kitsch" set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.
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The Collected Letters of Thomas and Jane Welsh Carlyle
1812–21, Volume 1
Charles Richard Sanders
Duke University Press
Don’t miss a single volume. Subscribe today!
Back volumes are available for purchase. To ensure that you don't miss a single issue, subscribe to The Collected Letters of Thomas and Jane Welsh Carlyle today. For more information, click here.
Back volumes are available for purchase. To ensure that you don't miss a single issue, subscribe to The Collected Letters of Thomas and Jane Welsh Carlyle today. For more information, click here.
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Commentaries on the Laws of England, Volume 1
A Facsimile of the First Edition of 1765-1769
William Blackstone
University of Chicago Press, 1979
Sir William Blackstone's Commentaries on the Laws of England (1765-1769) stands as the first great effort to reduce the English common law to a unified and rational system. Blackstone demonstrated that the English law as a system of justice was comparable to Roman law and the civil law of the Continent. Clearly and elegantly written, the work achieved immediate renown and exerted a powerful influence on legal education in England and in America which was to last into the late nineteenth century. The book is regarded not only as a legal classic but as a literary masterpiece.
Previously available only in an expensive hardcover set, Commentaries on the Laws of England is published here in four separate volumes, each one affordably priced in a paperback edition. These works are facsimiles of the eighteenth-century first edition and are undistorted by later interpolations. Each volume deals with a particular field of law and carries with it an introduction by a leading contemporary scholar.
In his introduction to this first volume, Of the Rights of Persons, Stanley N. Katz presents a brief history of Blackstone's academic and legal career and his purposes in writing the Commentaries. Katz discusses Blackstone's treatment of the structure of the English legal system, his attempts to justify it as the best form of government, and some of the problems he encountered in doing so.
Previously available only in an expensive hardcover set, Commentaries on the Laws of England is published here in four separate volumes, each one affordably priced in a paperback edition. These works are facsimiles of the eighteenth-century first edition and are undistorted by later interpolations. Each volume deals with a particular field of law and carries with it an introduction by a leading contemporary scholar.
In his introduction to this first volume, Of the Rights of Persons, Stanley N. Katz presents a brief history of Blackstone's academic and legal career and his purposes in writing the Commentaries. Katz discusses Blackstone's treatment of the structure of the English legal system, his attempts to justify it as the best form of government, and some of the problems he encountered in doing so.
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Commentary on the Twelve Prophets, Volume 1
Saint Cyril of Alexandria
Catholic University of America Press, 2007
No description available
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The Complete Greek Tragedies, Volume 1
Aeschylus
Edited by David Grene and Richmond Lattimore
University of Chicago Press, 1992
The Grene and Lattimore edition of the Greek tragedies has been among the most widely acclaimed and successful publications of the University of Chicago Press. On the occasion of the Centennial of the University of Chicago and its Press, we take pleasure in reissuing this complete work in a handsome four-volume slipcased edition as well as in redesigned versions of the familiar paperbacks.
For the Centennial Edition two of the original translations have been replaced. In the original publication David Grene translated only one of the three Theban plays, Oedipus the King. Now he has added his own translations of the remaining two, Oedipus at Colonus and Antigone, thus bringing a new unity of tone and style to this group. Grene has also revised his earlier translation of Prometheus Bound and rendered some of the former prose sections in verse. These new translations replace the originals included in the paperback volumes Sophocles I (which contains all three Theban plays), Aeschylus II, Greek Tragedies, Volume I, and Greek Tragedies, Volume III, all of which are now being published in second editions.
All other volumes contain the translations of the tragedies of Aeschylus, Sophocles, and Euripides for the most part from the original versions first published in the 1940s and 1950s. These translations have been the choice of generations of teachers and students, selling in the past forty years over three million copies.
For the Centennial Edition two of the original translations have been replaced. In the original publication David Grene translated only one of the three Theban plays, Oedipus the King. Now he has added his own translations of the remaining two, Oedipus at Colonus and Antigone, thus bringing a new unity of tone and style to this group. Grene has also revised his earlier translation of Prometheus Bound and rendered some of the former prose sections in verse. These new translations replace the originals included in the paperback volumes Sophocles I (which contains all three Theban plays), Aeschylus II, Greek Tragedies, Volume I, and Greek Tragedies, Volume III, all of which are now being published in second editions.
All other volumes contain the translations of the tragedies of Aeschylus, Sophocles, and Euripides for the most part from the original versions first published in the 1940s and 1950s. These translations have been the choice of generations of teachers and students, selling in the past forty years over three million copies.
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The Complete Sermons of Ralph Waldo Emerson, Volume 1
Ralph Waldo Emerson, Edited by Albert J. von Frank, Intro by David M. Robinson
University of Missouri Press, 1989
This inaugural volume of a four-volume set marks the beginning of the publication of all 180 of the extant sermons composed and delivered by Emerson between the start of his ministerial career in 1826 and his final retirement from the pulpit in 1838.
Edited from manuscripts in the Houghton Library, Harvard University, the sermons are presented in chronological order in a clear text approximating as nearly as possible the original version read by Emerson to his congregation. The historical introduction by David M. Robinson gives a significant appraisal of Emerson's life between 1826 and 1838 and of his absorption in and reaction against the religious culture of his time.
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The Complete Short Stories, Volume 1
Enid Dinnis
Catholic University of America Press, 2023
Gathered here for the first time are the stories of Enid Dinnis, who lived and wrote in London throughout the first half of the 20th century. Enid Dinnis moved widely in the London literary world but she was also Mother Superior of a ‘hidden’ religious order, The Daughters of the Heart of Mary. Few in London’s literary scene knew that Dinnis was a nun but she lived most of her life in a small convent in Wimbledon with other well-known figures from the period, including Maud Petre. Dinnis wrote Catholic stories for readers of all ages. She is one of the finest lost authors of the Catholic Literary Revival. Dinnis’s intervention in the short story genre is considerable. She weaves together fairy tale, myth, Catholic mysticism, epiphanic dialogue and everyday characterization to produce stories that are both simple and complex, both light-hearted and profound. Always concerned with ‘the wonderful resourcefulness of the love of God’, her stories proclaim the presence and workings of divine grace in the everyday lives of all people—old and young, sceptics and seekers, farmers and priests. Dinnis’s stories show that God’s love is the answer to all human struggles and quests. They illustrate what it means to receive love – human and divine – and to pass it on. Her work is filled with visions and confessions, miracles and conversions – but it is never overly pious or saccharine. Her characters are real people experiencing the truths proclaimed by the Catholic faith, which is always as marvelous as it is every-day. Enid Dinnis’s stories reenchant the post-enlightenment world along Catholic lines. Her stories put the supernatural firmly back into the world in a way more needed than ever.
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The Complete Tales of Nikolai Gogol, Volume 1
Nikolai Gogol
University of Chicago Press, 1985
Nikolai Gogol was an artist who, like Rabelais, Cervantes, Swift, and Sterne, "knew how to walk upside down in our valley of sorrows so as to make it to a merry place." This two-volume edition at last brings all of Gogol's fiction (except his novel Dead Souls) together in paperback. Volume 1 includes Evenings on a Farm near Dikanka, the early Ukrainian folktales that first brought Gogol fame, as well as "Nevsky Prospekt" and "Diary of a Madman."
"It is good to have a complete collection of Gogol's tales in paperback. . . . Professor Kent has thoroughly revised Mrs. Garnett's conscientious and skillful translation, eliminating the Victorianisms of her style, correcting mistakes and pruderies of diction, and making the whole translation sound much more contemporary and alive. But he has avoided the whimsicality and 'curliness' in which some recent translators indulged, and he has not changed or suppressed anything material. He has also supplied helpful notes which are often the first annotation in English, and he has written an introduction which steers the correct middle course between making Gogol an irresponsible artist of the grotesque and proving him a documentary historian of backward Russia."—René Wellek, Yale University
"It is good to have a complete collection of Gogol's tales in paperback. . . . Professor Kent has thoroughly revised Mrs. Garnett's conscientious and skillful translation, eliminating the Victorianisms of her style, correcting mistakes and pruderies of diction, and making the whole translation sound much more contemporary and alive. But he has avoided the whimsicality and 'curliness' in which some recent translators indulged, and he has not changed or suppressed anything material. He has also supplied helpful notes which are often the first annotation in English, and he has written an introduction which steers the correct middle course between making Gogol an irresponsible artist of the grotesque and proving him a documentary historian of backward Russia."—René Wellek, Yale University
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The Complete Tragedies, Volume 1
Medea, The Phoenician Women, Phaedra, The Trojan Women, Octavia
Lucius Annaeus Seneca
University of Chicago Press, 2017
The first of two volumes collecting the complete tragedies of Seneca.
Edited by world-renowned classicists Elizabeth Asmis, Shadi Bartsch, and Martha C. Nussbaum, the Complete Works of Lucius Annaeus Seneca series offers authoritative, modern English translations of the writings of the Stoic philosopher and playwright (4 BCE–65 CE). The two volumes of The Complete Tragedies present all of his dramas, expertly rendered by preeminent scholars and translators.
This first volume contains Medea, The Phoenician Women, Phaedra, The Trojan Women, and Octavia, the last of which was written in emulation of Senecan tragedies and serves as a unique example of political tragedy. The second volume includes Oedipus, Hercules Mad, Hercules on Oeta, Thyestes, and Agamemnon. High standards of accuracy, clarity, and style are maintained throughout the translations, which render Seneca into verse with as close a correspondence, line for line, to the original as possible, and with special attention paid to meter and overall flow. In addition, each tragedy is prefaced by an original translator’s introduction offering reflections on the work’s context and meaning. Notes are provided for the reader unfamiliar with the culture and history of classical antiquity. Accordingly, The Complete Tragedies will be of use to a general audience and professionals alike, from the Latinless student to scholars and instructors of comparative literature, classics, philosophy, drama, and more.
Edited by world-renowned classicists Elizabeth Asmis, Shadi Bartsch, and Martha C. Nussbaum, the Complete Works of Lucius Annaeus Seneca series offers authoritative, modern English translations of the writings of the Stoic philosopher and playwright (4 BCE–65 CE). The two volumes of The Complete Tragedies present all of his dramas, expertly rendered by preeminent scholars and translators.
This first volume contains Medea, The Phoenician Women, Phaedra, The Trojan Women, and Octavia, the last of which was written in emulation of Senecan tragedies and serves as a unique example of political tragedy. The second volume includes Oedipus, Hercules Mad, Hercules on Oeta, Thyestes, and Agamemnon. High standards of accuracy, clarity, and style are maintained throughout the translations, which render Seneca into verse with as close a correspondence, line for line, to the original as possible, and with special attention paid to meter and overall flow. In addition, each tragedy is prefaced by an original translator’s introduction offering reflections on the work’s context and meaning. Notes are provided for the reader unfamiliar with the culture and history of classical antiquity. Accordingly, The Complete Tragedies will be of use to a general audience and professionals alike, from the Latinless student to scholars and instructors of comparative literature, classics, philosophy, drama, and more.
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Complete Writings and Selected Correspondence of John Dickinson
Volume 1
Jane E. Calvert
University of Delaware Press, 2011
The Complete Writings and Selected Correspondence of John Dickinson, vol. 1 inaugurates a multivolume documentary edition that will, for the first time ever, provide the complete collection of everything Dickinson published on public affairs over the course of his life. The documents include essays, articles, broadsides, resolutions, petitions, declarations, constitutions, regulations, legislation, proclamations, songs and odes. Among them are many of the seminal state papers produced by the first national congresses and conventions. Also included are correspondences between Dickinson and some of the key figures of his era. This edition should raise Dickinson to his rightful place among America’s founding fathers, rivaled in reputation only by Benjamin Franklin before 1776. Dickinson was celebrated throughout the colonies, as well as in England and France, as the great American spokesman for liberty, and the documents in this edition evidence his tireless political work and unmatched corpus.
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Conversations, Volume 1
Jorge Luis Borges and Osvaldo Ferrari
Seagull Books, 2014
Buddhism, love, Henry James, and the tango are just a few of the topics Jorge Luis Borges, Argentina’s master writer, and extraordinary conversationalist, discusses in the first volume of the remarkable new series, Conversations. The eighty-four-year-old blind man’s wit is unending and results in lively and insightful discussions that configure a loose autobiography of a subtle, teasing mind. Borges’s favorite concepts, such as time and dreaming, are touched upon, but these dialogues are not a true memoir, they are unrestricted conversations about life at present.
The Argentine short-story writer, essayist, poet and translator, contributed immensely to twentieth-century literature, and more specifically to the genres of magical realism and fantasy. As he progressively lost his sight—he became completely blind by the age of fifty-five—the darkness behind his eyelids held enchanting imagery that translated into rich symbolism in his work. The inner workings of his curious mind are seen vividly in his conversations with Ferrari, and there’s not a subject on which he doesn’t cast surprising new light. As in his tale “The Other,” where two Borgeses meet up on a bench beside the River Charles, this is a dialogue between a young poet and the elder teller of tales where all experience floats in a miracle that defies linear time.
The Argentine short-story writer, essayist, poet and translator, contributed immensely to twentieth-century literature, and more specifically to the genres of magical realism and fantasy. As he progressively lost his sight—he became completely blind by the age of fifty-five—the darkness behind his eyelids held enchanting imagery that translated into rich symbolism in his work. The inner workings of his curious mind are seen vividly in his conversations with Ferrari, and there’s not a subject on which he doesn’t cast surprising new light. As in his tale “The Other,” where two Borgeses meet up on a bench beside the River Charles, this is a dialogue between a young poet and the elder teller of tales where all experience floats in a miracle that defies linear time.
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Corpus of Maya Hieroglyphic Inscriptions, Volume 1
Introduction
Ian Graham
Harvard University Press, 1975
The goal of the Corpus of Maya Hieroglyphic Inscriptions is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world.
Volume 1 includes a Spanish translation of the Introduction text and six appendices: sources of sculpture and their codes; list of abbreviations and symbols used in the Corpus series; table of tun-endings between 8.1.15.0.0 and 10.9.3.0.0; a complete Calendar Round in tabular form, giving the position of tun-endings between 8.1.15.0.0 and 10.9.3.0.0; a method for the quick computation of Calendar Round position, by John S. Justeson; and Moon Age tables, by Lawrence Roys.
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Correspondence of Jeremy Bentham, Volume 1
1752 to 1776
Jeremy Bentham, edited by Timothy L. S. Sprigge, and series edited by J.H. Burns
University College London, 2017
The first five volumes of the Correspondence of Jeremy Bentham contain more than 1,300 letters written to and from Bentham over fifty years, beginning in 1752 at the age of three and ending in 1797 with correspondence concerning his attempts to set up a national plan for the provision of poor relief. The letters in Volume 1 (1752-1776) document his difficult relationship with his father—Bentham lost five infant siblings and his mother—and his increasing attachment to his surviving brother, Samuel. We also see an early glimpse of Bentham’s education, as he committed himself to philosophy and legal reform. The exchanges in Volume 2 (1777-1780) cover a major event: a trip by Samuel to Russia. This volume also reveals Bentham working intensively on the development of a code of penal law, enhancing his reputation as a legal thinker. Volume 3 (1781-1788) shows that despite developing a host of original ideas, Bentham actually published little during this time. Nevertheless, this volume also reveals how the foundations were being laid for the rise of Benthamite utilitarianism. The letters in Volume 4 (1788-1793) coincide with the publication of An Introduction to the Principles of Morals and Legislation, which had little impact at the time. In 1791 he published The Panopticon: or, The Inspection-House, which he proposed the building of a circular penitentiary house. Bentham’s letters unfold against the backdrop of the French Revolution and show that his initial sympathy for France began to turn into hostility. Bentham’s life during the years in Volume 5 (1794-1797) was dominated by the panopticon, both as a prison and as an indigent workhouse. The letters in this volume document in great detail Bentham’s attempt to build a panopticon prison in London, and the opposition he faced from local aristocratic landowners.
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The Correspondence of Michael Faraday
1811-1831, Volume 1
Frank A.J.L. James
The Institution of Engineering and Technology, 1991
Michael Faraday (1791-1867) was one of the most important men of science in nineteenth century Britain. His discoveries of electro-magnetic rotations (1821), and electro-magnetic induction (1831) laid the foundations of the modern electrical industry. His discovery of the magneto-optical effect and of diamagnetism (1845) led him to formulate the field theory of electro-magnetism, which forms one of the cornerstones of modern physics.
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Crime and Justice, Volume 1
An Annual Review of Research
Edited by Norval Morris and Michael Tonry
University of Chicago Press Journals, 1980
The Cult of Draupadi, Volume 1
Mythologies: From Gingee to Kuruksetra
Alf Hiltebeitel
University of Chicago Press, 1988
This is the first volume of a projected three-volume work on the little-known South Indian folk cult of the goddess Draupadi and on the classical epic, the Mahabharata, that the cult brings to life in mythic, ritual, and dramatic forms. Draupadi, the chief heroine of the Sanskrit Mahabharata, takes on many unexpected guises in her Tamil cult, but her dimensions as a folk goddess remain rooted in a rich interpretive vision of the great epic. By examining the ways that the cult of Draupadi commingles traditions about the goddess and the epic, Alf Hiltebeitel shows the cult to be singularly representative of the inner tensions and working dynamics of popular devotional Hinduism.
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